Dogpatch Press

Fluff Pieces Every Week

Category: Media

Artdecade paid me $5 to post about him, and you should do it too.

by Patch O'Furr

Somehow I found nice clean art on Artdecade’s FA gallery.

Artdecade is a furry artist who has strong words about bigots, nazis, RMFC, etc. Read what he thinks about the con’s demise and recent happenings in fandom. Or just enjoy his naughty art (NSFW!) He linked to Dogpatch Press, and it’s a nice compliment to get noticed by a furry titan who has drawn 10,000 dicks. He says:

i feel genuine sympathy for ppl that got involved with the furry raiders who were just looking for a local group of furs to hang out with. i don’t think all folks in that group are bad people by a long shot. the creators lied to people about themselves and their beliefs and used others that joined them to make themselves look like just an innocent group of fun havers. i urge members of the raiders that are upset with these people to start your own groups, free of nazi and bigotry influence.

please remember, it was not the people that called out the bigots that got the con closed, nor was it anyone’s intent to close the convention at any point. THEY shut down the con due to mismanagement and then blamed others for it. and now others are picking up the pieces they abandoned! local CO furs, check it out! https://www.denfur.co

Who got blamed for closing the convention? (From Reddit:)

I wonder which con this Dogpatch guy will try to kill next.

Kill the messenger before he strikes again!  Actually, ignore that noise and listen to smart furs who just want to be informed. It’s part of being a community. That includes dealers, artists and local Colorado furs who didn’t deserve to lose their con for the reasons that Artdecade said.

An independent voice can share critical stories others won’t.  A good way to make it possible is cold, hard cash. You can also do this for your local PBS station, but there’s a little difference if you support Dogpatch Press on Patreon.

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Payu’s Journey, by R. Lawson Gamble – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Payu’s Journey, by R. Lawson Gamble. Map.
Los Alamos, CA, Rich Gamble Associates, November 2016, trade paperback $19.98 ([4 +] 91 pages), Kindle $2.99)

This is an oversized 8½” x 11” All Ages book, which means that it is written for Young Adults but will be of interest to adults. As the cover by Krista Lynn shows, it is set in Australia and features Australian animals – and a human baby.

“Payu wandered through softly falling darkness across the barren desert emptiness, her heart choked with grief. Every step brought a jarring reminder from her milk-swollen teats.

Payu was a dingo, the wide land she traveled Australia’s Great Sandy Desert where the sparse vegetation sent long roots deep into the cracked earth in search of any scant moisture, where small patches of hardy bunch grass clung to crumbly soil surfaces. Here and there a desert pea or acacia shrub cast a long spindly shadow.” (p. 1)

Payu’s mate has been killed at their den by humans while she was out hunting, and her pups stolen. Wandering grief-filled through Australia’s northwest, she comes across two human campers, a husband and wife, and steals their infant.

“Payu watched the little one feed and considered her situation. Somehow she had made the decision to keep this tiny human. Yet in the hostile environment of the desert it could not survive without more support. She could not hunt for food and at the same time protect a hairless, defenseless pup. Not without a mate or the support of a pack.” (p. 4)

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Love Match, by Kyell Gold – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Love Match, by Kyell Gold. Illustrated by Rukis.
Dallas, TX, FurPlanet Productions, January 2017, trade paperback $19.95 (378 pages), e-books $9.99.

Kyell Gold is arguably the best author in furry fandom. He has won many literary awards inside and outside the fandom. Even those who do not like adult explicit writing have been won over by the high quality of his fiction.

Many of his books are set in what is loosely called his Forester University world. The best-known are the five “Dev and Lee” novels, chronicling the meeting of Devlin Miski, tiger football star, and Lee Farrel, fox gay activist, during their senior year at Forester U.; their becoming homosexual lovers, at first secretly and then openly; and their graduation from college and their first year out. Dev becomes a professional football player and Lee becomes a professional football talent scout to stay with him. Readers of the five novels became immersed in the details of professional football as Dev and Lee firmed up their personal relationship.

Now Kyell Gold has started a new series, projected at three novels. It is superficially similar, except that the sport featured is tennis, not football; and the main characters are, at the beginning, too young to have a sexual orientation. There are references to the Dev and Lee books.

Love Match is narrated by Rochi N’Guwe, a black-backed jackal from the African nation of Lunda who is brought to America the Union of the States with his mother on a scholarship from the Palm Gables Tennis Center. Rochi is immediately nicknamed Rocky by the other students, including Marquize, a cheetah from Madiyah who becomes his best friend. The Palm Gables Center, a leading tennis institution, has scoured the world for promising young players, and has brought Rocky and his mother to the States when he is only 14. (Probably. Lunda is casual about recording births.)

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The Goat: Building the Perfect Victim, by Bill Kieffer – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Goat: Building the Perfect Victim, by Bill Kieffer
Manvel, TX, Red Ferret Press, September 2016, trade paperback $13.95 (158 [+ 1] pages), Kindle $3.99.

This book boasts – or warns – in a back-cover blurb that it delves into “the darkest, deepest reaches of human nature.” It isn’t pretty.

Frank, the narrator, seems like a total loser. He’s sullen, gloomy, depressed, works at a junk yard, and is in an abusive marital relationship. He keeps walking out on his domineering wife Kim, getting into a good relationship with some other woman, then Kim finds him, throws out the other woman, and starts her game of psychological dominance again.

He’s escaped from Kim again (only temporarily, he’s sure), gotten drunk at Phil’s Liquor Locker, and is walking back to his junker car when he sees a gang of wolfboys shoving around a gay man.

“Oh, they weren’t real wolves, but try to tell them that. The six or seven of them were trans-anthropomorphic teenagers from that private wizard school, Matthias.” (p. 18)

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A false rumor about RMFC is repeating history from the Burned Furs.

by Patch O'Furr

Remember Rainfurrest? Bad behavior was blamed for the con’s demise. In 2015, vandalism caused a fatal economic issue between the con and its hotel. Popular attention focused on fetish activity, but the public didn’t care about it and the media was incredibly positive. That debate stayed between furries, but it was at least based on partial truth (the real reason was economic, not bad PR.) That’s different from dishonesty you can see below. It connects the long-dead 2000-era Burned Furs and the end of ConFurence, with falsehoods that exploit the closing of Rocky Mountain Fur Con. It shows an agenda to divide fandom. (You may ask: why is this still happening in 2017?)

ConFurence, the first fur con, drew criticism about bad behavior. Organizers were blamed for advertising in gay lifestyle magazines to increase attendance, supposedly attracting fetishists who had nothing to do with furry fandom. Then in 2015, a fur dug up the actual 1997 “ad” that people were citing without seeing it.  It wasn’t an ad, and it didn’t come from furries.  The obscure ‘zine publication happened at a time when it couldn’t have influenced anyone. The rumor was a false smear.

The rumor is almost 20 years old now, but it still exists:

“we still hear stories about the early ConFurence when the organizers allowed some BDSM people in to improve attendance, with horrible results” Ask Papabear, 4/12/17 (graciously modified after discussion.)

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A Brief History of Cartoon Animals Punching Nazis

by Arrkay

Dogpatch Press welcomes Arrkay of furry channel Culturally F’d.

Nazi-panic got you down? It seems these days everywhere you look there seems to be some sour racists ruining someone’s day. Don’t worry, we’re here to help.

Working on Culturally F’d gives me a great outlet to explore anthropomorphic animals throughout history and media. So after the public twitter discussions about whether or not it’s ok to punch nazis, I recalled some historical examples that helped. Throughout the 1930s and 1940s, there was a huge push in propaganda on all fronts. They encouraged spending money on war-bonds, saving fats and scrap metals, starting community “victory” gardens, empowering a new female workforce, perpetuating false-optimism of a short war, warning against spies listening in, and attempting to shape public opinion and spark a sense of national identity. The military’s of the world commissioned animators to help influence public opinion during a time when Nazi Germany was beginning it’s invasions, and it was becoming clear to more and more governments that the Axis powers were not slowing down or stopping.

Propaganda like these were created to help sway public opinion, and to paint a caricature of the enemies. This was at times, incredibly offensive and racist, and it’s important we don’t forget that and that we don’t repeat it again.

We’re going to start with Animated Shorts, which were created to precede or follow newsreels of current events, often part of a pre-show for a larger, longer feature presentation in the movie theatre.

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What’s Yiffin’? – April 2017 edition of syndicated furry news.

by Louis Kohn

Greetings, Dogpatch Press readers. We hope you’ve been enjoying the run of What’s Yiffin’? on this website; it’s time for April’s edition! One thing you’ll realize over the course of watching our show is sometimes events happen so close to production time that we can’t include them in the show and they are delegated to next month’s release. The firestorm surrounding RMFC is an example of one such event. Literally a day or two after we wrapped up this episode that whole mess happened, sort of like how the story about 2 Gryphon was pushed back to this month for the same reason. Speaking of 2, here’s the news that’s fit to print!

More details and some additional insight from the show’s writers:

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April is Furry Poetry Month – guest post by Shining River.

by Patch O'Furr

In the United States and Canada, the month of April is celebrated as National Poetry Month, a tradition in the United States since 1996 and in Canada since 1998. Many literary magazines, libraries, authors, schools, and websites participate in this in a wide variety of ways. Since 2015, writers of the furry community have been celebrating their own version of this, which we may now call Furry Poetry Month.

The writing of poetry by furries, whether they be dedicated writers or occasional writers of poems, is not just a recent development. Poems can be found online in the Usenet newsgroup alt.lifestyle.furry, of the 1990’s. A once-active site that featured furry literature was Anthrozine. Starting as early as their second issue in 2005, twenty-six furry poems were published over the years that the site was maintained by Michael Bard and Quentin Long.

Poetry probably appeared on Fur Affinity user pages soon after it’s beginning in 2005.  Over the years, approximately eight groups have been created to feature poetry and other writing. Most of these groups have had little activity in recent months, some of them not for several years. The Poets Guild began in 2009 features two poetry anthologies and four dozen individual poems that are posted on the site. Their activity declined for a year or so but has recently had an increase in posting. The most active FA group for poetry at this time is Poetic Furs. Begun in 2015, they have featured an interview with a different poet each month.

Over the years there have been some printed versions of furry poetry. This writer still has his copy of the 1999 Conifur NorthWest furcon con book and we find on page 41-42 what might best be described as a rap, but it’s still poetry, titled “I Am The Very Model Of A Furry Individual” by Mee-Shee.  Another example was the first volume of Allasso in 2012, edited by Brian Lee Cook, which contained seven poems along with fiction short stories.

More recently, poetry has been featured on Adjective Species.  Their first publishing of a furry poem, “Whiskey Sour”, by Lunostophiles, appeared in 2013.

In March of 2015 an essay written by this writer, titled “Finding the Animals in Modern Poetry”, was followed by the creation of the “Inaugural Adjective Species Poetry Collection”. It was curated by Lunostophiles. This featured original animal themed poems from thirteen writers of the furry community. The following year in April, Adjective Species published another essay by this writer, “Finding the Animals in Cowboy Poetry”, which was soon followed by the “Second Adjective Species Poetry Collection”, with nine poems contributed. This was curated by a prominent furry writer, Poetigress.  Also at that time seven original poems written by Poetigress were published over three days.

The Furry Writers Guild was founded in 2010 to be a group for writers to share their experiences and to provide information about writing and publishing. In April of 2015 on their site forum, a new discussion board for poetry was created.  Also at this time, Laura “Munchkin” Govednik and Altivo Overo developed the idea for a book of poetry featuring animal themed poems from Furry Writers Guild writers. The sales of the book would be donated to an animal charity.  This successful project, titled “Civilized Beasts”, appeared in December 2015, published by Weasel Press.

In 2016, the project was begun again, as reported here on Dogpatch Press. Poem submissions are closed at this time and the release of the new book has not yet been announced.

Finally, the enjoyment of poetry does not have to be just a solitary, silent, experience. There are many un-traditional ways of creating and experiencing poetry. Recitation and performance of poetry occasionally occurs in the furry community. Fursuiter rap performances on Youtube are a good example, and this writer enjoyed poetry readings by two furry writers at Rainfurrest 2015.  You might find a way to poetically express yourself with some of these activities: https://www.poets.org/national-poetry-month/30-ways-celebrate-national-poetry-month

Poetry comes in many shapes, sizes, and colors, much like the fursuits of the furry community. Poetry written by others can put into words the ideas and emotions that we ourselves may not have the skill to express.  Poetry that we write can be a way to gather together our thoughts and emotions and get a clear look at them.  Somewhere out there in the world there is a poem, or maybe many poems, that is good for each one of us.

– Shining River

The King of Las Vegas, by John Van Stry – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The King of Las Vegas, by John Van Stry
Seattle, WA, CreateSpace, March 2016, trade paperback $10.99 (234 pages), Kindle $3.99.

John Van Stry has written four Hammer Commission novels; The Hammer Commission, Wolf Killer, Loose Ends, and The King of Las Vegas. They are set in a world where demons, devils, monsters, and vampires are real. Three of the four feature Mark Levin, a demon-devil-monster-vampire hunter for the FBI and Interpol who is a monster himself. Mark and his French partner Jake are minor characters in The King of Las Vegas, which features a rakshasa.

A traditional rakshasa is an Indian (Hindustani) demon, usually described as a huge fanged cannibal who can shape-shift and live hundreds of years. In Van Stry’s novel, it’s a tiger-striped shape-shifter who can turn into a tiger (not a were-tiger; the distinction becomes important in the story) that happens to be a good guy. Rafael is an American college student on vacation in India who is captured and enslaved by a Rakshasa (Van Stry sometimes capitalizes it) and is turned into one himself.

Eleven years later Rafael escapes to American Catholic missionaries in India, and is turned over by them to Mark and Jake. When they determine that Rafael doesn’t want to prey on anyone, he just wants to return to America, they help him out. As a rakshasa, he needs lots of meat, he feeds on strong emotions, and he has to be near tigers. The best place in America for that is Las Vegas – the casinos provide plenty of cheap meals, the gamblers provide the strong emotions, he can pass his tiger stripes as makeup or tattoos for an act, and several Las Vegas attractions and magicians have live tigers.

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Swift the Cat-Human, by Angelo Bowles – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Swift the Cat-Human, by Angelo Bowles. Illustrated by Charlene Bowles.
Donna, TX, VAO Publishing, April 2013, trade paperback $13.99 (206 [+ 26] pages)

VAO Publishing, “A Small Press for the Río Grande Valley” in Donna, Texas, near the mouth of the Rio Grande, specializes in books for and about the Tex/Mex border region; from poetry by South Texans to ¡Arriba Baseball! A Collection of Latino/a Baseball Fiction. Swift the Cat-Human, an omnibus collection of the three books in this series, seems like an unusual juvenile volume for them, but Angelo Bowles lives in Donna. It’s still unusual: he was a 10-year-old 5th-grader in 2011 when he wrote Book 1.

If Swift the Cat-Human hasn’t been “tidied up” by some adult, then I’m jealous. I couldn’t write nearly this well when I was 10 years old. This is an excellent children’s novel in three parts for young furry fans or to introduce pre-teens to anthropomorphics.

Swift is a housecat belonging to Dr. Gonzalo Gonzales. Dr. Gonzales drops a test tube of an experimental virus on the floor, Swift licks it:

“And then the transformation started.

My tail got longer, my back legs got a little skinnier and started stretching, and my front legs seemed to be growing, too. My paws began to lose their pads, and I started to grow opposable thumbs! What good are opposable thumbs, anyway? And five fingers? What’s up with that?” (p. 2)

The transformation is simplistic, but this is a kids’ novel with comic-book science.

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