Dogpatch Press

Fluff Pieces Every Week

Tag: fred patten

April 28, 2020

A brief history of the Cartoon/Fantasy Organization, America’s first anime fan club — by Sy Sable

by Dogpatch Press Staff

Courtesy of Changa Lion and the Confurence Archive, cover art by Ken Sample. 5 years after it was founded, the club newsletter covered news from 9 American club chapters and the 1982 release of Don Bluth’s Secret of NIMH.

Sy Sable co-founded the first furry con and helped grow a new worldwide furry fandom, with 1970’s roots in a small clubhouse in Los Angeles.

On 4/4/2020, Sy Sable (Mark Merlino) sent this brief history of the Cartoon/Fantasy Organization, founded in 1977. His story comes from recent message trading with someone interested in the C/FO and those involved. He couldn’t connect her to people out of contact for over 20 years, but he could tell how the club started. 

Today, there’s a worldwide network we could call capital-F Furry fandom, but some key founders were “proto-furries” who met at the C/FO. The club introduced new and unusual imported Japanese anime that was starting to reach America through rare home video tech. Club members loved anime for featuring adult, science fiction and action themes unlike 1970’s American animation aimed at kids (then dominated by studios like Hanna-Barbera.) There was a lot of “giant robot” anime, but certain fans preferred to combine adult themes plus traditional “funny animal” comics and animation that eventually spun off their own, new hybrid fandom.

Sy was a founder who went on with partner Rod O’Riley to host 1980’s science fiction convention room parties, then ConFurence in 1989, and longstanding monthly parties at The Prancing Skiltaire in Southern California (when not under quarantine in 2020). The C/FO had other chapters and there were other fan groups, but this is a major root. Another founder, Fred Patten, wrote about the C/FO in How Home Video Created Anime Fandom — or check Fred’s review of Joe Strike’s Furry Nation history book that covers this. (Fred was also a writer with Jerry Beck, East Coast C/FO chapter founder and animation historian, tying in much more history.) Sy says: “This is from my perspective and drops names something fierce… but it IS my personal take on things.” ( – Patch)

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November 13, 2019

Fred Patten’s FURRY TALES — put this on your holiday gift list!

by Patch O'Furr

Furry Tales is now available here from McFarland Books.

Fred Patten, a fandom historian and one of the best supporters that furry literature ever had, passed away one year ago at age 78. Here’s a rememberance post for Fred. But he left more than good memories and a lot of his news and reviews here at Dogpatch Press. His last book is finally here.

From McFarland Books:

Tales featuring anthropomorphic animals have been around as long as there have been storytellers to spin them, from Aesop’s Fables to Reynard the Fox to Alice in Wonderland. The genre really took off following the explosion of furry fandom in the 21st century, with talking animals featuring in everything from science fiction to fantasy to LGBTQ coming-out stories.

In his lifetime, Fred Patten (1940–2018)—one of the founders of furry fandom and a scholar of anthropomorphic animal literature—authored hundreds of book reviews that comprise a comprehensive critical survey of the genre. This selected compilation provides an overview from 1784 through the 2010s, covering such popular novels as Watership Down and Redwall, along with forgotten gems like The Stray Lamb and Where the Blue Begins, and science fiction works like Sundiver and Decision at Doona.

Inside is a Foreword by Kyell Gold, almost 200 pages about the books, and lists of Nonfiction Works, Author and Chronological Lists, Awards, and Furry Specialty Publishers.

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May 22, 2019

How furries resist a commercialized fandom (Part 3)

by Patch O'Furr

Furry fandom often has DIY ethics (intentional or not). That can mean nonprofit volunteer-led events, and directly supporting each other’s art instead of just consuming corporate products. A Daily Beast reporter asked about it and I shared lots of info that didn’t all make the news — so here’s a followup in 3 parts.

Part 1 looked at the roots of fandom, with fans being “fans of each other”. Stigma and undermining showed how the fandom didn’t just follow the path of least resistance, it broke out under pressure. A sense of outsiderness and self determination has stayed ever since.

Part 2 looked at conventions making a platform for industry and expression that keeps the group untamed. Relations with the media got better while making a certain fandom identity (instead of letting others make it). It can even connect to deeper identity of members, because it lets them be who they want to be.

Furries care about fandom identity with a kind of tribalism. When members say they’re prone to “furry drama,” it can come from conflict about who defines it or benefits from it. That’s how The Daily Beast noticed conflict about a luxury “designer fursuit” brand, which usually wouldn’t matter to anyone except furries.

I told the reporter: “I think it really struck a nerve. It really got to the root of this possessiveness that the subculture has about itself and what it built for itself.”

It’s a case for looking at resistance to commercialism. Backlash at the brand was provoked by tone-deaf marketing, where bringing a mainstream approach wasn’t workable with art based on unique personal identity. Also, luxury brands don’t get made from scratch when others go back 100 years. (Fans in-the-know could compare this with furry brand Hyena Agenda, whose stuff speaks for itself without rubbing the wrong way against a certain fandom identity.)

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May 21, 2019

How furries resist a commercialized fandom (Part 2)

by Patch O'Furr

Furry fandom often has DIY ethics (intentional or not). That can mean nonprofit volunteer-led events, and directly supporting each other’s art instead of just consuming corporate products. A Daily Beast reporter asked about it and I shared lots of info that didn’t all make the news — so here’s a followup in 3 parts.

Fandom is big business in the mainstream – but furries have their own place apart. Why does this fandom grow independently? Let’s look at unique expression at the heart of it. Of course furries do a lot more things than this story can look at, but one aspect brings insight about decentralized structure.

Some subcultures rise and fall with media they consume. But the influences seen in Part 1 didn’t make one property in common for every furry. They didn’t rise with a movie like Zootopia. Instead, this fandom is fans of each other.

Part 1 looked at the roots and growth of their conventions. Furry cons make a platform for the specialized craft of fursuiting, with bespoke, full-body mascot costumes that cost thousands. They’re uniquely original expressions of identity. They’re tangible, huggable products of imagination. They put the fur in furry.

A lot of the fandom’s rock stars are fursuiters, who give it a photogenic face. Unlike stars of other fandoms, their original characters usually aren’t promoting something else — and fursuits can’t be downloaded or easily pirated — they’re for live experiences. It matters because online community can be temporary, but live events glue it together. They can show why this fandom is independent, here to stay, and not tied to certain media.

Rather than naming great works tied to their activity, you could say that the group is its own greatest creation. And if writing, art, or other creativity in the fandom didn’t rise out of a certain type of event, fursuiting did.

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May 20, 2019

How furries resist a commercialized fandom (Part 1)

by Patch O'Furr

Furry fandom often has DIY ethics (intentional or not). That can mean nonprofit volunteer-led events, and directly supporting each other’s art instead of just consuming corporate products. A Daily Beast reporter asked about it and I shared lots of info that didn’t all make the news — so here’s a followup in 3 parts.

Why is commercialism a topic for an often disparaged subculture? Compare furry fandom today to its roots. Times change, and hindsight can help to see why. Let’s look at how industry and media influenced the American roots in the 1970’s, how it grew, and changes that come with bigger scale than ever.

The 1970’s could be a hungry time for fans with a taste for comics and animation of the 1940’s-50’s Golden Age. As it faded, funny-animal comics died off while the business suffered under the Comics Code. In movies, the fall of the studio system contributed to a dark age of animation. Hanna-Barbera reigned on TV with cheap formulaic product. Disney’s feature studio almost went bankrupt with barely any new artists hired for a generation. Robin Hood (1973) spread the furry virus before it had a name, but the movie wasn’t well loved by the studio. Then a new wave of artists (such as Tim Burton and Don Bluth) came out of Disney while it had a rebirth, peaking with The Lion King (1994), which launched a thousand furry projects. But by the early 90’s the furry fandom was already fully fledged to take off on its own. It happened under the influence of the ups and downs of industry, but also in spite of it.

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February 15, 2019

Fred Patten on mythical creatures and Mandaean religion of Iraq.

by Patch O'Furr

From the archive: Fred Patten, who passed away in late 2018, was a furry fandom founder who was also key for importing anime to the USA in the 1970’s and preparing it for English speaking audiences. As a historian and fan, Fred spoke to fellow researchers overseas. This led to discussing obscure traditions and customs. Occasionally they would come up about stories he was considering, but were too footnotey to add to the main articles. Previously posted was the first of two interesting side topics, Happy Science of Japan. Below is Mandaean religion of Iraq, with 60-70,000 members worldwide. Fred suggests its mythology could be “a whole new area for furry artists and writers”. – Patch

Mandaeism is a living religion bursting with fascinating mythology and magic (and loads of magic realism). I contend this Gnostic religion provides some forgotten gods that could be very useful for today’s culture where imagination, inventiveness, and wonder are evanescing under the crushing gravitational pull of global idiocracy caused by the Archons of this age. – (This Forgotten Gnostic God Could be the Cure for Today’s Idiocracy – by Miguel Conner)

Fred’s Mandaean religion story (8/10/15)

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February 14, 2019

Fred Patten on mythical creatures and Happy Science of Japan.

by Patch O'Furr

From the archive: Fred Patten, who passed away in late 2018, was a furry fandom founder who was also key for importing anime to the USA in the 1970’s and preparing it for English speaking audiences. As a historian and fan, Fred spoke to fellow researchers overseas. This led to discussing obscure traditions and customs. Occasionally they would come up about stories he was considering, but were too footnotey to add to the main articles. Below is the first of two interesting side topics, Happy Science of Japan. Coming next is Mandaean religion of Iraq, with 60-70,000 members worldwide. Fred suggests its mythology could be “a whole new area for furry artists and writers”. – Patch

From a story by a Japanese reporter about a visit to a 1994 “Happy Science” ceremony at age 15. The religious leader, riding on a dragon stage prop, ranted about a Japanese term for pornography which reveals the hair of a woman’s nether-regions.

Fred’s Happy Science story (6/25/15)

Dear Patch;

I don’t think I’ve ever told you about my encounter with the Happy Science religion.

This is more anime than furry-related.

Around 1995, give or take five years, I was contacted by a Japanese group.  They had just released an animated theatrical feature in Japan that was #1 at the box office for two weeks, and they were trying to get U.S. distribution for it.  They were about to have a Japanese-community screening of an English-subtitled print.  Did I want to attend it?  I did.

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December 19, 2018

Representing furries in 2018 with 10,000 at Midwest Furfest, Dogbomb’s magic, and more (Part 2)

by Patch O'Furr

Being fluffy is its own reward. Fun and creativity don’t need representing. What is this, a religion? But if a spotlight happens, it could be for hard work to help others, a lucky chance, or having the right dance moves at the right time.  Chasing attention might not be necessary, but it’s nice to show how cool this group is because that helps make it cooler. So here’s why the fandom is great in 2018.

Part 1 had good media: CNN’s This Is Life with Lisa Ling, Sonicfox at The Game Awards in Los Angeles, and Bucktown Tiger on Jeopardy. For Part 2 here’s conventions, charity, art, celebrities, awards, spending, and more.

Conventions and charity:

 

Midwest FurFest got the first five-figure furry con attendance! It took 29 years since ConFurence 0 to match the biggest WorldCon (started in 1939, that’s perhaps one of the longest running nerd events, where they hand out fancy awards like the Hugos). Now we’re giving Science Fiction fandom a run for its money. It’s not on Comic Con level and may never be (…good?) but that’s millions of dollars of support to build and share the wealth. And furry is still grassroots with little outside investment and high DIY power.

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November 21, 2018

A tribute to Fred Patten, 1940-2018

by Patch O'Furr

Fred in 1993 at a furry party at San Diego Comic Con. Lizard unknown. Photo by William Earl Haskell.

Fred Patten passed away on November 12, 2018 at age 78, leaving a legacy as historian and founder for the anime and furry fandoms. He was the star guest poster here. It’s hard to think of having no more Fred posts, but easy to say how much he influenced everyone. I’m really going to miss him sending in news tidbits or emails from curious fans, and asking if I can use them, then working out collaboration posts from his prompts. This was one of many, showing how he was sought out as an authority on anime and furry by people as far away as Malaysia.

Fred is remembered by many outside of furry. A memorial post on File770 highlights author David Gerrold calling Fred a “classic old-school fan”.  The Los Angeles Science Fantasy Society’s memorial page has Melissa Conway saying: “He was, without a doubt, the dean of Furry Fandom.”

From fellow furry fans, Dronon posted a rememberence of Fred at Flayrah news.  So did Mark Merlino, cofounder of the first furry convention (ConFurence) and organizer of science fiction con parties that paved the way. Shortly before Fred’s passing, I ran into Mark and Rod of The Prancing Skiltaire (the long-running fan house in southern California) at PAWcon in San Jose. They had a table set up to remember gone but not forgotten fans. I think Fred deserves a place of honor in the middle of them all.

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November 1, 2018

Panique au Zoo; Une Enquête de Poulpe et Castor Burma, by Frédéric Bagères (story), Marie Voyelle (art), Jerôme Alvarez (colors) – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Panique au Zoo; Une Enquête de Poulpe et Castor Burma, by Frédéric Bagères (story), Marie Voyelle (art), Jerôme Alvarez (colors).
Paris, Éditions Delcourt, June 2018, trade paperback, €23,95 (187 [+ 5] pages), Kindle €16,99.

Fred Patten and Lex Nakashima strike again!

“Built in 1740, at the far northern end of the isle, the Canon Zoo is the oldest and greatest zoo in the world. Founded in the XVI century by the monk Sylvestre Marie, it is today managed exclusively by its occupants.

“Aimed at an instructive goal, it offers its visitors, through its presentation of natural habitats, the chance to see how they have lived, over the centuries to the present, “animals in a state of nature”.” The sign is defaced with a graffiti-scrawl saying, “Obey!”

The first pages, a general meeting in the director’s office (a tapir), establish that things are different today. (Also that the dialogue is full of French puns and double-entendres.) Something is causing some of the animals to mutate into forms that are embarrassing at best, potentially fatal at worst. The director has hired two private detectives, Octopus and Beaver Burma, to find the reason and stop it.

“Eight months ago, some employees began showing the first symptoms. I think the otters were the first.”

“What do you mean?”

“They became covered with spines.”

“Like porcupines?”

“Exactly.”

“Like ‘otter-pines?’”

“If you like. They’re incapable today of running their stand in the zoo.”

“What are they selling?”

“Balloons.”

[…]

“Next it was the turn of those that your colleague would call the ‘polar urchins’, who are living today in the canteen’s freezer.”

“Then the ‘cat-pony’ that we put into the Asian animal enclosure.”

“And the ‘oyster-constrictor’ who spends his days trying to swallow the ‘rat-engale’ trying to find its voice.”

“The affair took a nasty turn when we found the “serpent-pie-thon’ dead, of self-asphyxiation. The animals began to get scared.”

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