Dogpatch Press

Fluff Pieces Every Week

Category: Media

June 29, 2016

Furplanet Debuting Over 25 Books at Anthrocon.

by Pup Matthias

REPOST!  Sorry, this went out by mistake with half of the info unfinished.  – Patch

Anthrocon is coming! Where Furries far and wide come together to hang out, make friends, attend panels, dance, drink too much alcohol, and spend way too much money. I am so jealous of you guys. Stupid adult responsibilities keeping me away from all the fluffies. And the fine Fluffer Nutters at Furplanet have not 1, not 5, not 12, but 25 books debuting at AC. A combination of novels, anthologies, comics, and art books from a who’s who of writers and artist.

We at Dogpatch Press now present to you an easy to follow catalogue of all that will be available. So take a look and visit the Furplanet table to support Furry Writers and Artists. Or pre-order now for those like me who can’t. Pre-Orders will begin shipping out on July 22nd. I hope you find your next reading obsession soon and have a nice day.

NOVELS:

rukis-legacy-dawn_smLegacy: Dawn by Rukis ( Mature Hardcover $29.95 and Softcover $19.95)

Kadar was born into one of the lowest castes in his society—the laborers. That is, until a series of unfortunate events trapped him in the only life worse, that of an indentured servant.

Literally collared by the powerful hyena clan that holds his contract, Kadar now finds himself facing a dangerous decision.

Live as a slave, or fight for freedom.

Joined by a hyena held captive by his own kind, a guard with a grudge against the very people he works for, and an indomitable cheetah, Kadar faces an uncertain future in a land where centuries of dependence on slavery and warfare make real freedom of any kind, for any caste, a dream that might be worth dying for.

From the world of “Red Lantern.” Written and illustrated by Rukis.

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June 28, 2016

Coming Soon: Gods With Fur – New Anthology by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

patten08Gods With Fur, Edited by Fred Patten, Cover by Teagan Gavet
Dallas, TX, FurPlanet Productions, $19.95 (453 Pages)

Fred Patten’s newest anthology, Gods with Fur, will go on sale at Anthrocon 2016 at the end of this month. Published by FurPlanet Productions, the trade paperback book contains 23 original stories by Kyell Gold, Mary E. Lowd, Michael H. Payne, and more, featuring the gods of anthropomorphic worlds and the anthropomorphic gods of our world.

You may know about Egyptian mythology’s jackal-headed Anubis, but do you know about wolf-headed Wepwawet? You may know about China’s Monkey King or the native North Americans’ Coyote (well, they say they’re gods), but do you know about the Aztecs’ 400 drunken rabbits?

Here are historic gods, the gods of their authors’ series (Kyell Gold’s Forrester University; Heidi Vlach’s Aligare, Kris Schnee’s TaleSpace), and totally original gods:

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June 23, 2016

Furry fans of indie animation, the Animation Show of Shows deserves your attention.

by Patch O'Furr

Co written by Patch and Fred Patten.

Happy Pride month!  Check out this short animation, Flamingo Pride.  It screened in the 2012 annual Animation Show of Shows, an international touring festival. Read on about why the festival deserves your attention, and what this means to furries.

Ron Diamond, producer of The Animation Show of Shows, contacted Fred Patten:

Dear Fred, I want to thank you for the great write up on The 17th Annual Animation Show of Shows. I was delighted about the kindness you extended to me and the filmmakers in covering an otherwise unorthodox medley of quirky international animated shorts. I’d be grateful if you can share this with your readers, to help build awareness of alternative animation that has a message that pleases and inspires. Warm regards, Ron

The 2016 Animation Show of Shows will be the 18th annual edition.  Fred has previously reviewed it for various animation websites (here’s reviews from 2013 and 2015.) Diamond is president of Acme Filmworks, an animation studio in Los Angeles that produces animated TV commercials in a wide variety of styles. His curation of the Animation Show of Shows is well known. It consists of about a dozen short films, some from big studios like Disney and Pixar, but most by independent animators and students from colleges around the world. Most or all are prize winners at international festivals.  Many have gone on to win next year’s Academy Award Oscar in the Short Film (Animated) category.  They show Diamond’s stellar record for predicting success.

Up to now, Diamond has shown this festival at major animation studios and animation colleges mostly in North America, but also in some other countries with large studios or chapters of ASIFA (Association Internationale du Film d’Animation; the International Animator’s Association). Now Diamond is trying to raise enough funding through a Kickstarter campaign to get it into theaters where it can be seen by the public.

What does it have to do with furry fandom?

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June 22, 2016

Freaky Furry Music – from the punk, goth and industrial underground.

by Patch O'Furr

“What Is Furry Music?”  It’s a topic that Rakuen Growlithe started on Flayrah.  It can be music with furry themes, or music made by (or even popular with) furries, or both.

Rakuen dismissed much of the latter kind for not being furry enough.  I don’t think that’s quite fair.  Consider overlap with rave scenes and gaming.  Music related to those things can carry furry culture or spirit without animal themes built in.  Music has context – it even matters where you go for it (yay for dive bars!)  Some classic electronic/rave music was made with animal sounds for their musical tones. Doesn’t that bring out a little furry spirit?

I’d love to get into this and get responses from Furry music makers about how they personally define it.  This gets very much into “personal taste”, but that’s the fun of it.  Just like tasting different foods, it’s hard to say anything is right or wrong.

Arts, music, furry, and other subcultures have many overlaps.  A while back I covered the super incongruous overlap of furries and industrial music. (Part 1, part 2, part 3.)  I liked contrasting the extremes of cold, robotic and aggressive vs. warm, fuzzy and cute themes.  You could do this for many genres.  How about heavy metal?  It’s often associated with Wolves.

Here’s some personal favorite stuff that came out of 1970’s/80’s classic punk and goth.

I Wish I Woz a Dog, by Alien Sex Fiend.  (It’s easy, be a furry.)

This is like the anthem for an underground sewer club full of feral furry rats and stray mutts.  In the beginning of the song they’re banging on a real trash can.  Then it revs up like a washing machine full of spikes.  The drum machine and no bass/guitar-only sound makes exciting rawness.

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June 21, 2016

The Art of Finding Dory, Foreword by Andrew Stanton – Book Review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

414KAEEKD5L._SY379_BO1,204,203,200_The Art of Finding Dory. Preface by John Lasseter. Foreword by Andrew Stanton. Intro by Steve Pilcher.
San Francisco, CA, Chronicle Books, May 2016, hardcover $40.00 (176 pages), Kindle $17.49.

Here is another “all about” coffee-table art book about the making of a high-profile animated feature: Disney/Pixar’s Finding Dory, the sequel to the studio’s 2003 award-winning Finding Nemo, released on June 17, 2016.

But this is about the art, not the story of the movie. Since the movie takes place almost entirely underwater, there is a tremendous emphasis on the underwater lighting. Steve Pilcher, the production designer, explains how the lighting constantly changes more than out-of-the-water lighting. Not only is there different lighting for the different levels of depth in the ocean; between really deep and among the coral reefs near the surface (there is much more light closer to the surface), there is a big difference between underwater in the ocean and underwater in the tanks of the Marine Life Institute.

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June 20, 2016

Scale’s unique art exhibit mixes furry art and fine dining.

by Patch O'Furr

IMG-20160409-WA0000SCALE is one of my favorite furry artists.  Let me suggest that most furry art deals with somewhat kitschy subject matter – not that there’s anything wrong with that. (If I said there was, it could be like saying that cartoons are just for kids, but they’re not.)  I’m just saying that in the world at large, furry art is considered “low” art.  Scale’s art defies that expectation.

He accomplishes the weird trick of rendering classical figure paintings that manage to be super hot.  It’s a cool, thoughtful style that speaks of Old Master sensibility, but gets hot-blooded beneath the painterly surface.  As a reader said – “that’s some of the most tasteful furry porn I’ve ever seen”.  

Read more: Scale’s paintings push the limits of furry art, with surprising mainstream crossover.

There’s a cool new story on Scale’s ‘Animal Shapes’ blog.  He sent this tip:

“I’ve been invited by a restaurant in my city to show my paintings there for the whole year, and as a little live performance I even finished a painting during the opening. It was very exciting, as it’s been the first time I worked on a furry painting in public (though I have done plein air landscape painting events before). Reception is always good too. I have yet to meet anybody who doesn’t like at least the general idea of what I do. I wonder when we will be seeing actual furry themed pubs and I suspect it won’t be long… what is ordinary stuff for us can be new and pretty exciting for a lot of people.” – (Scale)

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June 17, 2016

Spirit Hunters Book 2: The Open Road, by Paul Kidd – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

UnknownSpirit Hunters. Book 2: The Open Road, by Paul Kidd. Illustrated.
Raleigh, NC, Lulu.com/Perth, Western Australia, Kitsune Press, May 2016, trade paperback $25.84 (395 pages), Kindle $7.99.

Spirit Hunters. Book 1: The Way of the Fox was published in September 2014, and reviewed here in January 2015. It contains the first three Encounters of about a hundred pages each. I said that, “Spirit Hunters is set in the realm of traditional Japanese mythology, vaguely around 900 or 1000 A.D.” The Spirit Hunters are a quartet who wander throughout medieval mythical Japan hunting yokai — supernatural spirits. Lady Kitsune nō Sura, a fox woman, and her companion Tsunetomo Tonbo, a huge human samurai with “a solid iron staff longer than he was tall. The business end was grimly studded with spikes. It was the weapon of a monster slayer – a thing designed to obliterate helmets, armour and anything organic that might get in its way,” are “itinerant Spirit Hunters, traveling throughout Japan looking for evil Spirits to kill – hopefully for pay.” Asodo Kuno is a young bottom-ranking samurai who hopes that killing demons will gain him a reputation and higher status. Chiri is a shy rat-spirit who Sura persuades to join them. She is accompanied by two little spirits of her own: Daitanishi the rock elemental, and Bifuuko the apparent insect; an air elemental.

Sura and Chiri are the main characters who make this a furry book. Sura is described in the first book as:

“A fox woman lounged upon a fallen log like a reclining Buddha, eating a roasted chicken leg. Beside her, there were the embers of a camp fire and a pair of backpacks ready for travel. The fox woman had a long, clever pointed muzzle, and great, green eyes filled with humour. Her body was human in size and shape – excepting for its lush pelt of fur, her fox head with muzzle and long pointed ears, and her long, elegant red tail. She wore a priestess’ robes decorated with images of peaches – with each peach missing a single bite. The fox called out to Kuno in a loud and merry voice while she wriggled her black-furred toes.” (The Way of the Fox, p. 12) She gets the quartet into their adventures, blithely assuring them, “Trust me – I’m a fox!”

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June 16, 2016

Insect Dreams: The Half Life of Gregor Samsa, by Marc Estrin – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

41VSJXE6BQL._SX323_BO1,204,203,200_Insect Dreams: The Half Life of Gregor Samsa, by Marc Estrin.
NYC, Penguin Putnam/BlueHen Books, February 2002, hardcover $26.95 (468 [+1] pages), Kindle $13.99.

Estrin’s fantasy is not so much a sequel to The Metamorphosis by Franz Kafka (1915) as an unauthorized variation or continuation of it. It is witty and erudite, but it will never replace Kafka’s original novella.

In Kafka’s classic, Gregor Samsa is a young fabric salesman living in Prague, then a part of Austro-Hungary, who awakens one morning transformed into a giant insect. (Kafka was adamant for the rest of his life that the insect should not be specified – he refused to allow the bug to be illustrated – to enable the reader to imagine the kind of giant insect that most terrified her or her. As soon as Kafka died, the insect was specified in text and art as a giant cockroach.) Samsa is horrified, and his parents and sister are horrified. Samsa refuses to leave his bedroom, growing weaker and weaker, until he dies. His body is thrown into the trash by the Samsas’ cleaning lady.

Estrin’s novel, about five times as long as Kafka’s novella, emphasizes cockroach, cockroach, cockroach. According to him, Samsa’s death is a ruse by the family’s cleaning lady, who sells him, still alive, to a Viennese sideshow. His family, who were embarrassed by the giant bug in the bedroom, were glad to get rid of it and did not ask questions.

Amadeus Ernst Hoffnung, the proprietor of the sideshow – an eclectic collection of freaks such as a 600-pound man – sees nothing more unusual than usual in a 5’6” talking cockroach. Since Gregor is naturally shy and rather intellectual, he and Anton relax in the evenings together in friendly conversations. When Gregor wants learned books to read, Amadeus gets them for him. Gregor adds what he reads into his performance:

“His ‘act’ evolved over time. Originally billed as ‘A Visitor from the Early Carboniferous Period’ (perhaps ‘Vomfruhesteinkohlzeitbesucher’ seems less awkward in German), he gave short talks about the steaming interior marshes of the then single landmass of North America, South America, Africa, Australia, Asia, Eurasia, and Antarctica. But this soon seemed canned and phony, and Amadeus wondered if some in the audience might think he was some kind of lifelike automaton. So Gregor went on to giving advice. ‘The Advisor from the Early Carboniferous.’ People would ask questions about business or personal problems, or what books to read or (while the cinemas were still open) [the cinemas were closed in Vienna during World War I] what films to see. Once a child asked, ‘Are there really Angels, and do they bring the Christmas presents, or do parents bring them?’ Gregor assured her that no one feels really at home in an interpreted world – which must have given her something to think about. At least she didn’t cry.” (p. 14)

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June 14, 2016

The Raccoon’s Den – The First Docudramedy Series in the Furry Fandom.

by Pup Matthias

See The Raccoon’s Den on Youtube. Thanks to Bandit and Pup Matthias for collaborating on this special guest article.  

When I say the word ‘creator’ in the furry fandom, what do you think of?  Mostly likely TRD_2016 Poster (sml)you would think of artist, writers, musicians, animators, game developers, fursuit makers, etc.  One type that doesn’t cross most people’s minds are video creators.  There are examples like EZ Wolf and Duke the Dog with their shorts and music videos, Culturally F’d with their educational videos, and this year has brought us Dominic Rodriguez and Eric Risher with their respected documentaries exploring the fandom. But it’s a relatively small pool compared to the others.

Part of that lies with platform. Most furry sites don’t offer a way for video creators to showcase their work and build a presence like the others. They’re always having to link to YouTube or Vimeo and hope someone will click the link. Furry Network looks to be the only one working on offering video creators a player to support them.  Time will only tell on that front.

(Note from Patch: the medium also brings challenges.  That’s why our ‘Special Features and Top Articles’ just added a section about THE NASCENT FURRY MOVIE SCENE.)

What’s truly sad about this is the way video creators have the best opportunity to explain and showcase what our fandom is.  Capturing the moments of celebration, joy, hardship, misunderstanding, and exploring what makes the furry fandom what it is.

There’s a series for that already. It’s been going on for over seven years, with almost one hundred episodes that explore what the fandom is. That show is The Raccoon’s Den.

Christopher Parque-Johnson, creator of the Raccoon’s Den, is better known as Bandit in the fandom. He was introduced to the fandom from a fan-made forum for the film ‘Over the Hedge’, which inspired him to have a raccoon fursona after the title character of the film.

I got into the furry fandom after seeing “Over the Hedge” in 2006, joined a fan-made forum and a friend on there made an RP account for RJ the Raccoon on MySpace (back when people used it). I joined the fandom on July 20th and up until 2009, I was just another person on the internet who liked being part of the community. I felt welcomed and accepted for being myself here and that was something I wasn’t able to feel outside of it.

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June 9, 2016

Timbuktu: A Novel, by Paul Auster – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

TimbuktuNovelTimbuktu; A Novel, by Paul Auster.
NYC, Henry Holt and Co., May 1999, hardcover $22.00 (181 pages).

It can be argued that Timbuktu is the opposite of an anthropomorphic novella. It is about a dog, Mr. Bones, whose beloved human companion, the pseudonymous Willy B. Christmas, a homeless East Coast “street poet” is dying. Timbuktu does an excellent job of portraying the despairing thoughts of a mostly unanthropomorphized but exaggeratedly intelligent and loyal dog. He understands “Ingloosh” more than most dogs, but still from a canine viewpoint.

“Mr. Bones knew that Willy wasn’t long for this world. The cough had been inside him for over six months, and by now there wasn’t a chance in hell that he would ever get rid of it. Slowly and inexorably, without once taking a turn for the better, the thing had assumed a life of its own, advancing from a faint, phlegm-filled rattle in the lungs on February third to the wheezy sputum-jigs and gobby convulsions of high summer.” (p. 3)

“What was a poor dog to do? Mr. Bones had been with Willy since his earliest days as a pup, and by now it was next to impossible for him to imagine a world that did not have his master in it. Every thought, every memory, every particle of the earth and air was saturated with Willy’s presence. Habits die hard, and no doubt there’s some truth to the adage about old dogs and new tricks, but it was more than just love or devotion that caused Mr. Bones to dread what was coming. It was pure ontological terror. Subtract Willy from the world, and the odds were that the world itself would cease to exist.” (p. 4)

Willy is aware that he is dying. As he and Mr. Bones wander the streets of Baltimore, Willy tries to prepare the dog for life after him. He rambles to him about “how to avoid the dogcatchers and constables, the paddy wagons and unmarked cars, the hypocrites from the so-called humane societies. No matter how sweetly they talked to you, the word shelter meant trouble.”   Mr. Bones is a sweet but ugly, smelly, adult mongrel. “No one was going to want to rescue him. As the homeless bard was fond of putting it, the outcome was written in stone. Unless Mr. Bones found another master in one quick hurry, he was a pooch primed for oblivion.” (p. 5)

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