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Tag: Jess E. Owen

Author Jess E. Owen: Soaring to crossover success in fantasy and mainstream YA fiction

by Patch O'Furr

Welcome to Jess E. Owen, author of noblebright fantasy, and optimistic contemporary Young Adult writing (as Jessica Kara), whose book A Furry Faux Paw caught the notice of Dogpatch Press with a 2022 Ursa Major Award for Best Novel. It’s the story of a teen girl artist with a hoarder mom, facing isolation and family complication with the promise of a forbidden trip to a furry con. It stood out for reaching outside a typical insider science fiction/fantasy audience, with gateway appeal by using fandom as a setting for character building. It stood out even more as a furry teen story in the face of conservative backlash at books. A Furry Faux Paw was seen on a mainstream channel, before it was obvious that she was a furry insider — that’s well-rounded exposure! In fact, she laughed about her pen name maybe being too successful at separation from her best known fantasy series starring gryfon characters, The Summer King Chronicles. Here’s a creator worth interviewing about how her work gets around, one you might see soon at Anthrocon 2024.

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Song of the Summer King, by Jess E. Owen – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten

61WDYh9RmLLSong of the Summer King, by Jess E. Owen. Map.
Whitefish, MT, Five Elements Press, July 2012, hardcover $30.00 ([viii +] 246 [+2] pages), paperback $12.99, Kindle $4.99.

“Shard is a gryfon in danger. He and other young males of the Silver Isles are old enough to fly, hunt, and fight–old enough to be threats to their ruler, the red gryfon king. In the midst of the dangerous initiation hunt, Shard takes the unexpected advice of a strange she-wolf who seeks him out, and hints that Shard’s past isn’t all that it seems. To learn his past, Shard must abandon the future he wants and make allies of those the gryfons call enemies. When the gryfon king declares open war on the wolves, it throws Shard’s past and uncertain future into the turmoil between. Now with battle lines drawn, Shard must decide whether to fight beside his king . . .or against him.” (blurb)

The beginning of the first volume of Owen’s The Summer King Chronicles tetralogy is reminiscent of Richard Bach’s Jonathan Livingston Seagull. “Fresh morning air lifted clouds and gulls above the glimmering sea, and drew one young gryfon early from his den. Too early, just before sunrise when forbidden darkness still blanketed the islands.” (p. 1)

Shard, a young gryphon, has sneaked out from his cave on Sun Isle early to get some additional flying practice. It’s not for the pure glory of flying, though. Shard is a native of the Silver Isles, conquered a generation ago by the gryfon Sverin the Red King and his Aesir.

“‘The king comes,’ said the older gryfon. Halvden [the son of one of Sverin’s advisors] blinked and spun as they all perked ears toward the king’s rocks. The king glided in from his morning flight, massive wings flaring, stirring the grass as he landed on the top of his rocks.

The largest of the pride, Sverin-son-of-Per looked every bit a king. He wore gold, crusted with emerald and sparkling catseye, around his neck, and golden bands clamped to his forelegs just above the spread of black talons. Tokens from Sverin’s grandfather’s war with dragons in the farthest arctic lands across the sea. The dawn outlined his copper flanks, throwing sheen across the scarlet feathers of his shoulders and the deep crimson of his face.” (p. 7)

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