Dogpatch Press

Part 1 of this series of short Q&A’s asked: what defines “furry music”? Furry dance parties are one of the strongest real life furry movements besides conventions. In a growing fandom, con stages now use millions in equipment and are the crossroads for congoers. Sound is half of the performances and videos furries love. But music isn’t exactly made by animals, it isn’t visual, and it’s an ineffable experience to even write about. “Furry” isn’t really a music genre, but it matters enough to fandom that it’s worth treating it like one for a deeper look. Start with a loose working definition: It overlaps with fandom, it’s made with furries, or it shares a general theme. Then comes the fun part of asking musicians about it. (See part 1 for the full list):

1. Are you a furry musician?
2. What is furry music?
3. Can you share a cool fact or story about your music?

Matthew Ebel: Piano Rock singer-songwriter who recently branched out as EDM/progressive house act Avian Invasion, beloved by audiences over many years as a convention mainstay. 

• Yup, definitely a Furry musician. If playing shows at cons for the last 12 years wasn’t definitive enough, now I play on club stages in a bird mask. Pretty sure that’s enough evidence to convict.
• Furry music is, in my opinion, separate from Furry musicians. There are plenty of proud Furry musicians who don’t write songs about the fandom or animals… Furry music is, like all furry art, something that expresses the creator’s particular affinity for critter characters.
• I once had a talk radio network in South Africa use one of my songs as their network theme song for two or three years. I didn’t bother telling them the whole album was written about The Hitchhiker’s Guide to the Galaxy… I’m pretty sure that would’ve just weirded them right the fuck out.

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