Dogpatch Press

Fluff Pieces Every Week

Category: Mainstream

November 25, 2019

A furry pilgrimage to the Adult Swim Festival and the Prancing Skiltaire house, Part 1.

by Patch O'Furr

Part 1 — Part 2 — Part 3

If you could do a furry travel tour, where would you go? Try some big conventions and mainstream destinations like Disneyland or the Mascot Hall of Fame, and some special stops that a non-furry wouldn’t think of. California has ones like the Prancing Skiltaire house, a shrine to cartoon animal art made by the founders of the first furry con, who open their house to fans by the hundreds.

A travel story wasn’t my plan when I got an invite from… let’s call them “Dr. Girlfriend”, to go to the Adult Swim Festival in Los Angeles on November 15-16, 2019. The opportunity just fell on me, so I made it a casual mini-tour including a stop nearby in Garden Grove, CA to visit the Skiltaire friends.

Dr. Girlfriend had tickets to the second live festival for Adult Swim, a now almost 2-decades old TV programming block for absurdist comedy and alternative animation. Cartoon Network hosts it at night while young audiences sleep, unless naughty kids are sneaking it (like I used to do for MTV Liquid Television). The leading show is Rick and Morty and it rarely has anything furry. But the show creators definitely know about us, and festival goers gave fist-bumps to a 6-foot rat scurrying among them. As “Patch Packrat” (I’m usually a husky dog) I was the only fursuiter in sight at the 22,000 capacity Banc of California Stadium.

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November 22, 2019

Furry Youtubers fear penalties under new COPPA law, but it’s not as bad as you think

by Patch O'Furr

Posted by a friend: “Marked all my videos as unlisted — Will delete them later — I’m sorry to disappoint everyone but the voice acting video is canceled due to the new law.”

Yikes! That’s not a nice thing to post, and plenty of others are feeling afraid of being fined under the Children’s Online Privacy Protection Act (COPPA.) The law is around 2 decades old but was recently used for major action about violation by Youtube. It seems to threaten a growing scene for furry Youtube creators:

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October 11, 2019

Rukus film maker Brett Hanover: “Furry is a collective art project”

by Patch O'Furr

Watch free online! Public release was announced yesterday with links to reviews and more. Now the director tells how it grew.

See Rukus now at www.rukusmovie.com, or NoBudge on October 17th. “A hybrid of documentary and fiction, ‘Rukus’ is a queer coming of age story set in the liminal spaces of furry conventions, southern punk houses, and virtual worlds”. The person named Rukus was a furry artist who committed suicide, but left many memories and mysteries. His friendship with film maker Brett Hanover (bretthanover.com) inspired this movie. Please share it to other fans and indie movie lovers to support it like the way it was made.

Brett Hanover is a filmmaker and youth media educator from Memphis, TN, whose work explores outsider art, mental health, and queer fan communities. His documentaries and collaborative narrative film projects have been exhibited at venues including the SXSW Film Festival, the Chicago Underground Film Festival, Anthology Film Archives, and the Cinémathèque Française. Brett received a BFA from the School of the Art Institute of Chicago, and an MFA from the University of Illinois.

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October 10, 2019

Rukus movie out now: Furries, memories and mysteries (with a director Q&A).

by Patch O'Furr

Memphis film maker Brett Hanover shares Rukus free to the public. Don’t miss the full interview with him.

8 years in the making, this indie feature film makes an ambitious hybrid of fiction and documentary. It’s out today, October 10th, at Vimeo and www.rukusmovie.com, and then at NoBudge on October 17th. Put on a kigu, bring a friend or a pet, and share it to furry fans and indie movie lovers to support it.

The person named Rukus was a furry artist who committed suicide, but left many memories and mysteries. His friendship with Brett Hanover inspired the movie. This fandom-sourced labor of love has been to film festivals and furry conventions across the USA and Europe. It was selected for South by Southwest (SXSW), where mainstream cinemaphiles praised this unique flight of imagination.

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October 4, 2019

The Masked Singer: One of those mainstream crossovers with furry appeal?

by Patch O'Furr

Crossover with the mainstream can make great furry news, like when dogwhistles to fandom pop up in things like Disney blockbusters. That’s why I did an interview with Vulture, the culture and entertainment site. Here’s their articles about the Masked Singer. This one’s worthwhile for fursona design inspiration: The Masked Singer’s Costume Designer Breaks Down All 16 Egg-cellent New Looks.

We barked about performances from Season 1, and sniffed at the costumes for Season 2. Looking at the lineup made me want to know more about them as characters. If they have a backstory with each other… Whose Egg is that? Does the Eagle hang out in the Tree? And who pollinates that Flower?

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July 12, 2019

17 years of progress with the Norcal Furries at San Francisco Pride.

by Patch O'Furr

Followup to Get furry at San Francisco Pride 2019. See the Pride tag for much more.

Photo by Zenith

Photo by Wusky Husky

For the 2019 San Francisco Pride parade on June 30, the Norcal Furries had their biggest turnout yet. A hundred members made the street their stage with cheering audiences on both sides. They won the “Absolutely Outrageous” award out of more than 200 parade contingents, their second year to get an award.

“Once again we beat corporations who spend thousands on their floats with just a bunch of GoFundMe donations, and a couple of people looking very fuzzy!” (- Vance)

It’s rare to get a public spotlight like this anywhere outside of convention hotels. There was no cost for just showing up to join. It was the first Pride for many members, and it wasn’t just about queer visibility, but also engaging allies and freedom of self-expression for all. It looked like a party but the reason for it wasn’t forgotten. 50 years ago, Stonewall was a riot against hate, but fun without fighting is an answer to the question — what did they fight for?

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June 3, 2019

“A book about joy:” the publishing of Tom Broadbent’s At Home With the Furries

by Patch O'Furr

“At Home With The Furries” is at US-based Amazon sellers now.

Sent by Tom via Furplanet

In early 2018 I wrote about a Kickstarter for a book of Tom Broadbent’s furry photography. These aren’t your usual convention photos. He stages them with characters in their homes like storybook pages. As soon as I saw what he was up to, I knew this would make extra special art. One publisher he approached was someone I knew, who I had already tipped that someone should do a furry photo art book. My copy sits on my desk where I write up crazy happenings in the fandom. Let’s hear from Tom how things went. – Patch

Hi Patch,

The book was officially published on 30th September last year. At the time I thought the Kickstarter was hard in terms of raising the backing. Producing the book was a whole different story, I could not be prouder of the finished product but it took a lot out of me. Essentially with the Kickstarter reaching its target I buried myself last year into producing the book to the absolute highest standard I could do. Not only because I felt a deep responsibility to the backers, but also the furries themselves, the furry community and ultimately myself. It’s only going to be published once after all, and it’s out there forever, sitting on people’s bookshelves, in bookshops, museums and a variety of National libraries (some of which I’ll come to shortly.)

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May 22, 2019

How furries resist a commercialized fandom (Part 3)

by Patch O'Furr

Furry fandom often has DIY ethics (intentional or not). That can mean nonprofit volunteer-led events, and directly supporting each other’s art instead of just consuming corporate products. A Daily Beast reporter asked about it and I shared lots of info that didn’t all make the news — so here’s a followup in 3 parts.

Part 1 looked at the roots of fandom, with fans being “fans of each other”. Stigma and undermining showed how the fandom didn’t just follow the path of least resistance, it broke out under pressure. A sense of outsiderness and self determination has stayed ever since.

Part 2 looked at conventions making a platform for industry and expression that keeps the group untamed. Relations with the media got better while making a certain fandom identity (instead of letting others make it). It can even connect to deeper identity of members, because it lets them be who they want to be.

Furries care about fandom identity with a kind of tribalism. When members say they’re prone to “furry drama,” it can come from conflict about who defines it or benefits from it. That’s how The Daily Beast noticed conflict about a luxury “designer fursuit” brand, which usually wouldn’t matter to anyone except furries.

I told the reporter: “I think it really struck a nerve. It really got to the root of this possessiveness that the subculture has about itself and what it built for itself.”

It’s a case for looking at resistance to commercialism. Backlash at the brand was provoked by tone-deaf marketing, where bringing a mainstream approach wasn’t workable with art based on unique personal identity. Also, luxury brands don’t get made from scratch when others go back 100 years. (Fans in-the-know could compare this with furry brand Hyena Agenda, whose stuff speaks for itself without rubbing the wrong way against a certain fandom identity.)

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May 21, 2019

How furries resist a commercialized fandom (Part 2)

by Patch O'Furr

Furry fandom often has DIY ethics (intentional or not). That can mean nonprofit volunteer-led events, and directly supporting each other’s art instead of just consuming corporate products. A Daily Beast reporter asked about it and I shared lots of info that didn’t all make the news — so here’s a followup in 3 parts.

Fandom is big business in the mainstream – but furries have their own place apart. Why does this fandom grow independently? Let’s look at unique expression at the heart of it. Of course furries do a lot more things than this story can look at, but one aspect brings insight about decentralized structure.

Some subcultures rise and fall with media they consume. But the influences seen in Part 1 didn’t make one property in common for every furry. They didn’t rise with a movie like Zootopia. Instead, this fandom is fans of each other.

Part 1 looked at the roots and growth of their conventions. Furry cons make a platform for the specialized craft of fursuiting, with bespoke, full-body mascot costumes that cost thousands. They’re uniquely original expressions of identity. They’re tangible, huggable products of imagination. They put the fur in furry.

A lot of the fandom’s rock stars are fursuiters, who give it a photogenic face. Unlike stars of other fandoms, their original characters usually aren’t promoting something else — and fursuits can’t be downloaded or easily pirated — they’re for live experiences. It matters because online community can be temporary, but live events glue it together. They can show why this fandom is independent, here to stay, and not tied to certain media.

Rather than naming great works tied to their activity, you could say that the group is its own greatest creation. And if writing, art, or other creativity in the fandom didn’t rise out of a certain type of event, fursuiting did.

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May 20, 2019

How furries resist a commercialized fandom (Part 1)

by Patch O'Furr

Furry fandom often has DIY ethics (intentional or not). That can mean nonprofit volunteer-led events, and directly supporting each other’s art instead of just consuming corporate products. A Daily Beast reporter asked about it and I shared lots of info that didn’t all make the news — so here’s a followup in 3 parts.

Why is commercialism a topic for an often disparaged subculture? Compare furry fandom today to its roots. Times change, and hindsight can help to see why. Let’s look at how industry and media influenced the American roots in the 1970’s, how it grew, and changes that come with bigger scale than ever.

The 1970’s could be a hungry time for fans with a taste for comics and animation of the 1940’s-50’s Golden Age. As it faded, funny-animal comics died off while the business suffered under the Comics Code. In movies, the fall of the studio system contributed to a dark age of animation. Hanna-Barbera reigned on TV with cheap formulaic product. Disney’s feature studio almost went bankrupt with barely any new artists hired for a generation. Robin Hood (1973) spread the furry virus before it had a name, but the movie wasn’t well loved by the studio. Then a new wave of artists (such as Tim Burton and Don Bluth) came out of Disney while it had a rebirth, peaking with The Lion King (1994), which launched a thousand furry projects. But by the early 90’s the furry fandom was already fully fledged to take off on its own. It happened under the influence of the ups and downs of industry, but also in spite of it.

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