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Tag: furry

Press Release! Dogs of War II: Aftermath, edited by Fred Patten, Debuts at MFF

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Dogs of War II: Aftermath, edited by Fred Patten, is launching at Midwest FurFest 2017 in Rosemont (Chicago), Illinois over the November 30-December 3 four-day weekend. The book can be pre-ordered from FurPlanet Productions. It will be for sale on the FurPlanet online catalogue afterwards.

Dogs of War II: Aftermath is an all-original anthology of 20 short stories and novelettes of anthropomorphic animals (not just dogs) in military scenarios, from battle action to boot camps, from the past to the future, on land, at sea, and in space. This is designed to appeal to both s-f & fantasy fans, and fans of military s-f.

From bioengineered military dogs with Artificial Intelligence to a fawn trying to prove he is a stag, a horse sailor on a warship, a canid-ape space war, a self-aware robot bird, a fox soldier passed over for a deserved promotion, reindeer Vikings, animal Sea Bees constructing an island airstrip, and more; these are stories for your imagination and enjoyment.

Contents:
Dog, Extended, by Cairyn
Remembrance, by Alice “Huskyteer” Dryden
Scars, by Televassi
The Surface Tension, by Dwale
My Brother’s Shadow, by M. R. Anglin
Close to Us, by MikasiWolf
Lime Tiger, by Slip-Wolf
Umbra’s Legion: The Destruction of Ismara, by Geoff Galt
Umbra’s Legion: Charon’s Obol, by Adam Baker
The Call, by Lord Ikari
Every Horse Will Do His Duty, by Thurston Howl
Matched Up, by K. Hubschmid
The Son of Goulon Stumptail, by NightEyes DaySpring
Noble, by Thomas “Faux” Steele
Trial by Error, by Jaden Drackus
The Night the Stars Fell, by KC Alpinus
Tears of the Sea, by MikasiWolf
The Pack, by Argyron
Red Engines, by Kris Schnee
Going Home, by Miles Reaver

Price: $19.95. 478 pages. Wraparound cover by Teagan Gavet.   ISBN 978-1-61450-397-2.

Fred Patten

Like the article? It takes a lot of effort to share these. Please consider supporting Dogpatch Press on Patreon.  You can access exclusive stuff for just $1, or get Con*Tact Caffeine Soap as a reward.  They’re a popular furry business seen in dealer dens. Be an extra-perky patron – or just order direct from Con*Tact.&

Furry Marketplaces: Where to Shop and Browse Online

by Summercat

Welcome to guest poster Summercat – a great friend to Dogpatch Press, with a cool interest in Furry Comics and Zines History.

When I joined the fandom in 1999, there were very few ways to shop for furry fandom merch. Most of your purchases were made via mail-order, or at a convention dealer room. There were few options for buying things from individuals – I recall having to mail a money order for my first online purchases.

Anthrocon 2006 Dealer’s Den. Photo by GreenReaper.

But that was 18 years ago. Today, with low-barrier tools like Square and Paypal, it is easier than ever to purchase work directly from someone living somewhere else in the world. Starting in the mid-2000s, the Furry Fandom has had it’s marketplace explode in volume and quantity. While there is a wealth of options around us, it can be confusion on where to go or start when trying to see what sort of Furry merchandise is available.

Here, I have compiled a list of online places where people can find books, comics, clothing, fursuits, and commissions from a variety of people. Due to otherwise overwhelming the list, I am excluding publishers that primarily sell their own imprints. For those, see: Furry Publishers – A Resource for Artists and Authors. This list is not exhaustive – if you feel something has been left out, please speak up and let us know!

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Wild Things: Bite Club at the Citadel in San Francisco, November 25.

by Patch O'Furr

NOM. Got your ear! Do you like that? You do? Then bring your ears, paws, or anything else that needs nibbles to Wild Things. It’s the quarterly 18+ play party for furries, petplay, and more. (Share to invite new friends… or your next lunch!)

SATURDAY, NOVEMBER 25, 2017

1:00 PM – 6:30 PM

SF CITADEL, 181 EDDY ST., SAN FRANCISCO

(Brief break for discussion!) This week, Furry Twitter has been howling with drama. Controversy seemed to come out of nowhere: for colorful animal-people, is it OK to have strictly PG kid-friendly events? Or are fur cons so adult that a tame option amounts to kink-shaming? And are pup hoods a fetishy toy not to wear in public, or is that an insult to the expression of inner identity? Read the rest of this entry »

What I learned from lurking the Furry Raiders chat – guest post by Aristide

by Patch O'Furr

Update: Foxler, founder of the Furry Raiders, was arrested for sex offenses in April 2019.

What I learned from lurking the Furry Raiders chat

Hi, I’m Aristide, and I’m a narc. For the past several months, I’ve had a sockpuppet account in the Furry Raiders Telegram, Skype, and Discord groups and periodically leaked screenshots of them to @edgedestroys. I chose Edge in order to protect the credibility of my sockpuppet account, and because I work in a sensitive workplace and worry about being doxxed. Most speculation about the Raiders – that they’re Nazis, they’re Alt-Right, they’re losers – is generally correct. I want to provide a better picture of what we, as a community, are dealing with.

Same Losers, New Politics

The general population of the Raiders community is a combination of old-school 4Chan racists, conspiracy theorists, new wave white supremacists, and impressionable but misled minors. Racist memes from a long-forgotten era of /b/ populate the chat in equal measure to WorldNetDaily or YourNewsWire links. Several dozen in the chat subscribe to the Daily Stormer and similar neo-Nazi websites, while a refrain against “fake news” rings against any news source that is not part of the alt-right media ecosystem. Lost in this mix are impressionable minors, 13 to 17 year old kids that found their way to the Raiders one way or another. Some of them joined because they hated SJWs – (the GamerGate to Alt-Right pipeline is well documented) – others were actively recruited by Foxler, Kody, and other de-facto leaders in the Raiders.

The first commenter left the group with a statement at bottom of article.

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The Art of Aardman, Foreword by David Sproxton and Peter Lord – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Art of Aardman: The Makers of Wallace & Gromit, Chicken Run, and More. Foreword by David Sproxton and Peter Lord.
San Francisco, CA, Chronicle Books, August 2017, hardcover $24.95 (128 pages), Kindle $9.99.

Aardman Animations was founded forty years ago in Bristol, England. Since then it has become one of the world’s leading stop-motion animation studios. Most of its popular films have involved anthropomorphic animals, from Gromit, the long-suffering dog in the “Wallace and Gromit” shorts and the Wallace & Gromit: The Curse of the Were-Rabbit feature to the features Chicken Run (chickens), Flushed Away (rats), and Shaun the Sheep the Movie. Even The Pirates! in an Adventure With Scientists! had Mr. Bobo, Charles Darwin’s chimpanzee assistant.

This book does not focus on any of their works in particular. It is rather about the studio’s production techniques. First come the ideas for the plots and characters, then creating the worlds that go with them – the secondary and incidental characters; the backgrounds, and so on; the “Mechanical Marvels” (no Aardman production would be complete without some intricate device, often Rube-Goldbergian or steam-punk, including Wallace’s fanciful inventions; and Aardman’s attention to lighting.

These sections are filled with examples, from preliminary pencil and crayon sketches to complete stop-motion models, taken from the studio’s archives. The popular anthropomorphic characters are shown here, but it is a hit-or-miss affair; they are mixed in with Aardman’s other art. The sketches are identified by artist, primarily Nick Park; others include Sylvia Bennion, Peter de Sève, Johnny Duddle, Norman Garwood, Phil Lewis, Peter Lord, Matt Perry, Michael Salter, Matt Sanders, Christian Schellewald, Richard Starzak, Jo Symanowski, Evgeni Tomov, and more. The finished models and stills from the films are labeled Production still or Puppet.

Image provided by Chronicle Books

Whichever you like, you will find it here. This is a very enjoyable book for the fan of Aardman’s creations to just browse through.

Fred Patten

Like the article? It takes a lot of effort to share these. Please consider supporting Dogpatch Press on Patreon.  You can access exclusive stuff for just $1, or get Con*Tact Caffeine Soap as a reward.  They’re a popular furry business seen in dealer dens. Be an extra-perky patron – or just order direct from Con*Tact.&

Talking Animal Films in South Africa (Part 1)

by Duncan R. Piasecki

Submitted by guest writer Duncan R. Piasecki – don’t miss his amazing previous article, The Forgotten History of the Furry Musical.

South Afrifur logo – see a con report.

Of all the things you’d expect a country in Africa to have in common with whatever first-world place you’re reading this in, I bet nowhere on that list was CGI animation studios. But it’s true, for better or for worse, and (un?)luckily for all of us, all the major CGI films produced by this country fall into the talking animal genre. Furry appeal, it’s an international thing!

Preface: important things that will colour how you understand the rest of the article

Before we get too deep into this, some context is important to understand the nature of this country.

First and foremost, you need to understand something of the way that stories are told here. This is mostly about books, but it speaks to the way film and television are made here as well. We like to fool ourselves into thinking we’re cosmopolitan, but we’re really, really not. We’ve fallen a long way since JRR Tolkien moved away from here. Fictive literature here can be mostly divided into two categories: classic and modern. Classics are largely about sociopolitical concerns (most famous is probably Cry, the Beloved Country by Alan Paton – most likely you’d know it from the 1995 film adaptation starring James Earl Jones, if you knew it at all). Modern however… well. Publishers down here tend to want you to write stories with an African bent all the time. In theory, it leads to more Afrocentric storytelling, but in practice, if you go look under general fiction, everything is either just described as “X, but in Africa!” or just a rip-off of whatever the Americans are doing. Not all books, of course, but certainly enough that you wouldn’t even be able to find the local fiction that’s not like this in most stores. For example, a big hit here a few years ago was Spud by John van de Ruit, which is basically “Adrian Mole, but in Africa!“. On the other side of the coin are writers like Wilbur Smith, who writes what look like fairly cheesy adventure/thrillers generally. As a writer myself, who falls under the oft-confusing literary movement of postmodernism, it is beyond frustrating and annoying to see, and there is no way I’d ever be published by anyone down here as a result of these weird stipulations (hooray for self-publishing).

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ROAR Vol. 8, Paradise, Edited by Mary E. Lowd – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

ROAR volume 8, Paradise, edited by Mary E. Lowd.
Dallas, TX, Bad Dog Books, June 2017, trade paperback $19.95 (284 pages), Kindle $9.95.

ROAR volume 8, Bad Dog Books’ annual anthology of non-erotic furry adventure short fiction, is the third edited by Mary E. Lowd. It follows last year’s vol. 7 devoted to Legends, and continues the reductions in page count (394 pages two years ago, 377 pages last year, and 284 pages this year) to return the volumes to the earlier size edited by Buck C. Turner. This year’s theme is Paradise; “eighteen different visions of paradise”. Lowd says in her Foreword that, “This volume of ROAR received fewer submissions than the last two, but the average quality of those submissions was extremely high.”

It certainly is. Get ready for a long review.

The protagonist of “Northern Delights” by Madison Keller is Rafael Ferreira, a Chihuahua detective from the Phoenix, Arizona police department who goes to the start of the Idatarod sled race in Anchorage, Alaska to warn a Chow informant participating in the race of a plot to kill him. He involuntarily takes part in the race as the partner of Mae, a husky.

“Other than the crunching of snow under Mae’s paws and the shushing of the surrounding pine trees in the wind the night was silent. He’d grown up in the big city, and night to him meant the pounding thunder of a gunning motorcycle, the conversing of passing dogs, and the rumbling base leaking from a passing car.

Even the sky was unfamiliar. When Rafael craned his head back, he could see hundreds of stars twinkling brightly overhead. The sight awed and humbled him. When he was a puppy, his father had taken him up to the mountains to star gaze, but even there the lights of the city had hidden all but the brightest stars. He began to pick out constellations he’d learned about in grade school. There was Orion, te Hunter. Usually depicted in mythological art as an English Setter. Mae turned a corner and his view shifted, revealing Leo, the roaring lion. Rafael bared his teeth menacingly at the sky.” (p. 23)

Rafael discovers that Alaska is his paradise – especially if Mae is there.

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Planet of the Apes: Tales From the Forbidden Zone, Edited by Rich Handley and Jim Beard – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Planet of the Apes: Tales From the Forbidden Zone, edited by Rich Handley and Jim Beard.
London, Titan Books, January 2017, paperback, $14.95 (421 pages), Kindle $9.99.

“The 1968 Planet of the Apes film has inspired generations of authors. Now a who’s who of modern writers produces sixteen all-new tales, exclusive to this volume, set in the world of the original films and television series.” (blurb)

Plus an Introduction by co-editor Rich Handley and an Afterword by co-editor Jim Beard. Handley explains that, while there have been Planet of the Apes movies, TV series, script novelizations, original novels, comic books, and so on, there have not been any Apes short stories before. Hence this book.

Seventeen authors (one story is a collaboration), most of whom are veteran s-f novelists or comic-book writers who have written some form of Apes fiction before, were invited to contribute a story to this anthology. All have had the creative freedom to explore their own ideas, without any editorial attempt to make the stories consistent. Since the first five Apes films established the concept that time travel is “a highway with infinite lanes leading from the past to the future” (p. 12), all stories are equally valid.

“Unfired” by Dan Abnett is set in the nuclear wasteland in Beneath the Planet of the Apes. A group of seven mutated, telepathic humans is making a pilgrimage through the Forbidden Zone to the subterranean city:

“They spent two weeks following the track through the craterland. By night, wild dogs barked in the distance, and Taul kept his rifle close. They skirted the rims of wide craters in the heat. The sun made the air buzz and click. Chemical lakes had formed in the basins of the craters, some vivid turquoise or blood-red. The wind stank of sulfur. Occasionally, they could see shapes down in the lakes: rusted, twisted, blackened masses half submerged, buckled metal leering at the sky, vague in the mists that lay across the toxic pools.” (p. 20)

Four turn back, or die, or are killed by the Third Race (the apes), one by one. The survivors’ goal is the the city under New York; the holy city of God — the doomsday bomb.

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How furry conventions fail (or please) their vendors – Critical discussion.

by Patch O'Furr

Crazdude looks like one of those multi-talented artists that are one of the secret weapons of furry subculture – bright and devoted people with a buffet of skills like making art, writing, or performing all at once.  For the blog she started in 2016, I got a professional impression from a first glance. (I look out for blogs that seem to vibe with Dogpatch, so I liked finding this.)

The Crazblog bears out a good impression by sharing her selection as Guest of Honor at Fur-Xoticon. It lets you in on a personal detail:“As just a first-year newbie to the Artist Alley and Dealer’s Den experience at furry conventions, this came as quite an exciting surprise!”  Highlighting the newbie disclosure and small/local con size isn’t too critical, if you take it for granted that Furry is full of DIY power – it’s just good to keep in mind while reading the below post with an open mind. It mentions 3 years of experience at other cons.

Crazdude’s post – “Top 5 ways conventions let their vendors down (+ Cons doing things that artists love!)” – led me to a point/counterpoint peer discussion that I wanted to share in response. I considered breaking down salient points for a formal article, but I liked the natural flow of a casual chat here. The chat is between me (plus a few stray watcher comments) and ScalieStaffer (name redacted to keep opinions apart from their position). They’re a fur with 8 years of con staffing experience in multiple departments, with roles both minor and major.

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Florida furry dead, police hunt serial killer.

by Patch O'Furr

Anthony, AKA James Firefox, was age 20. As a furry fan, he shared fandom creativity through music.  As a person, media reports say he was autistic, but reaching for independence. Public buses in his neighborhood in Tampa, Florida took him to his job where he was packaging hurricane relief supplies.  A light glance at his online profiles shows that he expressed frustration about social difficulties, but seemed to find a lot of happiness with music, cartoons and furry art.  Sometimes it was edgy but other parts showed self awareness like criticizing memes about the las vegas shooting out of sensitivity for others.

On October 19, he got on an unfamiliar bus line when his usual one was shut down. He ended up in the proverbial wrong place at the wrong time and became an unlucky statistic. He was the third victim of a series of shootings in Tampa’s Seminole Heights neighborhood that appear to be done by a serial killer.

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