Dogpatch Press

Fluff Pieces Every Week

Tag: furry

Q&A with Finn, founder of the Fuzznet Music netlabel for furries.

by Patch O'Furr

“World’s first furry-centered, full-service music distribution netlabel.”

A new netlabel for furry music has been announced! When I think of a label, especially on the small indie side, I think of curation for a certain sound or scene. (Example: a Q&A is coming soon with a fur from Sri Lanka where I asked about Goa Trance.) Here’s one I’ve been enjoying: Numero Group is a reissue label. Imagine digging through thrift store junk and finding a weird one of a kind record that sounds amazing — that’s everything they put out. They specialize in the history of unsung niches, local scenes and their heroes. It makes richer music history than the well-worn stuff on classic rock channels.

Specialty and indie labels make diversity. With that in mind I talked to Finn.

A music style for furries? 

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Fuzznet Music launches a netlabel to unite musicians of the furry fandom.

by Patch O'Furr

What if there was a convention for furry musicians? For BLFC 2018, a furry musical was created and performed there (and it wasn’t the first of its kind.) Imagine that kind of energy every year. Sustaining it would take a thriving scene with room for its own publishers.

But what is furry music? Why is it furry? A Dogpatch Press Q&A series asked musicians to explain. Some use animal themes or perform in fursuit. Some just share a social circle. Many music scenes work that way, so you don’t even need to ask why. A show takes a crowd after all. What kind of energy could they bring to a con? Furry DJ spots have a lot of competition, and musicians have played live for hundreds of fans at cons. Think: Matthew Ebel, NIIC The Singing Dog, or Fox & Pepper (who racked up $38,000 in crowdfunding for an album!) Some get lots of views, compose for films, and reach outside the fandom. FWA 2019 made brief crossover with mainstream act Mystery Skulls. Furry musicians are also collaborating to put out compilations.

That makes a scene with potential. Now they’re taking another step forward with a netlabel. So blow a horn and start a howl for FUZZNET MUSIC!

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Dysfurria: A Manifesto — by Alec Esther

by Dogpatch Press Staff

Welcome to Alec Esther, a new media theorist and aesthetic scholar. Alec uses “affect theory” to  investigate how people find belonging and becoming in group spaces. Alec’s undergraduate thesis was about Porter Robinson’s Virtual Self project. Now here’s a critical personal reflection about the furry fandom, and the feeling of distance between internal self and external fursona.

I. Pentagon Dust

 
“Wait a second,” my bunny-eared DJ buddy stopped us mid-walk. “You don’t actually HAVE a fursona, do you?!”

We were hopping along the San Jose Doubletree halls to find refuge in a PAWCon room party when the question arose. I’d hoped to dodge his accusations at least before a drink or five, but my neck was barren of badges sans my con admission. I guess that justified his suspicion: what kind of furry would frolic about a convention without a testament to their fuzzy side? Yet the remark only reminded me of the discomfort of human skin, the way it bumps and tingles at the first sign of trouble. My DJ name was on a flyer of his creation, advertising the very same party to which we strode. He knew who I was. Was there a part of me that mattered more?

I stashed this question in my carry-on and flew it back to my then-home in Arizona, a state in which I’d just partied the weekend prior at Arizona Fur Con 2019. I had only 48 hours before I’d be on another flight to an even greater challenge: a weekend in Florida spent with a furry mentor and his friends. Loath am I to pass up an adventure, but the thought of being surrounded by more “established” furries filled me with a hollow dread. More intimidating than the social falsehood of “popufur” status was the feeling of self-fulfillment that I knew I lacked. From the moment of my arrival in MCO, I’d be a fursona non grata in the inescapable form of isolated flesh.

It was not yet the weekend when I landed in Orlando. The others would touch down on Friday, and Thursday had yet to wreak its temporal terror. That day I took my mentor’s offer to accompany him to the UCF campus as he took his Thursday classes. I sought comfort in the arts building, just as I often did during my Midwestern education in art history, and admired the great works of UCF’s aesthetes until one peculiar project tackled my stomach to the tile floor.

Londoño, Marcela. El Caballero del Fútbol. Woodblock print. 2019, Visual Arts Building, University of Central Florida. mlondono.com.

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MTV WANTS YOU! (Proceed with caution…)

by Dogpatch Press Staff

Not all media is created equal. The furry kind is best of course! But furry fandom gets damaged by protesting against “the media” every time a journalist starts on a good story that might not push good PR. PBS isn’t the National Enquirer. Sometimes knowledge is power or sometimes exploiters have less noble intentions… results vary, just be informed. Here’s Joe Strike, a journalist who is no stranger to working professionally in the media. He submitted this story based on contact he got as author of Furry Nation, the furry fandom history book. (- Patch)

September 6 2020
Joe Strike
joestrike@gmail.com

I received the following email last week:

My name is Joe Pinzone and I am casting a TV show for MTV called “Ghosted.”

We’re currently casting people who have been ghosted or have ghosted someone important in their lives due to people not understanding cosplaying/furries. I know that you wrote a book about it and was hoping you could spread the word by reposting the below notice. If you have questions, please let me know.

Did a friend, relative, or lover ghost you because of your love for dressing up as a furry or did you ghost someone who didn’t understand Furries?

Sharp Entertainment are now casting people 18-34 nationwide, who are ready to find or give answers, and share their story with the world.

Please send pictures, contact info & a short description of the ghosting in your life ASAP to: ghostedtvcasting@gmail.com

FINAL CAST APPROVED BY THE NETWORK WILL RECEIVE PAYMENT. NO TRAVEL REQUIRED. NON UNION—-

Joe Pinzone
Facebook casting page
LinkedIn Profile

Here’s my response to Joe P:

Personally, I’ve never been ghosted or ghosted anyone. I’ll relay your message to a few furry websites & message boards – with a proviso.

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Q&A with Christopher Polt PhD., who teaches a Talking Animals course at Boston College (Part 2)

by Patch O'Furr

We’re back after Part 1 of the Q&A with Christopher Polt, PhD., from Boston College. His Twitter is full of art and animation history that welcomes furry fans.

Rate My Professor loves him.

(Dogpatch Press:) It was interesting that you mentioned teaching a course in talking animals. Tell me all about it! Since when, and how unique is that, and how is it being received? What sort of students are in it and what are they studying in general?

(Christopher Polt:) I love that course — the material is so fun and weird and meaningful. The basic question we ask is, “What are we doing when we speak by using animal voices, and what does that say about our attitudes towards humans, animals, and the lines we draw between them?” It’s also my chance to teach some cool, off-the-wall art and literature. We read Apuleius’ Golden Ass, which is a novel about a guy who accidentally turns himself into a donkey and goes on a journey through the Roman provinces (think The Emperor’s New Groove, but much sexier and more violent), and Nivardus’ Ysengrimus, which is the earliest major collection of stories about Reynard the fox, an archetypal animal trickster.

Sometimes I also take students on field trips to tie historical material we’re learning to lived experience. One of my favorites has been to a local pet cemetery. We spend a few days talking about how Greeks and Romans use animals to think about divinity, mortality, and the afterlife, and we look at epitaphs and funeral poems for dead pets, which are often written from the animal’s point of view. There’s a great example in the British Museum, which commemorates the life of a dog named Margarita (“Pearl” in Latin), who died while giving birth to puppies:

https://www.britishmuseum.org/collection/object/G_1756-0101-1126

She talks about chasing other animals through the woods, how she used to nap on her humans’ laps and sleep in their bed, and how she barked a lot but never scared anyone. So after we read a range of things like that, we go to the pet cemetery and read modern grave markers, and we compare how people grieve for animals differently and what they choose to celebrate and memorialize about them. My favorite is this one for a cat named Useless:

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Q&A with Christopher Polt PhD., who teaches a Talking Animals course at Boston College (Part 1)

by Patch O'Furr

It wasn’t long ago that Furry Twitter found Christopher Polt, PhD. and his threads full of art and animation history that whole-heartedly welcome furries.

His content isn’t just catering to fandom — it goes deep into history in a fun and engaging way. But the parts with furry interest reminded me of another account profiled here before, Ancient Furries. I asked him if he wanted a brief “Great Accounts To Follow” article, and it led to a much more involved Q&A. It’s special to get such effort from a professor who handles lots of students and curriculum! Here’s Part 1, with Part 2 posting tomorrow.

(Dogpatch Press): I see you’re a Classicist and Assistant Professor at Boston College. That looks like a super active place (with beautiful architecture!) Can you talk about what it’s like to work there and what the job involves?

(Christopher Polt:) If you like Collegiate Gothic, we’ve got you covered! It’s a nice place to work — supportive colleagues, friendly and bright students, freedom to teach mostly what and how I want. Each semester I teach two or three courses, which are a mix of intro/intermediate ancient Greek or Latin, advanced seminars on Latin literature (esp. Roman poetry), and courses on ancient culture that don’t require knowing ancient languages (some examples: Roman spectacles; art and resistance under the early Empire; and “Beast Literature,” which is about talking animals in ancient and modern literature and film).

I also spend a lot of time on research and writing. My first book, which is coming out from Cambridge soon, is about how Romans in the 1st century BCE used theatrical comedy to think and talk about their everyday lives and relationships.

I’ll bet Covid has really affected everyone at colleges everywhere, what’s your story for that? You mentioned starting to tweet about Disney history a few months ago, is that using social media to maintain energy with your work that got disrupted by the pandemic?

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Furry con staffer James Lovell Thompson accused of degree fraud, defends with fake diploma

by Patch O'Furr

James Lovell Thompson, AKA Keanu the Red Panda, was formerly known for representing the Anthro Southeast furry convention before a series of disgraces. In March 2020, Keanu spread bogus health info about the Covid-19 pandemic. He was accused of doing it with claims of a PhD. degree he doesn’t have.

Degree fraud (pretending to have credentials and authority) is often seen with professional cheating, lying on resumes, gaining licenses without merit, medical quack scams, identity theft, and other crime. It’s like stolen valor for academics. It damages trust and safety for victims, organizations and communities.

In response to the accusation, Keanu dropped out of social media activity for months, only to re-emerge with an elaborate defense. Keanu put out a video that repeats his PhD. claim while he shows off a diploma that is not genuine. Proof is in this Google doc, newly shared after months of seeking evidence.

Keanu Red Panda’s “Microbiology PhD.” — 8 reasons the diploma is fake.

 

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Weird Portland, Pepper Coyote and a Sleestak are a perfect match for the dumpster fire of 2020

by Patch O'Furr

Two stories this week are an antidote to a year full of doom, gloom, fire, fury, and not nearly enough hugs and smiles.

First: Possibly some of the peak publicity furry music has ever gotten! Then, a scaly monster stalks the streets of Portland… here’s hoping he does a Q&A for us.

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“Very surprised and very grateful”: fursuit maker Beauty of the Bass talks about a $14,000 sale.

by Patch O'Furr

Previously: Furries support independent art with $14,000 and $15,600 fursuit auctions at The Dealers Den.

A creepy-cute aesthetic

“I prefer to work on scary, creepy, odd, gory and crazy designs,” said UK-based fursuit maker Beauty of the Bass in her recent Dealers Den auction.

Ghatz, the suit shown here, doesn’t belong to the lucky winner — theirs is waiting to start — but this completed work can show why her talent earns a price as high as $14,000.

The Krampus-like aesthetic stands out in a crowd of technicolor fluff. Imagine basking in the spookiness in person, then being chased by this creature through delightfully twisted nightmares. The maker’s vision is detailed in her FAQ that pairs her with compatible clients.

(BotB) — Things I look for in a design and application:

  • A well written and thought out application form.
  • A clear reference of the character in question with a strong idea of concept and direction the client wishes me to go in.
  • On the other hand, I am looking for artistic liberty suits. These will be done on an ‘offer me a price’ basis.
  • Interesting, scary, gory, unique, tricky and extravagant designs will have more of a chance to go through.
  • I am wanting to do a belly suit, so will be looking for that opportunity!
  • WEREWOLVES. MYTHICAL CREATURES. DEMONS.
  • Silicone drool, skin and gore effects. This does not require lots of mold making, therefore I am more than happy to do this.
  • Willingness to go the extra mile for the extra effects and will be happy to push the boat out with me, as i’m wanting to push myself.
  • Unique species, uncommon species and hybrids.
  • Mutations, extra parts, double jaws, double faces, scars.
  • Long fur accents, manes and mohawks with the NFT fur upgrade.

It’s another example of unique vision seen in a 2017 story: Q&A with Kazul of Kazplay, first place winner for cosplay at Blizzcon. Kazul wanted to create a living illusion for her Hogger suit — to hide the human form and “look like he smelt like a wet, dirty dog” — and be more than a person wearing a rug.

(Kazul) — With all my work I strive to make convincing characters. When I hear people ask “how is it moving like that?” “How is a person inside that?” when I know that I’ve tricked their brain well enough that they can only see what is in front of them as a real creature, that’s when I win.

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Take the Furry Fandom 2020 Survey from author Tea Krulos.

by Patch O'Furr

If you’ve ever had to explain to an outsider what furries are, you might be a little weird. Or as I prefer, lovably eccentric. There’s a writer who gets the lovable part, and he wants your help to learn more about furries. You can be part of the research:

Click here to take the Furry Fandom 2020 Survey.

Tea Krulos is a freelance journalist and author who covers subcultures, weird news, and strange personalities. He also writes about local art and entertainment for a bunch of magazines and has his own weekly column. His books are about the Real Life Superhero Movement, monster hunters who chase Bigfoot, ghosts and UFO’s, cryptozoology and more. It makes me want to visit a whole book store just for that stuff — and help him make a new book.

Tea and I did an hour interview and he told me about his research. It was just before he led a weekly walking ghost/history tour. Last time I did one in New Orleans, I was happy to have a trusty guide to lead me on a leash. (It kept me from slipping in ectoplasm or Mardi Gras barf.) I think Tea’s research will make him a trusty guide like that. The survey is sociological and asks about a few debated topics, but I know there’s nothing wrong with writing about them from someone who is just learning and being into the same stuff as me. He says:

Hello furry friends — my name is Tea, I’m a freelance writer and author from Milwaukee, WI. As an eccentric punk rocker, I’ve always had an interest in subcultures, social movements, and fandoms and have written about them several times (including roller derby, paranormal investigators, Real-life Superheroes, music cultures and more) and I always approach the people I’m writing about in a respectful (but truthful) way.

I’m working on a future book that examines a variety of subcultures/ social movements that focuses on the years 2015-2020 under the Trump campaign/ administration. To write it I’m doing a lot of interviews and also surveys directed at different groups of people.

I’ve created a survey for the furry fandom that takes about 5 minutes to complete. Your personal info will not be shared. Surveys like this are helpful in getting some idea of who the group is and if their answers are mostly in agreement or split on issues. I hope you participate (and help share) and the last entry asks for contact info if you wish to talk further.

Thank you and a big thanks to Patch for his insight on the survey questions and for helping me spread the word. Hope you’re all well in this crazy year.

— Tea Krulos
www.teakrulos.com

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