Dogpatch Press

Fluff Pieces Every Week

Category: Personalities

September 23, 2020

Interview with a Sleestak, the scaly monster that stalks the streets of Portland!

by Patch O'Furr

Beware! Get scared! There’s a Sleestak on the street tonight!

This scaly, green, bipedal creature was originally from the 1970’s TV show Land of the Lost. (A live action children’s adventure show mixed with claymation animated dinosaurs, about a family trying to get home from an alternate universe.)

Through some dimensional portal, one Sleestak recently appeared in Portland, OR. He was then discovered by the news. Read a story about him from The Oregonian: The Portland Sleestak wanders the city for scares, smiles and general weirdness. Another from King5: Brent Marr pays tribute to a 70’s classic and reminds his hometown it’s fun to be weird.

I saw the news linked by Bawdy Storytelling. (A show for kinky stand-up performers, which often has furries like me.) Sadly, I must disappoint friends at Bawdy because the Sleestak is family-friendly and can’t go on stage with spicy stories. But he did answer a Q&A.

I was curious about the Sleestak’s inspirations, and why he appears on the street where you’d never expect a scaly creature. It reminds me of street fursuiting (my favorite thing.) Enjoy our chat about it.

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September 9, 2020

Q&A with Christopher Polt PhD., who teaches a Talking Animals course at Boston College (Part 2)

by Patch O'Furr

We’re back after Part 1 of the Q&A with Christopher Polt, PhD., from Boston College. His Twitter is full of art and animation history that welcomes furry fans.

Rate My Professor loves him.

(Dogpatch Press:) It was interesting that you mentioned teaching a course in talking animals. Tell me all about it! Since when, and how unique is that, and how is it being received? What sort of students are in it and what are they studying in general?

(Christopher Polt:) I love that course — the material is so fun and weird and meaningful. The basic question we ask is, “What are we doing when we speak by using animal voices, and what does that say about our attitudes towards humans, animals, and the lines we draw between them?” It’s also my chance to teach some cool, off-the-wall art and literature. We read Apuleius’ Golden Ass, which is a novel about a guy who accidentally turns himself into a donkey and goes on a journey through the Roman provinces (think The Emperor’s New Groove, but much sexier and more violent), and Nivardus’ Ysengrimus, which is the earliest major collection of stories about Reynard the fox, an archetypal animal trickster.

Sometimes I also take students on field trips to tie historical material we’re learning to lived experience. One of my favorites has been to a local pet cemetery. We spend a few days talking about how Greeks and Romans use animals to think about divinity, mortality, and the afterlife, and we look at epitaphs and funeral poems for dead pets, which are often written from the animal’s point of view. There’s a great example in the British Museum, which commemorates the life of a dog named Margarita (“Pearl” in Latin), who died while giving birth to puppies:

https://www.britishmuseum.org/collection/object/G_1756-0101-1126

She talks about chasing other animals through the woods, how she used to nap on her humans’ laps and sleep in their bed, and how she barked a lot but never scared anyone. So after we read a range of things like that, we go to the pet cemetery and read modern grave markers, and we compare how people grieve for animals differently and what they choose to celebrate and memorialize about them. My favorite is this one for a cat named Useless:

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September 8, 2020

Q&A with Christopher Polt PhD., who teaches a Talking Animals course at Boston College (Part 1)

by Patch O'Furr

It wasn’t long ago that Furry Twitter found Christopher Polt, PhD. and his threads full of art and animation history that whole-heartedly welcome furries.

His content isn’t just catering to fandom — it goes deep into history in a fun and engaging way. But the parts with furry interest reminded me of another account profiled here before, Ancient Furries. I asked him if he wanted a brief “Great Accounts To Follow” article, and it led to a much more involved Q&A. It’s special to get such effort from a professor who handles lots of students and curriculum! Here’s Part 1, with Part 2 posting tomorrow.

(Dogpatch Press): I see you’re a Classicist and Assistant Professor at Boston College. That looks like a super active place (with beautiful architecture!) Can you talk about what it’s like to work there and what the job involves?

(Christopher Polt:) If you like Collegiate Gothic, we’ve got you covered! It’s a nice place to work — supportive colleagues, friendly and bright students, freedom to teach mostly what and how I want. Each semester I teach two or three courses, which are a mix of intro/intermediate ancient Greek or Latin, advanced seminars on Latin literature (esp. Roman poetry), and courses on ancient culture that don’t require knowing ancient languages (some examples: Roman spectacles; art and resistance under the early Empire; and “Beast Literature,” which is about talking animals in ancient and modern literature and film).

I also spend a lot of time on research and writing. My first book, which is coming out from Cambridge soon, is about how Romans in the 1st century BCE used theatrical comedy to think and talk about their everyday lives and relationships.

I’ll bet Covid has really affected everyone at colleges everywhere, what’s your story for that? You mentioned starting to tweet about Disney history a few months ago, is that using social media to maintain energy with your work that got disrupted by the pandemic?

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August 24, 2020

“Very surprised and very grateful”: fursuit maker Beauty of the Bass talks about a $14,000 sale.

by Patch O'Furr

Previously: Furries support independent art with $14,000 and $15,600 fursuit auctions at The Dealers Den.

A creepy-cute aesthetic

“I prefer to work on scary, creepy, odd, gory and crazy designs,” said UK-based fursuit maker Beauty of the Bass in her recent Dealers Den auction.

Ghatz, the suit shown here, doesn’t belong to the lucky winner — theirs is waiting to start — but this completed work can show why her talent earns a price as high as $14,000.

The Krampus-like aesthetic stands out in a crowd of technicolor fluff. Imagine basking in the spookiness in person, then being chased by this creature through delightfully twisted nightmares. The maker’s vision is detailed in her FAQ that pairs her with compatible clients.

(BotB) — Things I look for in a design and application:

  • A well written and thought out application form.
  • A clear reference of the character in question with a strong idea of concept and direction the client wishes me to go in.
  • On the other hand, I am looking for artistic liberty suits. These will be done on an ‘offer me a price’ basis.
  • Interesting, scary, gory, unique, tricky and extravagant designs will have more of a chance to go through.
  • I am wanting to do a belly suit, so will be looking for that opportunity!
  • WEREWOLVES. MYTHICAL CREATURES. DEMONS.
  • Silicone drool, skin and gore effects. This does not require lots of mold making, therefore I am more than happy to do this.
  • Willingness to go the extra mile for the extra effects and will be happy to push the boat out with me, as i’m wanting to push myself.
  • Unique species, uncommon species and hybrids.
  • Mutations, extra parts, double jaws, double faces, scars.
  • Long fur accents, manes and mohawks with the NFT fur upgrade.

It’s another example of unique vision seen in a 2017 story: Q&A with Kazul of Kazplay, first place winner for cosplay at Blizzcon. Kazul wanted to create a living illusion for her Hogger suit — to hide the human form and “look like he smelt like a wet, dirty dog” — and be more than a person wearing a rug.

(Kazul) — With all my work I strive to make convincing characters. When I hear people ask “how is it moving like that?” “How is a person inside that?” when I know that I’ve tricked their brain well enough that they can only see what is in front of them as a real creature, that’s when I win.

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July 2, 2020

The Fandom movie: Furry paws seize the media

by Patch O'Furr

Premiering JULY 3, 2020 at thefandomfilm.com.

When the media shows furries, do they get it right?

It’s a constant furry worry. In 2017 it was announced that CNN was making a show about them. Backlash rose about sensationalism, but few critics gave a fair shake to the producers of This Is Life with Lisa Ling. Then it came out and it was “a flat-out advocacy piece on behalf of Furry“, said Joe Strike, a fan since the 1980’s who wrote a book that covers the subculture’s run-ins with bad media.

Joe Strike’s Furry Nation is the essential fandom history book.

Positive response didn’t satisfy every critic. Some asked why the 3 fans featured by CNN didn’t include more diverse people. But the show (with an asian-american woman journalist) got backlash while asking volunteers to raise their paws and be counted. That seems like damned if you do, damned if you don’t.

In answer to this, The Fandom is a documentary made by the fans. It features outstanding writers (like Joe), artists, animators, musicians, costume designers, event organizers and founders. It celebrates the roots with pro quality and appeal for outsiders who might not have given a fair look before.

For decades this subculture has thrived despite adversity. Bad media is one kind, but not the only kind. Some is internal. Some is homophobic. Some is happening right now with this screwy year. There’s even a villain to tell you about.

$10 million worth of trouble

Anthrocon is the 2nd largest furry convention, led by Uncle Kage (Dr. Sam Conway), the longstanding CEO and fandom public relations figure. It was due to bring $9.9 million to Pittsburgh’s economy in 2020. Now it’s among 70 furry cons canceled by COVID-19. The movie is launching anyways on the con’s dates, without opportunities that could have won distribution. (No film fests either.)

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June 23, 2020

Looney Tunes gets a reboot (Part 3): How an iconic cartoon forged a wacky and lovable side of the furry fandom — By Rocky Coyote

by Dogpatch Press Staff

Meet “Toon Furs” in Part 3: Charlie Tinn, Zen Fetcher, and Toothpick the Woodpecker. This story features the side of fandom where you can watch NEW cartoons with classic animal characters, and even turn into one! HBO Max has 80 eleven-minute episodes of fresh-but-faithful animation from WarnerMedia. Furries discuss their influence in this 3-part story by Rocky Coyote. (Rocky previously covered fandom in America’s biggest city on his tag here.)

Charlie Tinn is a monochromatic mustachioed mutt, self-proclaimed hat enthusiast and classic cartoon lover. He discusses how the toon side of the furry fandom drew him into it.

I grew up watching them a lot as a kid, they were on basic satellite TV during certain hours of the day usually in the middle of the day or late at night. The theme song was always memorable, you can always tell what kind of cartoon is about to play even if most of the ones I watched were Tweety and Sylvester. Anytime it was a heavy emphasis on Bugs and Daffy it was a delight.

I enjoyed the unique ways of slapstick and visual humor like with Wile E. Coyote and his signs along with the word trickery that Bugs would do to Daffy, just so Elmer would shoot him in the face. Duck Amuck is a really good episode, I loved how they broke the fourth wall and they did a lot of elements like that.

I wasn’t really fully interested in the fandom until I discovered there was a toon side to it. Definitely made me interact with more people and got more friends from it and all while getting to enjoy just the wacky and zaniness that is Looney Tunes.

Honestly so far it’s a perfect successor from what I can see from the two episodes. I was able to watch the Porky and Daffy cement short, and Bugs running away from Elmer Fudd. They seem like great honorary successors; they got the right slapstick comedy, and the pacing and timing of the gags are all great from what I’ve seen.

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June 22, 2020

Looney Tunes gets a reboot (Part 2): How an iconic cartoon forged a wacky and lovable side of the furry fandom — By Rocky Coyote

by Dogpatch Press Staff

Meet “Toon Furs” in Part 2: Billy the Collie, Clawy the Cat, Chaos Coyote, and Dunhall the Dingo. This story features the side of fandom where you can watch NEW cartoons with classic animal characters, and even turn into one! HBO Max has 80 eleven-minute episodes of fresh-but-faithful animation from WarnerMedia. Furries discuss their influence in this 3-part story by Rocky Coyote. (Rocky previously covered fandom in America’s biggest city on his tag here.)

Billy the Collie is an artist who grew up watching Looney Tunes with his younger brothers. He talks about the flexibility the toon world gives him when depicting his characters in various scenarios.

I do have strong nostagic feelings towards Looney Tunes, and as a result the show has played a significant part in developing my toon persona and toon art as a whole.

Looney Tunes is definitely the king when it comes to executing that classic ‘toon gag.’ The show wasn’t entertaining because it had silly slapstick, it was entertaining because it set-up a comical scene with wit and personality that concluded with silly and creative slapstick. That’s what I enjoyed about the show, and is a big reason why I do enjoy cartoon stuff to this day.

Considering my fursona is a toon border collie, I’d say that it’s had a pretty big influence on me! The creativity that toon-stuff lends me in playing around with the toon physics, effects and logic is highly entertaining as an artist. The toon concepts pioneered by shows like Looney Tunes has also been a fantastic way for me to connect with other furries in the community, as the majority of furries are familiar with a lot of these ideas and concepts so it’s been fun engaging with them on this innocent but silly level.

Despite very clearly being computer-drawn, I do appreciate that the reboot keeps the original character designs rather than going down the current animation trend of using a “Cal-Art” inspired art-style. I do worry that the show will overly-focus on slapstick and cheap throwaway jokes, rather that the wit and personality which made the silly slapstick far more entertaining. But, I think the show is worthy of a chance to prove itself.

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June 19, 2020

Looney Tunes gets a reboot (Part 1): How an iconic cartoon forged a wacky and lovable side of the furry fandom — By Rocky Coyote

by Dogpatch Press Staff

Meet “Toon Furs” in Part 1: Duino Duck, RomeTwin, and James the Duck. This story features the side of fandom where you can watch NEW cartoons with classic animal characters, and even turn into one! HBO Max has 80 eleven-minute episodes of fresh-but-faithful animation from WarnerMedia. Furries discuss their influence in this 3-part story by Rocky Coyote. (Rocky previously covered fandom in America’s biggest city on his tag here.)

Looney Tunes gets a reboot: How an iconic cartoon forged a wacky and lovable side of the furry fandom.

Bugs Bunny and the rest of the Looney Tunes gang found a new home on May 27 as WarnerMedia launches its newest streaming service HBO Max.

Looney Tunes Cartoons is the latest show to marquee the iconic characters that have entertained viewers around the globe for over 80 years. Unlike recent reboots such as The Looney Tunes Show (2011) and Wabbit (2016), HBO’s series will closely resemble the format and art style of the original shorts crafted by the likes of Tex Avery, Bob Clampett, Chuck Jones, Friz Freleng and Robert McKimson.

Naturally, the show’s wacky yet lovable characters have had an influence on the furry fandom, but this goes beyond the cartoon’s anthropomorphic nature. Shows like Looney Tunes paved the way for a subculture within the subculture, where furries create their own characters in the ‘toon mold.’ This includes big eyes and exaggerated body proportions, personalities that range from goofy to outright insane, and a penchant for slapstick comedy aided by an endless supply of mallets, dynamite and anvils.

To get a better idea of Looney Tunes’ impact on the furry fandom, Dogpatch Press reached out to a number of self-identified toon furs and let them describe how the series influenced their love of cartoons and helped them find a place within the fandom.

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June 17, 2020

Meet the artist behind the site banner — Roku Doggo

by Patch O'Furr

From time to time, Dogpatch Press commissions new banner art — check out a gallery from past months. Past artists have come from Mexico, Argentina, Chile, the Philippines, England, Quebec, North Carolina, California, and Texas. Get in touch if you want pay and a feature article. Today it’s for Roku Doggo.

Hi Roku, love your banner art! Especially the way you made it a funny action moment.

Thank you so much.

Where are you from and how much furry activity do you do?

I’m from Texas, and the only furry activity I do is, well drawing furries and I do it almost every day.

What’s your favorite part about being a furry artist?

My favorite part will have to be the interactions I have with my followers. It makes my day just to see them happy about any of the work I make.

Can you link your social media profiles?

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April 28, 2020

A brief history of the Cartoon/Fantasy Organization, America’s first anime fan club — by Sy Sable

by Dogpatch Press Staff

Courtesy of Changa Lion and the Confurence Archive, cover art by Ken Sample. 5 years after it was founded, the club newsletter covered news from 9 American club chapters and the 1982 release of Don Bluth’s Secret of NIMH.

Sy Sable co-founded the first furry con and helped grow a new worldwide furry fandom, with 1970’s roots in a small clubhouse in Los Angeles.

On 4/4/2020, Sy Sable (Mark Merlino) sent this brief history of the Cartoon/Fantasy Organization, founded in 1977. His story comes from recent message trading with someone interested in the C/FO and those involved. He couldn’t connect her to people out of contact for over 20 years, but he could tell how the club started. 

Today, there’s a worldwide network we could call capital-F Furry fandom, but some key founders were “proto-furries” who met at the C/FO. The club introduced new and unusual imported Japanese anime that was starting to reach America through rare home video tech. Club members loved anime for featuring adult, science fiction and action themes unlike 1970’s American animation aimed at kids (then dominated by studios like Hanna-Barbera.) There was a lot of “giant robot” anime, but certain fans preferred to combine adult themes plus traditional “funny animal” comics and animation that eventually spun off their own, new hybrid fandom.

Sy was a founder who went on with partner Rod O’Riley to host 1980’s science fiction convention room parties, then ConFurence in 1989, and longstanding monthly parties at The Prancing Skiltaire in Southern California (when not under quarantine in 2020). The C/FO had other chapters and there were other fan groups, but this is a major root. Another founder, Fred Patten, wrote about the C/FO in How Home Video Created Anime Fandom — or check Fred’s review of Joe Strike’s Furry Nation history book that covers this. (Fred was also a writer with Jerry Beck, East Coast C/FO chapter founder and animation historian, tying in much more history.) Sy says: “This is from my perspective and drops names something fierce… but it IS my personal take on things.” ( – Patch)

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