Dogpatch Press

Fluff Pieces Every Week

Tag: anthropomorphic

Hail Satan: the original furry

by Patch O'Furr

Recently, furries are debating about appearing in ads, with fear of commercializing like a devil’s bargain with corporations. They’re saying “Keep furry weird“. Let’s help.

Pride month just passed. Yay, now it’s time for all the other sins!

Hey furries, go Envy some cute costumes. Have Greed for art you don’t need (but you deserve it). Be a Glutton for hugs. Lust for a fursuit crush. Give Wrath for bigots. Enjoy Sloth after a furry con. Why not? Does anyone actually want to go to heaven, the eternally boring place for goodie-two-shoes with no good parties?

Hell is where to find real fun and friends. It’s like a furry convention. If you go there for doing just ONE sin… you might as well go for broke.

Of course those places are fairy tales. Bronze-age sheep herders made invisible friends to herd the masses to serve powerful elites. Superstitious storytelling is only as worthy as the meaning it brings. (Bibles can be good story sources, no argument there). That’s one skeptical opinion, anyways.

That’s why Satanists we’re talking about today don’t worship a deity. They’re just atheists with a grin, and pranksters with a point. Satan isn’t real, but they’re all about owning the power of a symbol.

He stands for rebellion against hypocrisy, nonconformity towards injustice, individual freedom, and Luciferian enlightenment. Religion vilifies disobedience, but it’s healthy to think for yourself. If a serpent gives you an apple, go ahead and take a bite, because you know what they say about an apple a day.

If you think about it, furry fandom is based on symbolism and totemism. You can even say Satan is the original furry.

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The Sprawl: Review of the Sci-fi/Horror Webcomic – By Enjy

by Patch O'Furr

Welcome to guest author Enjy. Yesterday’s post was Enjy’s interview with comic creator Snowdon – now here’s how it rates for reading. – Patch

Now that we have spoken with the artist, we can look at his work and tell you, our readers, how it stacks up with the other furry webcomics out there. Is Snowdon’s dedication to his work and his storytelling skills enough to place The Sprawl at the top of the pile?

The Artwork

First and foremost, the most important thing about a comic is its artistry. This can go from amazing technical skills, such as the painting in Juan Diaz Canales and Juanjo Guarnido’s Blacksad, to the striking feeling of a style that is incomparable, like Warren Ellis and Darick Robertson’s Transmetropolitan. The Sprawl offers heaping helpings of both, especially in the latest chapters where Snowdon really finds his stride in creating a cohesive aesthetic. The amount of detail that goes into his backgrounds, the vehicles, and especially the space ships, is something to be marveled at and inspired by. I can only gape in amazement as I count every individual pipe, every screw, every seam of every piece of complex machinery that the artist created. Every character he creates, even ones that are used as cannon fodder in his Game Of Thrones-like glee for shredding people left and right, have personality and individualism that shows from their clothing, to their faces, to their body shapes. I believe this sets Snowdon quite apart from the crowd, because one trope I seem to see in furry media is that there is usually a character or characters in a central focus that seem to be always front and center, always paid attention to, like the world revolves around them. He also is quite proficient at the basics of comic paging, using great bubble and panel placement and lots of creative setups for his page layouts. You can tell at first glance that this comic was definitely created by an industry professional.

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The Sprawl: Webcomic Creator Interview with Snowdon – By Enjy

by Dogpatch Press Staff

Welcome to guest author Enjy, who goes above and beyond for any writing mission. I would have tackled this myself but couldn’t have done so well because comics aren’t my forte and neither is music reviewing (Enjy’s previous piece.) The opportunity to work together is part of the magic of fandom. Tomorrow, expect the comic review. – Patch

The Sprawl is a webcomic created by Snowdon. He was the lead artist for a small animation studio and worked on the Teen Nick show Alien Dawn, where you can spot some of his artwork in the series’ titular comic book and unique motion-comic scenes. Needless to say, Snowden has been working on comics for quite some time. His whole life has been spent drawing and creating. Before and after working at Nickelodeon, he was a high school art teacher, a private tutor, and a graphic design consultant. In recent years, he has turned to freelance comics like his creation The Sprawl. Making connections, having a good portfolio, and taking internship opportunities whenever you can get them are Snowdon’s tips for artists like him to get into the animation industry. I got to speak with this creator to help his fans learn more about him, his comic, and where he sees his art taking him.

(Enjy): My first question is, why did you choose for The Sprawl to be a comic featuring anthropomorphic characters?

(Snowdon): The original concept for The Sprawl was an idea I’d had all the way back in art school, in the late 90’s. A lot of my art school friends wanted to make comics and a lot of them were already making anthro art, so I thought it might be fun if we all worked on some comics set in the same world, as like an anthology. The idea didn’t go anywhere, unfortunately, but some years later, one of my art school friends was doing comics for one of the anthro adult sites and offered to put a pitch in front of the people running the site if I could come up with one. I remembered the old anthology idea and still wanted to do something in that setting, so I dusted it off and wrote an outline that included what would eventually be the first chapter of The Sprawl.

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Vote for the 2018 Ursa Major Awards to support the best works of furry fandom.

by Patch O'Furr

Go here to vote for the 2018 Ursa Major Awards. The deadline is March 31.

Before nominees were chosen, the 2018 Recommended Anthropomorphics List made a much longer collection of suggested works. It’s useful as a guide for those looking for new furry stuff (and those interested in the recently added fursuit category may want to see the special requirements there.)

Please share this announcement, and help raise attention for the furry fandom equivalent of the Hugo awards for science fiction. They’re chosen by fans, not committee. Volunteers do the hard work of publicizing, organizing, counting votes, and mailing out engraved awards. These volunteers are the Anthropomorphic Literature and Arts Association (ALAA), a membership organization dedicated to promoting works that furries love. They welcome suggestions for how to expand this effort.

The ALAA is supported by donations via PayPal (paypal@ursamajorawards.org) with 100% of the money going towards cost of the awards. Please consider donating.

The ALAA has done this for many years with only very modest help, and previously had stories here about lacking resources. One of the founders, Fred Patten, has recently passed away. In March 2018, member Bernard Doove commented:

The ALAA has needed volunteers for years, but we have lost members rather than gained, and we are all doing as much as possible to keep the Ursa Major Awards running. I’ll be donating money from my personal funds once again for the 2017 Award trophies, and I will be flying up to Queensland where the awards ceremony will be held at FurDU this year in order to run the event. The cost of that comes out of my own pocket too. I’m willing to do my bit for the cause, but we desperately need more people with the skills required to improve it.

Check out the UMA tag to learn more about them. Here’s the nominees for 13 categories. Winners will be announced on May 23–26 at AnthrOhio 2019.

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“You fucking resplendent flower!”- Chuck draws anxiety and depression, but mostly pigeons.

by Bessie

Welcome to Bessie, of Marfedblog, a comics review and criticism site. There’s furry stuff there, and much more, with devoted curation by a fan doing exactly what they love. If you like this, give it a follow. And expect more syndicated content from Marfedblog reposted here. (-Patch)

What’s the first thing to pop into your mind if I were to mention pigeons? The noble racing bird? Hmm, maybe. Dirty diseased rats with wings? Most likely. A way to embody, personify and express mental illness? Probably not… maybe the last one was a little too specific to Chuck Mullins.

Chuck uses the unjustly maligned bird to process and explore her own experiences of dealing with long term depression. For anyone who follows her Twitter or Tumblr feeds however, I’d wager good money it’s the first thing they think of now, whenever they spot one of our fearless feathered friends pecking at bread crumbs or chips on the street. A regular dose of cathartic pigeon positivity, a wing on their shoulder, and a comforting coo in their ear to keep on keeping on.

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Panique au Zoo; Une Enquête de Poulpe et Castor Burma, by Frédéric Bagères (story), Marie Voyelle (art), Jerôme Alvarez (colors) – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Panique au Zoo; Une Enquête de Poulpe et Castor Burma, by Frédéric Bagères (story), Marie Voyelle (art), Jerôme Alvarez (colors).
Paris, Éditions Delcourt, June 2018, trade paperback, €23,95 (187 [+ 5] pages), Kindle €16,99.

Fred Patten and Lex Nakashima strike again!

“Built in 1740, at the far northern end of the isle, the Canon Zoo is the oldest and greatest zoo in the world. Founded in the XVI century by the monk Sylvestre Marie, it is today managed exclusively by its occupants.

“Aimed at an instructive goal, it offers its visitors, through its presentation of natural habitats, the chance to see how they have lived, over the centuries to the present, “animals in a state of nature”.” The sign is defaced with a graffiti-scrawl saying, “Obey!”

The first pages, a general meeting in the director’s office (a tapir), establish that things are different today. (Also that the dialogue is full of French puns and double-entendres.) Something is causing some of the animals to mutate into forms that are embarrassing at best, potentially fatal at worst. The director has hired two private detectives, Octopus and Beaver Burma, to find the reason and stop it.

“Eight months ago, some employees began showing the first symptoms. I think the otters were the first.”

“What do you mean?”

“They became covered with spines.”

“Like porcupines?”

“Exactly.”

“Like ‘otter-pines?’”

“If you like. They’re incapable today of running their stand in the zoo.”

“What are they selling?”

“Balloons.”

[…]

“Next it was the turn of those that your colleague would call the ‘polar urchins’, who are living today in the canteen’s freezer.”

“Then the ‘cat-pony’ that we put into the Asian animal enclosure.”

“And the ‘oyster-constrictor’ who spends his days trying to swallow the ‘rat-engale’ trying to find its voice.”

“The affair took a nasty turn when we found the “serpent-pie-thon’ dead, of self-asphyxiation. The animals began to get scared.”

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A Peculiar School, by J. Schlenker – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

A Peculiar School, by J. Schlenker.
Olive Hill. KY, Binka Publishing, September 2018, trade paperback, $11.95 (326 [+ 2] pages). Kindle $4.99.

“Miss Ethel Peacock strutted and proudly displayed her plumage as she paced around the waiting room of Mr. Densworth Lion. She had come unannounced, but she was so excited about the idea she had received in a dream, that she dared not lose any momentum. She could have called ahead, but what if he refused to see her? No, she decided not to risk it.” (p. 3)

This is an animal fantasy, but not a furry one. The peacock plumage is on the male, but hey, this is a fantasy. Besides, Jerri Schlenker knows that.

“‘A peacock? A peacock, you say? What is a peacock doing here?’ Mr. Densworth Lion asked his secretary, in disbelief.

‘Technically, she’s a peahen. Her husband is a peacock. That is, if she has a husband. I don’t think she does as she introduced herself as ‘Miss’. But together: they would be peafowl,’ his secretary [a lioness] corrected.

Mr. Densworth Lion uttered a slight roar of impatience.

‘She’s a teacher at the aviary,’ his secretary added.” (pgs. 3-4)

This is at Cub Academy, run by principal Mr. Densworth Lion, in a nature preserve. The animals are civilized; Mr. Lion wears eyeglasses and sits at a desk with papers and a candy jar upon it.

But not too civilized. Or, not into the 21st century:

“‘What I propose. Mr. Densworth Lion, is that we use your school as a model – a model for a bigger school, a university of sorts, one that houses all animals.’

‘All animals?” he roared. ‘We teach cubs here – lion cubs. Such a proposal is ludicrous.’” (p. 11)

Mr. Lion will not even listen to Miss Peacock’s proposal for a school in which all animals are treated equally. Well, maybe not the animals domesticated by humans, like dogs and cats. They’re different:

“The dog barked for a good solid hour almost every night. What was he trying to say? Since dogs had taken up with humans, their language had become garbled and unrecognizable. It was obvious the humans didn’t understand them either as every night the human came out on the porch and yelled something to the dog in the scrambled tongue of humans.” (p. 13)

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Civilized Beasts Volume III, Editor-in-Chief Laura Govednik, Editor Vincent Corbeau – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Civilized Beasts volume III, editor-in-chief Laura Govednik, editor Vincent Corbeau.
Manvil, TX, Weasel Press, September 2018, trade paperback, $8.00 ([vii +] 109 pages).

Here is the third annual volume of animal poetry from Weasel Press. It contains 98 pages of poetry, of mostly one page or less. Several authors have two or more poems. There are far fewer familiar furry fan names this year than there was last year; other than the editors, I recognized only Michael H. Payne. There are five poems by Larry D. Thomas, the 2008 Texas Poet Laureate.

Civilized Beasts is popularly advertised as an anthology of furry poetry, but it is almost all about realistic animals or the wonders of nature. Many authors have written poetic portraits of their own dogs, cats, horses, or goldfish. To be fair, it’s hard to write a work of furry fiction of one page.

There are some rhymes and a lot of blank verse. The cleverest poem graphically is the one chosen to end the volume: “Telltale” by Ruth Sabath Rosenthal. It’s in the shape of a wagging tail.

Civilized Beasts volume III (cover again by Darkomi) is another charity for the Wildlife Conservation Society. “All proceeds from this anthology go towards the Wildlife Conservation Society.”

Full disclosure: I have five poems in this.

Fred Patten

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Mechanical Animals: Tales at the Crux of Creatures and Tech, Edited by Selena Chambers and Jason Heller – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Mechanical Animals: Tales at the Crux of Creatures and Tech, edited by Selena Chambers and Jason Heller.
Erie, CO, Hex Publishers, November 2018, trade paperback, $19.99 (417 pages), Kindle $5.99.

This is not a furry book, but an anthology of 22 stories and articles about mechanical animals, including a cyborg. Most of them are about mindless clockwork robots. There are a few that feature self-aware AIs in the form of animals. These are close enough to furries to warrant Mechanical Animals to be reviewed here.

Mike Libby, in his Introduction, talks about being fascinated by mechanical animals from his childhood. “When I was ten I wanted one of those battery-powered motorized dogs you would see outside Radio Shack, that was leashed to its battery-powered remote control, and after a couple of high-pitched barks, would flip backwards, landing perfectly, ready to repeat his mechanical trick.” (p. 9) Jess Nevins, in his 13-page “Mechanical Animals”, summarizes them in literature from Homer in The Iliad to real examples in history (“The German mathematician and astronomer Johannes Müller von Königsberg, aka Regiomontanus (1436-1476), was reliably reported to have constructed a flying mechanical eagle for the Emperor Maximilian in 1470.” – p. 29), to the present.

“Two Bees Dancing” by Tessa Kum is the first story:

“Focus. This pain is old and familiar. It is not important. Focus on what is important.

‘We aren’t going to hurt you.’

It is on the table before you. Small. Antennae relaxed, wings spread, legs locked and unmoving.

‘We need your help.’ (p. 33)

A nameless government drone pilot on permanent disability is kidnapped and forced to fly a reprogrammed bee for criminal purposes. Instead, the reprogramming puts him into mental contact with the HiveAI and into a whole new world.

“Brass Monkey” by Delia Sherman is set in a clockwork late Victorian London. The characters in Jenny Wren’s Doll and Mechanical Emporium are elderly, crippled Mrs. Wren, the shop assistant Miss Edwige, and Mrs. Wren’s adopted daughter Lizzie. “If Mrs. Wren was the heart of the emporium and Miss Edwige its back and legs, then Lizzie was its inventive mind.” (p. 53). When the emporium becomes especially busy at Christmastime, “The door opened and out came Lizzie in her leather apron, her magnifying spectacles pushed into her cloudy hair, and on her shoulder a small capuchin monkey, such as commonly accompany organ-grinders, wearing a little scarlet vest.” (p. 54). The monkey is Annabella, Lizzie’s clockwork invention, made to help sort out the beads and ribbons and coins of the business day. When Annabella proves skilled enough to tell real coins from counterfeits, the three women set out to find the counterfeiter – but it’s Annabella who solves the case.

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The Moons of Barsk, by Lawrence M. Schoen – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Moons of Barsk, by Lawrence M. Schoen.
NYC, A Tom Doherty Associates Book/Tor Books, August 2018, hardcover, $26.99 (430 [+ 1] pages), Kindle $13.99.

This is the sequel to Barsk: The Elephants’ Graveyard, reviewed here in 2016. Barsk has such an unusual and unique plot that you should really read it before The Moons of Barsk. Both have interstellar settings and are set in the far future when humanity is extinct and has been replaced by the descendants of uplifted animals.

You also need to read Barsk first because there is no synopsis here. The opening paragraph is:

“Amidst torrents of rain and blasts of lightning, Ryne stepped from his boat onto the shore of the last island, the place where his life ended. The mental beacon that had guided him across the open water faded away. Clarity replaced certainty, composed of equal parts confusion and anger. Flapping his ears against the downpour he muttered a phrase heard by his students at least once a tenday for the past six decades. ‘The math is all wrong!’” (p. 11)

But Chapter One is titled “Nothing But Lies”. Pizlo, Jorl, and Ryne are Fant, elephant-men of the planet Barsk, looking like a human with an elephant’s head; great flapping ears and a trunk. That’s not why Fant is reviled as abominations throughout the galaxy, though. Of the eighty-seven races (species) of the Galactic Alliance, the Fant are the only ones who are not furred. The Yaks, the Prairie Dogs, the Giant Anteaters, the Hares, the Sloths; all the others have respectable pelts. Only the Fant, divided into Elephs (uplifted Asian elephants) and Lox (African elephants), are disgustingly nude, with wrinkly gray, hairless skin, plus those giant flapping ears and the huge mobile nose.

The Fant are not only known for their hairlessness, though. Barsk is the only planet where the wonder drug koph can be found. Koph enables rare individuals who take it to access the nefshons of the dead and to become Speakers to the dead. “He could see nefshons; the subatomic particles of memory and personality would come at his call. If he summoned enough of them that had belonged to a dead person he could even talk to them.” (p. 22) Barsk is partially about some Fant, and the attempts of some individuals of the other races of the Alliance (notably Nonyx-Captain Selishta, a Cheetah) to get more koph.

Barsk focuses upon a few individual Fant on their planet, and a few members of the Alliance, notably Selista the Cheetah and Lirlowil the Otter, a Speaker, who are especially dependent upon koph. The Moons of Barsk is about Barsk’s relationship with the rest of the Alliance, focusing on why the Alliance wants to destroy Barsk.

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