Dogpatch Press

Fluff Pieces Every Week

Category: Society and culture

More Animal Impersonators From Theater History

by Patch O'Furr

Don’t miss the series of stories about animal impersonators.

George Ali as Nana in Peter Pan (1924)

Yesterday’s article revisited the history of animal impersonation for theater. It’s the study of how animals move and behave, for acting with emotion and character. Beautifully crafted costumes were used on live stages before cinema matured, from artists forgotten by time. It’s deep rooted “Paleofurry” inspiration.

Previous stories here looked at British Panto-animal actors, but overlooked other actors in American Vaudeville (which fed talent to Hollywood). An expert covered some of them to round out this history. (Thanks to Trav S.D. who is linked here; a theater director, producer, and author.)

George Ali: Critter for Hire, and Arthur Lupino

Trav’s short article adds a little about George Ali, who played the dog in the first filmed version of Peter Pan. But in 1904 the role was played by an actor who I haven’t found much about. There’s just a very short blurb from Encyclopedia Brittanica saying Arthur Lupino was an “incomparable animal impersonator” and chosen personally by Peter Pan playwright JM Barrie.

Fred Woodward: What an Animal

Mules and creatures from Oz. It’s another short mention of how “Animal impersonation was a whole sub-specialty in vaudeville… This was an era when fairy tales were frequently presented on stage for audiences of children and their families, so it’s not as odd as it may seem at first blush.”

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Animal Impersonators of Vaudeville and Pantomime: call them Paleofurries.

by Patch O'Furr

Check out this “fursuit” acting from 1924. That’s George Ali as Nana the Dog in the first silent-movie version of Peter Pan. (Here’s a longer clip).

In 1924, there were no archives for movies, so many were destroyed or disappeared when they stopped making money from screening. The first Peter Pan movie was believed lost, but two copies were found including one at Disney Studios (who must have studied the innovative special effects.) A restoration in 1994 was added to the US National Film Registry. It makes a rare recording of this kind of performing.

George Ali was an Animal Impersonator — much more than just a costumer, but a specialist artist. There must be tons of forgotten lore about this. It was featured in my furry history series about Panto-animals (with beautiful photos, but no videos I could find until now!)

What were animal impersonators?

Fred Conquest and Charles Lauri appear in those stories as British Pantomime theater players. Panto had roots as old as Shakespeare — a mash-up of clowning, burlesque, satire, and lower-class popular theater for the masses. It was for live stages, not permanent Youtube-ready media, so the actors may be barely remembered today. They were huge stars in their heyday 100 years ago. Most were known as human characters, but ones like Ali, Conquest, or Lauri won stardom in their own right as animals.

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With conventions closed for COVID-19, how will furries get their kink on?

by Patch O'Furr

Yesterday’s story: With conventions closed for COVID-19, what happens to furries as a community?

Ow My Balls!

The COVID-19 pandemic has postponed Sin City Murr Con. It’s planned to be the furry fandom’s first explicitly adult kink-themed convention.

SCMC also stands out as a con from Corgi Events, who organize GSFC, Aquatifur, DenFur, and PDFC. It’s furry fandom’s first multi-event managing company, with the idea of a paycheck letting the CEO do this full-time. Despite fear that paying someone is the tip of a Bad Dragon-sized capitalist intrusion, advancing a grab-bag of cons could be the foot in the door for the kink one.

This is a hit to fandom expression AND business. Several furries had a group chat about the postponing.

Lux, a furry artist in California, didn’t see such a big issue. She felt like SCMC might not have gone over well due to being “neither part of the kink scene or the local Las Vegas scene. Las Vegas seems like an all right place for a furry convention without the gimmick you know? And a furry track could be slotted into another kink event that happens in Las Vegas, rather than the other way around. Las Vegas hosts adult films expo and sex toy conventions if I’m not mistaken.”

I felt like explicit kink friendliness is a big deal, many furry people ARE kink scene people, and Las Vegas local furries haven’t made the effort for their own con. (They had Elliott’s Live Events, but that was more of a private party.) I saw a bigger issue.

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With conventions closed for COVID-19, what happens to furries as a community?

by Patch O'Furr

Depression of the furry economy.

Real life cons and meets are glue for internet fandom. Closing them will make a ripple effect.

Furry fandom has had decades of rising activity, and it’s between members without depending on corporations. Up to now, their cons bring tens of thousands of people with tens of millions of dollars spent per year around the world. That’s hard to just pause and restart.

It’s tourism/live show business that makes a foundation for other businesses. Take fursuit-making. It has millions a year in activity. Shutdowns and unemployment could make commissioners less eager for fursuits they can’t use in person or afford.

Some makers have long queues for promised work. That can mean holding a lot of deposits (even near an average household’s debt — thousands per suit x dozens of suits.) Imagine the queue stopping. That’s the ripple effect.

Could that kind of problem bankrupt cons? Or are they safe if they can cancel hotel contracts by force majeure? How hard will the hangover be if it takes a year or more to restart? (Reopening too soon can hurt too, without concerted solutions everywhere.)

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A brief history of the Cartoon/Fantasy Organization, America’s first anime fan club — by Sy Sable

by Dogpatch Press Staff

Courtesy of Changa Lion and the Confurence Archive, cover art by Ken Sample. 5 years after it was founded, the club newsletter covered news from 9 American club chapters and the 1982 release of Don Bluth’s Secret of NIMH.

Sy Sable co-founded the first furry con and helped grow a new worldwide furry fandom, with 1970’s roots in a small clubhouse in Los Angeles.

On 4/4/2020, Sy Sable (Mark Merlino) sent this brief history of the Cartoon/Fantasy Organization, founded in 1977. His story comes from recent message trading with someone interested in the C/FO and those involved. He couldn’t connect her to people out of contact for over 20 years, but he could tell how the club started. 

Today, there’s a worldwide network we could call capital-F Furry fandom, but some key founders were “proto-furries” who met at the C/FO. The club introduced new and unusual imported Japanese anime that was starting to reach America through rare home video tech. Club members loved anime for featuring adult, science fiction and action themes unlike 1970’s American animation aimed at kids (then dominated by studios like Hanna-Barbera.) There was a lot of “giant robot” anime, but certain fans preferred to combine adult themes plus traditional “funny animal” comics and animation that eventually spun off their own, new hybrid fandom.

Sy was a founder who went on with partner Rod O’Riley to host 1980’s science fiction convention room parties, then ConFurence in 1989, and longstanding monthly parties at The Prancing Skiltaire in Southern California (when not under quarantine in 2020). The C/FO had other chapters and there were other fan groups, but this is a major root. Another founder, Fred Patten, wrote about the C/FO in How Home Video Created Anime Fandom — or check Fred’s review of Joe Strike’s Furry Nation history book that covers this. (Fred was also a writer with Jerry Beck, East Coast C/FO chapter founder and animation historian, tying in much more history.) Sy says: “This is from my perspective and drops names something fierce… but it IS my personal take on things.” ( – Patch)

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Forget depressing news, watch these 90’s animated bunnies who help kids stay safe!

by Patch O'Furr

Current news got ya bothered? Take a break with a forgotten 90’s cartoon of total radness!

For many suburban kids in the 80’s and 90’s, riding a bike to the mall was living the dream, along with going to the video store and renting popcorn sci-fi movies, miniature golfing, or playing the TMNT arcade game at the pizza parlor (maybe while rocking out with Chuck E. Cheese.)

Let all of those vibes come at you from Bert and Gert, the bunnies in kneepads with flipped up hats who ride hoverboards, like in Back To the Future Part II. They’re a brother and sister on a mission, but who sent them? Whoever it was, they trust these bunnies to spy on kids using radar wrist watches more advanced than any smartphone yet invented. WHOAH!

Why do they spy on kids? During the boppin’ theme song, we learn that it’s to protect them — from snakes, lightning and optical illusions (??) — but keep watching. This is the 80’s/90’s Stranger Danger genre. It’s not the boring After School Special kind with terrible acting though; this is pure, uncut cartoon magic. It has neon “wonky” aesthetics with the mellifluous voices and irresistible coolness of cereal mascots you wish were your best friends forever.

What kid wants to get in trouble if these bunnies teach them how to stay safe? I know I’M never talking to a stranger again. I love this so much, I wish I had a fursona like this (and it can happen, because that’s what furry fandom is for!)

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Terror, Teens, and Furaffinity — How a chain of violent hate incidents links to furry fandom.

by Patch O'Furr

The biggest furry art site FurAffinity is hosting promotion for a neo-nazi mass shooter. Brenton Tarrant shot 100 people in Christchurch, New Zealand in March 2019. Tarrant came from internet radicalizing. He used 8chan to broadcast hate, and is now a far-right extremist hero for copycats around the world. FurAffinity has been closing many reports about it, including mine and others that tipped off this story. Furaffinity’s Code of Conduct (2.7) says: “Do not identify with or promote real hate or terrorist organizations and their ideologies.” They refuse to enforce it.

In Furaffinity’s policy, “organizations” may be a weasel-word to dismiss this as an isolated thing. Treating this as “just art” helps the goal of radicalizing — to worm inside with lying that hate isn’t tied to violence, and violence comes from “lone wolves”. (A goal to provoke, but deny it.)

Single data points make a much bigger chain. When insiders refuse to recognize it or do anything to help, they pass off responsibility to outside sources. This story will be one of those sources, along with FBI docs and current mainstream news that link a fringe of furry fandom to violent hate.

From top left: (1) Furaffinity post promoting the New Zealand shooter. (2) Vice explains hate symbols in it. (3) Furaffinity refuses to enforce their policy.

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Stella For Star — Director Nick Singer tells how furries shed magic on his short film.

by Patch O'Furr

 

Stella For Star is a sensitive slice-of-life drama just 11 minutes long, with a sweet dose of furry magic.

Marcy is a scientist visiting New Orleans for a conference for nuclear fusion energy (a Fusion Con). She relies on child care help for her two young kids on the trip. Her responsibilities keep her on the clock, but she manages to steal a moment of self-care with costumed strangers at the hotel for their own convention. Her work predicts hope for the future, but there’s trouble brewing for everyone with Hurricane Stella on the horizon.

The hint of sci-fi make the furries like “aliens” coming to Marcy’s world, bearing a gift of whimsy. In the upscale hotel setting, the famous Blue Dog art of New Orleans catches the eye. The city’s fraught history stays offstage but maybe it would show up if this was a feature length movie. There’s talent for one here in the nice cinematography, and bang-for-the-buck performance by Emmy-nominated Robin Weigert. The director has an indie feature under his belt.

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Good news! Doggos won’t make you vom-o — and more to know about a zoonotic pandemic.

by Patch O'Furr

Need something wholesome for a time like this?  Investigation found no reason to fear that people might catch COVID-19 from dogs. That’s good for me and my chihuahua child. No more worry about going “aww” for little sneezes!

Plague Bats and Furry Vets

It’s rare for a new disease to jump from one species to another — they’re usually incompatible. But COVID-19 came from zoonotic transmission with no herd immunity or treatment. It’s NOT the common flu. The CDC info page calls it an evolving situation. Brace yourself! Learn key terms that the experts use.

Zoonotic: A virus is considered zoonotic when its origins can be traced to animals. These diseases are known as zoonoses, meaning they are naturally transmissible from vertebrate animals to humans. It’s believed the virus that causes COVID-19 may have originated in bats and spread through a number of species before it was contracted by humans.

I reached out to veterinarian furries for professional comments or a message to the fandom. Zarafa Giraffe works as fill-in staff at many vet clinics. He says:

Obviously, the Covid19 pandemic, and the social distancing it requires, has been devastating to the conventions and furmeets we love so well. The good news is that as far as we know, your dogs and cats are safe, and cannot transfer infection to you. Veterinary clinics are considered essential services, and will continue to operate. Even here in the San Francisco Bay Area, which currently has the strictest social distancing requirements in the US, you’re allowed to go to your local veterinary clinic. If your dog or cat needs medical attention, contact your local veterinarian.

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Unearthing a cool fossil — A 1980’s letter shows furry fandom before the net.

by Patch O'Furr

Ursa Major Awards voting is open through March, vote now for the best creators.

News tips from non-furries are often worthy. They won’t suck you into fandom-gossip, and they’re more likely to use the Dogpatch Press Facebook page than Telegram or Twitter. That’s how I heard from a New Jersey estate liquidator (someone contracted to sell off goods when someone dies or can’t do it themselves). They had binders of furry art, and I had experience in brokerage (my other fursona is a pack rat.) Was there worth in them?

They didn’t smell like money, but I knew they might have at least curiosity value for a handful of sources like Confurence.com, so I broadcast it and tagged them.

Indeed it was just sentimental-value stuff — not even original art, just photocopies — but Jerry Collins tied this to old guard furry fandom. I thought about how scrapbooks of gay culture from pre-1960’s had high curatorial value, and was reminded of a contact with an archive for 8mm home movies that were picked up this way and sometimes licensed for documentaries. I smelled news!

I asked about reaching the family to find out more about the collector, or make sure it was OK to share:

The house had Manga stuff and role play games. Owner was in his 50’s. Unfortunately the estate was handled by an attorney who had no personal knowledge. I do not see any issue with sharing the binder contents. Enjoy.

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