I love Finsterworld. This tragicomic movie with a Fursuiter is a treat for smart watchers.

by Patch O'Furr

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A DELICATE REQUEST:

A stranger approached the Furry community to get this movie review. He was a journalist for a European film festival, seeking our perspective. When he said “fursuit fetish”, he was greeted with dislike for media exploiting our thing.

But I found the question respectful, without cherry-picking responders. I sent a response that I might be a good match, because I organize fur meets in San Francisco (where fetish gets more tolerance than most places)- plus I work on movies professionally. This is my thing!

It can hurt to lump together all of the dreaded media (hiss!) as exploiters. “Furries are hiding stuff- it must be bad.” Journalism is important, and the difference between Euro movies and Hollywood is like the difference between types of journalism. This journalist made the kind of approach that any storyteller would take to learn about a subject. FINSTERWORLD approaches it’s audience sincerely, too.

IN THIS MOVIE:

We meet ordinary German people – including history students, an idealist teacher, a rich couple, a pedicurist and his patient, a cop and his documentarian girlfriend, and a nature-spirit hermit in the woods.

One has a secret Furry fetish. Another reveals a perverse habit that’s very German black comedy. It might make your eyes pop out while you laugh in disbelief. The perversity isn’t graphic or mocking. It’s implied tastefully and respectfully, with psychological depth. They’re characters to care about.

NO CAR CHASES OR EXPLOSIONS:

It’s what Americans consider an “art house” movie, with a modest budget. This mature, complicated drama doesn’t give brain-blasting spectacles and simplistic heroics. It’s more like reading a really good book. Hollywood has made much less of these since the 1970’s, when directors were influenced by Euro films. It’s a treat for smart watchers familiar with that stuff, and willing to read subtitles.

Even if you aren’t into that, expect a great experience. It’s thoughtful, but much more than talky – thanks to rich cinematography, music, and performance. It’s deeply written, with a solid heart. You’ll laugh.

STORY AND MEANING:
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The ensemble of characters seek love and meaning in life. They examine their beliefs, identities, relationships, jobs, history, and homes. As journeys and encounters link them together, most of them get lost on the way to what they’re seeking. They only find how absurd life can be.

When the movie ended, my friends laughed about the crazy things that happened to the teacher and the students he guided. They said: “He’s like the worst teacher ever!”

The story shows: Idealists are powerless against random cruelty. Selfishness and obedience both lead to fascism. Fascism and love are equally blind, and love guarantees no happy ending. Happiness starts with being true to yourself, but truth can hurt as much as a lie. Some people never learn the meaning of what life does to them, and there’s no clear heroes or winners. The happiest ending goes to a lunatic. It’s poetic tragicomedy.

IDENTITY, ANGST, AND DARKNESS:

It’s entertainment first of all, but formed by German philosophy. “Existential alienation” from yourself is at the heart of it’s scenes of confinement or darkness. That’s why it has a Furry, who expresses himself by confining himself in a bear suit for cuddles in the dark. “Finster” is a German word for gloomy and dark.

The dark scenes are very important. Some are magic and loving- some look like the Black Forest of fairy tales- and when the history students visit a concentration camp, it gets as brutal as the worst things people can do.

AUTHORITY AND UNIFORMS:

The police man approaches a stopped car. The driver’s nervous and sweaty, because a ticket might end his job serving elderly people. He avoids a ticket by giving gifts to the cop. The cop has flexible ethics, but a good heart. He’s got something else inside, too… his secret furry nature. It helps him express inner feelings he doesn’t let out in regular life.

The furry cop has a thing for costumes as much as his uniform. His good heart, flexible ethics, and uniformed authority has a lot to do with Germany.

This is great writing! He’s a fleshed-out, complicated human. The story makes us really care about him. This is the kind of furry character I want to see.

FURRIES AND A NECESSARY DISCLAIMER:

The movie isn’t all “furry”, it just has a fursuiter. He’s a modest, but important ingredient. That aspect is why I got a review opportunity, while the movie is still gaining exposure. Most watchers won’t have that perspective.

In real life, many furries want it known that they only like the art and community, and have NOTHING to do with fetish. But many do. The fetish aspect is debatable. Watchers should set aside documentary realism, and value the artistic meaning.

Pay attention to how the movie was made with real fursuiters. I have a rule: it’s 99% true that when you see cheap commercial mascots representing “furries”, the story will be shallow and bad. In my book, using real fursuiters is a sign that the story understands us.

The fur meet scene isn’t realistic. Furry conventions aren’t mainly about secret cuddles in the dark. It has no mundanity of a fursuit changing room, frantic rave dancing or lines of ordinary nerdy fans who don’t dress up. But why would we want to see that? It’s meant to be mysterious and magical. It’s not real, but it’s sincere.

APPROACHES BY STRANGERS:

The director, Frauke Finsterwalder, made documentaries before. This is her first fiction movie. In the movie, the documentarian character is frustrated and pathetic, and it’s a funny comment on movie making. The character just doesn’t know how to approach people to make meaning.

A furry approaching other furries for cuddles, a cop stopping a nervous driver, or a journalist with sensitive questions… they bring lots of meaning. Finsterworld invites you to think about what it is. You never know what to expect when you meet strangers in the dark.
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