Dogpatch Press

Fluff Pieces Every Week

Category: Media

March 2, 2018

VOTE NOW for the 2017 Ursa Major Awards – voting closes on March 31.

by Patch O'Furr

Hey furries! The Ursa Major Awards for the best anthropomorphic media of 2017 are now open for voting. Go vote between March 1st – March 31st on the UMA website:  http://www.ursamajorawards.org

Can you imagine running these fandom awards for 15 years and not having enough help? I recently covered the story of financial difficulty and understaffing. Rod O’Riley, a key member of the award committee, is a fandom founder who organized the first furry parties and conventions in the 1980’s. He’s been covering costs out of his pocket for 15 years. There’s now an Ursa Major Awards GoFundMe taking donations to cover the costs of running it. Because I don’t just bark about critical stuff, I’m going to contribute $100. Can you give some too?

Before we get to the nominees, here’s some special notices. For Best Dramatic Series or Short Work of 2017, check out OK K.O.! Let’s Be Heroes. This Cartoon Network show got a lot of fandom notice for their episode “We’ve Got Fleas”. It makes a suspiciously cute callout to things we love. Wait for this: an interview with a writer/storyboard artist for OK K.O. is publishing soon on this site and it’s a fandom connection you’ll love.

The banner up top is special art we had made by Mexican furry artist Meteor-05 to give you a suggestion for Best Magazine. And Dogpatch Press isn’t even the only nominee from the culprits who make it happen. Best Other Literary Work has two from Fred Patten. Best Non-Fiction Work has an essay by me in Furries Among Us 2. There’s also Fred’s Furry Fandom Conventions, 1989-2015 … but nobody should worry if your first pick is Furry Nation by Joe Strike, the first formally published fandom history, many years in the making. How did this category get so tough for picking just one?

Here’s the Final Ballot. Winners will be announced at a presentation ceremony at FurDU 2018 at Gold Coast City, Queensland, Australia on May 4-6, 2018.

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March 1, 2018

The Flower’s Fang Series, by Madison Keller – Book Reviews by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Flower’s Fang series.
This is a colorful mixture of furry and high fantasy.

Snow Flower: Arara’s Tale, by Madison Keller.
Portland, OR, Hundeliebe Publishing, May 2016, trade paperback, $5.99 (72 pages), Kindle $0.99.

Flower’s Fang, by Madison Keller.
Portland, OR, Hundeliebe Publishing, August 2014, trade paperback, $14.99 (354 pages), Kindle $0.99.

Flower’s Curse, by Madison Keller.
Portland, OR, Hundeliebe Publishing, June 2016, trade paperback, $13.99 (238 pages), Kindle $4.99.

These three books are bibliographically complex. Flower’s Fang and Flower’s Curse are advertised as a two-volume set. The first edition of Snow Flower was published on December 21, 2014. The second edition, with proofreading errors corrected and still with Keith Draws’ cover, was published on May 16, 2016. It was reprinted with Teagan Gavet’s cover, retypeset more compactly from 126 pages to 72 pages, with the new subtitle “Prequel Novella to Flower’s Fang” added, and the city of publication changed from Seattle, WA (CreateSpace’s office) to Portland, OR (Keller’s home), on April 20, 2017. If you order it today, you’ll probably get it with Teagan’s wraparound cover.

Flower’s Fang has three listed editions, all dated August 2014. The typography of the title lettering changes, but all have the same illustration by Johnny Atomic. The third edition has two maps added.

Flower’s Curse has two editions listed, both dated June 2016. The second edition has a new cover by Idess Sherwood (the cover of the first edition is by Keith Draws), and includes the maps.

The main protagonist of all three books is Arara, a young Jegera (anthropomorphic wolf) in a fantasy world dominated by a “Kin-Jegera Empire”. The Kin are humanoid and human-sized flower fairies or elves, who wear ornate silken robes (see the cover of Flower’s Fang) and uniforms:

“‘How are you feeling?’ A melodious Kin voice asked her. The Kin hovered over Arara, her yellow petal hair framing her green face like a sun halo. The scent of the Kin’s petals reminded Arara of a sweet flower, but it was strong to the point of being overpowering.” (SF, p. 23)

The Empire is satisfactory to both, but the Kin are definitely the aristocracy and the Jegera are the peasants. The Jegera wear some clothes and can walk two-legged, but they usually run on all fours. The Kin ride the Jegera like horses.

“‘You can’t go treating her differently, Athura.’ Eraka grinned and looked at Arara. ‘That settles it. Go put on your shorts and vest. There is still snow up in the foothills, and we don’t want you getting cold.’

Arara barked in delight and scampered off to get dressed.” (SF, pgs. 3-4)

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February 26, 2018

Article archived

by Patch O'Furr

9/26/19: In 2018 an article was published because of a request for help by tippers. A year and a half later, the issue is in the past and no further requests about it have been received, except patient requests for removal to leave negativity behind. Parts (1) (2) (3) are now archived with a note that it isn’t current info and should only be judged by current responses, for progress and goodwill.

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February 20, 2018

The Diversity of the Latin American Furry Fandom – by Rama and Patch.

by Patch O'Furr

This started with a guest submission by Rama the Golden Liger, a fur in Honduras. I collaborated with a lot of editing to smooth out the language and add extra info and another point of view. Fred Patten helped connect with even more furries who sent info at his request. Thanks Rama and Fred! – Patch

The Diversity of the Latin American Furry Fandom

We know how furry fandom started in the U.S.  As it grew there, the mainstream media, the internet, its memes and popular YouTubers, and other influences put the fandom within a stone’s throw for many young people. Now across borders, different cultures are experiencing a growth of furry fandom among many international influences they already have.

Latin American furries are a result of all this exposure.  The internet helped many young people get interested in the art, behavior, and culture of the furry creatures they see on the screen.  Many Hispanic furry fans are males mostly from around age 15 to their 20’s.  They came across fandom through friends, memes, anime, manga, and fan art.  There are popular YouTubers like Khazoo, who spread the term “furry” through his videos.  Of course, there was also Zootopia spreading popularity of anthropomorphic animals around the world.

(Patch): International reach reminds me of studying animation under an “old master” who in 1989, helped lead a nonprofit mission to Latin American countries to reduce AIDs among street children. They traveled around to test screen educational cartoons on the side of a van. The audience was poor kids who were vulnerable to exploitation and had low access to schools. The films they were shown were life saving, and most importantly to this story, the language of cartoons was universal across borders to all levels of literacy. Of course internet users in 2018 are the main topic here.

Khazoo is an example of how furryness spreads now. This teenage Spanish-language Youtuber from Mexico may not be known to English speakers. He was born in 1999 and only uploaded his first video in 2016, but soared to 31.5K followers on Twitter and nearly 600,000 youtube subscribers so far – much more than any specifically furry internet celebrity! How did he start? According to a wiki about him (use Chrome/Google Translate), Khazoo started with general teen audience content like gaming and cartoons. While he joked about being in love with Judy Hopps, fans called him “furry” but he denied it, until finally admitting it to everyone – a story I’m sure we can all laugh about in any language! 

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February 19, 2018

Mythic Transformations, by Kris Schnee – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Mythic Transformations, by Kris Schnee
Seattle, WA, CreateSpace, December 2017, trade paperback, $7.99 (189 pages), Kindle $2.99.

This collection of fourteen short stories by Schnee is about transformations rather than anthropomorphic characters. “In this story collection, people not only encounter these beings but become them.” (blurb)

“Guardians of Mistcrown” is set in a traditional fantasy world. Darius, a young mapmaker, is looking for a new caravan route through the Mistcrown mountains. He finds a cave guarded by Zara, a griffin, who is compelled to kill anyone who comes too close to a hidden source of magical mana. Darius and Zara trade bodies, to Darius’ dismay. But he finds that there are advantages to being a powerful, flying, ageless griffin – if he can just break the wizard’s spell that binds him to the mountain cave with the mana.

“The Petlyakov-15 Amusement Engine” is for video-game geeks.

Devjn, a hard-core video-gamer, finds an old 1980s Eastern Bloc video game in a yard sale.

“He called the saleslady over from her busy work of rearranging battered stuffed animals. ‘Is this some kind of custom case on a Nintendo?’

She shrugged. ‘It was my cousin’s, but then he moved out all of the sudden. Wasted all of his time playing video games.’” (p. 27)

Devin is intrigued by the “PE-15” Cyrillic lettering, and amused by its apparent imitation of old American/Japanese video games.

“The next day he dug up a copy of ‘The Legend of Zelda’ and blew dust out of it. He smiled at the shine of the classic golden cartridge. The PE-15 came on and showed him … ‘The Legend of Svetlana’?” (p. 28)

Devin plays deeper and deeper into the PE-15. Since Mythic Transformations is a collection of stories of “people not only encounter[ing] these beings but become[ing] them”, the only question is what will Devin turn into? Hint: it isn’t a fairy-tale princess.

“Little Grey Dragons” takes place in a classic poor Russian village. Washerwoman Alexi’s brother Petrov, the blacksmith’s assistant, finds two strange warm eggs in the forest.

“They turned at a noise from the egg that Alexi had touched. It was cracking. Alexi stared as the cracks spread for several long minutes, and finally a creature’s head emerged. Grey flesh, a grey snout, and a grey eye watching her. She stood there frightened and confused. ‘Petrov,’ she whispered, ‘what is this?’

Petrov murmured, ‘Not Firebirds. Zmei.’ He stared at the other egg, obviously willing it to crack, and it began to do so.” (p. 37)

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February 16, 2018

Fursuiting: A History – a video miniseries by Culturally F’d.

by Arrkay

Guest post by Arrkay from Culturally F’d, the furry youtube channel. See their tag on Dogpatch Press for more.

Yesterday we posted a sneak peek of our multi-part miniseries. It looks at animal-costume history from the basics of the mask, theatrical outfits, Hollywood rubber-suits, fandom cosplay, and our very own fuzzy army of unique performers.

Now here’s Part 1: Masks. This video explores the very idea of the mask itself and its ancient origins. Of course we focus on animal-masks, since we’re talking about Fursuit History, not just costuming in general.

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Video | February 15, 2018

Coming this #FursuitFriday: Animal-costume history that goes way beyond furries!

by Arrkay

Guest post by Arrkay from Culturally F’d, the furry youtube channel. See their tag on Dogpatch Press for more.

Get a load of this sneak peak for this weeks long-awaited Culturally F’d Miniseries. Inspired by a series of articles right here on Dogpatch.Press, Fursuiting: A History is an expedition straight into the uncanny valley.

This multi-part miniseries will look at animal-costume history from the basics of the mask, theatrical outfits, Hollywood rubber-suits, fandom cosplay, and our very own fuzzy army of unique performers. Stay tuned this #FursuitFriday for the first installment of our 2018 series – and make sure to subscribe to Culturally F’d on YouTube to catch new videos as they come.

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February 13, 2018

Raid on Sullin, by Beryll & Osiris Brackhaus – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Raid on Sullin, by Beryll & Osiris Brackhaus
Seattle, WA, CreateSpace, October 2017, trade paperback, $15.99 (233 [+ 9] pages), Kindle $4.99.

Raid on Sullin is #2 in the Packmasters series. #1, The Relics of Thiala, was reviewed here last April. I concluded that review, “But this is space opera, not hard science s-f. This review covers the first 50 pages of the 190-page novel (cover by Darbaras, a.k.a. Dávid László Tóth). What will Cat, Ferret, Bear, Wolf, and Ana find on Thiala and the sleazy Vandal space station? Since this is space opera, expect mucho dramatic action and weapons fire.”

I’m a sucker for good space opera, and The Relics of Thiala is great furry space opera. I’ve been looking forward to the sequel, and Raid on Sullin is not a disappointment. I recommend starting with The Relics of Thiala, but Raid on Sullin has a very good “What happened so far” for those who don’t want to bother. Roughly, Cat (the narrator), Ferret, Bear, and Wolf are four bestiae, bioengineered anthro-animen in a far-future interstellar community. The bestiae are considered beneath contempt by most humans, and were enslaved by a cult called the Packmasters. The Packmasters were apparently all killed by the rest of humanity in a civil war a generation ago. Ana, a mistreated young adopted orphan, escapes with the help of Cat. They gather three other bestiae and discover that Ana has Packmaster powers, but instead of using them to dominate the others, they form a pack of friends with a telempathetic bond under Ana’s leadership, Cat’s guidance, Bear’s piloting, and Wolf’s muscle. They steal a luxury space yacht, the Lollipop, belonging to a corrupt human Senator, Viscount Tomori, and flee to Vandal, a distant space station towards the Fringe of the galaxy that is (what else?) “a wretched hive of scum and villainy”. But Tomori comes after them. The book ends with Tomori and Bear dead, and the others unsure of how Vandal’s laws will treat them.

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February 12, 2018

Interview with the CEO of Commiss.io – a service for project management, creators and fans.

by Patch O'Furr

How devoted are furries?  To commission a fursuit, they tortuously wrap themselves in duct tape, pay thousands of dollars and trust a years-long wait before getting something back. Imagine if you had to do that for a new car or stove?

The upside is direct exchange for hand-made goods, but the downside is a clunky process with a lot of invested effort and risk of fraud or failure. It works because fandom is close-knit, but there’s opportunity for better platforms to help buyer and seller. (I was posting about it in 2013). Fursuit makers seem to be niche enough to handle their own business, but freelance artists handle smaller projects much more frequently. Art commissioning sites have started up to help. Achieving scale of users may be a challenge, but they’re in a growing fandom and word is getting out.

Commiss.io first caught my notice with their banner in the dealer’s den at BLFC. Now Hunter, the CEO, joins me to chat about the service.

My impression of Commiss.io is a business aimed at the freelance art marketplace. It was started by furries but it’s for any and all users. Do I have that right? Who’s on the team?

Pretty much! Though most of us have at least some involvement in the fandom, Commiss.io was created for any and all creators. Not just anthro artists, but musicians, sculptors, and more! We’ve really seen a lot of adoption within fandoms, furry and otherwise, and we’re really happy to provide a great place for that!

Right now there are four of us that work on the project. Myself, Mark, Chris, and Nate. There are, of course, all of the great artists and commissioners on the site as well! Right now we all do a little bit of everything, from outreach, marketing, customer support, and coding.

Commiss.io is described as a “place to manage your creative shop” – helping with payments, project management, licensing, asset delivery, and more.  Is this improving on other services?

We saw a niche that needed filling. There are gallery sites, social networks, project management sites, and sites for very small freelance projects and very large ones. Together they all create a very disjointed experience, with little focus on projects in the range that many freelance fandom artists tend to focus on. As a result, creators end up with an uneven experience and the need to manage themselves across a number of platforms, without a central location to track their projects and ensure protection for sellers. When things are messy, it’s easy to get lost.

Our goal is to be a central hub, with the process fading into the background so creators can focus on creating, and clients can have a great experience.

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February 9, 2018

Legends of Heraldale, by Brian McNatt – book review by Fredd Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Legends of Heraldale, by Brian McNatt
Chickasha, OK, The author, January 2017, trade paperback, $13.95 (243 pages), e-book $3.95.

Legends of Heraldale is very much a stereotypical Young Adult fantasy. Its appeal will be to those who want to see a world where all the most familiar animals of mythology – gryphons (griffins), unicorns, hippogryphs, dragons, cockatrices, wyverns, sphinxs, minotaurs, salamanders, and mermaids – live, including some that I have never heard of like a rockodile and zakarians. But there are many curious aspects to it.

A Prologue tells of the last battle of the First Expansion War between the unicorns and the gryphons:

“For a moment, night turned to day, illuminating the two clashing forces. Through the woods to the canyon’s west massed the unicorns of the Avalon Empire, hooves beating the earth and snow as they galloped among the trees. From their horns streaked bolts of red magic at the many-towered fortress across the canyon, blasting chunks of stone from the high walls and tearing through the gryphon defenders.

From the fortress walls and towers the gryphons rained down flocks of arrows and crossbow bolts in return, each weapon striking true.” (p. 1)

Gryphons are usually thought of as quadrupedal. I have a hard time envisioning them shooting bows & arrows, and firing crossbows.

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