Dogpatch Press

Fluff Pieces Every Week

Tag: furries

November 7, 2016

A Newcomer’s Guide To Furry Terms and Customs.

by Patch O'Furr

Here at Dogpatch Press, we get an awful lot of confused outsiders asking, “what’s this all about?”  Here’s some definitions to help. If you have family or friends who want to know more about your hobby, share this to help them understand.

220px-down_the_rabbit_holeAnthropomorphic: Mixing animals with human characteristics. Think of cartoons, Aesop’s Fables, werewolves, and much more. 

Furry: Anthropomorphic media and its fans. They often (but not always) role-play an animal character. A reptile one is a Scaly.

The fandom: Furry subculture. It’s different from others because it doesn’t follow specific media like Star Trek. Furry is it’s own thing.

Fursona: The character representing a furry’s self.

Fursuit: The costume that brings a fursona to life, and can fulfill a wish to transform.

Furmeets and Cons (Conventions): Organized gatherings that include fursuiting, art, creative writing, parties and more. Cons are usually held at hotels once a year. Meets can be casual and regular and held at houses, public social places, or special ones in the woods.

Weres, Otherkin, Bronies, and Planties: These fandoms are sometimes lumped in with furries, but they aren’t the same. Weres (AKA Therians) take a fursona literally. Otherkin feel like a different species or entity in their body. Bronies are adults who love My Little Pony. Planties are the anthro-botanical fandom.

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November 4, 2016

The Art of Trolls, by Jerry Schmitz – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer

61-xqtq3zl-_sy455_bo1204203200_The Art of Trolls, by Jerry Schmitz. Foreword by Anna Kendrick.
Petaluma, CA, Cameron + Company, October 2016, hardcover $45.00 (160 pages).

Trolls is a 92-minute 3D computer-animated musical comedy fantasy feature film from DreamWorks Animation, released on November 4th, 2016. The Art of Trolls is a coffee-table, full-color art book describing that film, and its making, in detail. Jerry Schmitz, the book’s author, is a Hollywood PR, marketing, brand management, and awards consultant veteran who has written several other The Art of animation books before. The foreword is by Anna Kendrick, the voice actress of Princess Poppy, one of the film’s two stars.

From a furry viewpoint, Trolls and this book are dubious subjects. No anthropomorphic animals appear in either. Yet the trolls aren’t human, either. If you consider humans to be a species of animals, then trolls qualify as anthros. Anyway, here it is. You decide if it is of interest to you.

The Art of Trolls is a de luxe art book about the film and its making, with detailed visual samples and background information. For those interested in the film, this book is worth getting for the names of all the characters alone. The rejected preliminary designs of the main characters will be fascinating, also.

The popular troll dolls as a merchandising phenomenon were created by Danish woodcutter and fisherman Thomas Dam in 1959, when he could not afford to buy a Christmas gift for his young daughter Lila. She showed the wooden dolls to her friends in Gjøl, Denmark; they all wanted troll dolls; Dam realized their potential; and he and his family created the Dam Things company to mass-produce them in plastic. Troll dolls became one of the biggest toy fads in the U.S. from 1963 to 1965, and have never stopped selling well. DreamWorks Animation licensed the rights to feature them in a movie in 2013. Here it is.

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November 3, 2016

Conventional Wisdom, by Arthur Drooker – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer

cw_cover_scConventional Wisdom, by Arthur Drooker. Foreword by James Wollcott.
NYC, Glitterati Inc., August 2016, hardcover $50.00 (191 [+ 1] pages).

This is a de luxe coffee-table art book of photographs by Arthur Drooker, an award-winning documentary and fine-art photographer/author whose work has been exhibited since 1980, and whose studies have been called “visual poetry”. For ConventionalWisdom, Drooker spent three years up to 2015 visiting “quirky” conventions throughout the U.S. “held by some unusual interest groups”. Each convention has about twenty pages devoted to it.

Drooker claims in his Introduction that a Convention Industry Council study shows that there are 1.8 million conventions, conferences, meetings, and trade shows in the U.S. every year. This book presents some of the most photographically exotic of these. As you have doubtlessly guessed, furry fandom is one of these unusual interest groups. So are the Bronies. Each is covered by Drooker; Anthrocon at the David L. Lawrence Convention Center in Pittsburgh, and Bronycon at the Baltimore Convention Center. Each convention has an introduction of about four pages by Drooker.

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November 1, 2016

FUTURE FURSUITING: furry’s most original creations and the rise of tech-enabled smart suits.

by Patch O'Furr

The most original creations of furry fandom.

Here’s a fun feature about the future.  But first, let me make a bold claim about fursuiting.

Male-Peacock-displayingMascots and costuming have been around forever. But furries are doing something new. They don’t just play with generic icons from myths and media. They add original fursonas and custom craft for everyone. It makes a subculture with personal expression beyond anything else.

Of course, many furs don’t have (or want) fursuits.  But the ones who do make a photogenic face of fandom. Other groups do art and writing like this one, but I don’t think anyone else does costuming in such a specialized and devoted way.  So there’s nothing wrong with the way the fursuiters stand out.  Everything else is imagination – they bring it to life and help to define the tactile name of “furry”.  And the quality is developing beyond anything you can buy commercially.  Some dedicated makers now have careers by fans, for fans, leading a Furry Economy with an exciting future.  Look forward to amazing things.

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October 27, 2016

The Bad Tom Trilogy, by Jill Nojack – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

51edrkkz9hl-_sx326_bo1204203200_The Familiar: A Paranormal Romance, by Jill Nojack
Kent, OH, IndieHeart Press, September 2015, trade paperback $9.99 (277 [+ 1] pages), Kindle $2.99.

Witch Risen: A Paranormal Adventure, by Jill Nojack
Kent, OH IndieHeart Press, September 2016, trade paperback $9.99 (285 pages), Kindle December 2015 $3.99.

Nine Lives: A Paranormal Adventure, by Jill Nojack
Kent, OH, IndieHeart Press, September 2016, trade paperback $9.99 (291 pages), Kindle April 2016 $3.99.

These three books constitute Nojack’s The Bad Tom series. They are meant to be read together, in that order. Amazon has a three-book Kindle package for $10.97.

Up to now, I’ve avoided reviewing the paranormal romance genre. There are dozens if not hundreds of books (probably 95+% e-books only) about handsome, hunky werewolves or werelions or werestallions or werebears who need a human woman to tame them. They’re mostly written from the woman’s point of view – wish-fulfillment fodder.

However, The Bad Tom trilogy features a man spelled into an ordinary housecat, and it’s more about him trying to avoid a jealous witch so he can get together with his true love – and worse. There’s enough non-romantic story here for a furry fan that isn’t interested in romance to enjoy. There are enough clever twists & turns in the trilogy that I have to reveal a major spoiler to cover all three novels.

“Back when her skin was smooth and her lips were juicy as ripe berries, Eunice did the nasty with the devil. And she loved it. If she hadn’t, I wouldn’t be lurking in the dark, twitching the tip of my tail, trying to keep an eye on what the old witch is up to. Everyone knows spells cast during the Black Moon aren’t illuminated by the Goddess’s light.” (The Familiar, p. 1)

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October 25, 2016

Fandom grows in Southeast Asia – could it bring culture clash with Islam and authoritarianism?

by Patch O'Furr

By Patch O’Furr and Fred Patten, furry’s favorite historian and reviewer.

Remember the amazing story about Syrian refugee kids at VancouFur?  They were freshly arrived in Canada from a conservative arabic country, and housed in the same hotel with the furries. At first there were warnings and high caution about the situation.  Then the kids went wild about how cool it was. Remember that happened when you read the culture clash topic below!

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October 24, 2016

Tip Your Makers! Why to pay more for art to improve commissioning and spread the love.

by Patch O'Furr

Missing, flaky commissions suck. it’s a chronic problem that’s only modestly addressed by small watchdogs like the Artist Beware community.

Things should be smoother.  But there’s a reason why commissioning is unpredictable. Things are dragged down by underbidding among artists. Nobody becomes an artist to get rich, and many don’t charge enough for the service they’re doing.

Why ask a customer to fix problems of a business?  I get it… if someone promises something, they should deliver without expecting more than they earn.  But give me a minute… if this is a passion-driven fandom and not a cut-throat market, maybe there’s a little room for common problem-solving and partnership.

Assume good faith.  Give credit to artists for being full of love for what they do.  But it’s awfully hard to get good and be competitive.  That’s how so many of them plan to get things done on a thin margin and tight schedules.  It’s easy for plans to go off the rails, people get sick, there’s unexpected mistakes or accidents, and burnout is common. Then commissioners are left waiting for extra weeks, months… or nearly forever.

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October 20, 2016

Interview with #FurryBookMonth Creator Huskyteer

by Pup Matthias

fbm-logo-800Through out the month of October you may have been seeing a special hashtag around twitter of people talking about Furry books more then usual. That is because we are in our first official Furry Book Month. A way to both celebrate the Furry writer community as well as promote just how diverse the community has gotten. You would be amazed how some people still only view the fandom with only three publishers: Sofawolf, Furplanet, and Rabbit Valley. But we have expanded to around eight with newcomers like Thurston Howl Publications, Goal Publications, and Weasel Press; bringing with them new voices and new stories with the same fluffiness or scales or feathers we love.

The Furry we have to thank for getting this event off the ground is Husykteer, a well-known and active member in the writer community since 2010. She began by posting stories on SoFurry, but by 2012 got published in both Roar 4 and Heat 9. Since then she has continued to put out quality work.

So far, I’ve had short stories and poems published in a number of anthologies; most recently Gods with Fur, Claw the Way to Victory and Inhuman Acts. My short story ‘The Analogue Cat’, which appeared in The Furry Future, won the 2015 Ursa Major and Cóyotl awards for short fiction.

I’d love to get some books out there with my name, and mine alone, on the cover! A novella, Peace & Love, should be coming out from FurPlanet soon.

But how did the idea of Furry Book Month come about? Anyone who has been around the FWG forums knows that the writer community, while growing, is still under appreciated in many aspects. So there has been a growing want to promote the community more to get people to check out their work.

In 2015, Furry Writers’ Guild member Rechan challenged the FWG forum to read a furry book, or several, during October. This grew into the idea of promoting books in the wider furry community during October 2016.

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October 19, 2016

SITE UPDATE – The first fursuiter, and Otaku Trucker: Furry Road.

by Patch O'Furr

You might see less posting here for a week – I’m busy writing for a book. That’s Furries Among Us (part 2) from Thurston Howl Publishing. (The Ursa Major Award went to Howl’s first book of essays about the fandom, so they made a new “nonfiction” award.)

My chapter is “The Furclub movement – independent furry night life is thriving!” Furry dance parties happen around the world, so if you see new dances start anywhere, please send info for the list.  (To San Francisco furs, I can’t say anything now, but expect some good news soon.)

It’s Furry Book Month, so check out some more of the fandom’s awesome creativity. Flayrah finally started approving new posts about that. Their slowness might have to do with a big rise in great reader comments here.  And so does this…

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October 18, 2016

Dawn [and] Edward by Marcus LaGrone – book reviews by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

product_thumbnail-phpDawn, by Marcus J. LaGrone. Illustrated by Minna Sundberg.
Seattle, WA, CreateSpace, December 2011, trade paperback $14.95 ([1 +] 192 pages), Kindle $3.95.

Edward, by Marcus LaGrone.
Seattle, WA, CreateSpace, January 2013, trade paperback $9.95 (314 pages), Kindle $2.99.

The Highlands of Afon series must be science-fiction since the novels are set on the planets Afon and Ramidar in the far future, when humans have spread throughout the galaxy. But they read more like adolescent funny-animal dramatic fantasies featuring Afon’s dominant felinoid “race”, the Taik. (They aren’t just on Afon; they too have spread through the galaxy. See the complex “Introduction to the races and cultures”.) There are also the Shukurae, oversimplified as huge (9’ tall) muscular warthogs, intimidating but loyal to Taik leadership, and the Gelkin, short, squat, bearlike, and militaristic; both also spacefaring peoples.

Dawn is the story, in flashback, of Dawn Winteroak. She’s the Taik teenage schoolgirl in the middle on Minna Sundberg’s cover. Besides other adolescent problems, she’s embarrassed because her fur is “boring. Black and plain, not a spot or stripe to be seen. All her sisters had wonderful coats with spots and rosettes, a fact they used to take some pride in pointing out to her.” (blurb)

Dawn has worse problems. Her story begins: “As Dawn cracked open her eyes, she realized one thing immediately: she hurt. From the tip of her pointy ears to the end of her fuzzy tail she hurt. Even her fur hurt. How does fur hurt? she wondered. Well she wasn’t sure, but it certainly did. She sat up only to find that it was possible to hurt even more! Her ears rang and her head throbbed as she straightened up her spine. Looking down she noticed her jet black fur was horribly tousled and her dress, a gift for her fourteenth birthday all of a week ago, was now in tatters. Shredded and charred, it still stank of smoke.” (p. 3)

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