Dogpatch Press

Fluff Pieces Every Week

Tag: furry

November 2, 2020

Protests in Poland “a premonition for what will happen” if LGBT rights are lost in the USA — Q&A with furry artist Jeanwoof who does charity for rights in Poland.

by Patch O'Furr

The 2020 U.S. election is in progress, the future is at stake, and a tipper sent me this story. “It may be a premonition of what will happen here if abortion and LGBTQ rights are suspended by the supreme court.”

Maybe you’re sick of relentless gushing doom about politics. Sorry I can’t make it stop with the fabulous power of furry news reporting. But I can make a story for furries in and out of the U.S., and help you think about protecting rights everywhere. This won’t just tell you to vote, it’s about using fandom power!

Soatok Dhole explains why it matters.

Politics? In My Fandom? 

It’d be great if we lived in a world where I could opt out of political discourse entirely, but that only exists when you have the systemic advantage in our imperfect society. And since me being LGBTQIA+ is unavoidably political, and we’re a minority, opting out of politics means submitting to whatever dark fate toxic people decide I deserve.

Soatok says “The furry fandom – which you can think of as the largely queer sector of geek culture – has a problem with negative peace”; and it’s hurt by the Trump administration’s effort to overturn marriage equality plus 33 more steps to push anti-LGBT hate worldwide.

The problem is not just about Trump — it’s about ultraconservative attacks on rights everywhere. You can’t get peace from it by turning off the news, so to make better news, let’s meet a furry who does art charity to advance people’s rights in Poland.

Hi Jeanwoof, can you give a brief bio about yourself?

Hi, I’m a 26 year old woman living in Northern Poland. I’m very active in the fandom — drawing furry art for 6 years, and for 3 years I’ve been doing a small furry convention (Kungfur) with friends. I attend local conventions and sometimes you can see me at Eurofurence in the Dealers Den or Artist Alley. I’m a fursuiter too, but I don’t wear my suit as often as I want to.

by Jeanwoof

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October 27, 2020

How the furry fandom gained a new artist — Lux Operon, weaver of light

by Dogpatch Press Staff

Welcome to Lux, with a guest post about what she does when not hosting furry movie pizza parties. – Patch 

On a beautiful fall morning in Reno, the edge of sunrise starts to paint the desert mountains. The color in the sky is just right. I rush to my balcony and put on my glowing pup hood for photos, which I will share to a majority audience of people with fuzzy wolf characters. I am profoundly happy.

Electroluminescent wire is a sister material to LEDs. They look similar, but they’re functionally quite different. An LED is a diode that emits a single point of light, but EL wire works like a capacitor. Since it has no resistance within, it doesn’t heat up when lit. An exposed end might give a small shock if it touches your skin (but it won’t kill you, or I’d be dead). It’s flexible, continuously lit throughout its length, and has many applications to create an amazing glowing costume.

Like any wearable electronics, EL wire has limitations and can be finicky. Its battery packs (drivers) are each rated for a different length of wire. Knowing how to troubleshoot your costume is integral to being a fiber artist with this material. It’s easy to learn but very hard to master.

The technology has been around for some time, but it wasn’t until the late 90s and early aughts when the folks at FunHouse productions in Oakland, California decided to really develop the platform. EL wire is the unofficial signage of the Burning Man event, where you can often find people in these costumes wandering around the playa as strobing neon silhouettes in the dark.

This art was largely contained to their scene in Black Rock City until dance troupes started popping up on America’s Got Talent. For the 2012 season, Team Illuminate put together dance routines and nearly went all the way. By weaving EL wire and using the interplay of darkness to create floating shapes and coordinated blinking, they made the world aware of wearable neon, including me.

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October 26, 2020

Monster Force Zero: loads of fun and furries in a movie out just in time for Halloween.

by Patch O'Furr

You’ll want to show Monster Force Zero at any furry party night if you love midnight movies. This new release went through a few years of production with crowdfunding and shooting in Colorado at Galaxyfest. Furries are included briefly, but with love. Catch it on Amazon or other services above.

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October 16, 2020

Meet Unid, the only known furry from Sri Lanka.

by Patch O'Furr

There’s an island off the southern tip of India, with a small furry animal on it, looking out for who else may share the same fandom. Through the internet, other creatures reach across the ocean and an international fandom works its magic. They may not all speak the same language, but they can share the art and everything else that furry fans call theirs.

Previous stories here have found furries in places like Iran. Today, meet a furry from Sri Lanka. A species so rare, there may only be one. The story tip about Unid came from Zinger, who wanted to share a friend’s wish to singlehandedly bring the fandom to his country. In return, we can learn what it’s like to live there.

Furries contain multitudes. If a fandom is a Venn diagram of overlapping interests, it looks plaid. So let’s find out more of what Unid is into. Are there Sri Lankan nerds? If a con happened there, what would everyone eat, hear or see? How about a heavy metal show?

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October 14, 2020

Q&A with Finn, founder of the Fuzznet Music netlabel for furries.

by Patch O'Furr

“World’s first furry-centered, full-service music distribution netlabel.”

A new netlabel for furry music has been announced! When I think of a label, especially on the small indie side, I think of curation for a certain sound or scene. (Example: a Q&A is coming soon with a fur from Sri Lanka where I asked about Goa Trance.) Here’s one I’ve been enjoying: Numero Group is a reissue label. Imagine digging through thrift store junk and finding a weird one of a kind record that sounds amazing — that’s everything they put out. They specialize in the history of unsung niches, local scenes and their heroes. It makes richer music history than the well-worn stuff on classic rock channels.

Specialty and indie labels make diversity. With that in mind I talked to Finn.

A music style for furries? 

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October 9, 2020

Fuzznet Music launches a netlabel to unite musicians of the furry fandom.

by Patch O'Furr

What if there was a convention for furry musicians? For BLFC 2018, a furry musical was created and performed there (and it wasn’t the first of its kind.) Imagine that kind of energy every year. Sustaining it would take a thriving scene with room for its own publishers.

But what is furry music? Why is it furry? A Dogpatch Press Q&A series asked musicians to explain. Some use animal themes or perform in fursuit. Some just share a social circle. Many music scenes work that way, so you don’t even need to ask why. A show takes a crowd after all. What kind of energy could they bring to a con? Furry DJ spots have a lot of competition, and musicians have played live for hundreds of fans at cons. Think: Matthew Ebel, NIIC The Singing Dog, or Fox & Pepper (who racked up $38,000 in crowdfunding for an album!) Some get lots of views, compose for films, and reach outside the fandom. FWA 2019 made brief crossover with mainstream act Mystery Skulls. Furry musicians are also collaborating to put out compilations.

That makes a scene with potential. Now they’re taking another step forward with a netlabel. So blow a horn and start a howl for FUZZNET MUSIC!

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October 2, 2020

Dysfurria: A Manifesto — by Alec Esther

by Dogpatch Press Staff

Welcome to Alec Esther, a new media theorist and aesthetic scholar. Alec uses “affect theory” to  investigate how people find belonging and becoming in group spaces. Alec’s undergraduate thesis was about Porter Robinson’s Virtual Self project. Now here’s a critical personal reflection about the furry fandom, and the feeling of distance between internal self and external fursona.

I. Pentagon Dust

 
“Wait a second,” my bunny-eared DJ buddy stopped us mid-walk. “You don’t actually HAVE a fursona, do you?!”

We were hopping along the San Jose Doubletree halls to find refuge in a PAWCon room party when the question arose. I’d hoped to dodge his accusations at least before a drink or five, but my neck was barren of badges sans my con admission. I guess that justified his suspicion: what kind of furry would frolic about a convention without a testament to their fuzzy side? Yet the remark only reminded me of the discomfort of human skin, the way it bumps and tingles at the first sign of trouble. My DJ name was on a flyer of his creation, advertising the very same party to which we strode. He knew who I was. Was there a part of me that mattered more?

I stashed this question in my carry-on and flew it back to my then-home in Arizona, a state in which I’d just partied the weekend prior at Arizona Fur Con 2019. I had only 48 hours before I’d be on another flight to an even greater challenge: a weekend in Florida spent with a furry mentor and his friends. Loath am I to pass up an adventure, but the thought of being surrounded by more “established” furries filled me with a hollow dread. More intimidating than the social falsehood of “popufur” status was the feeling of self-fulfillment that I knew I lacked. From the moment of my arrival in MCO, I’d be a fursona non grata in the inescapable form of isolated flesh.

It was not yet the weekend when I landed in Orlando. The others would touch down on Friday, and Thursday had yet to wreak its temporal terror. That day I took my mentor’s offer to accompany him to the UCF campus as he took his Thursday classes. I sought comfort in the arts building, just as I often did during my Midwestern education in art history, and admired the great works of UCF’s aesthetes until one peculiar project tackled my stomach to the tile floor.

Londoño, Marcela. El Caballero del Fútbol. Woodblock print. 2019, Visual Arts Building, University of Central Florida. mlondono.com.

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September 10, 2020

MTV WANTS YOU! (Proceed with caution…)

by Dogpatch Press Staff

Not all media is created equal. The furry kind is best of course! But furry fandom gets damaged by protesting against “the media” every time a journalist starts on a good story that might not push good PR. PBS isn’t the National Enquirer. Sometimes knowledge is power or sometimes exploiters have less noble intentions… results vary, just be informed. Here’s Joe Strike, a journalist who is no stranger to working professionally in the media. He submitted this story based on contact he got as author of Furry Nation, the furry fandom history book. (- Patch)

September 6 2020
Joe Strike
joestrike@gmail.com

I received the following email last week:

My name is Joe Pinzone and I am casting a TV show for MTV called “Ghosted.”

We’re currently casting people who have been ghosted or have ghosted someone important in their lives due to people not understanding cosplaying/furries. I know that you wrote a book about it and was hoping you could spread the word by reposting the below notice. If you have questions, please let me know.

Did a friend, relative, or lover ghost you because of your love for dressing up as a furry or did you ghost someone who didn’t understand Furries?

Sharp Entertainment are now casting people 18-34 nationwide, who are ready to find or give answers, and share their story with the world.

Please send pictures, contact info & a short description of the ghosting in your life ASAP to: ghostedtvcasting@gmail.com

FINAL CAST APPROVED BY THE NETWORK WILL RECEIVE PAYMENT. NO TRAVEL REQUIRED. NON UNION—-

Joe Pinzone
Facebook casting page
LinkedIn Profile

Here’s my response to Joe P:

Personally, I’ve never been ghosted or ghosted anyone. I’ll relay your message to a few furry websites & message boards – with a proviso.

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September 9, 2020

Q&A with Christopher Polt PhD., who teaches a Talking Animals course at Boston College (Part 2)

by Patch O'Furr

We’re back after Part 1 of the Q&A with Christopher Polt, PhD., from Boston College. His Twitter is full of art and animation history that welcomes furry fans.

Rate My Professor loves him.

(Dogpatch Press:) It was interesting that you mentioned teaching a course in talking animals. Tell me all about it! Since when, and how unique is that, and how is it being received? What sort of students are in it and what are they studying in general?

(Christopher Polt:) I love that course — the material is so fun and weird and meaningful. The basic question we ask is, “What are we doing when we speak by using animal voices, and what does that say about our attitudes towards humans, animals, and the lines we draw between them?” It’s also my chance to teach some cool, off-the-wall art and literature. We read Apuleius’ Golden Ass, which is a novel about a guy who accidentally turns himself into a donkey and goes on a journey through the Roman provinces (think The Emperor’s New Groove, but much sexier and more violent), and Nivardus’ Ysengrimus, which is the earliest major collection of stories about Reynard the fox, an archetypal animal trickster.

Sometimes I also take students on field trips to tie historical material we’re learning to lived experience. One of my favorites has been to a local pet cemetery. We spend a few days talking about how Greeks and Romans use animals to think about divinity, mortality, and the afterlife, and we look at epitaphs and funeral poems for dead pets, which are often written from the animal’s point of view. There’s a great example in the British Museum, which commemorates the life of a dog named Margarita (“Pearl” in Latin), who died while giving birth to puppies:

https://www.britishmuseum.org/collection/object/G_1756-0101-1126

She talks about chasing other animals through the woods, how she used to nap on her humans’ laps and sleep in their bed, and how she barked a lot but never scared anyone. So after we read a range of things like that, we go to the pet cemetery and read modern grave markers, and we compare how people grieve for animals differently and what they choose to celebrate and memorialize about them. My favorite is this one for a cat named Useless:

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September 8, 2020

Q&A with Christopher Polt PhD., who teaches a Talking Animals course at Boston College (Part 1)

by Patch O'Furr

It wasn’t long ago that Furry Twitter found Christopher Polt, PhD. and his threads full of art and animation history that whole-heartedly welcome furries.

His content isn’t just catering to fandom — it goes deep into history in a fun and engaging way. But the parts with furry interest reminded me of another account profiled here before, Ancient Furries. I asked him if he wanted a brief “Great Accounts To Follow” article, and it led to a much more involved Q&A. It’s special to get such effort from a professor who handles lots of students and curriculum! Here’s Part 1, with Part 2 posting tomorrow.

(Dogpatch Press): I see you’re a Classicist and Assistant Professor at Boston College. That looks like a super active place (with beautiful architecture!) Can you talk about what it’s like to work there and what the job involves?

(Christopher Polt:) If you like Collegiate Gothic, we’ve got you covered! It’s a nice place to work — supportive colleagues, friendly and bright students, freedom to teach mostly what and how I want. Each semester I teach two or three courses, which are a mix of intro/intermediate ancient Greek or Latin, advanced seminars on Latin literature (esp. Roman poetry), and courses on ancient culture that don’t require knowing ancient languages (some examples: Roman spectacles; art and resistance under the early Empire; and “Beast Literature,” which is about talking animals in ancient and modern literature and film).

I also spend a lot of time on research and writing. My first book, which is coming out from Cambridge soon, is about how Romans in the 1st century BCE used theatrical comedy to think and talk about their everyday lives and relationships.

I’ll bet Covid has really affected everyone at colleges everywhere, what’s your story for that? You mentioned starting to tweet about Disney history a few months ago, is that using social media to maintain energy with your work that got disrupted by the pandemic?

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