Dogpatch Press

Fluff Pieces Every Week

Category: Media

July 5, 2016

Frolic ‘the original furry nightclub’ to lose historic venue – community responds.

by Patch O'Furr

The future is as dim as the lighting at The Stud, one of San Francisco’s most loved dive/gay bars.  The property is being swept up in a wave of real estate speculation and gentrification that shows no sign of ebbing.  Some luminaries of local culture are just treading water, while many are sinking under. They just can’t afford to live in their own city any more.

One by one, the lights of San Francisco night life are going out.  Now the Stud is set to close.

On every second Saturday each month, furries flock there for Frolic dance party.  It’s the premiere event for their thriving local scene.  The venue loves furries as much as they love each other, so Frolic has been steadily supported since 2010. Their success bore a litter of furry club events across North America that look up to it for inspiration, from Foxtrot in Denver, to Suit-Up Saturday in Minneapolis.

Calling it “the Original” furry dance party may be debatable (credit may be due for a few rave-type events outside of North America) – but there’s no debating its influence.  It will be very sad if Frolic loses it’s home.

It’s a local story, but in spirit, it touches furries anywhere who love to dance and have their own paw-hold in the nightlife.  Having their own established club doesn’t happen easily for an isolated niche of maligned yet super loveable young people.  Frolic set the bar high for that.  It isn’t your average family-friendly daytime convention – its power comes after dark.  Talking animal-people look and feel better to dance with in the magical murk of a club from an alternate fantasy dimension.  Have a drink and hug one for an experience better than drugs. Or pick one up.  Say: “knock knock” – “who’s there”? – “knot me…” Read the rest of this entry »

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July 1, 2016

The Lottery – Furry, by Karen Ranney – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

41vGf3jdd5L._SX331_BO1,204,203,200_The Lottery – Furry, by Karen Ranney
Seattle, WA, CreateSpace, April 2016, trade paperback $9.95 (232 pages), Kindle $2.99.

This book seems to have drifted in to this furry review site by mistake. Despite its title, and its label as Book 1 of The Furry Chronicles trilogy, it’s a werewolf novel – or more precisely a woman’s paranormal romance novel.

That’s probably natural since Karen Ranney is a New York Times and USA Today bestselling author of women’s romances; not a furry author. In fact, the three volumes of The Furry Chronicles are a spinoff of Ranney’s previous The Montgomery Chronicles. “You’ll see what happens to Opie, meet Antonia, and follow Torrance’s adventures as well.” (Ranney’s website)

Torrance Boyd is a young junior vet working at Alamo Veterinary Services LLC in San Antonio. She’s a soft touch for all of the stray dogs that an elderly do-gooder finds and brings in there. Torrance can’t bring herself to throw them out again, so she personally pays for heartworm testing, flea dipping, and other medical expenses; which keeps her perpetually broke.

She has another problem:

“I didn’t know, for certain, that dogs shared a communicative bond, but as a species I wasn’t far removed from them. You see, I’m a Were. Ever since my younger brother asked me if that meant we were weird I’ve called myself a Furry, a label that doesn’t endear me to either my family or my friends. At least, those who knew what I was.

Only another Were could recognize me, but even then, we didn’t go around acknowledging each other in public. In other words, we don’t sniff each other. We don’t even venture near the nether regions in our four legged form. Can you imagine meeting the eyes of someone whose butt you just checked out when he was furry?” (p. 5)

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June 29, 2016

Furplanet Debuting Over 25 Books at Anthrocon.

by Pup Matthias

REPOST!  Sorry, this went out by mistake with half of the info unfinished.  – Patch

Anthrocon is coming! Where Furries far and wide come together to hang out, make friends, attend panels, dance, drink too much alcohol, and spend way too much money. I am so jealous of you guys. Stupid adult responsibilities keeping me away from all the fluffies. And the fine Fluffer Nutters at Furplanet have not 1, not 5, not 12, but 25 books debuting at AC. A combination of novels, anthologies, comics, and art books from a who’s who of writers and artist.

We at Dogpatch Press now present to you an easy to follow catalogue of all that will be available. So take a look and visit the Furplanet table to support Furry Writers and Artists. Or pre-order now for those like me who can’t. Pre-Orders will begin shipping out on July 22nd. I hope you find your next reading obsession soon and have a nice day.

NOVELS:

rukis-legacy-dawn_smLegacy: Dawn by Rukis ( Mature Hardcover $29.95 and Softcover $19.95)

Kadar was born into one of the lowest castes in his society—the laborers. That is, until a series of unfortunate events trapped him in the only life worse, that of an indentured servant.

Literally collared by the powerful hyena clan that holds his contract, Kadar now finds himself facing a dangerous decision.

Live as a slave, or fight for freedom.

Joined by a hyena held captive by his own kind, a guard with a grudge against the very people he works for, and an indomitable cheetah, Kadar faces an uncertain future in a land where centuries of dependence on slavery and warfare make real freedom of any kind, for any caste, a dream that might be worth dying for.

From the world of “Red Lantern.” Written and illustrated by Rukis.

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June 28, 2016

Coming Soon: Gods With Fur – New Anthology by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

patten08Gods With Fur, Edited by Fred Patten, Cover by Teagan Gavet
Dallas, TX, FurPlanet Productions, $19.95 (453 Pages)

Fred Patten’s newest anthology, Gods with Fur, will go on sale at Anthrocon 2016 at the end of this month. Published by FurPlanet Productions, the trade paperback book contains 23 original stories by Kyell Gold, Mary E. Lowd, Michael H. Payne, and more, featuring the gods of anthropomorphic worlds and the anthropomorphic gods of our world.

You may know about Egyptian mythology’s jackal-headed Anubis, but do you know about wolf-headed Wepwawet? You may know about China’s Monkey King or the native North Americans’ Coyote (well, they say they’re gods), but do you know about the Aztecs’ 400 drunken rabbits?

Here are historic gods, the gods of their authors’ series (Kyell Gold’s Forrester University; Heidi Vlach’s Aligare, Kris Schnee’s TaleSpace), and totally original gods:

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June 23, 2016

Furry fans of indie animation, the Animation Show of Shows deserves your attention.

by Patch O'Furr

Co written by Patch and Fred Patten.

Happy Pride month!  Check out this short animation, Flamingo Pride.  It screened in the 2012 annual Animation Show of Shows, an international touring festival. Read on about why the festival deserves your attention, and what this means to furries.

Ron Diamond, producer of The Animation Show of Shows, contacted Fred Patten:

Dear Fred, I want to thank you for the great write up on The 17th Annual Animation Show of Shows. I was delighted about the kindness you extended to me and the filmmakers in covering an otherwise unorthodox medley of quirky international animated shorts. I’d be grateful if you can share this with your readers, to help build awareness of alternative animation that has a message that pleases and inspires. Warm regards, Ron

The 2016 Animation Show of Shows will be the 18th annual edition.  Fred has previously reviewed it for various animation websites (here’s reviews from 2013 and 2015.) Diamond is president of Acme Filmworks, an animation studio in Los Angeles that produces animated TV commercials in a wide variety of styles. His curation of the Animation Show of Shows is well known. It consists of about a dozen short films, some from big studios like Disney and Pixar, but most by independent animators and students from colleges around the world. Most or all are prize winners at international festivals.  Many have gone on to win next year’s Academy Award Oscar in the Short Film (Animated) category.  They show Diamond’s stellar record for predicting success.

Up to now, Diamond has shown this festival at major animation studios and animation colleges mostly in North America, but also in some other countries with large studios or chapters of ASIFA (Association Internationale du Film d’Animation; the International Animator’s Association). Now Diamond is trying to raise enough funding through a Kickstarter campaign to get it into theaters where it can be seen by the public.

What does it have to do with furry fandom?

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June 22, 2016

Freaky Furry Music – from the punk, goth and industrial underground.

by Patch O'Furr

“What Is Furry Music?”  It’s a topic that Rakuen Growlithe started on Flayrah.  It can be music with furry themes, or music made by (or even popular with) furries, or both.

Rakuen dismissed much of the latter kind for not being furry enough.  I don’t think that’s quite fair.  Consider overlap with rave scenes and gaming.  Music related to those things can carry furry culture or spirit without animal themes built in.  Music has context – it even matters where you go for it (yay for dive bars!)  Some classic electronic/rave music was made with animal sounds for their musical tones. Doesn’t that bring out a little furry spirit?

I’d love to get into this and get responses from Furry music makers about how they personally define it.  This gets very much into “personal taste”, but that’s the fun of it.  Just like tasting different foods, it’s hard to say anything is right or wrong.

Arts, music, furry, and other subcultures have many overlaps.  A while back I covered the super incongruous overlap of furries and industrial music. (Part 1, part 2, part 3.)  I liked contrasting the extremes of cold, robotic and aggressive vs. warm, fuzzy and cute themes.  You could do this for many genres.  How about heavy metal?  It’s often associated with Wolves.

Here’s some personal favorite stuff that came out of 1970’s/80’s classic punk and goth.

I Wish I Woz a Dog, by Alien Sex Fiend.  (It’s easy, be a furry.)

This is like the anthem for an underground sewer club full of feral furry rats and stray mutts.  In the beginning of the song they’re banging on a real trash can.  Then it revs up like a washing machine full of spikes.  The drum machine and no bass/guitar-only sound makes exciting rawness.

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June 21, 2016

The Art of Finding Dory, Foreword by Andrew Stanton – Book Review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

414KAEEKD5L._SY379_BO1,204,203,200_The Art of Finding Dory. Preface by John Lasseter. Foreword by Andrew Stanton. Intro by Steve Pilcher.
San Francisco, CA, Chronicle Books, May 2016, hardcover $40.00 (176 pages), Kindle $17.49.

Here is another “all about” coffee-table art book about the making of a high-profile animated feature: Disney/Pixar’s Finding Dory, the sequel to the studio’s 2003 award-winning Finding Nemo, released on June 17, 2016.

But this is about the art, not the story of the movie. Since the movie takes place almost entirely underwater, there is a tremendous emphasis on the underwater lighting. Steve Pilcher, the production designer, explains how the lighting constantly changes more than out-of-the-water lighting. Not only is there different lighting for the different levels of depth in the ocean; between really deep and among the coral reefs near the surface (there is much more light closer to the surface), there is a big difference between underwater in the ocean and underwater in the tanks of the Marine Life Institute.

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June 20, 2016

Scale’s unique art exhibit mixes furry art and fine dining.

by Patch O'Furr

IMG-20160409-WA0000SCALE is one of my favorite furry artists.  Let me suggest that most furry art deals with somewhat kitschy subject matter – not that there’s anything wrong with that. (If I said there was, it could be like saying that cartoons are just for kids, but they’re not.)  I’m just saying that in the world at large, furry art is considered “low” art.  Scale’s art defies that expectation.

He accomplishes the weird trick of rendering classical figure paintings that manage to be super hot.  It’s a cool, thoughtful style that speaks of Old Master sensibility, but gets hot-blooded beneath the painterly surface.  As a reader said – “that’s some of the most tasteful furry porn I’ve ever seen”.  

Read more: Scale’s paintings push the limits of furry art, with surprising mainstream crossover.

There’s a cool new story on Scale’s ‘Animal Shapes’ blog.  He sent this tip:

“I’ve been invited by a restaurant in my city to show my paintings there for the whole year, and as a little live performance I even finished a painting during the opening. It was very exciting, as it’s been the first time I worked on a furry painting in public (though I have done plein air landscape painting events before). Reception is always good too. I have yet to meet anybody who doesn’t like at least the general idea of what I do. I wonder when we will be seeing actual furry themed pubs and I suspect it won’t be long… what is ordinary stuff for us can be new and pretty exciting for a lot of people.” – (Scale)

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June 17, 2016

Spirit Hunters Book 2: The Open Road, by Paul Kidd – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

UnknownSpirit Hunters. Book 2: The Open Road, by Paul Kidd. Illustrated.
Raleigh, NC, Lulu.com/Perth, Western Australia, Kitsune Press, May 2016, trade paperback $25.84 (395 pages), Kindle $7.99.

Spirit Hunters. Book 1: The Way of the Fox was published in September 2014, and reviewed here in January 2015. It contains the first three Encounters of about a hundred pages each. I said that, “Spirit Hunters is set in the realm of traditional Japanese mythology, vaguely around 900 or 1000 A.D.” The Spirit Hunters are a quartet who wander throughout medieval mythical Japan hunting yokai — supernatural spirits. Lady Kitsune nō Sura, a fox woman, and her companion Tsunetomo Tonbo, a huge human samurai with “a solid iron staff longer than he was tall. The business end was grimly studded with spikes. It was the weapon of a monster slayer – a thing designed to obliterate helmets, armour and anything organic that might get in its way,” are “itinerant Spirit Hunters, traveling throughout Japan looking for evil Spirits to kill – hopefully for pay.” Asodo Kuno is a young bottom-ranking samurai who hopes that killing demons will gain him a reputation and higher status. Chiri is a shy rat-spirit who Sura persuades to join them. She is accompanied by two little spirits of her own: Daitanishi the rock elemental, and Bifuuko the apparent insect; an air elemental.

Sura and Chiri are the main characters who make this a furry book. Sura is described in the first book as:

“A fox woman lounged upon a fallen log like a reclining Buddha, eating a roasted chicken leg. Beside her, there were the embers of a camp fire and a pair of backpacks ready for travel. The fox woman had a long, clever pointed muzzle, and great, green eyes filled with humour. Her body was human in size and shape – excepting for its lush pelt of fur, her fox head with muzzle and long pointed ears, and her long, elegant red tail. She wore a priestess’ robes decorated with images of peaches – with each peach missing a single bite. The fox called out to Kuno in a loud and merry voice while she wriggled her black-furred toes.” (The Way of the Fox, p. 12) She gets the quartet into their adventures, blithely assuring them, “Trust me – I’m a fox!”

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June 16, 2016

Insect Dreams: The Half Life of Gregor Samsa, by Marc Estrin – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

41VSJXE6BQL._SX323_BO1,204,203,200_Insect Dreams: The Half Life of Gregor Samsa, by Marc Estrin.
NYC, Penguin Putnam/BlueHen Books, February 2002, hardcover $26.95 (468 [+1] pages), Kindle $13.99.

Estrin’s fantasy is not so much a sequel to The Metamorphosis by Franz Kafka (1915) as an unauthorized variation or continuation of it. It is witty and erudite, but it will never replace Kafka’s original novella.

In Kafka’s classic, Gregor Samsa is a young fabric salesman living in Prague, then a part of Austro-Hungary, who awakens one morning transformed into a giant insect. (Kafka was adamant for the rest of his life that the insect should not be specified – he refused to allow the bug to be illustrated – to enable the reader to imagine the kind of giant insect that most terrified her or her. As soon as Kafka died, the insect was specified in text and art as a giant cockroach.) Samsa is horrified, and his parents and sister are horrified. Samsa refuses to leave his bedroom, growing weaker and weaker, until he dies. His body is thrown into the trash by the Samsas’ cleaning lady.

Estrin’s novel, about five times as long as Kafka’s novella, emphasizes cockroach, cockroach, cockroach. According to him, Samsa’s death is a ruse by the family’s cleaning lady, who sells him, still alive, to a Viennese sideshow. His family, who were embarrassed by the giant bug in the bedroom, were glad to get rid of it and did not ask questions.

Amadeus Ernst Hoffnung, the proprietor of the sideshow – an eclectic collection of freaks such as a 600-pound man – sees nothing more unusual than usual in a 5’6” talking cockroach. Since Gregor is naturally shy and rather intellectual, he and Anton relax in the evenings together in friendly conversations. When Gregor wants learned books to read, Amadeus gets them for him. Gregor adds what he reads into his performance:

“His ‘act’ evolved over time. Originally billed as ‘A Visitor from the Early Carboniferous Period’ (perhaps ‘Vomfruhesteinkohlzeitbesucher’ seems less awkward in German), he gave short talks about the steaming interior marshes of the then single landmass of North America, South America, Africa, Australia, Asia, Eurasia, and Antarctica. But this soon seemed canned and phony, and Amadeus wondered if some in the audience might think he was some kind of lifelike automaton. So Gregor went on to giving advice. ‘The Advisor from the Early Carboniferous.’ People would ask questions about business or personal problems, or what books to read or (while the cinemas were still open) [the cinemas were closed in Vienna during World War I] what films to see. Once a child asked, ‘Are there really Angels, and do they bring the Christmas presents, or do parents bring them?’ Gregor assured her that no one feels really at home in an interpreted world – which must have given her something to think about. At least she didn’t cry.” (p. 14)

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