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Tag: anthropomorphic

The Island of Dr. Moreau: A Possibility, by H. G. Wells – Book Review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Island of Dr. Moreau: A Possibility, by H. G. Wells. Frontispiece by C.R.A. [Charles Robert Ashbee]. London, William Heinemann, April 1896, x + 219 [+ 1 + 34] pages, 6/-.

the-island-of-doctor-moreauThis is arguably the first “furry” adult novel, not counting the talking animals of children’s literature such as Lewis Carroll’s Alice’s Adventures in Wonderland. (Or the adult Metamorphosis/The Golden Ass of Lucius of Apuleius, which was caused by a magic salve and the gods.) It was intended as an anti-vivisection polemic, and it made quite a stir when it was published, although not entirely for the reason that Wells intended. According to the introduction by Alan Lightman in a later edition (Bantam Classic, 2005), Ranked among the classic novels of the English language and the inspiration for several unforgettable movies, this early work of H. G. Wells was greeted in 1896 by howls of protest from reviewers, who found it horrifying and blasphemous. They wanted to know more about the wondrous possibilities of science shown in his first book, The Time Machine, not its potential for misuse and terror.”

The public focused less upon the animal-men than upon Dr. Moreau’s callous vivisection experiments. In the novel, the physiologist comes across as an obsessed sociopath who cares only for his scientific research, and is oblivious to the pain he causes to his animal subjects. But to the public, he was a crazed monster. This image is clearly emphasized in the second motion picture adaptation, Island of Lost Souls (1932), in which Charles Laughton plays Dr. Moreau as a whip-cracking sadist who seems interested in his experiments only as a justification for his cruel tortures of his victims, and to create subjects whom he can rule as a god.

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Furries Among Us – two book reviews, from Vox Fox and Fred Patten.

by Patch O'Furr

Furries Among Us Book Review – By Vox Fox.

unnamedA disclaimer: I love this book. That said, I will try my best to give an unbiased review but the reader is hereby warned upfront of just where I’m coming from. Furries Among Us provides a very positive-minded, detailed and understanding look into what furry fandom is all about. It explains the deep meaningfulness and sense of camaraderie members typically derive from participating in this fascinating and unique community. The book is comprised of 16 separate essays, each detailing a different aspect of the furry world as experienced through each author’s eyes. Topics include: How furries socialize, furry publishing, fursuiting in the fandom, furry art and music, the ins and outs of fur cons and of course, dating and sexual aspects.

The book (from Thurston Howl Publications) delves deeply into the fundamental motivations that draw furries into the fandom and just why a fursuiter fursuits. Some may fursuit as an outlet for expressing certain (presumably fun-loving) personality traits they would be hesitant to attempt in human form (ah, the flirting you can get away with!). But I think one of the best reasons can be summed up nicely by one suiter’s explanation: “I suppose you could say that the reason I do it is to bask in the reflection of good feelings that I help create.” (Yep, close to the reason I give: to charm the socks off people.)

The last four chapters delve into the psychological and sociological aspects of the fandom, each one courtesy of four prominent members of the International Anthropomorphic Research Project (IARP), all holders of Ph.D.s. One consistent theme noted is that involvement in the fandom has the distinct tendency to contribute to a sense of well being, and that sense appears to intensify as the fan becomes even more engaged with fandom activities. Additionally, as mentioned above, the main incentive that seems to draw potential furries into the fold is the sense of community and belonging that the fandom provides. Finally another noteworthy passage discusses fursonas, and the role they play in creation of a more idealized self which is typically a “…more attractive, confident, friendly and playful” version of the self. (In another article I’ve read, the author of this chapter also suggested such role-playing can provide a means for ultimately incorporating these character enhancements into one’s own personality; see http://t.co/xcqSLIeL6u).

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Furry documentary gold, and a Sex Drama Explosion – NEWSDUMP (8/25/15)

by Patch O'Furr

Headlines, links and little stories to make your tail wag.  Guest posts welcome. Tips: patch.ofurr@gmail.com

Ursa art by Foxenawolf.

Anthropomorphics Reading List wants Dogpatch Press reader recommendations!  (via Fred Patten:)

“The Anthropomorphic Literature and Arts Association (ALAA) has just updated the 2015 Anthropomorphics Reading List.  It now includes all the 2015 anthro titles that anyone has recommended through August 8 as worth reading, seeing, or playing. The ALAA would love to get some recommendations from Dogpatch Press readers for the next update.” (- Fred).  If you know of any 2015 Furry books, comics, movies, etc. to recommend, send them here:  recommended@ursamajorawards.org

Houston Press – Furries in the Arts and Culture section.

“6 Modern Subcultures That Might Shock the Mainstream.” Clickbait with nothing new, except we get to be on the same list as Juggalos.

Culturally F’d on Furry gatherings: Why do we go to conventions, and why do we move in together?

Arrkey writes: “Hey Patch! The next episode is all lined up and it’s a doozy. All about con-culture, furry gatherings and all-furry housing situations:”

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Swat Kats creator gives an interview about the show, with a few days left on Kickstarter!

by Patch O'Furr

Enjoy Christian Tremblay’s interview with Dogpatch Press below, and help make a cool show happen here:

The campaign ends 8/22/15:  SWAT-KATS REVOLUTION, by TREMBLAY BROS STUDIOS.

3841546-swat_kats-750x400

Demand from devoted fans is bringing back the Swat Kats TV series for the first time in 20 years.  Fandom kept the show alive since it was canceled in 1994 with only two seasons.  If you missed it, here’s the lowdown from Swatkats.info:

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French animation and the César Awards, by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.  This article is a companion to Fred’s series on French anthropomorphic animal movies.

cesarawards__140228172355The César Awards, presented by the Académie des Arts et Techniques du Cinéma (Academy of Arts and Techniques of Cinema) since 1976, were frankly designed to be French cinema’s answer to the American Academy of Motion Picture Arts and Science’s Academy Awards, better known as the Oscars. The trophy of “l’Académie” was designed by the sculptor César Baldaccini (1921-1998) and is named after him.

The Césars are presented at a posh televised “Nuit de César” dinner and ceremony each February, by l’Académie but endorsed by the French Ministry of Culture; currently held at the 19th-century Théâtre du Châtelet in Paris. Technically all films distributed in France during the previous calendar year, not just those produced in France, are eligible for nomination, but the winners are usually French-made. See the Wikipedia article for the details on how the nominees are selected and on who votes for the Awards.

The first César Awards were presented in 1976 in 13 categories. There are 22 categories today. The César for “Mellieur Film d’Animation” (Best Animated Film) is a newcomer, only created in 2011. Significantly for furry fandom, all of the winners except for the first have been anthropomorphic films.

  • 2011 (36th Césars), for 2010 films – L’Illusionniste; Sylvain Chomet
  • 2012 (37th Césars), for 2011 films – Le Chat du Rabbin; Joann Sfar and Antoine Delesvaux
  • 2013 (38th Césars), for 2012 films – Ernest & Célestine; Stéphane Aubier, Vincent Patar and Benjamin Renner
  • 2014 (39th Césars), for 2013 films – Loulou, l’Incroyable Secret; Éric Omond
  • 2015 (40th Césars), for 2014 films — Miniscule, Hélène Giraud and Thomas Szabo

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Needle, and Through The Eye Of A Needle, by Hal Clement – book reviews by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Dear Patch; Here is my review of Needle and Through the Eye of a Needle by Hal Clement that I wrote for Cubist’s Anthro several years ago.  Maybe only one fan in a hundred will take the trouble to track these down, but they’ll probably be glad if they do.  Another way of looking at it is that Dogpatch Press will have the only mention of these proto-furry books before there was a furry fiction genre.

Needle, by Hal Clement.
Garden City, NY, Doubleday & Company, March 1950, hardcover $2.50 (222 pages).

NEEDL1950Hal Clement, whose real name was Harry Clement Stubbs (1922-2003), often told of how he wrote Needle as the result of a dare. John W. Campbell, Jr., the editor of Astounding Science Fiction, the most prestigious s-f magazine in the 1940s, was given to making lofty pronouncements that were understood by his writers to be dares to disprove them. On one occasion, Campbell had said that it was impossible to write a genuine science-fictional mystery story. Any such would turn out to be a standard mystery with s-f trappings, such as being set in the future or around a superscientific macguffin; but stripped of those elements, it would turn out to be just a standard mystery. Clement wrote Needle, which Campbell conceded was a genuine mystery that could only exist as also a genuine s-f story. Campbell bought it as a two-part serial for Astounding in its May and June 1949 issues.

Needle begins with two spaceships streaking toward Earth. Their alien occupants are, for the reader’s benefit, referred to as the Hunter and the Quarry. They are a jellylike or amoeboid lifeform, used to living inside a larger lifeform in a symbiotic relationship:

“The Hunter was a metazoon – a many-celled creature, like a bird or man – in spite of his apparent lack of structure. The individual cells of his body, however, were far smaller than those of most earthly creatures, comparing in size with the largest protein molecules. It was possible for him to construct from his tissues a limb, complete with muscles and sensory nerves, the whole structure fine enough to probe through the capillaries of a more orthodox creature without interfering seriously with its blood circulation. He had, therefore, no difficulty in insinuating himself into the shark’s relatively huge body.” (p. 15)

The Hunter’s people live within the bodies of animals called perits in a symbiotic relationship evolved on their world over eons. By themselves they look rather like jellyfish, and the Hunter briefly impersonates one on Earth. The metazoons provide the intelligent direction and the perits provide the physical mobility. When the Hunter’s spaceship, pursuing the Quarry, crashes into the South Pacific Ocean, his perit is killed and he is forced to move into an Earth host body:

“The Hunter’s attitude toward the animal [perit] resembled that of a man toward a favorite dog, though the perit, with its delicate hands which it had learned to use at his direction much as an elephant uses its trunk at the behest of man, was more useful than any dog.” (p. 12)

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If you visit New Orleans, see the anthropomorphic sculptures at Mardi Gras World.

by Patch O'Furr

Leviathan_float,_Orpheus,_Mardi_Gras

New Orleans is a renowned party town.  In the French Quarter, on Bourbon Street, you can get potent drinks like a Hand Grenade or a Resurrection in to-go cups, and walk around the neighborhood as boldly as you dare.  A walk into some of the restaurants can make you sneeze, because the crawfish boils have so much seasoning, that it pervades the air like a whiff of pepper spray at a crime scene.  Signs on murkier streets warn you to walk with friends, and be vigilant.  Petty crime seems taken for granted in a place scarred by hurricane Katrina a decade ago.  People party to forget woes or live life to the fullest with reminders of mortality all around. (At least that’s an excuse for barfing out the door of a taxi.)  There’s many stories about long ago lives held in above-ground mausoleums of famous cemetaries.  A tour is a nice calm way to walk off too many drinks, even if guides will tell you any kind of silly ghost story for tourist bucks.

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The Rainbow Serpent: A Kulipari Novel, by Trevor Pryce – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Rainbow Serpent: A Kulipari Novel, by Trevor Pryce with Joel Naftali. Illustrated by Sanford Greene.
NYC, Abrams/Amulet Books, October 2014, hardcover $15.95 ([3 +] 289 [+ 1] pages), Kindle $9.99.

51DpIBKsGLL._SY344_BO1,204,203,200_This is the middle novel of an adventurous Young Adult trilogy, following An Army of Frogs (May 2013) and coming before the concluding Amphibians’ End (October 2015). “Frogs and Platypuses versus Scorpions and Spiders”. With a double-page color map showing such places as Wallaby Village, Platypus Village, The Outback, and Yarrangobilly Caves, you can easily guess that it’s set in Australia.

An Army of Frogs established Daryl, the adolescent frog protagonist, as a wannabe warrior like the fabled Kulipari who fought to protect Daryl’s damp-forest Amphibilands homeland from the spider armies of beautiful but cruel Queen Jarrah a generation ago. Unfortunately, the Kulipari have since disappeared, while the Spider Queen has formed an alliance with the scorpions’ evil Lord Marmoo. The scorpions have traditionally lived in the dry Outback and not bothered the frogs, but now Lord Marmoo is building a vast army to conquer the world. Having the Spider Queen’s help is all he needs:

“‘No, my lord. Your army is ten times bigger than any scorpion horde since the time of legend.’

‘Indeed. But as our numbers increase, we drain the outback. We’re running out of food and water. We need a more fertile land.’ Lord Marmoo’s pincers snapped shut. ‘We need the Amphibilands, and soon it will be ours.’” (An Army of Frogs, p. 34)

An Army of Frogs ends with Daryl and his sidekick Gee alone at the border of the Amphibilands and the Outback, defeating (mostly by trickery) the first scorpion troops to invade the Amphibilands. But Gee is captured. Daryl has to decide whether to go home to warn the frog elders of the scorpion menace, and get help (which would be prudent), or to venture alone into the Outback to try to rescue Gee (which would be adventurous). No contest! Read the rest of this entry »

GeneStorm: City in the Sky, by Paul Kidd – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.  

GeneStorm: City in the Sky, by Paul Kidd
Raleigh, NC, Lulu.com/Perth, Western Australia, Kitsune Press, May 2015, trade paperback $26.37 (420 pages), Kindle $7.99.

genestorm_novel___out_now__by_patpahootie-d8u5qizThis is based upon Kidd’s own new GeneStorm role-playing game, which seems to be similar to TSR/Wizards of the Coast’s 1978 Gamma World RPG. Kidd wrote an authorized Gamma World paperback novel, the rollicking adventure Red Sails in the Fallout (Wizards of the Coast, July 2011), featuring Xoota, a mutated quoll-woman, and her partner Shaani, “a mutant albino lab rat with an enthusiasm for scientific research and a Pommy accent”. It was set in the Australian desert near where Kidd lives. (Perth, Western Australia. He was the first Guest of Honour at Perth furry fandom’s annual FurWAG convention.)

Somebody sniffed that they would never read a novel hacked out as a RPG merchandising spin-off. Your loss. Kidd writes fun furry adventures.

GeneStorm: City in the Sky is set in the Australian “weird-lands” 150 years after the GeneStorm plague has transformed the world entirely. Everyone is a mutated hybrid. The protagonist is Snapper, a female half-human, half-shark. She rides a giant cocatoo. (It sounds very similar to the real one at the Further Confusion 2001 exotic animal life-drawing session that kept squawking for attention, trying to upstage the white tiger. See the cover by Kalahari.) Other characters are a blend of human/fox/golden pheasant, human/kingfisher/cat, human/tortoise/god knows what:

“Snapper ate the salty dough, dunking it in a cup of brown onion gravy. “I met a toucan once. Sort of part cat, part bird.’ […] ‘Now she married a guy that was a sort of strawberry-dog hybrid. Well – their kid sort of stayed a cat toucan. But his feathers were al red and green strawberry colours. Pretty striking.’” (pgs. 64-65).

Some can only be described:

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The Echoes of Those Before, by James Daniel Ross – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Echoes of Those Before, by James Daniel Ross. Illustrated by Josh Parise.
Clairton, PA, Copper Fox Books, May 2015, trade paperback $11.99 ([3 +] 256 pages), Kindle $2.99.

echoes-cover-half“In a broken world, in a broken land, there lay the shards of a kingdom. Near the center of that lost kingdom, protected by mountains, there lay a vale; along the river resided the five villages of the Fox Folk: Iceriver in the cleft of the hills where sun rarely shone; Oxbow, where the fishing was best even if done through the ice; Rocklake, where lived the steaming mud pits and the elder, where matters of law were discussed; Springvale at the entrance to the vale where the merchants and craftsmen met incoming caravans, and Sunrise, high on the slopes.

It was normally a peaceful, happy place among the low, rolling hills and tall, stately trees. Normally happy, but not today. Today they were losing one of their own.” (p. 4)

The Prologue and the first chapter introduce the main characters, Iam the white-furred Fox and Maverus the black-furred (shown on the cover by Christina Yoder) of the Fox Folk. They also establish that the Fox Folk are not the only Animal Folk, and that they have counterparts among the regular animals.

“Before the fire, stood the tall, gaunt form of the elder.   He was not a Fox, but a Drake. Some whispered he was a dragon, but he stood only just taller than they, and never breathed fire. He blinked inscrutable eyes set in a pebbly, gray reptilian face, tasted the air with a long, forked tongue, and adjusted his robes for more warmth.” (p. 6)

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