Dogpatch Press

Fluff Pieces Every Week

Tag: anthropomorphic

July 2, 2015

Last of the SandWalkers, by Jay Hosler – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.  

Last of the SandWalkers, by Jay Hosler. Illustrated by the author.
NYC, First Second, April 2015, trade paperback $16.99 ([5 +] 312 pages), Kindle $9.99.

9781626720244_p0_v1_s260x420Biologist/entomologist/cartoonist Dr. Jay Hosler has been creating comic books and cartoon-art books since the 1990s. He may be best-known for his award-winning Clan Apis, a dramatic adventure featuring honeybees that was also (allowing for the anthropomorphization) entomologically accurate; first published as a five-issue comic book in 1998 and still in print as a graphic novel today. Now Hosler has written & drawn Last of the SandWalkers, a science-fiction comedy-drama for readers 10 and up, featuring beetles, for First Second, a subsidiary of publishing giant Macmillan.

The main characters are a scientific expedition of five beetles, all different: Lucy (shown on the cover), a sassy, rule-breaking junior member and a water-capturing tenebrionid beetle from the Southern African desert; Professor Bombardier, the motherly stable team member, a bombardier beetle; Mossy, a giant but unassuming Hercules rhinoceros beetle; Raef, a not-very-bright (mentally) firefly; and grumpy Professor Owen, a small but nasty Cape stag beetle. They are from New Coleopolis, a beetle city under a palm tree in an isolated desert oasis. New Coleopolis was founded a little over a thousand years ago, after old Coleopolis was destroyed by cocoanuts falling on it from the palm tree. It was assumed at the time by religious leaders that the god Scarabus had caused the falling cocoanuts due to displeasure at Coleopolis’ scientific community’s iconoclastic spirit, and since then the new theocratic city has outlawed research. This expedition is the first in a thousand years.

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July 1, 2015

It’s the “Idea Channel” for furries – Culturally F’d on Youtube.

by Patch O'Furr

Sometimes the Dogpatch Press tip account gets extra cool messages.  Here’s what new friend Arrkay sent:

We here love what you guys post online and what your content does for the fandom, so we hope you’ll take some time to check out what we’re doing!

Where does the love of anthropomorphics come from? How far back can we dig in history and mass media to really get to the bottom of it? Why does every culture across the face of the earth have a fascination with animal-people?

Arrkay got me excited to know more. The show summaries are gold… (everything I’d love to expose here.)  Let him explain it in his words:title_card

An all new Furry YouTube show has come on the scene: Culturally F’d.  

Culturally F’d explores the furries of the past and present, climbing the ladder of history through mass media in all the different ways humans have blended the properties of man and animal, and why. From Cave Paintings to Comic Books, and everything in between. Culturally F’d is an exploration of what makes everyone just a little bit furry, and what makes furries especially furry.

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June 25, 2015

The Guardian Herd: Stormbound, by Jennifer Lynn Alvarez – book review by Fred Patten.

by Patch O'Furr

Fred Patten, Furry’s favorite historian and reviewer, submits this review:

The Guardian Herd: Stormbound, by Jennifer Lynn Alvarez. Illustrated by David McClellan; map.516KJ+W5H1L
NYC, HarperCollinsPublishers/Harper, April 2015, hardcover $16.99 ([xiii +] 299 [+ 1] pages), Kindle $8.89.

Well, this is a big surprise! The Guardian Herd: Starfire, the first book in this series, listed 32 flying and talking horses in five herds. Others were mentioned during the adventure of the colt Starfire’s maturing to the over-stallion of his own herd. The obvious assumption was that this first sequel in a promised long series would switch to another pegasus named Stormbound. Instead, The Guardian Herd: Stormbound continues directly from where the previous novel ended. Stormbound isn’t the name of a pegasus; it’s the title of the second adventure.

The Guardian Herd: Starfire ended with Starfire (a.k.a. Star), the first all-black (except for the white star on his forehead) stallion in four hundred years, reaching his first birthday without being killed, coming into his power from the Hundred Year Star; and leading his followers – mostly yearlings like himself, plus older pegasi dissatisfied with the leaderships of the existing herds – into a new River Herd. As The Guardian Herd: Stormbound opens a month later, Star is still looking for a permanent territory for his new herd, away from the five hostile older herds. He has declined to become an over-stallion and has entrusted the River Herd to the guidance of a council of six more experienced pegasi; although the council consider themselves more as advisors under his leadership.

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June 23, 2015

Spirit of the Wolves, by Dorothy Hearst – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Spirit of the Wolves, by Dorothy Hearst
NYC, Simon & Schuster, December 2014, hardcover $26.00 (356 pages), Kindle $13.99.

13258563Spirit of the Wolves is a.k.a. The Wolf Chronicles, Book Three, following Promise of the Wolves (2008) and Secrets of the Wolves (2011).

“I crouched at the edge of Fallen Tree Gathering Place, a freshly caught rabbit warm and limp in my jaws, my haunches trembling. The Swift River wolves were preparing for a morning hunt, touching noses and speaking quietly to one another. Dawn light filtered through the branches of two tall oaks that stood guard at the clearing’s edge, dappling the Fallen Spruce that divided my pack’s largest gathering place.” (p. 1)

Fourteen thousand years ago, primitive humans lived with animals as part of nature. That was about when mankind began to consider itself separate from, and better than, the other animals, and began to live apart. But according to the Prologue in Promise of the Wolves, set 40,000 years ago, the wolves had already been sent the “Promise of the Wolf”. “What is the promise of the wolf? Never consort with humans. Never kill a human unprovoked. Never allow a mixed-blood wolf to live.”

The Wolf Chronicles is the first-person story of Kaala Smallteeth, a female cub born into the Swift River wolf pack of the Wide Valley; a rich land of several wolf packs, many prey animals, and tribes of men. At this time there are also huge Greatwolves (dire wolves?) who act as guardians – and guards – of the regular wolves, making sure that the wolves obey the Promise and never consort with humans, lest they start becoming mysteriously subservient to man (which presumably means evolving into domesticated dogs).

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June 19, 2015

The Book of Lapism, by Phil Geusz (2nd enlarged edition) – review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Book of Lapism, by Phil Geusz. [2nd enlarged edition.]
Birmingham, AL, Legion Printing & Publishing, January 2015, hardcover $24.99 (351 [+1] pages), Kindle $4.99.

lapism-coverThis book is a bibliographer’s nightmare. It’s referred to as the Deluxe edition, the 2nd printing (but presumably means the first printing of the second edition), and as The New Book of Lapism. Fortunately, it’s easily distinguishable from the first edition (Anthro Press, June 2009). That had a different cover (this one is by Micheal Day), was a trade paperback, and had two less stories.

This new hardcover is truly impressive, in thick, high-quality boards and a 8.5” X 11” giant size with large, easily read type. Still, almost all the sales are likely to be of the more affordable and easily held Kindle edition. It’s well worth getting in either case. The first edition is out of print, and lacks the two most recent stories. This new edition is complete.

Phil Geusz’s Lapist stories are set in the unspecified near future, maybe a hundred years from now, when materialism, greed, and a callous fuck-you-Jack;-I’ve-got-mine society are making more thoughtful people despondent about whether there is anything worth living for. The philosophy/religion of Lapism grows up; a true brotherhood whose adherents have themselves physically bioengineered into anthropomorphic rabbits to show their friendly, gentle, caring nature. The Lapists have a very rocky and insecure first few years, as covered in these six stories.

More rocky than they’d probably like to admit. There are serpents in Paradise.

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June 16, 2015

Trap Me!: Finally, a Happy Gay Furry Adventure – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

 

Trap Me!: Finally, a Happy Gay Furry Adventure, by Chris and Cooper Elkin. Illustrated by Cooper Elkin.
[?] November 2014, trade paperback, $14.88 (304 pages), Kindle $8.44.

“An Unforgettable Adventure Through a Steampunk World! Follow two furries in their quest for a mysterious artifact.”

Screen Shot 2015-05-31 at 9.17.50 PM“That looked like it hurt. The shattered glass reflected the sunlight and swung it into a gentle dance on the wooden floor of the attic. The still-startled Aidan Prowl, a canine in his right mind (sometimes), blinked twice and then cleared his throat.

‘Oh, please… do come in,’ he said to the stranger who was slowly getting himself together and stood up as bits and shards fell off him. At first glance, it seemed to be a long-eared feline, wearing a black, short leather jacket over his white shirt, which was complimented by his navy blue scarf and trousers. The rosewood fur was ruffled here and there and his charcoal hair was a mess.

‘Some of us prefer to use the door. Then again, I suppose it is a little bit late for that now,’ the canine added dryly.” (p. 5)

The setting is a Steampunk world of anthropomorphic animals. Aidan Prowl, a young canine pianist with dark golden brown hair and viridian green fur who lives with his mother, is startled when Zackary Pace, a black-haired, rosewood-furred feline, crashes through his attic window. Zack, the son of Rhodworth’s leading blacksmith, has been working on a secret invention, which causes the aerial crash.

Aidan is more adventurous than his pianist nature suggests. He has been creating new musical instruments and experimenting with new sounds. He is also looking for rare musical instruments that may or may not exist. When Zack cannot pay for a unique crystal statuette that was broken in his crash, Aidan proposes a solution:

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June 15, 2015

If there was a Museum of Furry, theatrical “Panto-Animals” would be a major exhibit.

by Patch O'Furr

IN THIS ARTICLE: Don’t miss the story of Charles Lauri, a famed “animal impersonator” who thrilled the stages of Victorian London, but is little known today. The story of his acting skill, uncovered from an 1893 magazine, could be an inspiration for fursuiters everywhere.

15038897804_834fc833e6_oMany people are familiar with a unique team costume for Halloween – the Pantomime horse, that takes two people to play it.  Like a tandem bike, it makes an interesting buddy situation.  This jogs a vague memory from when I was very young, of a 1960’s Flintstones cartoon with Fred and Barney in such a costume.  It may have been a dinosaur, or a false memory, but the silly situation must have happened in old comedies to the point of cliche. TVtropes has it under Animal Anthropomorphism tropes.

If you (like me) had no idea what Pantomime meant until just now, let’s start to learn.  The old-fashioned costuming seems like a traditional kind of activity, more social than commercial.  I had an impression of something belonging to the age of door-to-door Christmas caroling, that may be fading away.

Or is it?  In 2013, a Panto Horse race broke a Guinness World Record for most runners (42 teams.)  And, since this is a Furry blog, you know I’m connecting this topic to you and your thriving subculture.  (Imagine that race happening at a con! It would be an easy record to break.)  I’m happy to learn that such fun exists… check out The London Pantomime Horse Race:  a “fantastically silly”, “must-see event.”

This isn’t about Halloween, or silly races.  There’s much more to it.  The spark for this article was randomly running across 100-year-old photos of theatrical animal costumes.  They made me do a double-take – did some fursuiter have a time machine!?  They were incredibly well crafted, and made me very curious.  I wondered why they were made so well, and for what purpose?  They were fursuits- many generations before there was such a thing as Furries!  I thought the topic had a lot of potential.

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June 13, 2015

French anthro comic: De Cape et de Crocs. T. 11, Vingt Mois Avant – review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Previously: De Cape et De Crocs is back! French anthro comic announcement, by Fred Patten.

De Cape et de Crocs. T. 11, Vingt Mois Avant, by Alain Ayroles & Jean-Luc Masbou.
Paris, Delcourt, November 2014, hardbound €14,50 (48 pages).

1590_couvThe book has a back-cover quote from Hercule Savinien Cyrano de Bergerac’s 1654 comic play Le Pédant Joué that roughly translates as, “What the devil are you going to do with this mess?” An excellent question, both for this book and to indicate the setting.

“The faithful rabbit Eusebius, once sentenced to life imprisonment, finally reveals his past.” (blurb) The De Cape et de Crocs series (With Cape and Fangs) has been set in a mid-17th-century Europe (and on the Moon), starring the gentlemen-adventurers Sieur Armand Raynal de Maupertuis (anthro French fox) and Don Lope de Villalobos y Sangrin (Spanish wolf). In the first “Act”, The Janissary’s Secret, they rescue Eusebius, the cutest bunny-rabbit in the world, from life imprisonment as a Venetian galley-slave. Eusebius becomes their loyal squire all through Europe (and on the Moon) in the next nine, but he never reveals how he came to be chained as a rower in a Venetian war galley.

With “Act” 11, the series switches to Eusebius’ story before he met Sieur Armand and Don Lope. The setting is Vingt Mois Avant – Twenty Months Earlier. This pastiche of Alexandre Dumas’ title of his famous sequel to his The Three Musketeers, Vingt Ans Après, establishes this bande dessinee’s new direction as both a parody of French 17th-century heroic action-adventure in general and of The Three Musketeers in particular.

Eusebius is not only the cutest bunny-rabbit in the world, he is the most naîve. He does not set out, as d’Artagnan does, to join the King’s Guard, but the Cardinal’s Guard! The King and the Cardinal are friends, aren’t they? Eusebius is introduced on page 1 as addressing a field full of peasant serfs as “My good men”, a well-meaning insult to them. The story, and Eusebius’ prospects, go downhill from there.

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June 12, 2015

Disney goes Full Furry, and All The Drama – Newsdump (6/12/15)

by Patch O'Furr

Headlines, links and little stories to make your tail wag.  Tips are always welcome. 

Zootopia: Disney goes full furry, and this stuff is going to explode in 2016.  

How excited are you for the next furriest movie ever? “Anthropomorphic” isn’t quite an everyday household word, and it’s use in this trailer spells out an open secret.  Before they made this, they did market research up the wazoo about us. Of course, it’s still a regular Disney movie, but they KNOW.

I watched the trailer when it had less than 300 views – while I write it’s over 1,300,000. The first comments on it said “furries”, and a lot of the top comments on it still say “furries”. There’s no way they didn’t anticipate that.

My reaction: Furry is the opposite of exclusive to me, but this cool thing makes me fear a deluge of commercially shallow influence.  I’m scared, hold me! … NAHH, it will be awesome. I can’t wait for the day this movie comes out, with all the fursuit meets there will be to see it. Fan participation is a big deal. I’ll bet we’ll see tons of actual furries on the news because of this.

Queerty‘s article about sex at Califur has important message between the lines. (Via Greenreaper:) Read the rest of this entry »

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June 11, 2015

Who Killed Kathleen Gingers?, by Gary Akins – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Who Killed Kathleen Gingers?, by Gary Akins. Revised edition. Illustrated.
Austin, TX, Furry Logic Productions, February 2010, trade paperback $15.00 (136 pages).

AC01--Who_Killed_Kathleen_Gingers_[cover] (1)For those who object to funny-animal fiction – stories in which there is no reason for the characters to be anthropomorphic animals instead of regular humans – Who Killed Kathleen Gingers? can be easily skipped. For those who don’t mind it as long as the story is well-written, and who like crime noir murder mysteries in the Sam Spade/Philip Marlowe/Shell Scott/Travis McGee tradition, don’t miss Who Killed Kathleen Gingers?

Calico Rock sheriff’s office detective Allan Connell (ferret) is sent to investigate the reported murder of vivacious Hollywood star Kathleen Gingers (mouse) at her palatial Pacific Beach vacation home. When Gingers herself answers the door, it looks like the report was a prank – until Connell and Gingers find a real body, that of Gingers’ murdered private secretary, who looks very much like her.

Whodunit, and why? Does the popular Gingers have enemies? Or did the bland secretary, who was recently hired with nothing much really known about her? Was the secretary killed by mistake for Gingers, and is Gingers still in danger? Connell is faced with the crime noir detective’s usual comic-relief (but not totally incompetent) assistant, mysterious clues, and lots of suspects: an unconvincingly indignant husband, an overly-jealous wife, a too-affable producer and his hysterical associate who is very eager to accuse a particular suspect, a sultry mistress with a secret, the vengeful father of a long-dead friend …

Akins writes the right crime noir prose:

“The ocelot-fem was lying face-down on a beach towel by the edge of the pool, head cradled in her arms, sunning herself. She was sleek and well-toned, with graceful legs that went from firm, muscular thighs down to slender ankles and feet. The black and silver of the bikini pants made a nice contrast against her black-spotted, golden-yellow fur, and as near as I could tell that was about their only real contribution since the cut of the cloth left an extremely generous portion of each shapely buttock exposed to view. Her tail lay mostly limp along one leg, the tip twitching slowly every so often. Her fur had been carefully brushed and combed to a healthy, appealing luster, and I just stood there for a moment, appreciating the overall view of her.” (p. 39)

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