Dogpatch Press

Fluff Pieces Every Week

Tag: fandom

The Furry House – a base for creativity and community.

by Patch O'Furr

Model furry house, the Prancing Skiltaire

The Prancing Skiltaire

Ever been to a furry house

They don’t smell like barns or zoos, with shedding all over the place. But they are full of nerdy games and comics, fursuit parts, and framed animation and fursona commission art on the walls. Sometimes there’s art that might cause awkwardness during a pizza delivery or surprise visit from mom. But it’s not for them. It’s by and for fellow furries when they get together for meets, parties, art jams, and movie screenings as a community.

A furry house is a special place. It’s more immersive than activity by yourself. If you live there, you’ll never get PCD. It’s a dimensional crossroads where the limits of reality dissolve and you can be furry 24/7.

Inside the P.S.

Inside the Prancing Skiltaire.

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How did Disney inspire Furry fandom? A look at early influences by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

How Disney Influenced Furry Fandom is an artist’s thoughts shared in this week’s Newsdump.

(Patch:)  Furry artist Joe Rosales focuses on California fandom in its formative years, including fursuiting.  It concludes that Disney should get major credit.  I liked it, but it doesn’t give enough credit for sci fi fandom, and misses early fursuiters like Robert Hill who were not professional (and not G-rated, either.)  The unnamed animator must be Shawn Keller, maker of the notorious Furry Fans flash animation and comic.  (If he didn’t want to be named, he shouldn’t have published “Shawn Keller’s Horrifying Look at The Furries.“)

I sent it to Fred Patten and asked for his thoughts.  In between, a similar media article happened on a psychic wavelength:

VICE: Furries Love Zootopia.

Here’s what Fred wrote in response to the first one.

(Fred:) This is very good, but you’re giving Disney credit for too much influence.

First, define early furry fandom. 1980 to … 1983? 1985? 1990? Don’t forget, by 1980 and for the next decade, Walt Disney and the Disney Studio were pretty much Old History. Carl Barks was retired. In comics, Marvel’s Howard the Duck (Steve Gerber), DC’s Captain Carrot and His Amazing Zoo Crew! (Scott Shaw!), and Pacific Comics’ Destroyer Duck (Jack Kirby) were the New Wave; the new influences. In underground comix, there were Robert Crumb and Gilbert Shelton. In independent comics, there were Steve Leialoha and Michael Gilbert in Quack!.  … (Fred, what about the great Bucky O’Hare comic? – Patch)

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CALL FOR INFORMATION: Furry Convention History, by Fred Patten.

by Patch O'Furr

IF YOU HAVE HELPED TO ORGANIZE A FURRY CONVENTION, PLEASE COMMENT BELOW.

Fred Patten wants to put your con in a fandom history book from an academic publisher. (See previous articles from “Furry’s favorite historian and reviewer“.)  There are pieces of info lacking from many cons – Fred can make it clear what’s needed from which ones.  He’ll report it like this example, the history of RAINFURREST.  – Patch  

Fred’s message:

For the last two years, I have been compiling a history of all furry conventions throughout the world from 1989 through the end of 2015.  It has been accepted by a publisher, McFarland.  It covers 112 furry conventions in North and South America, Asia, Australasia, and Europe.  The manuscript is 277 pages. My deadline for finishing is March 1, 2016.

Many convention committees have given full information; others have not answered at all.  Also, I am trying to get at least one illustration for each convention — art such as website logos, conbook covers, posters, illustrated membership badges, illustrated hotel room keys; whatever a committee wants to submit.  McFarland says that none of the illustrations on the Internet are of high enough resolution for book publication, so I cannot just framegrab an illustration from the Internet.  They need an electronic file of 300 DPI or better.

I suspect that some lack of replies are due to a committee member who is not answering or passing them on.  So a public announcement might reach a committee member who wants their convention represented in my book with all questions answered.

Here is what I have on one convention.

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“Nerd culture” debate reveals agendas

by Patch O'Furr

A spiky debate! – Us vs. “Women” – Princesses to save – “Nigerian princes” who represent us – Yes Virginia, Santa Claus has problems too – Please put down the clipboards

Us vs. “Women”

The always dependable writer for [adjective][species], JM Horse, has a point/counterpoint about “Furry Fandom: All Humans Welcome”. His answer, “Dogpatch Press on Women,” rolls out dishonest agendas in the title. It’s nicely written mischaracterization. It divides us into opposing camps of arbitrary identity, rather than self-chosen participation. It pushes “white knighting” for a subset of us, presuming to speak for that one, with misguided intentions that condescend to ALL of us. (Sorry for that term I’d rather not use. It’s no more respectful than “sexist”, but no other fits.)

“All Humans Welcome” isn’t about women, but everyone who makes a culture. (It also doesn’t respond to specific sources, as much as address “nerd culture” in general.) It’s about how we choose to be. Nobody’s passive, when we’re glued together by interest and DIY creativity. We’re accused of being “inherently sexist”, but is it true? Not any more than we’re inherently evil. Sexism is just one human state of mind… like greed, self-serving protectionism, or tolerance. Whatever you are, speak for yourself.

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