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Fluff Pieces Every Week

Tag: furries

August 7, 2015

Five juvenile novelizations of anthro animated features – book reviews by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Minions CoverMinions: The Deluxe Junior Novel, Adapted by Sadie Chesterfield, Based on the Motion Picture Screenplay Written by Brian Lynch. Illustrated.
NYC, Little, Brown Books for Young Readers, May 2015, hardcover $9.99 (131 pages), paperback $6.99.

Paddington: The Junior Novel, Adapted by Jeanne Willis, Based on the screenplay written by Paul King, Based on the Paddington Bear novels written and created by Michael Bond. Illustrated.
NYC, HarperCollinsBooks/HarperFestival, October 2014, trade paperback $5.99 (142 pages, Kindle $5.99.

Penguins of Madagascar: Movie Novelization, adapted by Tracey West. Illustrated.
NYC, Simon and Schuster/Simon Spotlight, October 2014, trade paperback $6.99 (142 pages), Kindle $6.49.

Planes: Fire & Rescue: The Junior Novelization, Adapted by Suzanne Francis. Illustrated.
NYC, Random House, June 2014, trade paperback $5.99 (122 pages).

Rio 2: The Junior Novel, Adapted by Christa Roberts. Illustrated.
NYC, HarperCollinsBooks/HarperFestival, February 2014, hardcover $14.40 (144 pages), trade PB $5.99, Kindle $5.99.

None of these juvenile novelizations would be worth reviewing alone, but they make a point for furry fandom: for about the last five years, there have been practically no anthropomorphic theatrical animated features, and a lot of animated features starring mostly real or fantasy humans like Pixar’s Brave and Inside Out, from major animation studios that have not had authorized juvenile novelizations of about 140 pages. (If it’s from Simon Spotlight, you can count on it having exactly 144 pages; a tipoff that all of its juvenile novelizations are written to a formula. But, in the case of Minions, those 144 pages include 131 pages of novel, plus 13 pages of color plates, black-&-white illustrations, and advertising.) Many VFX-heavy live-action features like Avengers: Age of Ultron and Guardians of the Galaxy and Tomorrowland have novelizations, too. I could have picked Blue Sky Studios’ Ice Age: Continental Drift or Epic; Disney’s Wreck-It Ralph or Tangled or Frozen or Big Hero 6; DreamWorks Animation’s Turbo or Mr. Peabody and Sherman or Home (despite Home being already based on a “real” book, Adam Rex’s The True Meaning of Smekday); LAIKA’s ParaNorman or The Boxtrolls; Sony Pictures Animation’s Cloudy With a Chance of Meatballs or Hotel Transylvania 2; Warner Animation Group’s The Lego Movie (144 pages from Scholastic, Inc.) – almost any animated feature. Read the rest of this entry »

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August 5, 2015

Trick or Treat, Volume 2: Historical Halloween – Book Review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

(I considered holding this for October – but Fred reminded me that Trick or Treat Volume 3: Pranks, Parties, and Pumpkins will be out – so enjoy it now!) – Patch

trick-or-treat-volume-two-historical-halloween-edited-by-ianus-j-67211Trick or Treat, volume 2: Historical Halloween, edited by Ianus J. Wolf.
Las Vegas, NV, Rabbit Valley Books, October 2014, trade paperback $20.00 (373 pages).

This is Rabbit Valley’s second annual (2014) Halloween theme anthology; “something for the adults to enjoy”, as last year’s volume said. It presents ten new stories; six scary horror “tricks” and four “delectable romantic and erotic” treats. The book’s fine wraparound cover is again by Stephanie “Ifus” Johnson.

Wolf points out in his Introduction that “historical” is treated liberally. “It is also worth noting that much of the original history of Halloween and its roots of Samhain that we ‘know’ are actually still debated in most academic circles.” (I can personally attest to its evolution. When I went to school in the late 1940 and early ‘50s, you were ‘wrong’ if you spelled Hallowe’en without the apostrophe between the two e’s. Today, nobody bothers with it.) “So relax, have some fun, and don’t think too much of this as a history lesson.” (p. 2)

The anthology is again divided into two parts, each presented by one of the anthropomorphic hosts. Trick the wolf gives us six scary “tricks”, and Treat the black cat follows with four erotic “treats”.

“Jenny-Burnt-Tail” by Huskyteer is set in the British trenches during World War I. A Scottish (terrier) trooper carves a turnip into a jack-o-lantern on All Hallows Eve, and Captain fox tells his men a seasonal reminiscence from his childhood. This story isn’t as scary in itself as the way that Huskyteer tells it, with convincing 1915 British accents and slang. The mud and mist and cold and wet, with enemy snipers all around and maybe poison gas – you really feel that you’re there; never mind any spooks that may also be there. It’s educational, too; you’ll learn a half-dozen regional names for will-o’-the-wisps (including Jenny-Burnt-Tail, which is genuine despite sounding like it was created for this anthropomorphic world). A superb mood piece. Read the rest of this entry »

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August 4, 2015

Theatrical Panto-animals, Part 2: Feedback, history and sources roundup.

by Patch O'Furr

Update to Part 1:  “If there was a Museum of Furry, theatrical “Panto-Animals” would be a major exhibit.“

My first Panto-animal history article shared a discovery of amazing proto-Furry happenings, in an overlooked era of Pantomime theater in Victorian Britain.  Stunning photos show why the topic is worth uncovering.  From these scarce records, a handful of actor names stood out with wide publication in their time for “animal impersonation”.  Charles Lauri was covered in Part 1 – and here is Fred Conquest:

FredConquestHubbard2

Pantomime plays were popular entertainment, considered beneath the “high arts” realm of British theater.  They were not treated as equally worthy to record or remember, so these photos are all the more special because of it.  These pre-movie live happenings seem forgotten today, compared to the era of cinema that came shortly afterwards – where popular artists like Charlie Chaplin (the first international movie star) gained high respect as subjects to study and remember.

In our time, popular culture has gained respect it never had.  What used to be “nerd culture” is now the biggest Hollywood industry.  The tiny niche of Furries is one of few areas still looked down on, but that seems to be changing as it grows.  I think it’s a great time to rediscover and connect old, forgotten traditions such as Panto-Animal performance – what esteemed Furry fan author Phil Geusz calls “paleo-furry.”

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August 3, 2015

Colonel Sanders is a Furry, more Bojack Horseman for 2016. NEWSDUMP (8/3/15)

by Patch O'Furr

Tips: patch.ofurr@gmail.com. 

Headlines, links and little stories to make your tail wag.  Guest posts welcome. “Local correspondents” wanted to talk about your local networks. 

Injured furry fan who faced 90% odds against him is recovering.

Here’s a good fan item to start… Alex is a Furry fan who was severely injured in an explosion in Taiwan last month.  He had 90% chance of dying from the injuries. The latest update says he’s doing very well in recovery. It’s still a heck of a scary situation so he can use any help you can give.

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Pop Culture and Further Fun.

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For no reason at all, click for a pinup of Mr. Peanutbutter's fabulous ass, which doesn't actually appear in the series.

Click for Mr. Peanutbutter’s fabulous ass, just because.

Bojack Horseman renewed for 2016 – anyone want to interview the creator?

Just renewed for a third season… and read a great interview with the creator about the recent second season. A while back, I got an invite from the creator to do an interview!  Would anyone who’s caught up with the series like to take charge of it for a guest post?  (Raphael Bob-Waksberg says:)

…early on we decided that all the animals are animal-people. No one has pets. There’s no little birds flying from tree to tree — it’s a world full of Goofys, not Plutos, to use a Disney analogy. In season one I was really hesitant to depict meat-eating in any way. But then someone pitched a joke with a cow waitress serving steak and being really offended.

Swat Kats ask crowd funders to aid renewal. 

(Tip from David P:) “The team that made the original Swat Kats just launched a kickstarter to bring them back.”

Colonel Sanders dressed as a Furry at Comic Con.

(Tip from Fred Patten:) “Dear Patch; Note the Col. Sanders statue at Comic-Con dressed as a furry.  This indicates that furries have become as pop-culture respectable as vampires, werewolves, Martians, and anime characters.”

KFC-Cosplaying-Colonels

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July 31, 2015

Pet Noir, by Pati Nagle – book review by Fred Patten.

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

coverPet Noir, by Pati Nagle.

Cedar Crest, NM, Book View Café/Evennight Books, August 2013, trade paperback $14.39 (iii + 180 [+ 1] pages), Kindle $4.99.

In an undated far future, Leon is a kitten biomodified to talk and with an opposable thumb. Here he’s being taken by his handler at four weeks old from the industrial lab where he was born to his new home, in a cat carrier:

“I could just see his face if I pressed up against the wire. He watched me, looking kind of wary.

‘So what’s this Gamma Station?’

‘It’s a transportation hub out near Cygsee Four. It’s where I live and work.’

‘Sounds boring.’

‘No, it’s a nice place. You’ll like it.’

‘Cygsee Four. That’s Cygnius 61 C IV, right?’

‘Yes.’

‘That’s in the middle of nowhere.’

‘Nowhere’s a relative term, Leon. It’s got a lot to offer. Better than living in a lab.’

‘Got elephants?’

‘Well, no. But there’s a nice park. You can run on the green grass.’” (pgs. 3-4)

Leon has been modified to become an undercover detective on Gamma Station, a smaller transportation hub to the outer space colonies. Smuggling of bioenhancers has been taking place, and the smugglers have escaped detection so far.

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July 30, 2015

A Whisper of Wings, by Paul Kidd – Book Review by Fred Patten.

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

A Whisper of Wings, by Paul Kidd. [Second edition]
Raleigh, NC, Lulu.com/Perth, Western Australia, Kitsune Press, June 2015, hardcover $51.95 (557 pages), trade paperback $31.34, Kindle $8.99.

Whisper CoverThe first edition of A Whisper of Wings was arguably the first professional furry specialty press book ever published, by Vision Novels in October 1999. Anything before that was really a fanzine calling itself a book.

Kidd basically gave his manuscript to Vision just to get it published, after being told by the editors of all the major publishers for years, “A serious adult novel with funny-animal characters? Nobody will ever buy it.” Vision got out two trade paperback novels with anthropomorphic animal characters, both by Paul Kidd, before disappearing in 2001, and A Whisper of Wings has been almost unknown since then. Now Kidd has republished it through his own Kitsune Press, with Terrie Smith’s unused 1997 cover painting. If you never read it before, get it now!

A Whisper of Wings is pure fantasy. It is set in an Australian wilderness more mountainous and forested than the Outback desert, inhabited by the butterfly-winged foxlike Kashra, an alpine aboriginal tribal people. The Kashrans possess a psychic force, the Ka, that the more powerful Kashrans use to enhance their wing-power to make themselves better flyers and hunters. There is also an ïsha world-force, a “Mother Nature” spirit that some Kashran can use to get closer to the forest’s ecology. This Kashran society is thousands of years old and has become rigidly stratified – really ossified. Their civilization is divided into numerous male-dominated tribes, each ruled by a hereditary aristocracy and all under a traditional priesthood. Each tribe is supported by its elite hunters, and by its lower-class artisans who make trade goods. Each tribe is more-or-less self-supporting, coming together for only the annual jiteng games (roughly an aerial soccer tournament) and ceremonial tribal gatherings, at which each tribe tries to outdo the others in lavish feasts and similar displays of conspicuous consumption. Read the rest of this entry »

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July 29, 2015

Furry internet history, tragic accident takes RedSavage and Milofox. NEWSDUMP (7/29/15)

by Patch O'Furr

Tips: patch.ofurr@gmail.com. 

Headlines, links and little stories to make your tail wag.  Guest posts welcome. “Local correspondents” wanted to talk about your local networks. 

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Media and Fandom news.

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New from “Culturally F’d”: how the 1990’s internet made a Furry phenomenon.

I highly endorse this Youtube series, which investigates everything this blog is for!  Host blackbird, Arrkay, sent this.

(Arrkay:) “This week we are “Ctrl:F’d.” Culturally F’d looks at furries and the history of the internet.

The episode was later than expected for 2 reasons: 1) I was hosting a Drag Party (Howl Toronto‘s “Fierceness Party”,) where I recorded footage to feature soon where we discuss the commonalities of fursuiting and drag queens. 2) It’s our longest episode so far, and will probably be the longest of the season!

As Michael from VSauce recently pointed out, on the internet, no one know’s if you’re a dog. This meme was originally from the July 5, 1993 edition of the New Yorker. No group on the internet holds this adage more closely than furries.

MUDs, MUCKs, and early chat rooms made Furry visible in the first online communities of the 1980’s and 90’s. That happened before computers were widely accessible, and even before the mega-infrastructure of the internet was built.  This aspect of the fandom grew largely from colleges and universities, equipped with online connections and computers that were still far too expensive for home-use.

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July 28, 2015

Fursuiters were kings at Andrew WK’s Pizza Party in San Francisco.

by Patch O'Furr

Of course this happened in San Francisco – “Furry Mecca”. (Sorry, Pittsburgh… you can borrow that title for one weekend a year, but you have to give it back.)

Andrew WK’s Pizza Party was planned for July 3.  Furries called up the venue, 1015 Folsom, and arranged to be part of the show.  The show managers went out of their way to accommodate fursuiters and help them change. There was a strong turnout for such an awesome happening.

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July 23, 2015

Thousand Tales; How We Won the Game, by Kris Schnee – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Thousand Tales; How We Won the Game, by Kris Schnee.
North Charleston, SC, CreateSpace, June 2015, trade paperback $8.49 (2thousand45 pages), Kindle $2.99.

The chapters are years in which this takes place; from “2036: The Early Adopters” to “2040: Thousand Tales”.

The blurb is helpful. “The mad AI Ludo is taking over the Earth… but she just wants everyone to have fun.” But it’s not that simple.

Paul Kostakis is a high-school graduate who wants to go to college. However, in this regimented 2036, all youths are required to serve a government-approved social service to qualify for admission to higher education. Paul is assigned to a Green Communities Youth Initiative work camp across the country in Arizona, a shelter for the homeless and unemployable. Its coordinator is a friendly-appearing sadist who obviously intends to fail Paul. When he stops a madman with a gun from killing anyone in the cafeteria, she records Paul’s actions as “excessively violent”. When he tries to study for his college’s entrance exams, she wastes his time by ordering that he play an endless video game, supposedly to relax and socialize better.

Paul does so very reluctantly, but the Thousand Tales game turns out to be brand-new, controlled by an equally new Artificial Intelligence, Ludo. Ludo, appearing as a fantasy beautiful woman, intrigues Paul by tailoring an imaginary world to his specifications. “She” gradually reveals to him that she intends to follow her programming to help her players enjoy themselves, by immersing them in increasingly-complex fantasy worlds tailored to their desires; and she wants Paul to help recruit new players who need her aid. “In return for a few little favors, she’s offering ‘brain uploading’. She can fatally dice your brain, scan it, and recreate you in a virtual-reality heaven she controls. You can do anything in there: become a griffin, upgrade your mind, fall in love, or go mad.” (back-cover blurb)

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July 22, 2015

The Painted Cat, by Austen Crowder – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Painted Cat, by Austen Crowder.Painted-Cat-Thumbnail
Dallas, TX, Argyll Productions, April 2015, trade paperback $19.95 (273 pages), e-book $9.95.

“I started painting myself up to look like a toon for two reasons. First, I was bored and needed a new hobby during my summer break as a teacher. Second – and far more important, in my opinion – was that my friend Valerie thought I’d look good as a cat, and I had always wondered what could have been if I had turned toon like she did. That she brought all the supplies, prosthetics, and paint we could possibly have needed sort of sealed the deal.” (p. 9)

The Painted Cat is more like Gary K. Wolf’s 1981 novel Who Censored Roger Rabbit?, or Disney’s 1988 Who Framed Roger Rabbit movie based upon it, than the average anthropomorphic novel. It omits the Disney crazy comedy, but in this world, the toons – and they are called toons — are live cartoon animals, not anthropomorphized “real” animals, who are socially lower-class living among humans; plus those humans who turn themselves into toons with special paint and prosthetics – see the deleted “pig head” sequence from the Roger Rabbit movie. Janet Perch, the protagonist, straps on a cat tail very like the artificial fox tails on sale at every furry convention, and within moments it attaches itself to her spine and she can move it like any cat can do with its tail.

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