Dogpatch Press

Fluff Pieces Every Week

Category: Movies

September 21, 2015

Furries at Burning Man, Pride parade, and Mascots movie – NEWSDUMP (9/21/15)

by Patch O'Furr

Headlines, links and little stories to make your tail wag.  Guest posts welcome. Tips: patch.ofurr@gmail.com. 

Furries at Burning Man – Amazing fursuit programmed to light up with movement!  Don’t miss the suit at 1:10. (Vid by Vox Fox).  

German news article:  “EUROFURENCE In Video – The Furries conquer Neukölln.”

The coming 2016 Furpocalypse is getting ridiculous: Netflix announces “Mascots” movie, from famed mockumentary maker Christopher Guest. 

Brace yourselves, Disney’s Zootopia is coming. Now this: a grade-A Hollywood director is tackling “fursploitation”, my catch-all genre that has many mediocre failures and just a few sparkling hits (like CollegeHumor’s Furry Force.) Chris Guest is famous for popularizing “mockumentary” with movies like This Is Spinal Tap and Best In Show. His “Mascots” will be on Netflix in 2016. There’s little info about it yet except a very short summary:

Welcome to all the drama, intrigue and occasional excitement of the 8th World Mascot Association Championships, where a group of ‘unusual’ men and women, with big heads and furry suits, compete to win the prestigious Gold Fluffy Award and be crowned best mascot in the world.

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September 2, 2015

Snow White vs. All Dogs Go To Heaven: A Look at How Kid’s Movies Encouraged the Founding of the Furry Fandom.

by Patch O'Furr

 Here’s a fantastic guest post by Amanda Riesling. Her blog’s recent post about Furries is highly recommended. – Patch

Note: This article concerns itself exclusively with fully animated feature films produced in America and released prior to 2000. The article’s scope is limited so narrowly mainly because it is a blog post and therefore too short to cover a wide range of media. If you care why the parameters were chosen, there’s a note at the bottom of the article.

Cartoons are a fantastic storytelling medium because all you need to do is make sure your story can be translated into visual images. That’s it. Once you tick that box, you can cast off the confines of reality and tell whatever story you want.

tumblr_mhhr8dPvpq1rmnmfuo1_250However, despite the visual freedom, a good storyteller still needs to tell a story the audience can relate to. In my opinion, this is the real key to why anthropomorphic stories encouraged the furry fandom.

An audience needs to see themselves in the hero. They need to be able to project themselves and relate to that character. If they can’t bond with the main character somehow, they won’t enjoy the movie. If your main characters are human, half the battle is done for you. In fact, the blander, more generic your human hero is, the easier it will be for the audience to relate. You can have the goddamn Matrix going on, but as long as your main dude is an expressionless white guy with a vague backstory, people can pretend to be him. For a more pop-culture version of what I’m saying, watch Cracked.com’s video.

If your main character is a human, this is great news for your film. Your character can be bland, and your story can be as shallow as a Petri dish, and people will still relate because they see a human face. (Not that all human-centered movies are shallow. I said can be. They don’t have to be.)

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August 26, 2015

Anthropomorphic Animated Features, 2015-2016 – by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

ZootopiaFox

Yarst! This has gotten really complicated, so bear with us.  These release dates are mostly useless.

Yes, the official American release date of Minions was July 10, 2015, but it was released in Indonesia on June 17 and in Australia (in English) on June 18, and in the United Kingdom on June 26.

Boonie Bears: A Mystical Winter (Xiong Chumo Zhi Xueling Xiongfeng) was released throughout China on January 30, 2015, but most Americans won’t see it until it is released by Warner Bros., dubbed in English, on January 17, 2016. Frog Kingdom – (“Princess Froglegs goes undercover to compete in her father’s Froglympics in order to avoid being married off to a male suitor,” from IMDB) – is a new movie as far as the U.S. is concerned, produced by Grindstone Entertainment in Santa Monica, California and distributed by Lionsgate Entertainment, also in Santa Monica, and released on June 30, 2015; but it was released first in China on December 28, 2013. A Mouse Tale premiered on February 10 as an American direct-to-DVD release; but its theatrical premiere was not until April 7 in Kuwait.   (Interestingly, A Mouse Tale was first distributed on DVD in the U.S. by Lionsgate Entertainment, but it was co-produced by Red Post Animation Studio in Lima, Peru and Vista Sur Films in Buenos Aires, Argentina. It was announced by Vista Sur as Rodencia y el Diente de la Princesa http://www.vistasurfilms.com.ar/) Japanese animated features are notoriously unofficially subtitled and available in America on video or DVD within a month or two of their Japanese theatrical release.

All that a release date usually means is that the movie has been released; e.g., is real and should be findable somewhere.

Titles, especially of non-English-language features, are also mostly useless. One theatrical feature about “the animals that DIDN’T make it onto the Ark” was produced in CGI animation by Ulysses Filmproduktion GmbH in Hamburg, and originally released theatrically in thirteen countries between April 9 and August 21, 2015. In the U.S., its release was July 17. In Germany its title is Ooops! Die Arche ist Weg …, in the U.K. it’s Two By Two; in America it was announced with trailers as both Ooops! Noah is Gone … and Two By Two before settling on All Creatures Big & Small. You shouldn’t need translations of its Dutch title (Beestenboot) or Spanish title (¡Upsss! ¿Dónde Está Noé…?). The Japanese feature listed as The Boy and the Beast is actually titled in Japanese Bakemono no Ko, which is literally The Beast’s Child or Son of the Beast (or Monster); who knows what it’ll be titled if it gets an American release? The Spring 2016 Russian feature Volkii i Ovtsi has been announced as coming to the U.S. as Sheep and Wolves. In case you don’t know any Russian, that’s a reversal of the Russian title. Read the rest of this entry »

12 comments
August 24, 2015

Praise for creative expression, and a debate with bomb threats – NEWSDUMP (8/24/15)

by Patch O'Furr

Headlines, links and little stories to make your tail wag.  Guest posts welcome. Tips: patch.ofurr@gmail.com. 

img_0782“Anthrocon Convention steps out in full fursuits.”

The New Pittsburgh Courier revisits the con with a few nice photos.

Furry creative expression gets praise from an environmental, travel and style writer.

Why Do We Like To Dress Up Like Animals? This introduces furries with much more insight than the usual coughed-up hairball of stuff we’ve seen a million times.  It’s better because author Starre Vartan puts her voice in it as a “furry sympathiser”.  She gives more than boring “whats” and gets into interesting “whys”. Previously, she wrote about the fabulous trend of Merman Hair – “more proof that guys like flair too.”  A+ for this writer’s sense of culture.

A cure for misunderstanding about Furries, gender and kink. Read the rest of this entry »

2 comments
July 15, 2015

French animation and the César Awards, by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.  This article is a companion to Fred’s series on French anthropomorphic animal movies.

cesarawards__140228172355The César Awards, presented by the Académie des Arts et Techniques du Cinéma (Academy of Arts and Techniques of Cinema) since 1976, were frankly designed to be French cinema’s answer to the American Academy of Motion Picture Arts and Science’s Academy Awards, better known as the Oscars. The trophy of “l’Académie” was designed by the sculptor César Baldaccini (1921-1998) and is named after him.

The Césars are presented at a posh televised “Nuit de César” dinner and ceremony each February, by l’Académie but endorsed by the French Ministry of Culture; currently held at the 19th-century Théâtre du Châtelet in Paris. Technically all films distributed in France during the previous calendar year, not just those produced in France, are eligible for nomination, but the winners are usually French-made. See the Wikipedia article for the details on how the nominees are selected and on who votes for the Awards.

The first César Awards were presented in 1976 in 13 categories. There are 22 categories today. The César for “Mellieur Film d’Animation” (Best Animated Film) is a newcomer, only created in 2011. Significantly for furry fandom, all of the winners except for the first have been anthropomorphic films.

  • 2011 (36th Césars), for 2010 films – L’Illusionniste; Sylvain Chomet
  • 2012 (37th Césars), for 2011 films – Le Chat du Rabbin; Joann Sfar and Antoine Delesvaux
  • 2013 (38th Césars), for 2012 films – Ernest & Célestine; Stéphane Aubier, Vincent Patar and Benjamin Renner
  • 2014 (39th Césars), for 2013 films – Loulou, l’Incroyable Secret; Éric Omond
  • 2015 (40th Césars), for 2014 films — Miniscule, Hélène Giraud and Thomas Szabo

Read the rest of this entry »

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June 12, 2015

Disney goes Full Furry, and All The Drama – Newsdump (6/12/15)

by Patch O'Furr

Headlines, links and little stories to make your tail wag.  Tips are always welcome. 

Zootopia: Disney goes full furry, and this stuff is going to explode in 2016.  

How excited are you for the next furriest movie ever? “Anthropomorphic” isn’t quite an everyday household word, and it’s use in this trailer spells out an open secret.  Before they made this, they did market research up the wazoo about us. Of course, it’s still a regular Disney movie, but they KNOW.

I watched the trailer when it had less than 300 views – while I write it’s over 1,300,000. The first comments on it said “furries”, and a lot of the top comments on it still say “furries”. There’s no way they didn’t anticipate that.

My reaction: Furry is the opposite of exclusive to me, but this cool thing makes me fear a deluge of commercially shallow influence.  I’m scared, hold me! … NAHH, it will be awesome. I can’t wait for the day this movie comes out, with all the fursuit meets there will be to see it. Fan participation is a big deal. I’ll bet we’ll see tons of actual furries on the news because of this.

Queerty‘s article about sex at Califur has important message between the lines. (Via Greenreaper:) Read the rest of this entry »

6 comments
June 1, 2015

Did the Axis Have Any Funny Animals? – WWII history from Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.  

  • SEE BOTTOM: At Fred’s request, a gallery of rare book illustrations from Van den Vos Reynaerde was scanned for this post by the UCRiverside Library.
  • Animal fables traditionally tell morals – this article shows a historically fascinating misuse of anthropomorphism for fascist and Social Darwinist goals.
  • “Dear Patch; This is basically rewritten from my article for Flayrah, Retrospective: Talking Animals in World War II Propaganda.“

Did the Axis Have Any Funny Animals?

Yes. Whether the Nazis and Italians did is technically debatable, but the Japanese certainly did.

(Oops! I am reminded that many younger people today do not know what “the Axis” was. “The Enemy” during World War II. Nazi Germany and Fascist Italy signed a mutual defense treaty on October 25, 1936 that Italy’s Benito Mussolini described in a speech on November 1 as putting Europe on a Rome-Berlin axis. Imperial Japan joined in 1937. On September 27, 1940, Germany, Italy, and Japan signed a Tripartite Pact and formally declared themselves the “Axis powers”. They were joined during the next month by Hungary, Romania, and Slovakia. “The Axis” during World War II meant Germany, Italy, Japan, and their allies.)

There were more funny animals assigned to them by American cartoonists for anti-Axis propaganda than there were of their own. The best-known today are probably the Leon Schlesinger/Warner Bros. animated short cartoons The Ducktators and Scrap Happy Daffy, and MGM’s Blitz Wolf.

In The Ducktators, directed by Norm McCabe and written by Melvin Millar, released on August 1, 1942, Adolf Hitler and the Nazis are ducks, Benito Mussolini is a goose, and “the Jap” (a stereotypical “Jap”) is presumably also a duck (although he looks more like a coot).

Read the rest of this entry »

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April 29, 2015

Wolfy, the Incredible Secret – movie review by Fred Patten

by kiwiztiger

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Wolfy, the Incredible Secret. Directed by Eric Omond. 82 minutes. December 18, 2013 in France; March 17, 2015 in the U.S. (DVD).

 51j8S0HiH9L._SY300_Loulou, l’Incroyable Secret was the winner of France’s César Award – “the French Oscars” — in 2014 for the Best Animated Feature shown in France during 2013; not just the best French-produced animated feature of 2013. It competed against the American animated features shown in France during 2013, which was probably all of them. It was also shown at the 2014 Berlin International Film Festival, where it was nominated for the Berlinale’s Crystal Bear, selected by a Children’s Jury as the Best Children’s Film entered in the Festival, animation or live-action.

Loulou, l’Incroyable Secret is based upon the French children’s book series by Grégoire Solotareff, with hand-drawn animation in Solotareff’s art style. Solotareff, born as Gregory El Kayem in Alexandria, Egypt in 1953 of Lebanese parents, has lived in France since 1960 and been an artist of children’s books since 1985. He has written & drawn over 150 children’s books to date, winning ten awards. He began the Loulou books in 1989, about the friendship between Loulou (Wolfy), an orphaned wolf cub, and Tom, a young rabbit, in the Land of the Rabbits. The series has been favorably reviewed for promoting friendship amidst nonconformity. It was first animated in March 2003 as Loulou et Autres Loups … (Wolfy and Other Wolves …), a 29-minute featurette directed by Serge Elissade. Loulou, l’Incroyable Secret is an original story, not based upon a book, with the screenplay, dialogue, and art design by Solotareff (and others).

Wolfy the easygoing wolf cub and Tom the pessimistic rabbit are now adolescents in the Land of Rabbits, with Wolfy adopted into Tom’s family. Cornelia, a mysterious gypsy (the audience sees that she is more than just passing through) tells Wolfy that he is not an orphan as he has always believed! His mother is a princess in Wolfenberg, the Land of Wolves. Wolfy insists on going there to find her. Tom goes along, despite his misgivings. They arrive at the height of Wolfenberg’s Carnifest/Meat-Eaters’ Festival, where everyone assumes that Wolfy has brought the teenaged rabbit to be added to the menu. Read the rest of this entry »

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April 23, 2015

French Anthropomorphic Animal Animated Features, Part 4 – by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Series: Part 1 – Part 2 – and Part 3.  This is the last of four parts. Continuing from where we left off …

20521275.jpg-r_160_240-b_1_D6D6D6-f_jpg-q_x-xxyxxBlackie & Kanuto (Black to the Moon 3D), directed by Francis Nielsen. 81 minutes. April 17, 2013.

Blackie (or Blacky) is a black sheep who goes out of her way to be “different”. Kanuto is an exasperated sheepdog who is in love with her. When Blackie decides to travel to the Moon, Kanuto reluctantly joins her. Other characters include Blackie’s loyal followers, Pepe (horse) and Marvin (duck); Fancy, Cloe, and Victoria, the sheep fashionistas who are jealous of Blackie; Theodora, the motherly operatic cow who thinks that Blackie should be a ballerina; Karl Wolf, the haughty lupine fashion designer; Hu Flung Pu, the martial artist spider and his illegal spider seamstresses; the three Patrino Russian canine cosmonauts who have a rocket ship; Rainbow (Grumbo), the macho U.S. Army dog and rival sheepdog who acts more like Rambo; two Bulgarian birds from a singing TV reality show contest; and Pinkie, the sheep who is experimented upon and becomes as large (also as unfriendly) as Godzilla.

Blackie & Kanuto was a CGI Spanish-French-Italian animated feature premiered at the May 2012 Cannes Film Festival, and first released in Spain on February 15, 2013. It was shown in different countries (it was extremely popular in Russia) in different edits. Other titles included Head Over Hooves and Pup. Read the rest of this entry »

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April 7, 2015

French Anthropomorphic Animal Animated Features, Part 3 – by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Series: French Anthropomorphic Animal Animated Features, Part 1 and Part 2.  There will be four parts.

Continuing from where we left off …

l_2279083_8fbe683dLes As de la Jungle – Operation Banquise, directed by David Alaux and Éric Tosti. 58 minutes. December 31, 2011.

When a band of walruses terrorizes the South Pole, stealing the penguins’ eggs, the penguin brother and sister Ping (Tommy) and Pong travel to the jungle where “the Great Tiger Warrior” lives, to ask him to rescue them. The Great Tiger Warrior is Maurice, a penguin raised and striped like a tiger who believes he is one. Maurice agrees, and summons the rest of the Jungle Aces (the Jungle Bunch): Miguel the poetic tap-dancing gorilla, Fred the singing warthog, Gilbert the tiny paranoid tarsier (the brains of the team), Al & Bob, the two frogs of unknown talents, and last but by no means least, Junior the little tiger fish, Maurice’s adopted son (he travels with Maurice in a fishbowl) and kung-fu expert. On their way to Antarctica, they meet and add Batricia, a bat, to the Aces. Each fights the walruses with his or her own specialty, until the grand finale free-for-all. A children’s feature, for the 6+ age group.

Les As de la Jungle – Operation Banquise (The Jungle Aces – Operation Ice), also titled Les As de la Jungle – le Film, was an original CGI feature following David Alaux & Éric Tosti’s Toulouse-based TAT Productions’ Les As de la Jungle TV series of October 23 – November 4, 2011; 26 1½-minute episodes. It was shown as a TV movie on New Year’s Eve 2012, and released theatrically on April 10, 2013. Les As de la Jungle has been popular enough to return as Les As de la Jungle – A la Rescousse (The Jungle Bunch – To the Rescue) in 11-minute TV episodes from December 29, 2013. The movie has been sold as a theatrical or DVD feature to over 150 countries. In the U.S., the feature is a DVD as The Jungle Bunch: The Movie, with John Lithgow voicing Maurice. The movie won the Procirep French TV producers’ award in the animation category; the Audience Awards at the 7th Animpact Max (November 28 – December 2) in Seoul, South Korea and the LUCAS International Children’s Film Festival in Frankfurt-am-Main, Germany; and the 2013 Kidscreen Award in New York; and was nominated for a 2014 Emmy.

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