Dogpatch Press

Fluff Pieces Every Week

Category: Society and culture

Furbuy goes offline, fandom organization issues, and a need for constructive criticism.

by Patch O'Furr

Flayrah covers a tech problem with a longstanding fandom auction site: FurBuy down for ‘months’ after spat with security researcher.

Furbuy says they’ll be back with a completely new site. The old one relied on software mostly written in 1999, offering a service that drew some complaints for security problems or less-than-modern functionality, complicated by some conflict with a site owner about expected handling of complaints.

Furbuy also offered a valuable free service, accommodating fandom high points like record auction prices for creators without taking a cut like nonfandom markets. (It earned some donations, but not as much as it cost to run). With a hobby/not-for-profit project, accommodating demands might not always be fast or easy or welcome to the providers. Still, security issues can’t be dismissed and complaints can come with feelings about less-than-professional standards.

Sound familiar? Like every complaint ever about management of Furaffinity, the biggest fandom art site.

I think it’s a structural thing. It comes with the benefit of a decentralized fandom, where most commerce is self-owned and fan-to-fan without middlemen, with DIY-ness for love as much as money. Making a living that way is rare, and rarely enriching, and it makes limited resources to do better. Professional service is a must in many ways but “pro-fan” can be an oxymoron. It’s a furry paradox.

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Get furry at San Francisco Pride 2019 — Here’s the info you need to dance and join the parade.

by Patch O'Furr

Paws for thought.

The Popdust blog asks: Do Furries Have a Home in the LGBTQ+ Community? Well, I can say a lot about it from organizing for Pride since 2012. (Read to the bottom for past news, or try this 2017 San Francisco Furry Pride story by Smash.) The 2018 parade had the best furry turnout ever — I estimated over 100 came. They won the Absolutely Fabulous award. Whether or not that represents The Gay Agenda at large, SF’s “largest gathering of LGBT people and allies in the nation” opens a home (or a kennel) for us.

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The Spectrum: Fursuiting with Autism (Part 3) – Guest post by Enjy

by Dogpatch Press Staff

Guest author Enjy shares a three-part story about the history of Autism research, its place in fandom, and interviews with 3 furries who give their personal insight.

== PLUMA – ADHD ==

 

Pluma (@Pluma_y_Pelo) is a queer and trans Latina fursuiter who has been diagnosed with Aspergers and ADHD. ADHD, or Attention Deficit Hyperactivity Disorder, is a hotly debated neurological develeopment disorder that is not yet on the Autism Spectrum, but a growing number of scientists are publishing reports asking for its addition. This is due to the extreme similiarities between its symptoms and that of Asperger’s Syndrome, to the point where misdiagnosis for one or the other is worryingly common. ADHD is also a commonly accepted precursor for Non Verbal Learning Disorder, which Heathen, who we profiled earlier, has. The case for addition has grown stronger after the American Psychiatric Association changed their stance on ADHD in the year 2013, publishing a paper titled “DSM-5 Changes in Attention Deficit Hyperactivity Disorder and Autism Spectrum Disorder: Implications for Comorbid Sleep Issues” that rolled back their previous assertation that ADHD and Autism could not coexist in the same person. Pluma loves to perform in her feathered raptor/fox hybrid fursuit, and is an engineer who recently finished grad school. She is very passionate about making sure autistic people are safe and cared for, and her ideas on improving con spaces are worth a read for anyone heading a convention.

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The Spectrum: Fursuiting with Autism (Part 2) – Guest post by Enjy

by Patch O'Furr

Guest author Enjy shares a three-part story about the history of Autism research, its place in fandom, and interviews with 3 furries who give their personal insight.

== DOC FOX – ASPERGER’S SYNDROME ==

 

Doc Fox (@Doctor_Red_Fox), real name Ted, is a 27 year old man born in Chicago, now living in Utah and attending college at the University of Utah. He is studying information systems. Doc Fox has the Autism Spectrum disorder known as “Asperger’s Syndrome,” sometimes referred to as “High Functioning Autism”. This can manifest as lack of social awareness, inability to infer the thoughts of others, sensitivity to noises or touch, and/or over-adherence to routines. He was diagnosed as a freshman in high school in the year 2006, but became a furry in the year 2004. However, his fear of being judged due to people’s negative perception of Autism, mostly people using it as a slur or insult, made him afraid to visit any furry meets until he tried his first one in 2012, at a local Illinois bowling alley. Having purchased his fursuit in 2014, Doc is very proud of his life now, and hopes that his story here can make Autism more visible, because he thinks that being public about your diagnosis can be scary.

Enjy: What does Autism mean to you, personally? How would you describe it, from your own point of view?

Doc Fox: For me, like, I’m aware I’m human. But I kinda feel like I’m always a stranger or an alien. I struggle to read other people, and sometimes, to understand other’s emotions. I’ll miss social cues that other people just take for granted. I really care a lot about if my actions hurt other people though, and I’m always afraid that people just tolerate me because I’m “weird.” It’s really hard sometimes to even talk to other people about these things too. Things people just understand like “folkways” aren’t always apparent to me and others often assume you’re acting out or in bad faith because they just take understandings of these concepts for granted.

Enjy: That was a very well thought out answer. Do you think the furry fandom has been better at coexisting with and understanding your condition than the rest of the populace?

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The Spectrum: Fursuiting with Autism (Part 1) – Guest post by Enjy

by Dogpatch Press Staff

Inspired by the above Twitter thread, I proposed doing a whole article. Guest author Enjy took it on and delivered far more than expected from a one-line topic. A lot of the content comes from interview subjects, as Enjy said: “I wanted to stray away from brevity and let them speak naturally to help neurotypicals understand how autistic people formulate their thoughts, that they might consider it when interacting with them.”

Thanks to Enjy for hard work (and thank-you tips are now being paid for article submissions too. A site sponsorship is coming soon to make it even easier with a PBS-like model.) Thanks to Patreon patrons for helping to fund this and to @Deotasdevil for supporting Enjy.

Parts 2-3 will post later this week. Enjy continues. – (Patch)

Thanks to Doc Fox, Heathen (fursona Manik), and Pluma for doing interviews.

 

== A (Very) Brief History of Autism ==

 

Autism.

It is a word that is scary for some, misunderstood by most, and impossible to pin under a single definition. Due to it’s prevalence today, with new technologies allowing easier and more thorough evaluations of a child’s health, you may be under the impression that autism is a fairly new disorder. However, this could not be further from the truth.

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Little con in the big city: How New York furries are establishing a convention in the Big Apple — By Rocky Coyote

by Dogpatch Press Staff

Rocky Coyote wrote in: “Hi Patch, great work on the furries and commercialization stories! Those were excellent reads. I just wanted to let you know that there’s a new mini con in New York City. I was thinking about submitting a feature about it and the growing furry presence in NYC.”

I wrote back that I have looked for furry presence while traveling in NYC and not found a lot in the past because it seemed scattered, and would love to help. (If anyone has the urge to write, guests get offered thank you tips, which I have to mention out of gratitude about the awesome result here.) – Patch

Little con in the big city: How a handful of New York furs are looking to establish a convention presence in the Big Apple – by Rocky Coyote

For a city referred to as ‘the concrete jungle,’ New York has a surprisingly small furry presence in the United States. Despite living in the biggest city in the nation, furries from the Big Apple must travel elsewhere if they want to attend a convention. A handful of furs looked to change that by organizing and hosting a mini convention on Memorial Day that saw over 50 attendees participate in a day-long event in the heart of Queens.

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“A book about joy:” the publishing of Tom Broadbent’s At Home With the Furries

by Patch O'Furr

“At Home With The Furries” is at US-based Amazon sellers now.

Sent by Tom via Furplanet

In early 2018 I wrote about a Kickstarter for a book of Tom Broadbent’s furry photography. These aren’t your usual convention photos. He stages them with characters in their homes like storybook pages. As soon as I saw what he was up to, I knew this would make extra special art. One publisher he approached was someone I knew, who I had already tipped that someone should do a furry photo art book. My copy sits on my desk where I write up crazy happenings in the fandom. Let’s hear from Tom how things went. – Patch

Hi Patch,

The book was officially published on 30th September last year. At the time I thought the Kickstarter was hard in terms of raising the backing. Producing the book was a whole different story, I could not be prouder of the finished product but it took a lot out of me. Essentially with the Kickstarter reaching its target I buried myself last year into producing the book to the absolute highest standard I could do. Not only because I felt a deep responsibility to the backers, but also the furries themselves, the furry community and ultimately myself. It’s only going to be published once after all, and it’s out there forever, sitting on people’s bookshelves, in bookshops, museums and a variety of National libraries (some of which I’ll come to shortly.)

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How furries resist a commercialized fandom (Part 3)

by Patch O'Furr

Furry fandom often has DIY ethics (intentional or not). That can mean nonprofit volunteer-led events, and directly supporting each other’s art instead of just consuming corporate products. A Daily Beast reporter asked about it and I shared lots of info that didn’t all make the news — so here’s a followup in 3 parts.

Part 1 looked at the roots of fandom, with fans being “fans of each other”. Stigma and undermining showed how the fandom didn’t just follow the path of least resistance, it broke out under pressure. A sense of outsiderness and self determination has stayed ever since.

Part 2 looked at conventions making a platform for industry and expression that keeps the group untamed. Relations with the media got better while making a certain fandom identity (instead of letting others make it). It can even connect to deeper identity of members, because it lets them be who they want to be.

Furries care about fandom identity with a kind of tribalism. When members say they’re prone to “furry drama,” it can come from conflict about who defines it or benefits from it. That’s how The Daily Beast noticed conflict about a luxury “designer fursuit” brand, which usually wouldn’t matter to anyone except furries.

I told the reporter: “I think it really struck a nerve. It really got to the root of this possessiveness that the subculture has about itself and what it built for itself.”

It’s a case for looking at resistance to commercialism. Backlash at the brand was provoked by tone-deaf marketing, where bringing a mainstream approach wasn’t workable with art based on unique personal identity. Also, luxury brands don’t get made from scratch when others go back 100 years. (Fans in-the-know could compare this with furry brand Hyena Agenda, whose stuff speaks for itself without rubbing the wrong way against a certain fandom identity.)

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How furries resist a commercialized fandom (Part 2)

by Patch O'Furr

Furry fandom often has DIY ethics (intentional or not). That can mean nonprofit volunteer-led events, and directly supporting each other’s art instead of just consuming corporate products. A Daily Beast reporter asked about it and I shared lots of info that didn’t all make the news — so here’s a followup in 3 parts.

Fandom is big business in the mainstream – but furries have their own place apart. Why does this fandom grow independently? Let’s look at unique expression at the heart of it. Of course furries do a lot more things than this story can look at, but one aspect brings insight about decentralized structure.

Some subcultures rise and fall with media they consume. But the influences seen in Part 1 didn’t make one property in common for every furry. They didn’t rise with a movie like Zootopia. Instead, this fandom is fans of each other.

Part 1 looked at the roots and growth of their conventions. Furry cons make a platform for the specialized craft of fursuiting, with bespoke, full-body mascot costumes that cost thousands. They’re uniquely original expressions of identity. They’re tangible, huggable products of imagination. They put the fur in furry.

A lot of the fandom’s rock stars are fursuiters, who give it a photogenic face. Unlike stars of other fandoms, their original characters usually aren’t promoting something else — and fursuits can’t be downloaded or easily pirated — they’re for live experiences. It matters because online community can be temporary, but live events glue it together. They can show why this fandom is independent, here to stay, and not tied to certain media.

Rather than naming great works tied to their activity, you could say that the group is its own greatest creation. And if writing, art, or other creativity in the fandom didn’t rise out of a certain type of event, fursuiting did.

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How furries resist a commercialized fandom (Part 1)

by Patch O'Furr

Furry fandom often has DIY ethics (intentional or not). That can mean nonprofit volunteer-led events, and directly supporting each other’s art instead of just consuming corporate products. A Daily Beast reporter asked about it and I shared lots of info that didn’t all make the news — so here’s a followup in 3 parts.

Why is commercialism a topic for an often disparaged subculture? Compare furry fandom today to its roots. Times change, and hindsight can help to see why. Let’s look at how industry and media influenced the American roots in the 1970’s, how it grew, and changes that come with bigger scale than ever.

The 1970’s could be a hungry time for fans with a taste for comics and animation of the 1940’s-50’s Golden Age. As it faded, funny-animal comics died off while the business suffered under the Comics Code. In movies, the fall of the studio system contributed to a dark age of animation. Hanna-Barbera reigned on TV with cheap formulaic product. Disney’s feature studio almost went bankrupt with barely any new artists hired for a generation. Robin Hood (1973) spread the furry virus before it had a name, but the movie wasn’t well loved by the studio. Then a new wave of artists (such as Tim Burton and Don Bluth) came out of Disney while it had a rebirth, peaking with The Lion King (1994), which launched a thousand furry projects. But by the early 90’s the furry fandom was already fully fledged to take off on its own. It happened under the influence of the ups and downs of industry, but also in spite of it.

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