Dogpatch Press

Fluff Pieces Every Week

Category: Opinion

Review – Furry Nation: The true story of America’s most misunderstood subculture, by Joe Strike.

by Patch O'Furr

Furry Nation: The true story of America’s most misunderstood subculture, by Joe Strike.
Cleis Press, October 2017, paperback $17.95 (288 pages), Kindle $10.99.

Here’s what I wrote for a cover blurb:

Like herding cats, gathering the history of furry fandom has been called impossible.  Furries love impossible things, so this is long overdue.  I’m happy to say it was worth the wait.  Joe Strike puts solid ground under the legs of the Furry Nation – genre, subculture, and yes, even kink – with his experience of watching it grow.  This book is for original 1980’s fans, new ones looking back, and outsiders drawn to the weird coolness of talking animals.  There’s many ways to get into it, but this is a unique view of how furries are breaking out.

Joe’s book isn’t the perfect bible for everyone – but expecting that from one book is unrealistic.  It’s just the kind of book that comes from a devout fan, and that’s why I recommend it.

I’ll summarize some reaction to the news that this book will exist: “It’s gonna suck! Who is Joe Strike?” – I knew who Joe was before I knew he was a furry, from his animation journalism. He does scriptwriting and his own comic too. He brings us a history that can live beyond bit-rot, supported by a firmly established publisher. Cleis has a 36-year history as “the largest independent sexuality publishing company in the United States.” It’s smart to focus on the word independent, which means open-minded support from the first ones to take the chance.

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Altfurry supports neo-nazi violence, with member Nathan Gate on camera in Charlottesville.

by Patch O'Furr

Altfurry is the term used by a tiny fringe of hateful bigots in the furry fandom.  (It’s accurate to replace “alt” with “anti”, as you can see below).  Last week they encouraged members to attend the “Unite the Right” rally where neo-nazis attacked and killed protesters. (archive)

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A Dog’s View of Love, Life, and Death, by J. R. Archer – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer

A Dog’s View of Love, Life, and Death, by J. R. Archer
Hove, England, White Crow Books, June 2017, trade paperback $14.99 (ix + 299 pages), Kindle $4.99.

This is an intriguing fantasy, but from an anthropomorphic point of view, it’s ultimately unsatisfying.

The locale is New York City. The chapters are short. In chapter one, Svetlana witnesses Robbie commit suicide, leaving Rosie, a small dog. In chapter two, rich, elderly Margaret Roper and her small dog Rags are introduced. In chapter three, young Black police officer Teddy Dwight investigates Robbie’s suicide and takes charge of Rosie. In chapter four, Margaret has a fatal heart attack. Her son Will, who has anger issues, is mostly resentful at the inconvenience her funeral will cause him. He breaks his promise to look out after Rags, who is sent to a dog shelter.

Most of the first nine chapters are entirely about the human cast. The dogs are little more than props. Other important characters are young Milo McGarry, the conscientious Black receptionist at the East 110th Street dog shelter (which is expected to go out of business soon), where Rosie and Rags are taken; two other dogs there: Lennon, a hulking but kindly Great Dane, and Darcy, a rescued Greyhound ex-racing dog; Sebastian, Svetlana’s pet Borzoi-German Shepherd mix; and Elton, Milo’s long-haired Chihuahua.

The dogs finally talk in chapter Ten. Chapters Thirteen, Fifteen, and some others are also devoted to the dogs, but for an anthropomorphic novel, it’s too little, too late.

The dogs don’t talk verbally but mind-to-mind.

“‘Allow me to introduce myself, Lennon, my name is Rags.’

The Great Dane sat up, looking surprised. ‘How’d ya know my name?’

‘It came to me as soon as we connected.’

‘Seriously? … I’ve never been able to do that. Have you just arrived, little fella?’

‘I got in early this morning.’

‘Rags, if you want a heads up, I’ve been here for a while now, and for me it’s home. I don’t know how long you’re gonna be here but, while you are, let’s be friends.’” (p. 47)

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ArCANIS: A Modern Animal Tarot, by David DePasquale – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer

ArCANIS: A Modern Animal Tarot, by David DePasquale. Illustrated.
Los Angeles, The author, July 2017, hardcover $30.00 (unpaged [168 pages).

I went to the Center Stage Gallery in Burbank, CA during August to see the “ArCANIS: A Modern Animal Tarot” art exhibit by David DePasquale; a full 78-card Tarot deck in color, divided into 22 Major Arcana cards and 56 Minor Arcana cards split into 14 cards each of the four Tarot suits (swords, wands, pentacles, and cups), with each card featuring an anthropomorphized animal. Besides the original art (for sale), there were the printed cards, a rotating enlargement slide show so the attractive stylized art could be easily seen in detail, and brief notes on the history of Tarot and the meanings of the cards.

In addition to the exhibit, visitors could buy in advance (the publication date is in September) the printed 3.5” x 5.5” deck of 78 cards in a customized tuck box, and a de luxe hardcover book showing the 78 cards individually on right-hand pages with a one-page explanation of each on the left-hand page:

THE NINE OF WANDS

Upright: Determination, Hope, Persistence

The Nine of Wands can represent searching inside yourself for the inner strength to overcome a final hurdle. You have worked through many obstacles to get to where you are now, so do not give up when you are so close!

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Avaritia: A Fable, by M.D. Westbrook- Book Review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer

Avaritia: A Fable, by M.D. Westbrook
Wichita, KS, M.W. Publishers, April 2016, trade paperback $9.99 (200 pages), Kindle $1.00.

Usually the dedication of a book is not pertinent, but this one really sets the mood:

“This book is dedicated to rising taxes, broken promises, forgotten children, crime, starvation, war, death, and despair.

Thanks for the inspiration, guys. Couldn’t have done it without you.”

Avaritia has a very plain cover (by the author, credited as Mark D. Westbrook), but it turns out that there is a reason for this. The novel is grim and preachy, but fascinating in an Old Testament way. The only anthropomorphic novel that I can think of that’s remotely similar to this is the black comedy Play Little Victims by Kenneth Cook (1978). See my 2014 review of it on Flayrah: https://www.flayrah.com/5725/review-play-little-victims-kenneth-cook

But there is nothing funny about Avaritia. I read Play Little Victims almost forty years ago, and I’ve never forgotten it. I don’t expect to ever forget Avaritia, either.

Avaritia begins in a house with a human father, a mother, and two brothers. The younger brother has three pet rats. The older brother has a bowl of mice, but Older Brother Human only keeps them to feed to his pet snake.

The characters in Avaritia are its mice and rats. The story begins with Older Brother Human lifting Radish, one of the mice, out of the bowl to feed to his boa constrictor while her mate, Cookie, pounds on the glass and squeaks, “Take me! Take me and leave her!”

“Cookie cried uncontrollably, watching as the snake slithered behind his mate.

In a blink, the snake struck. Radish released a final squeak as the constrictor wrapped around her lower abdomen.

‘Noooo!’ Cookie wailed.

Radish opened her mouth, gasping, and beat her tiny paws against the orange and yellow scales, but to no avail. Radish’s once soft pink eyes bulged, now a darker hue of red.

Older Brother Human laughed out loud. ‘Good boy, Petey. Eat ‘er up.’” (p. 2)

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Vice News and furries, the Fullerton murder story, and “sensational media”.

by Patch O'Furr

Vice’s Furries topic has excellent news reporting. You can find a few missteps, but it has some of the best focused attention that the media has ever given to the fandom, way beyond Furries 101.  One outstanding article is CSI Fur Fest: The Unsolved Case of the Gas Attack at a Furry Convention. Writer Jennifer Swann got an Ursa Major award nomination for it.  Their most recent is Who Makes Those Intricate, Expensive Furry Suits? (Fred Patten and myself were proud to assist writer Mark Hay – I sent a long summary of history, makers, details to investigate, and links.)

Those show that not all media is bad, and talking to them has good results. That’s different from prevailing attitudes against “sensationalism” that blindly treats “the media” as an epithet – as if PBS is the same as the National Enquirer. There’s a world of difference between trashy daytime TV and well-researched long-form reporting. But a fandom grudge persists, for as long as 16 years after stale old incidents we all know and hate. There’s even backlash at members who step out of line. This friend of ours experienced it:

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Garbage Night, by Jen Lee. – Book Review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer

Garbage Night, by Jen Lee. Illustrated.
London, NYC, Nobrow Ltd., June 2017, hardcover $18.95 (98 pages).

Garbage Night is #2 in Lee’s Vacancy series; what Amazon calls “dystopian graphic novels”. Vacancy, #1 in the series, was published in June 2015. But Garbage Night the book includes the complete Vacancy as a bonus. Garbage Night itself is 70 pages, followed immediately by “Now read Jen Lee’s original comic, Vacancy” for 26 more pages. You should skip directly to Vacancy, read it first, then return to the beginning of Garbage Night. Be warned that it still ends with a “to be continued”.

What is going on is unexplained. The blurb for the first story says, “Vacancy explores the ways that animals think; how they internalize their changing environment and express their thoughts, fears, or excitement.” The blurb for Garbage Night says, “Juvenile animals strive to survive across a post-apocalyptic wasteland in this striking parable about the nature of freedom and friendship.” What it is is about anthropomorphic animals (they wear clothes and are bipedal) living in a deserted, humanless world.

Simon is a pet watchdog left behind when his humans disappeared. But it is obvious that what’s happened is more complex than that. The entire town shows years of having been deserted. Signs are peeling, windows are broken, cloth is rotting, roofs are falling in. Simon roams through his owners’ empty house, wishing that they’d return to fil his food bowl, but not really believing it after so long. What remains of the town has been scavenged out of food by the abandoned pets and nearby wildlife like Monica the opossum. When two forest animals pass through town – Cliff, a raccoon, and Reynard, a deer with a broken antler – Simon asks to go with them. “I need someone to show me the ropes of the wild.”

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The Unbeatable Squirrel Girl: Squirrel Meets World, by Shannon and Dean Hale – review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer

The Unbeatable Squirrel Girl: Squirrel Meets World, by Shannon Hale & Dean Hale. Illustrated by Bruno Mangyoku.
NYC, Marvel Press, February 2017, hardcover $13.99 (324 [+ 1] pages), Kindle $9.99.

The Marvel Comics Group is having hardcover novelizations written of most of its high-profile super-heroes such as Iron Man, for the 9-to-12 age group. Marvel does not go in for animal heroes, so the Unbeatable Squirrel Girl and her 300 squirrels are about the only ones who would qualify for interest to furry fans. New York Times bestselling author Shannon Hale specializes in romantic novels for adolescent girls and young women, many in collaboration with her husband, Dean Hale.

This novel recounts the beginning of Squirrel Girl’s career, written in a breezy teenager’s diary style. The comic book stories began in 1991 with her as a 21-year-old college student, but here 14-year-old Doreen Green has just moved with her parents from Southern California to Shady Oaks, New Jersey. “Who runs the world? Squirrels!” Doreen may be prejudiced because she was born with a bushy squirrel’s tail. Otherwise she looks like any young teenage girl, except that she’s super-strong and has retractable claws and “her two front teeth were a little longer than their neighbors. She had to gnaw on things to keep them from getting even longer. Things like logs.” (p. 2) Maple logs are her favorite.

No reason is given for her having a squirrel’s tail, but Hey! this is the Marvel Universe. Doreen used to see She-Hulk while she lived in Los Angeles, and now she’s looking forward to seeing Thor and the other Avengers who live in nearby New York City.

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The truth about the myth that “Deo Killed RMFC” – guest post by Harper.

by Patch O'Furr

It’s very possible you’ve heard the assertion that Deo (DeoTasDevil) is responsible for the demise of Rocky Mountain Fur Con. There’s been a lot of back and forth about it, and allegedly she’s the main and even sole party responsible.  Let’s put aside the various instances of the fallout and just examine the sequence of events pertaining to Deo’s participation.

  1. In January 2017, Deo tweets “can’t wait to punch these nazis.
  2. She receives a reply from someone that they would be amused if she were shot in response to her purported action.
  3. Deo responds asking if this person was threatening to bring a gun to RMFC.
  4. Deo contacts RMFC security to inform them of a potential issue.

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The Latte Segment, by Zoe Landon – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer

The Latte Segment, by Zoe Landon
Portland, OR, Leporidae Media, February 2016, trade paperback $14.99 (282 pages), Kindle $4.99.

This is the purest funny-animal novel that I have ever read. Other than that the characters are all described as animals, there is nothing to differentiate this from any all-human novel.

Sarah Madsen is a young woman working as a marketing analyst in Portland, Oregon. Her boyfriend, Sean, is an unemployed computer programmer from Silicon Valley in California. Sarah relaxes alone almost every Sunday at the Deadline Cafe over an expensive latte laced with mint; her only vice.

“Sarah fidgeted and the corner creaked. She was worrying about money.

Her finances were safe, by most reasonable standards, yet there was a nagging sense that she should be doing better. Perhaps she could save a little more. She could go to fewer movies with Sean and their whole circle of friends. She couldn’t get rid of her television like Sean did; she relied on it too much for work. But she could stop coming to the Deadline Cafe every Sunday. It did feel like the lattes got more expensive the last year or so.

Everything in Portland felt like it was getting more expensive lately. Most of it was inevitable. She moved here when things weren’t very good anywhere, and now things were especially good here. New businesses were popping up in her neighborhood left and right. Businesses that, for one reason or another, she rarely went to.” (pgs. 5-6)

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