Dogpatch Press

Fluff Pieces Every Week

Tag: politics

October 21, 2024

Garden State Fur The Weekend refuses to clean up their corruption, disgraced Chair made owner

by Patch O'Furr

After a mismanagement crisis was excused with PR statements, New Jersey furries are sick of more deception from the same broken leadership. 

Garden State Fur The Weekend was set to have their first convention in May 2024, but in January, their organization was rocked by a staff revolt. It leaked out with a Dogpatch Press report — Grassroots action: Leadership changes and weeding out hate at Garden State Fur The Weekend. The inside story can now be told in more depth, because cautious community members who stayed quiet before have come forward to ask for new reporting. GSFTW’s own PR person quit and reports being lied to. Numerous sources with deep involvement spoke to Dogpatch Press about how a chronic problem was “fixed” by moving it higher:

Many sources spoke on condition of whistleblower privacy.

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May 22, 2019

How furries resist a commercialized fandom (Part 3)

by Patch O'Furr

Furry fandom often has DIY ethics (intentional or not). That can mean nonprofit volunteer-led events, and directly supporting each other’s art instead of just consuming corporate products. A Daily Beast reporter asked about it and I shared lots of info that didn’t all make the news — so here’s a followup in 3 parts.

Part 1 looked at the roots of fandom, with fans being “fans of each other”. Stigma and undermining showed how the fandom didn’t just follow the path of least resistance, it broke out under pressure. A sense of outsiderness and self determination has stayed ever since.

Part 2 looked at conventions making a platform for industry and expression that keeps the group untamed. Relations with the media got better while making a certain fandom identity (instead of letting others make it). It can even connect to deeper identity of members, because it lets them be who they want to be.

Furries care about fandom identity with a kind of tribalism. When members say they’re prone to “furry drama,” it can come from conflict about who defines it or benefits from it. That’s how The Daily Beast noticed conflict about a luxury “designer fursuit” brand, which usually wouldn’t matter to anyone except furries.

I told the reporter: “I think it really struck a nerve. It really got to the root of this possessiveness that the subculture has about itself and what it built for itself.”

It’s a case for looking at resistance to commercialism. Backlash at the brand was provoked by tone-deaf marketing, where bringing a mainstream approach wasn’t workable with art based on unique personal identity. Also, luxury brands don’t get made from scratch when others go back 100 years. (Fans in-the-know could compare this with furry brand Hyena Agenda, whose stuff speaks for itself without rubbing the wrong way against a certain fandom identity.)

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May 21, 2019

How furries resist a commercialized fandom (Part 2)

by Patch O'Furr

Furry fandom often has DIY ethics (intentional or not). That can mean nonprofit volunteer-led events, and directly supporting each other’s art instead of just consuming corporate products. A Daily Beast reporter asked about it and I shared lots of info that didn’t all make the news — so here’s a followup in 3 parts.

Fandom is big business in the mainstream – but furries have their own place apart. Why does this fandom grow independently? Let’s look at unique expression at the heart of it. Of course furries do a lot more things than this story can look at, but one aspect brings insight about decentralized structure.

Some subcultures rise and fall with media they consume. But the influences seen in Part 1 didn’t make one property in common for every furry. They didn’t rise with a movie like Zootopia. Instead, this fandom is fans of each other.

Part 1 looked at the roots and growth of their conventions. Furry cons make a platform for the specialized craft of fursuiting, with bespoke, full-body mascot costumes that cost thousands. They’re uniquely original expressions of identity. They’re tangible, huggable products of imagination. They put the fur in furry.

A lot of the fandom’s rock stars are fursuiters, who give it a photogenic face. Unlike stars of other fandoms, their original characters usually aren’t promoting something else — and fursuits can’t be downloaded or easily pirated — they’re for live experiences. It matters because online community can be temporary, but live events glue it together. They can show why this fandom is independent, here to stay, and not tied to certain media.

Rather than naming great works tied to their activity, you could say that the group is its own greatest creation. And if writing, art, or other creativity in the fandom didn’t rise out of a certain type of event, fursuiting did.

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May 20, 2019

How furries resist a commercialized fandom (Part 1)

by Patch O'Furr

Furry fandom often has DIY ethics (intentional or not). That can mean nonprofit volunteer-led events, and directly supporting each other’s art instead of just consuming corporate products. A Daily Beast reporter asked about it and I shared lots of info that didn’t all make the news — so here’s a followup in 3 parts.

Why is commercialism a topic for an often disparaged subculture? Compare furry fandom today to its roots. Times change, and hindsight can help to see why. Let’s look at how industry and media influenced the American roots in the 1970’s, how it grew, and changes that come with bigger scale than ever.

The 1970’s could be a hungry time for fans with a taste for comics and animation of the 1940’s-50’s Golden Age. As it faded, funny-animal comics died off while the business suffered under the Comics Code. In movies, the fall of the studio system contributed to a dark age of animation. Hanna-Barbera reigned on TV with cheap formulaic product. Disney’s feature studio almost went bankrupt with barely any new artists hired for a generation. Robin Hood (1973) spread the furry virus before it had a name, but the movie wasn’t well loved by the studio. Then a new wave of artists (such as Tim Burton and Don Bluth) came out of Disney while it had a rebirth, peaking with The Lion King (1994), which launched a thousand furry projects. But by the early 90’s the furry fandom was already fully fledged to take off on its own. It happened under the influence of the ups and downs of industry, but also in spite of it.

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January 19, 2018

Why furries should care about politics in 2018 – guest post by WhiteClaw.

by Patch O'Furr

There seemed to be a tipping point when outsiders started looking deeper into furry fandom, more than tapping on the zoo window and making lazy jokes. They started writing things better than “those freaks” or “Furry 101”. Then there was a change beyond warmer media (whose approval isn’t needed, anyways). Members started standing for a growing and more grown-up community by ditching some excess baggage. It was the best of both worlds – people caring more and all the fun and freedom too. Of course failures tag along when you have more people getting involved. For example, at Midwest FurFest 2017, there was drama about one guy being arrested for trolling. But that was just one. The real story was about success of the con heading towards 10,000 happy attendees.

Making room for more and better things means caring in many ways. Here’s a look at one way. Thanks to Whiteclaw for the guest post. (- Patch)

Why furries should care about politics – by Whiteclaw.

Politics + anthropomorphism = great art

“Keep politics out of furry.”

You’ve probably seen this type of comment. Maybe you’ve made it yourself. Given its polarizing nature, talking about politics is a fast way to lose friends and make enemies. And that’s just with regular people. So why bring it into the fandom?

Furries are a group of people that love anthromorphic animals. But the key word there is “people.” Because behind every fox/wolf/cat/badger/dragon/etc. is a person. And that person is affected by politics. The fact that we roleplay as animals online doesn’t change this.

“Furry is an escape. I shouldn’t have to talk about politics here.”

There’s a valid point here in that we can’t and shouldn’t be focused on politics every second of every day. Yes we sometimes need to take a break from the awfulness of the world and furry is a great way to do that.

But an escape in this sense implies a break or a time-out. It suggests that we’re involved in dealing with these issues at some point. And if we never do, if we’re always “escaping” politics, then furry isn’t an escape, it’s an excuse.

More than that, furry doesn’t have to be just something you do, it can be something you are. In the 1990’s there was a split between fans who only looked up to professional artists, and ones they looked down on as “lifestylers” for acting like their own community. Now it is one. Politics affects our community the same way it does any other. The sheer diversity of the fandom means that, in some ways, it affects us more.

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September 17, 2014

Facebook’s “real name” controversy, Drag queens, and furries

by Patch O'Furr

hug-in-303

Facebook closed my account. There’s a wave of furry victims of this ill-planned policy. Did it happen to you too?

Behind the fursona, there’s deeper issues, like the way internet trolls enjoy gay-bashing and compromising safety for participants of certain live club events. These names are positive statements. Forcing you not to use yours is a negative statement.

When I organized a “hug-in” coinciding with a protest threat from Westboro Baptist Church (of “God Hates Fags” infamy), it was meant to be a positive thing of it’s own… but also to answer them with positivity.  (They didn’t show- all we did was hug.)  Facebook’s policy jeopardizes people’s safety to speak that way.

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