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Fluff Pieces Every Week

Category: Opinion

French Comic: Léonid. T. 1, Les Deux Albinos – review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

91pzQz5K1xLLéonid. T. 1, Les Deux Albinos, by Frédéric Brrémaud & Stefano Turconi.
Toulon, France, Soleil, August 2015, hardcover 10,95 (48 pages).

My thanks to Lex Nakashima, as usual for this French bande dessinée album.

At first glance, Léonid looks like a cute funny-animal comic book featuring cats, roughly similar to Disney’s 1970 The Aristocats. But its story, full of blood and terror, is closer to the German Felidae, either the 1989 novel by Akif Pirinçci or the furry-convention-favorite 1994 animated feature. (Both are good, but the movie simplifies the complex story.)

The locale is the farming district of Deux-Sèvres, in central-west France. “Léonid is a cat, not yet an adult, but not a kitten, either. Just a young cat. He lives in a house in the district, in the midst of trees, pretty far from any city and close to a farm.” Léonid is a young housecat, living with two other housecats (Hoa Mai, a Siamese, and Rosso, an elderly orange Pekinese) and a dog (Mirza, a toy terrier). His household is also the home of Atchi, a mouse constantly sneezing because he’s allergic to cat hairs. Léonid is allowed outside during the daytime to associate and play with the local feral cats; the female black-&-white Ba’on, and the males Bouboule (the fat one), Arsène (the nervous one), and an anonymous one (because he’s almost immediately killed).

Two newborn lambs are slaughtered at night, apparently by a wild animal. The cats inside a house are presumably safe, but the feral cats who spend nights outdoors worry that a fox may have moved into the neighborhood – or (for those who fear the less-probable predators) a wolf or an ermine. Léonid finds out that it was two bloodthirsty albino cats, but at first he can’t convince anyone else. They think that he’s exaggerating to make himself look important; then, when the two albinos kidnap Ba’on, they say that it’s every cat for himself. Meanwhile, the farmer has set Zeus and Apollon, his two killer hounds, loose to safeguard the rest of his flock, and the dogs run bloodily through the neighborhood as a savage danger to all of the cats who aren’t safe in houses.

The Two Albinos is mostly the story of how Ba’on is kidnapped by the two albinos to be their slave, and how Léonid and Atchi, the sneezing mouse, venture outside to her rescue. They’re successful, but not really because Ba’on reveals that while she was in the albino cats’ power, they boasted that they are just the vanguard of “the horde”, “the avant-garde of the terror of Great Attila, our guide” who will kill or enslave all the animals of the district.   Léonid, Ba’on, Aichi, Hoa Mai, Rossi, and Mirza are left wondering what to do when Attila and his horde arrive? Read the rest of this entry »

By Tooth and Claw: Clan of the Claw, Edited by Bill Fawcett – Book Review By Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

By Tooth and ClawBy Tooth and Claw: Clan of the Claw, Book 2 [edited by Bill Fawcett].
Riverdale, NY, Baen Books, April 2015, trade paperback $15.00 (309 pages), Kindle $8.99.

Book 1, Exiled: Clan of the Claw, was published in August 2011. I had begun to think that Book 2 would never come out.

Bill Fawcett has been editing, or packaging, books about the anthropomorphic feline Mrem fighting the anthropomorphic reptilian Liskash/Lizcanth for over twenty-five years. In 1989/90 he got four paperback novels by different authors published in Bantam Spectra’s Guardians of the Three series. Only one was any good, but that one, Keeper of the City by Peter Morwood & Diane Duane, is one of the finest anthropomorphic adventures ever written, well worth seeking out today. Fawcett’s second series, the 1999 three Shattered Light paperbacks for Pocket Books, was notable for only Catseye by William R. Forschen & Jaki Demarest, a cheerful ripoff of Dumas’ The Three Musketeers with a human teenage swordsman trying to join three Mrem King’s musketeers fighting a Lizcanth Cardinal’s Guard.

The Clan of the Claw series for Baen Books supposes that the giant meteor that crashed into the Earth 65.5 million years ago, causing the extinction of the dinosaurs (according to many paleontologists), never occurred. (This is the same premise as Pixar’s forthcoming The Good Dinosaur.) The dinosaurs continued to evolve and became the reptilian manlike Liskash. The new mammals also evolved and gave rise to the manlike felinoid Mrem. The two are deadly enemies. Both are about of Bronze Age technology, and possess “magic” that may really be psionic powers. The series takes place about 5.3 million years ago, when the Atlantic Ocean has just broken into and drowned the dry Mediterranean basin. The Clan of the Claw outline postulates that several clans of Mrem were living in the Mediterranean valley at the time. Most of those who did not drown scrambled up to the north to join the other Mrem clans in what is Europe today. One clan, the Clan of the Claw, went south and found itself in what is today North Africa, surrounded by hostile Liskash clans. The Mrem must battle their way around the new Mediterranean Sea to reach the other Mrem in Europe, endlessly defeating one Liskash clan after another. Read the rest of this entry »

Tinder Stricken, by Heidi C. Vlach – Book Review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Tinder Stricken, by Heidi C. Vlach.tinderstrickenfin_1750-by-2500
Sudbury, Ontario, Heidi C. Vlach, May 2015, trade paperback $14.00 (266 pages), Kindle $3.99.

“By dawn’s feeble light and one smoldering candle, Esha stared into the polished tin mirror, full of dread like every other morning. The goat had stolen a little more of her body through the night.” (p. 1)

Esha lives in a world in which most people turn into animals during their lifetimes:

“Only the luckiest people got to see their faces turn distinguished and their human hair go silver. The heavens gave humans precious little time in their ideal bodies and capable minds, before they slid back into more bestial form. Esha had reached her forty-eighth year of life and she was still mostly presentable – after physicians telling her she would be a bleating beast by her thirty-fifth. To some degree, Esha was doing well.” (ibid.)

Esha may be doing well physically, but socially she is among the lowest castes. Her world has an Eastern Asian aura; her greeting is “namaste”, her currency is rupees, bamboo grows everywhere; she is a farm woman working in the fields – her official name is Esha Of The Fields – of the Janjuman Farms, along with many identical low-caste women of the Fields. Most of them chew betel, a common narcotic. Esha has many field-sisters, but she has only one close friend; Gita Of The Fields, who is turning into a deer.

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Swallowtail and Sword, by H. Leighton Dickson – Book Review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Swallowtail and SwordSwallowtail and Sword: The Scholar’s Book of Story and Song, by H. Leighton Dickson
Seattle, WA, CreateSpace, April 2015, trade paperback $11.99 (255 pages), Kindle $2.99.

This is an interlude, because it comes after Book 3, Songs in the Year of the Cat, the last published, but before Book 4, Bones in the Year of the Dragon, which has not been published yet.

“Before there was a Shogun, before there was a Journey, there was a Story.

Not just one story, but many. Stories of myth and legend and Ancestors; of horses and lions and mountains and monkeys. Of life and death and those in between and how you can see them if only you try. If you sit quietly and listen deeply, you might hear something you’ve never heard before. You might know something you’ve never known and you might understand how we came to be the people we are. It is elusive, I grant you. Cats are, after all, an inscrutable people.” (p. 7)

So begins Swallowtail and Sword: The Scholar’s Book of Story and Song. With stories, but there are also songs. And steel. “Much steel, for cats are warriors and our armies are the envy of the world.” (p. 8) And tea. And much more. If you have read Books 1-3 of Tails of the Upper Kingdom (and if you haven’t, why haven’t you?), you will know of that far-future Oriental Empire, and of some of its politics and its expeditions to the far West and its discovery that humans still exist. And are preparing to reclaim the world.

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French Comic review by Fred Patten – Ocelot: Le Chat Qui N’en Etait Pas Un.

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Ocelot coverOcelot: Le Chat Qui N’en Était Pas Un, by Jean David Morvan & Séverine Tréfouël [writers] and Agnès Fouquart [art].
Paris, Delcourt, August 2015, hardcover €12,50 (48 pages), Kindle free.

Thanks once again to Lex Nakashima for this fine example of the French bande dessinée.

If you think that this story is familiar, it should be. The publisher itself says in its catalogue that Ocelot: The Cat Who Was Not One is “in the fashion of Lady and the Tramp”. Amazon.fr compares it to The Aristocats. (Les Aristochats.) You are advised “To read it with an empty mind and enjoy it”. (A lire pour se vider l’esprit et passer un bon moment.) In other words, just read it for fun. Tour modern Paris, the City of Lights, with a quartet of free-living cats.

Ocelot opens with the titular ocelot looking at the Eiffel Tower, all lit up at night. He hears another cat fighting with dogs and races across the rooftops to watch. He saves her, a fluffy white cat (“Une ragdoll!!”) with brown ears and tail, more by accident than design. The cat, obviously a sophisticated lady, is more amused than grateful. “You’re rather bizarre…” “I’m UNIQUE. That’s different.” She’s Olympe. He’s “Doudou de la Gür Gandine!” (Gür Gandine’s Cutie). She laughs in his face. (More specifically, a doudou is a young child’s favorite toy or plush doll, usually well-worn.) Read the rest of this entry »

The Stone God Awakens, by Philip Jose Farmer – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Josh KirbyThe Stone God Awakens, by Philip José Farmer.
NYC, Ace Books, November 1970, paperback #78650, 75¢ (190 pages).

“He awoke and did not know where he was.

Flames were crackling fifty feet away. Woodsmoke stung his nose and brought tears. Somewhere, men were shouting and screaming. […]

He was in one end of a large building of gigantic logs, wooden pillars, and large overhead beams. Flames leaped along the wall toward him. The roof at the other end had just caved in, and the smoke was carried away by a vagary of the wind. He could see the sky outside. It was black, and then, far off, lightning flashed. About fifty yards away, lit by the flames, was a hill. On top of the hill were the silhouettes of trees. Fully leaved trees.

A moment ago, it had been winter. The deep snows had been piled around the buildings of the research center outside Syracuse, New York.” (p. 5)

The protagonist is Ulysses Singing Bear, a young scientist of native American descent in 1985 (fifteen years in the future when this book was published). He discovers that the fighting going on around him does not involve humans.

“The flames from the burning hall and from other buildings combined to illuminate the scene. Furry legs and tails, white and black and brown, danced around. The legs were human and yet not human. They bent queerly; they looked like the hind legs of four-footed animals that had decided to stand upright, like men, and so had evolved half-human, half-beast legs.

The owner of a pair of legs fell flat on his back, a spear stuck in his belly. The man became even more confused and shocked. The creature looked like a cross between a human being and a sealpoint Siamese cat. The body fur was white; the face below the forehead was black; the lower part of the arms, legs and the tail were black. The face was as flat as any human’s, but the nose was round and black, like a cat’s, and the ears were black and pointed. The mouth, open in death, revealed sharp feline teeth.” (p. 6) Read the rest of this entry »

The Suspended Castle – Book Review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Suspended Castle, by Fred. [Translated by Richard Kutner.]
NYC, Candlewick Press/TOON Books, October 2015, hardcover $16.95 (53 [+ 1] pages).

7655555The Suspended Castle (Le Château Suspendu) is Book 3 in the Philémon series by Fred (Frédéric Othon Théodore Aristidès, 1931-2013), serialized in the classic French comics magazine Pilote. The weekly strip was collected into 15 books between 1972 and 1987. Fred retired leaving Philémon’s adventures uncompleted, until he wrote/drew a 16th volume to finish the series just before his death.

Book 1, Cast Away on the Letter A, was reviewed here in January, and book 2, The Wild Piano, in June. Fred’s Philémon was/is a surrealistic cartoon strip in the tradition of Winsor McCay’s Little Nemo in Slumberland and George Herriman’s Krazy Kat. Philémon is a teenage farmboy in the French countryside of the 1960s-‘70s who falls down a well and has psychedelic adventures on the literal letters ATLANTIC of the Atlantic Ocean of a parallel world. The series is only marginally anthro-animal, but it contains many imaginative fantastic animals in bizarre settings that lovers of top-quality newspaper comic-strip art, and furry fans, will want to see. Philémon, and Fred’s other works, have been hits in France for almost fifty years, almost constantly in print.

In the first two albums, teenager Philémon falls down an abandoned old well on his father’s farm in the French countryside and has fantastic adventures on the two A’s of the ATLANTIC ocean of a parallel world. He meets Mister Bartholomew (Barthélémy), an old Robinson Crusoe-like hermit from our world who was cast away onto the first A forty years ago. Philémon returns to his skeptical father Hector’s farm at the end of Cast Away on the Letter A, but he accidentally leaves Mr. Barthlomew behind. In The Wild Piano, Phil’s Uncle Felix (Félicien) turns out to be an amateur magician who knows how to return to the parallel world. (The “portal” is a different fantastic method each time.) He sends Phil back to rescue Mr. Bartholomew, which he does after more adventures on the letter N.

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Patreon hack blamed on furries, news from Culturally F’ed – NEWSDUMP (10/8/15)

by Patch O'Furr

Headlines, links and little stories to make your tail wag.  Guest posts welcome. Tips: patch.ofurr@gmail.com

Patreon Hacked, Furries blamed, journalist downloads porn for “work”.

Patreon user info was compromised by a security breach.  A Twitter user claiming responsibility offered an online-politics grudge motive, and shared claims that Patreon account data was being misused by the “Yiff.party” website.  The prankish claim seems really far fetched to me up front, and the site itself denies any responsibility.  But the prank was successful enough to convince the journalist (for a big digital media brand) to download from the site, and seriously report finding nothing but sexy animals.  

UT club encourages students to find ‘fursonas’

Whines, from FurAffinity.

Whines, from FA.

A standard introduction article from the University of Texas at Austin student newspaper. It adds nothing unexpected, but reads nicely.  Congrats to the Longhorn Furs social club.

They have involvement with Whines.  It led me to learn the info below, and request a submission for The Furclub Survey of Furry dance parties. Expect more about it soon.

Starting in 2013 and inspired by descriptions of the Frolic in California, Whines started organizing small furry dance events and has held them once every 2-3 months since them. They tend to have an attendance in the 20-40 range with a handful of fursuiters. Most recently the dance was held on UT campus in partership with the University of Texas ‘Longhorn Furs‘ group.

New from Culturally F’ed

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Into Expermia, by M. R. Anglin – Book Review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Into Expermia, by M. R. Anglin
North Charleston, SC, CreateSpace, July 2015, trade paperback $9.99 (299 [+ 1] pages), Kindle $2.99.

51VFIQ7b7LLM. R. Anglin’s Silver Foxes series is up to four novels now. She began writing it with Silver Foxes, published in April 2008. You can probably skip that one, but if you are unfamiliar with this series, you should read Winds of Change (June 2009) and Prelude to War (October 2013) for their background before you read Into Expermia.

In the funny-animal world of Clorth, the Age of the Silver Foxes lasted a little over 2,000 years and abruptly ended with their extermination about 1,500 years ago. The Silver Foxes were a mutant anthropomorphic species whose metallic-like fur gave them their distinct silver coloring, and strong bioelectrical powers that they used to make themselves an arrogant ruling class in the semi-mythical past. They were hated, and Clorth finally united to invade their country, Expermia, and slaughter all the Silver Foxes in 3045-’46. In Clorth’s present, 4587, all the Silver Foxes are believed long dead. The previous novels establish the current political tensions between the rest of Clorth, led by the Kingdom of Drymairad, and police-state Expermia which is ending centuries of isolation and about to launch a new campaign for world conquest. One of several protagonists is mid-teen Xena Dunsworth, an orphan gray fox adopted with her younger sister Kathra by J. R. Dunsworth (wolf), a notorious criminal but kindly to them. Xena is aware that she is growing up to become a Silver Fox. She darkens her fur, but she can’t do anything about the bursts of electricity she inadvertently gives off. Simultaneously the charismatic villain Maximilian Descarté (red fox), a powerful industrialist, is maneuvering to replace the king of Drymairad and take charge of the league against Expermia. Max believes that the Silver Foxes were once real (many Clorthians think they were mythical), and he has secretly tried to recreate them in the laboratory. When he learned that one had been re-bred by accident, he captured Xena and Kathra as experimental guinea-pigs. They were rescued by their foster father, who located their long-lost mother. That’s the background.

Into Expermia begins a short time later, after Xena has returned to her home town and Max has consolidated his takeover of Drymairad’s throne. The scene is very mundane, considering its cast. Xena has a quiet 15th birthday party at home in the small rural town of Justin’s Ridge with her sister, her refound mother and her foster father, her teen boyfriend Hunter, and her pet, Charuse. If you’ve read the earlier novels, you know that Xena isn’t a normal gray fox, her Daddy is a high-profile criminal, her boyfriend was originally the Expermian red fox bounty hunter hired to re-enslave her, and Charuse is …well, read it. Read the rest of this entry »

French comic: Une Aventure de Chlorophylle – Book Review by Fred Patten.

by Patch O'Furr

Belgian, to be accurate. Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Une Aventure de Chlorophylle. T.1, Embrouilles a Coquefredouille, by Godi & Zidrou.
Brussels, Belgium, Le Lombard, September 2014, hardcover 10,60 (48 pages).

My thanks to Lex Nakashima again for this French-language bande dessinée.1507-1

So they’ve started another Chlorophylle series. Whoop-de-do. Raymond Macherot (1924-2008) began Chloro the dormouse’s adventures in the weekly Tintin comic-book magazine (1946-1993) in 1954, continued it through 11 or 12 adventures (depending on how you count), and wrote/drew his last Chloro story in 1966. Since then, his Chloro stories have been reprinted umpteen times, alone and in collections. Lombard has tried to continue the Chloro series, in Tintin serializations and in albums after the magazine’s demise, with new stories by a variety of cartoonists: Hubuc & Guilmard, Greg & Dupa, Dupa & Bob De Groot, Bom & Walli. Nothing really caught on. Now here is another attempt, by Belgian comics artist Godi (Bernard Godisiabois) and writer Zidrou (Benoît Drousie). Is this one any different?

Oh, yeah…

The other post-Macherot stories continued Chlorophylle’s adventures in the Belgian Tranquil Vale woodland. The supporting characters were Minimum the mouse, Mironton the dormouse and his wife Mirontaine, Torpedo the otter, Serpolet the rabbit, Clacky the crow, and the usual gang of Chloro’s friends and neighbors. The stories varied in quality, but they were all more of the same.

Complications in Coquefredouille, the first album in the new series, returns to the funny-animal island-kingdom where Chloro had his (arguably) most popular adventures. It’s the 33rd annual International Coquefredouille Film Festival; it’s opening with a new movie about when the kingdom was almost taken over by Anthracite the black rat and his two cannibalistic ferrets, and was saved by Chloro and Minimum (Les Croquillards); and King Mitron XIII of Coquefredouille sends invitations to Chloro and Minimum in the Tranquil Vale to attend. It’s a glitzy film festival; Chloro and Minimum get to meet the movie stars; the real Anthracite died in prison years ago so they don’t have anything more to worry about; so why not? But they arrive to find that there is a new terrorist movement that King Mitron’s government is trying to downplay. The FLF is trying to split Coquefredouille into two nations, the Kingdom of Coque in the west with its traditional capital at Le Fourbi, and the new (kingdom? republic?) of Fredouille in the east with its capital at La Turbine, the island’s second largest city and industrial center. The supposed revolutionists claim they want to stop the royalist government’s exploitation of the east, but nobody in the east seems to feel exploited or want to secede. King Mitron and his advisors suspect that the real reason for the FLF is that all of Couqefredouille’s mineral wealth is located in the east, and that independence for Fredouille would allow the “revolutionists” to set up a corrupt government to milk the eastern resources for themselves. Chloro tries to uncover the truth behind the terrorists, while at the same time dealing with the social complications at the film festival centering around the actors playing himself (Luigi Starletti, a mega-handsome small gray rat) and Anthracite (Antonio Caméo, a tall squirrel who specializes in playing villains).

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