It’s an honor to welcome guest posting with Culturally F’d, the furry channel most in tune with everything we do here. Thanks Arrkay! – Patch
Hey Fluff Punks, it’s Arrkay here from Culturally F’d. Hope you had a restful holiday! Today we’re going to round up 2016’s best of furry YouTube.
Coming soon at Dogpatch Press – a Q&A with the author of Ponyville Confidential: a History of My Little Pony.
Sherilyn Connelly is a journalist local to the Bay Area Furries. She gives them supportive notice in publications like SF Weekly. Now her first book is coming from McFarland publishing. Ponyville Confidential will dig deep into culture while being a fun read for everypony. (I’m told there are some parts specifically about furries.) If you like the show and can give support back to Sherilyn, please visit the book’s Facebook page and give a ‘like’ right now!
I have only seen 6 or 7 episodes of My Little Pony: Friendship Is Magic, and they were great. Even with low experience, it makes me want to share some thoughts before the Q&A. This is more personal than about the show or the book.
Growing up with cartoons.
When I talked with Sherilyn, she described a double standard about audience gender. It’s a thesis in the book that when My Little Pony first aired in 1986, it was disrespected as a prime example of crass commercialism. They said it was all about selling toys. By comparison, similar toy-related “boy” shows, like Transformers, got a pass. “Girly” shows had extra stigma.
It gives me curiosity about my own puppyhood in the 1980’s, but parts that were a bit outside of my consciousness. I didn’t watch My Little Pony, and similar sparkly friendly shows like Rainbow Brite and Strawberry Shortcake. I experienced them being judged as sissy girly stuff, and they would make me do barfing noises. Instead I loved He-Man, G.I. Joe, and most of all the Transformers.
There was another kind of stigma with “boy” shows. Even if “girl” shows could be disrespected as trivial, they could still be considered inherently nice. But my favorites were judged as morally questionable. Parents were suspicious of indulging a masculine sense of adventure and danger, even with stories about justice. Action and “violence” would corrupt impressionable minds. It had to be policed to keep kids pure and innocent.
Submitted by Fred Patten, Furry’s favorite historian and reviewer.
Dogs of War, edited by Fred Patten, is launching at Further Confusion 2017 in San Jose, California over the January 12-16 five-day weekend. The book can be pre-ordered from FurPlanet Productions. It will be for sale on the FurPlanet online catalogue afterwards.
Dogs of War is an all-original anthology of 23 short stories and novelettes of anthropomorphic animals (not just dogs) in military scenarios, from battle action to boot camps, on land, at sea, and in space. This is designed to appeal to both s-f & fantasy fans, and fans of military s-f.
From a rabbit army’s training camp, to a human army turned into wolves, praying mantises in spacesuits, rattlesnake troops, prejudice against uplifted rat sailors, multi-tailed fox warrior priestesses, and more; these are stories for your imagination and enjoyment.
Contents:
Price: $19.95. 455 pages. Wraparound cover by Teagan Gavet. ISBN 978-1-61450-346-0.
Ever been to a furry house?
They don’t smell like barns or zoos, with shedding all over the place. But they are full of nerdy games and comics, fursuit parts, and framed animation and fursona commission art on the walls. Sometimes there’s art that might cause awkwardness during a pizza delivery or surprise visit from mom. But it’s not for them. It’s by and for fellow furries when they get together for meets, parties, art jams, and movie screenings as a community.
A furry house is a special place. It’s more immersive than activity by yourself. If you live there, you’ll never get PCD. It’s a dimensional crossroads where the limits of reality dissolve and you can be furry 24/7.
Inside the Prancing Skiltaire.
Furry friends, I’m honored to share a special invitation to you from media producer Ben McShane. A professional studio is being offered for you to make YOUR video show. (Please be aware this is on site in Burbank, CA.)
When Ben’s call for furry talent came to my inbox, I had to be careful to screen it. (We know about ‘the media,’ right?) I saw that Ben’s genuinely into cool stuff, has worked on some shows you may know (Battlebots, Shark Tank), and is associated with Nerdist. I’m copying from his resume to show the guy who’s inviting you:
Producer, Project Alpha – Legendary Digital Networks / Nerdist Industries
“Currently I am the producer on a number of shows for Project Alpha, the exclusive, interactive, live-streaming SVOD portal for Legendary Digital Networks. I manage a small budget, oversee staff hires for the shows, and lead creative. Many hats!
Live broadcast and digital content are exciting new frontiers for me as a producer. As a life-long table top gamer and über-geek, coming to work with the Nerdist and Geek & Sundry families has already been one of the most memorable stops of my career. I can’t wait for the shows to launch so I can say more!”
Check Project Alpha and browse the shows to get some idea of what they already have… I sense a great opportunity.
Ben shares details of the project:
Goddess by Arilin Thorferra – guest review submitted by Bill Kieffer, AKA Grayflank (author of The Goat: Building a Perfect Victim.) See also Fred Patten’s review of Goddess. Guests are invited to submit articles to: patch.ofurr(at)gmail.com.
A childhood full of monster of the week movies made me into the horse I am today. As a horror fan, giants hold a very special place in my heart. Giants played no small (ahem) part in helping me see monsters as more often dangerously misunderstood creatures than outright evil figures.
And, yet, I don’t particularly find myself attracted to the giant mythos. Not that I’m against Macrofurry stuff. I do like transformation stories and I do like submissive characters; so there’s quite a bit of overlap there with size shifting.
In this tale, set in a furry universe in a vague period prior to Hawaii’s statehood, Russel the cougar is looking to become a literature professor at a very posh American University in San Francisco. It’s probably in the 1950’s, even if the villain of the piece, Cornelius Bennett, is known as a “rail baron.” The first few pages felt nearly as staid and boring as any academic event that one might expect, but when the curvaceous otter Kailani enters the scene, things to pick up. I enjoyed every scene Kailani was in; even the scene where they are discussing The Great Gatsby. She is simply one of those people who are larger than life. *ahem*
And it’s to the authors credit that Kailani’s robust presence doesn’t overshadow the other characters in the scene with her. Russell becomes a bigger personality when he’s with her and, later, trying to be with her. Often in stories with this type of transformation from quiet protagonist with a plan to hero of the tale, the author relies on the cast to tell the hero/heroine that she changed. Here, I felt it.
No one had to tell me.
Here’s a special announcement from Joe Strike. Joe’s a writer and reporter about animation for the New York Daily News and Animation World Network. His website shows work with TV cartoons you may know. He’s a first-wave furry “greymuzzle.” And he talks like a velvet alligator on the phone.
Joe has an incredibly exciting book coming out. He’s putting the story of furry fandom in print from an established publisher. He wants your help.
I want to tell your story in Furry Nation.
I’m in the final stages of writing Furry Nation, the first book to chart the birth and growth of furry fandom and its relation to the anthropomorphic instinct that’s been part of civilization from prehistoric cave paintings of animal people and animal-headed Egyptian gods to the modern day. Furry Nation will be published fall 2017 by Cleis Press. To learn more visit www.furrynation.com
Furry Nation will include a handful of profiles of furry artists, published authors and craftspeople. (Furry sculptures, clothing, accessories, etc.) If you’d like to be in the book, please contact me by December 26 at info[at]furrynation[dot]com. I want to hear about your work, your first interest in anthro characters, and how you found the fandom; please include links to your work. (Sorry fursuiters but that section of the book has already been written.)
Thanx much!
– Joe Strike
Personally, I have been urging the creation of a coffee table furry book for years – from the history and graphics, to fursuit fashion photography. Like the kind of beautiful but info-packed bibles that Taschen is known for. (I even outlined such a book – but what a big project that is!)
Now I’m delighted to hear that Joe has a contract with Cleis Press to publish Furry Nation in fall 2017. Cleis has an eminent 36-year history as “the largest independent sexuality publishing company in the United States.” Don’t get too mad about being grouped with erotica; emphasize independent. It’s a chance-taking, open-minded platform that can do justice to an alternative subculture. They explain on LinkedIn:
Cleis Press publishes provocative, intelligent books across genres. Whether literary fiction, human rights, mystery, romance, erotica, LGBTQ studies, pulp fiction, or memoir, you know that if it’s outside the ordinary, it’s Cleis Press.
Don’t overlook more cool books! Dogpatch Press’s own star guest poster, Fred Patten, has Furry Fandom Conventions, 1989-2015 from McFarland Press. (That’s an academic/reference publisher where you’d find the book in a library. So you might consider Joe’s the “first” as a narrative history on the shelf at an indie or alternative bookstore.)
Fred’s Publishing for Furries article helps to show how special these are in the publishing world. Until now, there’s been almost nothing at book stores. Whatever you’re looking for in a furry book, these are extremely cool happenings.
And I can’t wait to see more. Grubbs Grizzzly (of Ask Papabear) has The Furry Book on the way, too.
Book by Grubbs, cover by Charleston Rat
Submitted by Fred Patten, Furry’s favorite historian and reviewer
The Art of Moana, by Jessica Julius and Maggie Malone. Preface by John Lasseter. Foreword by Ron Clements and John Musker.
San Francisco, CA, Chronicle Books, November 2016, hardcover $40.00 (160 pages), Kindle $16.19.
Moana is a 103-minute 3D computer-animated comedy fantasy feature film from Walt Disney Animation Studios, released on November 23rd, 2016. The Art of Moana is a coffee-table, full-color art book describing that film, and its making, in detail. Jessica Julius and Maggie Malone, the book’s authors, are both veteran executives at Walt Disney Animation. Julius wrote The Art of Big Hero Six and The Art of Zootopia. The preface is by John Lasseter, the director responsible for turning the Pixar and Disney studios into the powerhouses of theatrical feature animation in the last two decades. The foreword is by Ron Clements and John Musker, the co-directors of many other Disney features including The Little Mermaid and Aladdin.
The Art of Moana is a de luxe art book about the film and its making, with detailed visual samples and background information. For those interested in the film, this book is worth getting for the names of all the characters alone. The rejected preliminary designs of the main characters will be fascinating, also.
The film’s plot is summarized in its official blurb.
“Three thousand years ago, the greatest sailors in the world ventured across the Pacific, discovering the many islands of Oceania. But then, for a millennium, their voyages stopped—and no one today knows why. From Walt Disney Animation Studios, Moana is a CG-animated adventure about a spirited teenager who sails out on a daring mission to prove herself a master wayfinder and fulfill her ancestors’ unfinished quest. During her journey, Moana meets the once-mighty demi-god Maui and together they traverse the open ocean on an action-packed adventure, encountering enormous fiery creatures and impossible odds.”
Achievement Unlocked! New WORLD record 297 attendees, 131 fursuiters at #WFS25 an amazing day for @FurlifeNW community. Photo by ChaosReign pic.twitter.com/3TH8zX2WNc
— MFF n00b Lion (@kijani_lion) November 13, 2016
If you only saw furries in the media, you might think they only meet at cons. But after the con, there’s local events you won’t know about unless you’re tuned in to their channels. Some of them are established with their own names, venues and dedicated dates. You can go and say tonight, this place is ours. That’s a sign of a full-fledged subculture.
Independent furry dance parties are well covered at Dogpatch Press. That’s adult night life. But for all ages, there’s furry bowling. Big bowling meets can be bigger than small cons. They happen all over the place, but how many does the furry world have? I doubt anyone knows!
I’d love to know more, considering how fabulous some of them seem.
Here’s a special look at the thriving community of the Pacific Northwest furries. (Member pics: Whenfurballsstrike.net)
November 12, 2016 – When Furballs Strike 25 – Fursuit bowling in Kenmore, Washington.
I talked to Kijani Lion, meet organizer:
Tell me more about the broken record?
“The record that was broken was actually our own record for “largest attendance at a furry/anthropomorphics fan bowling meet”. We had 297 attendees at When Furballs Strike 25, which broke our old record of 271 at When Furballs Strike 22. Before that, the Brazilian furbowl Furboliche had the record with 248 attendees at Furboliche 4 which took place Halloween 2015.”
“Our world is one rich with diversity and culture, but how would civilized animals change that?”
That is the question Ocean Tigrox asks for you to write about in the upcoming anthology, Tales From the Guild 2: World Tour. Building from Tales From the Guild: Music to the Ears, the purpose of Tales is not just to have another outlet for Furry stories.
…we want to showcase great furry stories and show what we as a guild support. In addition to that, we want to help fund the guild while paying authors for their hard work. Thirdly, we’re using the anthology to help teach others about what goes into working a slush pile and editing an anthology.
This is what the Furry Writers Guild uses to help support themselves and showcase what they are all about.
In the words of the Guild itself, “The purpose of the Furry Writers’ Guild is to promote quality writing in anthropomorphic fiction and to inform, elevate, and support its creators.” The guild is there for others to come together to learn and support each other in our craft as well help promote our work and what we love about furry literature.
But how did the theme World Tour come about as the next entry for the book?
Because it was the guild anthology, we let the guild help out in choosing what theme to use. We had members of the guild suggest themes and voted on it. It was a very close vote with the runner up being “The Beast Within – Species issues within a modern world” which could be used for the next Guild Anthology theme.
