Dogpatch Press

Fluff Pieces Every Week

Tag: furries

November 22, 2017

What I learned from lurking the Furry Raiders chat – guest post by Aristide

by Patch O'Furr

Update: Foxler, founder of the Furry Raiders, was arrested for sex offenses in April 2019.

What I learned from lurking the Furry Raiders chat

Hi, I’m Aristide, and I’m a narc. For the past several months, I’ve had a sockpuppet account in the Furry Raiders Telegram, Skype, and Discord groups and periodically leaked screenshots of them to @edgedestroys. I chose Edge in order to protect the credibility of my sockpuppet account, and because I work in a sensitive workplace and worry about being doxxed. Most speculation about the Raiders – that they’re Nazis, they’re Alt-Right, they’re losers – is generally correct. I want to provide a better picture of what we, as a community, are dealing with.

Same Losers, New Politics

The general population of the Raiders community is a combination of old-school 4Chan racists, conspiracy theorists, new wave white supremacists, and impressionable but misled minors. Racist memes from a long-forgotten era of /b/ populate the chat in equal measure to WorldNetDaily or YourNewsWire links. Several dozen in the chat subscribe to the Daily Stormer and similar neo-Nazi websites, while a refrain against “fake news” rings against any news source that is not part of the alt-right media ecosystem. Lost in this mix are impressionable minors, 13 to 17 year old kids that found their way to the Raiders one way or another. Some of them joined because they hated SJWs – (the GamerGate to Alt-Right pipeline is well documented) – others were actively recruited by Foxler, Kody, and other de-facto leaders in the Raiders.

The first commenter left the group with a statement at bottom of article.

Read the rest of this entry »

13 comments
November 22, 2017

The Art of Aardman, Foreword by David Sproxton and Peter Lord – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Art of Aardman: The Makers of Wallace & Gromit, Chicken Run, and More. Foreword by David Sproxton and Peter Lord.
San Francisco, CA, Chronicle Books, August 2017, hardcover $24.95 (128 pages), Kindle $9.99.

Aardman Animations was founded forty years ago in Bristol, England. Since then it has become one of the world’s leading stop-motion animation studios. Most of its popular films have involved anthropomorphic animals, from Gromit, the long-suffering dog in the “Wallace and Gromit” shorts and the Wallace & Gromit: The Curse of the Were-Rabbit feature to the features Chicken Run (chickens), Flushed Away (rats), and Shaun the Sheep the Movie. Even The Pirates! in an Adventure With Scientists! had Mr. Bobo, Charles Darwin’s chimpanzee assistant.

This book does not focus on any of their works in particular. It is rather about the studio’s production techniques. First come the ideas for the plots and characters, then creating the worlds that go with them – the secondary and incidental characters; the backgrounds, and so on; the “Mechanical Marvels” (no Aardman production would be complete without some intricate device, often Rube-Goldbergian or steam-punk, including Wallace’s fanciful inventions; and Aardman’s attention to lighting.

These sections are filled with examples, from preliminary pencil and crayon sketches to complete stop-motion models, taken from the studio’s archives. The popular anthropomorphic characters are shown here, but it is a hit-or-miss affair; they are mixed in with Aardman’s other art. The sketches are identified by artist, primarily Nick Park; others include Sylvia Bennion, Peter de Sève, Johnny Duddle, Norman Garwood, Phil Lewis, Peter Lord, Matt Perry, Michael Salter, Matt Sanders, Christian Schellewald, Richard Starzak, Jo Symanowski, Evgeni Tomov, and more. The finished models and stills from the films are labeled Production still or Puppet.

Image provided by Chronicle Books

Whichever you like, you will find it here. This is a very enjoyable book for the fan of Aardman’s creations to just browse through.

– Fred Patten

Like the article? It takes a lot of effort to share these. Please consider supporting Dogpatch Press on Patreon.  You can access exclusive stuff for just $1, or get Con*Tact Caffeine Soap as a reward.  They’re a popular furry business seen in dealer dens. Be an extra-perky patron – or just order direct from Con*Tact.&

1 comment
November 20, 2017

Talking Animal Films in South Africa (Part 1)

by Duncan R. Piasecki

Submitted by guest writer Duncan R. Piasecki – don’t miss his amazing previous article, The Forgotten History of the Furry Musical.

South Afrifur logo – see a con report.

Of all the things you’d expect a country in Africa to have in common with whatever first-world place you’re reading this in, I bet nowhere on that list was CGI animation studios. But it’s true, for better or for worse, and (un?)luckily for all of us, all the major CGI films produced by this country fall into the talking animal genre. Furry appeal, it’s an international thing!

Preface: important things that will colour how you understand the rest of the article

Before we get too deep into this, some context is important to understand the nature of this country.

First and foremost, you need to understand something of the way that stories are told here. This is mostly about books, but it speaks to the way film and television are made here as well. We like to fool ourselves into thinking we’re cosmopolitan, but we’re really, really not. We’ve fallen a long way since JRR Tolkien moved away from here. Fictive literature here can be mostly divided into two categories: classic and modern. Classics are largely about sociopolitical concerns (most famous is probably Cry, the Beloved Country by Alan Paton – most likely you’d know it from the 1995 film adaptation starring James Earl Jones, if you knew it at all). Modern however… well. Publishers down here tend to want you to write stories with an African bent all the time. In theory, it leads to more Afrocentric storytelling, but in practice, if you go look under general fiction, everything is either just described as “X, but in Africa!” or just a rip-off of whatever the Americans are doing. Not all books, of course, but certainly enough that you wouldn’t even be able to find the local fiction that’s not like this in most stores. For example, a big hit here a few years ago was Spud by John van de Ruit, which is basically “Adrian Mole, but in Africa!“. On the other side of the coin are writers like Wilbur Smith, who writes what look like fairly cheesy adventure/thrillers generally. As a writer myself, who falls under the oft-confusing literary movement of postmodernism, it is beyond frustrating and annoying to see, and there is no way I’d ever be published by anyone down here as a result of these weird stipulations (hooray for self-publishing).

Read the rest of this entry »

6 comments
November 17, 2017

ROAR Vol. 8, Paradise, Edited by Mary E. Lowd – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

ROAR volume 8, Paradise, edited by Mary E. Lowd.
Dallas, TX, Bad Dog Books, June 2017, trade paperback $19.95 (284 pages), Kindle $9.95.

ROAR volume 8, Bad Dog Books’ annual anthology of non-erotic furry adventure short fiction, is the third edited by Mary E. Lowd. It follows last year’s vol. 7 devoted to Legends, and continues the reductions in page count (394 pages two years ago, 377 pages last year, and 284 pages this year) to return the volumes to the earlier size edited by Buck C. Turner. This year’s theme is Paradise; “eighteen different visions of paradise”. Lowd says in her Foreword that, “This volume of ROAR received fewer submissions than the last two, but the average quality of those submissions was extremely high.”

It certainly is. Get ready for a long review.

The protagonist of “Northern Delights” by Madison Keller is Rafael Ferreira, a Chihuahua detective from the Phoenix, Arizona police department who goes to the start of the Idatarod sled race in Anchorage, Alaska to warn a Chow informant participating in the race of a plot to kill him. He involuntarily takes part in the race as the partner of Mae, a husky.

“Other than the crunching of snow under Mae’s paws and the shushing of the surrounding pine trees in the wind the night was silent. He’d grown up in the big city, and night to him meant the pounding thunder of a gunning motorcycle, the conversing of passing dogs, and the rumbling base leaking from a passing car.

Even the sky was unfamiliar. When Rafael craned his head back, he could see hundreds of stars twinkling brightly overhead. The sight awed and humbled him. When he was a puppy, his father had taken him up to the mountains to star gaze, but even there the lights of the city had hidden all but the brightest stars. He began to pick out constellations he’d learned about in grade school. There was Orion, te Hunter. Usually depicted in mythological art as an English Setter. Mae turned a corner and his view shifted, revealing Leo, the roaring lion. Rafael bared his teeth menacingly at the sky.” (p. 23)

Rafael discovers that Alaska is his paradise – especially if Mae is there.

Read the rest of this entry »

2 comments
November 16, 2017

Planet of the Apes: Tales From the Forbidden Zone, Edited by Rich Handley and Jim Beard – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Planet of the Apes: Tales From the Forbidden Zone, edited by Rich Handley and Jim Beard.
London, Titan Books, January 2017, paperback, $14.95 (421 pages), Kindle $9.99.

“The 1968 Planet of the Apes film has inspired generations of authors. Now a who’s who of modern writers produces sixteen all-new tales, exclusive to this volume, set in the world of the original films and television series.” (blurb)

Plus an Introduction by co-editor Rich Handley and an Afterword by co-editor Jim Beard. Handley explains that, while there have been Planet of the Apes movies, TV series, script novelizations, original novels, comic books, and so on, there have not been any Apes short stories before. Hence this book.

Seventeen authors (one story is a collaboration), most of whom are veteran s-f novelists or comic-book writers who have written some form of Apes fiction before, were invited to contribute a story to this anthology. All have had the creative freedom to explore their own ideas, without any editorial attempt to make the stories consistent. Since the first five Apes films established the concept that time travel is “a highway with infinite lanes leading from the past to the future” (p. 12), all stories are equally valid.

“Unfired” by Dan Abnett is set in the nuclear wasteland in Beneath the Planet of the Apes. A group of seven mutated, telepathic humans is making a pilgrimage through the Forbidden Zone to the subterranean city:

“They spent two weeks following the track through the craterland. By night, wild dogs barked in the distance, and Taul kept his rifle close. They skirted the rims of wide craters in the heat. The sun made the air buzz and click. Chemical lakes had formed in the basins of the craters, some vivid turquoise or blood-red. The wind stank of sulfur. Occasionally, they could see shapes down in the lakes: rusted, twisted, blackened masses half submerged, buckled metal leering at the sky, vague in the mists that lay across the toxic pools.” (p. 20)

Four turn back, or die, or are killed by the Third Race (the apes), one by one. The survivors’ goal is the the city under New York; the holy city of God — the doomsday bomb.

Read the rest of this entry »

Leave a comment
November 15, 2017

How furry conventions fail (or please) their vendors – Critical discussion.

by Patch O'Furr

Crazdude looks like one of those multi-talented artists that are one of the secret weapons of furry subculture – bright and devoted people with a buffet of skills like making art, writing, or performing all at once.  For the blog she started in 2016, I got a professional impression from a first glance. (I look out for blogs that seem to vibe with Dogpatch, so I liked finding this.)

The Crazblog bears out a good impression by sharing her selection as Guest of Honor at Fur-Xoticon. It lets you in on a personal detail:“As just a first-year newbie to the Artist Alley and Dealer’s Den experience at furry conventions, this came as quite an exciting surprise!”  Highlighting the newbie disclosure and small/local con size isn’t too critical, if you take it for granted that Furry is full of DIY power – it’s just good to keep in mind while reading the below post with an open mind. It mentions 3 years of experience at other cons.

Crazdude’s post – “Top 5 ways conventions let their vendors down (+ Cons doing things that artists love!)” – led me to a point/counterpoint peer discussion that I wanted to share in response. I considered breaking down salient points for a formal article, but I liked the natural flow of a casual chat here. The chat is between me (plus a few stray watcher comments) and ScalieStaffer (name redacted to keep opinions apart from their position). They’re a fur with 8 years of con staffing experience in multiple departments, with roles both minor and major.

Read the rest of this entry »

2 comments
November 14, 2017

Q&A with Kazul of Kazplay, first place winner for cosplay at Blizzcon.

by Patch O'Furr

Kazul G. Fox on Twitter – on Wikifur – Other social media links

Congrats on the win, Kazul! Who is Hogger, and how did the concept happen?

Hogger is an NPC from the World of Warcraft. He is the first elite mob that human characters encounter in Southern Elwynn Forest. Hogger has the reputation for being particularly dangerous and deadly because new players aren’t expecting him to be so strong. I chose this character because the unique body shape offered a good challenge, it was my goal to make this a very animated, highly mobile costume so that I could put on a good performance. I documented my process using #WantedHogger so people could catch up and see my progress quickly, anyone who stumbled upon one WIP, could quickly get caught up on the story of what was going on. I also have a few youtube videos that go into depth about the whole concept, design and build. I have plenty more footage and more parts to cover, more videos will be coming very soon.

Youtube channel: Kazplay Videos

I started building in April 2017, through some life challenges and an across the state move I was able to finish and attend Blizzcon 2017 and take first place in the costume contest.

Read the rest of this entry »

Leave a comment
November 13, 2017

10th Kingdom Interview at FurryFandom.es

by Summercat

The 10th Kingdom was a 10-hour miniseries from 2000 about a young woman and her father who were transported from New York City into the magical fairytale lands of the 9 Kingdoms. The 10th Kingdom was well received and won an Emmy when it was released. It has an 88% score on Rotten Tomatoes.

Mike Retriever, admin of Spanish (and international) furry news site furryfandom.es, has an interview up with actor Scott Cohen, who played the character of Wolf in The 10th Kingdom. Mike’s article is worth checking out:

This miniseries is simply phenomenal. Award-winning screenplay writer Simon Moore, who also wrote Gulliver’s Travels (1996) and co-wrote Traffic (2000), wondered what may have happened after the ‘Happily Ever After’ of old fairytales, and his vision became the screenplay to this miniseries. But it isn’t just greatly written. It’s also endearing, funny, entertaining for both kids and adults, and, it’s immensely furry!

It comes with a plea to sign the change.org petition asking for a sequel to the show that has 3300 signatures at time of posting. From Change.org:

The 10th Kingdom has a thriving fan base that continues to grow steadily attracting new viewers. This is evident by the increasing sales, including the 15th Year Anniversary Edition, which is currently ranked among Amazon’s top Best Sellers of Fantasy Blu-rays.

Leave a comment
November 10, 2017

The Star Justice Series, by Michael-Scott Earle – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Star Justice series

Eye of the Tiger: A Paranormal Space Opera Adventure, by Michael-Scott Earle
Seattle, WA, CreateSpace, April 2017, trade paperback, $15.99 (439 pages), Kindle $2.99.

Space Witch: A Paranormal Space Opera Adventure, by Michael-Scott Earle
Seattle, WA, CreateSpace, May 2017, trade paperback, $15.99 (424 pages), Kindle $2.99.

Zeta Hack: A Paranormal Space Opera Adventure, by Michael-Scott Earle
Seattle, WA, CreateSpace, June 2017, trade paperback, $16.99 (605 pages), Kindle $2.99.

Binary Pair: A Paranormal Space Opera Adventure, by Michael-Scott Earle
Seattle, WA, CreateSpace, July 2017, trade paperback, $16.99 (568 pages), Kindle $4.99.

Burning Bright: A Paranormal Space Opera Adventure, by Michael-Scott Earle
Seattle, WA, CreateSpace, August 2017, trade paperback, $16.99 (519 pages), Kindle $4.99.

These books should be readable quickly. The pages are in LARGE type. At an estimate, they contain only half or less of the wordage of most books; so I would guess that the 439 pages of Eye of the Tiger would be only about 220 pages in most books.

The five Star Justice novels are space opera s-f, not anthro animal fiction, but the main protagonist is a bioengineered seven-foot-tall were-tiger super-warrior. Amazon’s blurb is, “Star Justice is less military space opera and more of a ‘band of misfits in space’. Think Serenity, Farscape, Guardians of the Galaxy, Mass Effect, Cowboy Bebop, and Outlaw Star. If you liked those stories, you’ll love Star Justice.” That’s an American futuristic movie and a TV series, a Marvel superhero comic book (and the movies based on it), a video game, and two Japanese anime TV series. Guardians of the Galaxy and Outlaw Star have anthro animal characters among their “band of misfits in space”, and Cowboy Bebop has Ein, the corgi data dog. Readers certainly know what they’re getting into.

The setting is over 3,000 years in the future. Humanity has settled the galaxy. Civilization ranges from urbanized planets mostly controlled by megacorporations, to frontier worlds. The megacorporations engage in warlike rivalry with each other. Each of the five novels has a different setting – Mad Scientists’ lair, Western, urban crime – but each is in its own way a “wretched hive of scum and villainy” (Star Wars™) that the heroes have to escape.

Eye of the Tiger begins with one corporation’s airplane approaching its target. The plane carries a command staff about to launch into a mission with 31 enslaved prisoners. The prisoners are all criminals bioengineered to become tiger-men super-soldiers. One of them, “Adam”, so named because he is the first experimental super-soldier to survive the process, is the narrator. He hates his sadistic controllers.

“‘Adam, Adam, Adam,’ he [a scientist-controller] sighed. ‘Oh sorry, I mean Subject Two. This is your thirty-first sortie. I just can’t seem to kill you. Whatever shall I do? Oh, I know. You have point. Shotgun, pistol, knife, and how about a smoke grenade? That should do you fine.’” (Eye of the Tiger, pgs. 9-10)

Read the rest of this entry »

5 comments
November 8, 2017

Dubiously Canon, by Rukis – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Dubiously Canon, by Rukis
Dallas, TX, FurPlanet Productions, June 2017, trade paperback, $19.95 (199 pages), e-book $9.95.

This is a mature content book.  Please ensure that you are of legal age to purchase this material in your state or region. (publisher’s advisory)

“Synopsis: Tales from Red Lantern (that may or may not have happened)

A collection of stories chronicling the lives of characters in the Red Lantern universe, and their sexy misadventures.”

This collection contains five stories that originally appeared online. Four were written by reader demand to introduce two popular characters from throughout Rukis’ Red Lantern cartoon-art universe to each other, whether or not such a meeting would be possible by the story logic of this universe. So the stories are “dubiously canon”.

The four are “Language Barrier”, “Sinful Behavior”, “By Touch”, and “Ship to Ship”. All are narrated in the first person by one of the characters, most of whom are strangers to each other. Almost no names are mentioned. For readers familiar with Rukis’ Red Lantern art pages and her other novels, the descriptions of the characters will make it obvious who they are. In “Sinful Behavior”, for example, the wolfhound is Johannes Cuthbert from Red Lantern and Heretic and the bobcat is Shivah from the Off the Beaten Path trilogy. (That’s Shivah on the ship’s cannon on Rukis’ cover.) If you’re not familiar with Rukis’ Red Lantern universe – Mataa’s rocky coast in Legacy, the colony of Serwich in The Long Road Home, and so on – the locales and the characters won’t matter. All that really matters is that two healthy individuals come together, and erotic nature takes its course. M/m and m/f. Each of the four stories has a full-page NSFW illustration.

Read the rest of this entry »

Leave a comment