Dogpatch Press

Fluff Pieces Every Week

Category: Mainstream

Furries, self-esteem, and identity: perspective from a psychologist

by Patch O'Furr

‘If everybody’s doing it, it’s probably wrong’.

From The man who destroyed America’s ego: How a rebel psychologist challenged one of the 20th century’s biggest – and most dangerous – ideas:

“FOR MUCH OF HUMAN HISTORY, our beliefs have been based on the assumption that people are fundamentally bad. Strip away a person’s smile and you’ll find a grotesque, writhing animal-thing. Human instincts have to be controlled, and religions have often been guides for containing the demons. Sigmund Freud held a similar view: Psychotherapy was his method of making the unconscious conscious, helping people restrain their bestial desires…”

Furries: Do you like your fursona? Do you have higher self-esteem, and feel happier and better with it?

Or do you represent “bestial desires” of a “grotesque, writhing animal-thing?” Are you fundamentally bad, and need to restrain what you are inside?

The 1960’s brought an alternative movement of self-esteem, dedicated to boosting “unconditional positive regard” for the self. Education and public policy has now become deeply supportive for this. But there are dissidents to this, too. Meet Roy Baumeister.

ego
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Talking animals topic betrays culture-blind critics

by Patch O'Furr

Realistic (left) and anthropomorphic (right) illustrations for research study

Frontiers in Psychology research study illustrates realistic and anthropomorphic animals

Last year, a Flayrah news article drew outsiders who had never encountered Furries.
One wrote: “You all need therapy!”
I answered: “This IS our therapy, silly!”

Friends at Flayrah just reminded me about it. Dronon posted:

Chair of the Canadian Education Committee thinks that talking animals in children’s books are detrimental to education. …Aw darnit, scratch that – It’s a fake, satirical article. Well done!

Fred answered:

Some believe that the report of the Chinese banning “Alice in Wonderland” in 1931 because “talking animals are false” is an urban legend. Nobody can find such a law as having been passed.

Rakuen Growlithe added:

Dronon, there’s actually a bit of truth underlying the satire.

The topic led me to find that, although it may be satirized… yes, it has some truth. Read the rest of this entry »

Pet food graphics – furry ads to feed your friends

by Patch O'Furr

cat-and-dog-covers

The Furry Meter is easy to activate with cereal commercial mascots, or saturday morning cartoons. This may be a little more subliminal, but add pet food advertising. Read about it in Cartoon Kittens and Big-Eyed Puppies: How We Bought Into Processed Pet Food.

When they first started canning the stuff, it was enough to just put a big DOG or CAT on the label. (I guess people just got FOOD. These days, the FDA has slightly more complicated guidelines.) Marketing matured, and turned anthropomorphic –

In the 1950s and beginning of the ’60s, the designers working in the lithography shops that produced can labels continued the visual traditions established on fruit- and vegetable-crate labels, often depicting realistic-looking cats and dogs. Artists at ad agencies developed the campaigns for pet food packaged in boxes and bags. Eventually, both began to be influenced by the culture of the mid-20th century, from comic books, to Walt Disney, to television, especially Saturday-morning cartoons, which were sponsored, in no small part, by breakfast-cereal brands.

For psychology, they say shapes of pet food (bones, fish, etc.) appeal to pet owners because cats and dogs don’t usually do their own shopping. (Mine just barks out a list of what to get. I’m obedient like that.) It inspires how to market anything “when the users of a product aren’t the decision makers.” As an $11 billion a year industry, you know they invest a lot of thought into how this works.

That’s just a nibble of the stuff you can find in the just-published “Cat Food for Thought: Pet Food Label Art, Wit & Wisdom.”

Did Ke$ha rip off the Furry video of this indie rapper?

by Patch O'Furr

In 2012, I helped MC Crumbsnatcher and crew from San Francisco’s local art scene make his Furry music video for his song, Let’s Get to Humpin’. I’m the Husky fursuit dancer, and I hooked up some of the background dancers with Bunnywarez costumes on a shoestring budget. (Paying a costume maker in strings isn’t easy, let me tell you.)

Crumbsnatcher met Ke$ha, and gave her some of his work. A few months later, her own “Furry” video was released… and Crumbsnatcher claims it’s suspiciously influenced by his work. At the 3:40 mark, you get a minute of comparison. This is NSFW for dirty gay lyrics and sexy dancing.

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Santa Ana gallery’s ‘Art of Furry Fandom’ connects public with Furry past and future

by Patch O'Furr

Repost from Flayrah news, 5/29/2013:

Mark Merlino and his friend Rod O’Riley might be called “first wave” furries from original geek culture, when that meant underground comics, fanzines and pen-pals. They held the first parties that turned into conventions, and WikiFur calls them “founding members of organized furry fandom.” Mark owns The Prancing Skiltaire.

furRod’s most recent accomplishment is The Art of Furry Fandom, at Avantgarden art gallery in Santa Ana, CA. It opens concurrently with this year’s Califur, this weekend. In his journal, Mark calls it a dream he’s had for over 30 years.

According to the gallery:

AVANTGARDEN is proud to present “Women Desperately Seeking Escape…a Series” photographically captured on film and digitally by ELLEN SEEFELDT. We also welcome JAY RIGGIO‘S hand cut pasted collage work, SHARLYNORA WILKINSON‘s paintings, and The Art of Furry Fandom, curated by RODNEY STANSFIELD. This exhibit runs June 1–29, opening reception June 1, 7–10pm.

Mark reminded me of a similar show in 2012 in San Jose during Further Confusion, with “more artists, more art, same kind of independent gallery”. Actually, there were two: a Slave Labor Graphics show, and “People-Shaped Animals” at Kaleid Gallery.

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Opinion: Street fursuiting is the most fun furry experience

by Patch O'Furr

Repost from Flayrah, 5/3/2013:

San Francisco hosted the 14th annual How Weird Street Faire last weekend, with the theme “WEIRDI GRAS: Carnival of Peace.” An informal fursuiter outing was organized through Meetup.com and its active Bay Area Furries group (independent from the mailing list), which runs many local events each month. I offered changing space at a nearby apartment, and scored a pair of “Disco Pants” for costuming, direct from the office of local web-based fashion startup company Betabrand. Afterwards, Betabrand was cool enough to post photos of modeling the pants on their “Model Citizen” section. (There’s more photos on Reddit.)

2013-4-28-howweird3_0-288
Left to right: Kitten, Meerk, Patch. Background: Ty Cougar.

Any news media story that covers furries is likely to focus heavily on fursuiters, and their striking visual appeal and fuzzy glamor. Fursuiters can’t represent the whole of furry fandom, when “furry” is a vague and broadly defined umbrella over anything related to anthropomorphic animals- but I think it’s OK to consider fursuiters the expressive, theatrical soul of furrydom. There is an element of “ambassador” role to their hobby. Without the 15-20% of furries who wear fursuits and costumes for role-playing, you’d just have regular unglamorous nerds saying “meow! I’m a cat”. That’s what crazy people do.

Of course, I’m kidding: Call me the most crazy of all, but I prefer the term fabulous. I like to put on silver disco pants and a Husky partial, and get on the subway to go dance and hug random people, under the influence of blasting techno music and magical substances in the air. They get so entranced by a giant sparkly talking dog, that they hand over their babies for photos. That actually happened several times this weekend at the How Weird Street Faire. I didn’t know where those babies had been, but I let them touch my paws anyways, even more carefully than when I pick up my chihuahua (who gets super confused and never knows whether to trust me when I dress up.) As far as I can tell, everyone loved the experience, even the astonished babies. Those photos might provoke some interesting questions when they grow up.

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Scaly, feathery alternative limbs leap the uncanny valley into the future of prosthetic design

by Patch O'Furr

Flayrah News, 4/29/2013:

The mention of an amputee flaunting a showy, bird-plumaged prosthetic arm should make the Furry connection clear, in this story about the work of the Alternative Limb Project (ALP) and it’s director, Sophie de Oliveira Barata.

prosthetic179De Oliveira Barata is “challenging the belief that prosthetic limbs should aim to look as realistic as possible.” Her career started in special effects for film and TV, before she moved to work with a realistic prosthetics company for eight years. In her opinion:

The dominant thinking is that a new limb should be as close a match to the previous limb as possible. But until technology gets to the point where you can have a realistic looking limb in movement and aesthetics, there will always be this uncanny middle ground. Having an alternative limb embraces difference and can help create a sense of ownership and empowerment.

The new option for limbs include crystal, stereo speakers, lighting, and simulated internal anatomy to tranform disability-concealers into creative, eye-catching fashion. What’s next, hooves and paws?

Fursuit-owning readers may appreciate why, as custom-designed pieces, these limbs do not come cheap, with a cost between $4,600 and $21,000. In Britain, government health funding is dedicated only to realistic prosthetics. But De Oliveira Barata argues that alternative prostheses could be just as beneficial. It opens the imagination to a whacky sci-fi future where species-transition could be as acceptable as gender reassignment. Until then, artists, designers and biomedical engineers can explore creative inspiration and improve the lives of patients with this new kind of prosthetics.

Opinion: Indie web series ‘Fursona Files’ looks a little mangy

by Patch O'Furr

Flayrah News, 3/7/2013:

I haven’t seen this shared around until I noticed it on the Bay Area Furries mailing list.

Admit One Productions presents – Fursona… A SNEAK PEEK from Courtney James.

(EDIT: video down, try here.)

According to their website:

What’s your Fursona? Thats [sic] the million dollar question asked in this fast paced black comedy web series about the adventures of Virginia Blake – a successful investigative journalist – who is writing an expose on the FURRY underworld to save her tarnished career!

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A famous experiment in anthropomorphism and psychology

by Patch O'Furr

HarlowMonkey

Flayrah News, 3/5/2013:

Anthropomorphism is often imagined from our human point of view (attaching human characteristics to something non-human). But the concept can exist apart from ourselves, when animals see themselves in objects. The way it works for them can reveal more about us.

Harry Harlow was a psychologist who experimented with monkeys. In the 1950’s and 60’s, he gave his subjects “surrogate” mothers built from different objects, to see how they would behave, and learn about care-giving and companionship in social and cognitive development. PBS says about his famous experiment:

He took infant monkeys away from their real mothers, giving them instead two artificial mothers, one model made of wire and the other made of cloth. The wire model was outfitted with a bottle to feed the baby monkey. But the babies rarely stayed with the wire model longer than it took to get the necessary food. They clearly preferred cuddling with the softer cloth model, especially if they were scared. (When the cloth model had the bottle, they didn’t go to the wire model at all.)

Here’s an image gallery that illustrates the concept of “anthropomorphism” in monkey terms. To understand the experiment as a powerful metaphor, this web art project/essay says a lot with few words: Chicken Wire Mother.

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Furry artist in finals of San Francisco Public Library card design contest

by Patch O'Furr

Flayrah news: 10/19/12

Library card designWalter Ringtail’s comic strip Paw Valley features a gang of cartoon animal friends who often end up in ticklish situations.

Now, patrons of San Francisco’s Public Library may be tickled to have his art work in their pockets.

According to this cartoon illustrated tour, seven million people a year pass through SFPL’s main branch alone (one of 27 branches in the city). Library membership is over 350,000, with over nine million loans circulated per year. That’s a lot of patrons who could become card-carrying appreciators of furry art!

3,000 submissions were received for the SFPL card design contest. Judges selected ten finalists in each of five age-based categories. The top vote-winners will be printed on SFPL library cards in 2013.

Walter Ringtail’s submission “The Bedtime Story” was chosen for the adult level finals. Now, it’s up to the public to vote for the winner.
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