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Tag: anthropomorphic

Mort(e), by Robert Repino – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

 

Mort(e), by Robert Repino. Illustrated by Sam Chung.
NYC, Soho Press, January 2015, hardcover $26.95 (358 [+ 1] pages), Kindle $12.99.

31jpc4qtJoL“Before he took his new name, before the animals rose up and overthrew their oppressors, before there was talk of prophecies and saviors, the great warrior Mort(e) was just a house cat known to his human masters as Sebastian. It was a time that now returned to him only in dreams and random moments of nostalgia that disappeared as quickly as they arose. All of it except for Sheba. The memory of her was always digging at him like a splinter under a nail.” (p. 3)

The first dozen pages of Mort(e) are Sebastian’s early life as a housecat, and his meeting Sheba, the large, slobbery dog of the man next door. It’s not until page 14 that Sebastian first learns of the war to exterminate humans, when he observes one of “his masters” watching the TV news:

“It was always the same: a river of text flowed beneath explosions, people running, buildings on fire, green trucks rolling along highways, men and women with helmets marching, building bridges, demolishing things, using flamethrowers to burn massive hills of dirt. And in between all the images were videos of creatures that Sebastian had seen crawling in the grass outside the window: ants. They were always on the television, always marching in a line, sometimes covering entire fields and picking apart dead farm animals. Sebastian saw people running away from ants the size of the Martinis’ car. The monsters could walk on their hind legs, and their jaws were strong enough to lift a human at the waist. […] All the channels were playing the same thing now. Nothing buts ants and fires. But this time, there was footage of a new creature. A pack of wolves, walking on their hind legs, approaching the camera. One of them carried a club in his hands the same way Daniel would hold a hammer. This was followed by a choppy clip of a group of animals marching alongside the giant ants. Sebastian could hear people screaming.” (pgs. 14-15)

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Blue Horizon: The Captain’s Journal, Book 2, by Ted R. Blasingame – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Blue Horizon: The Captain’s Journal, Book 2, by Ted R. Blasingame (with Eileen Blasingame and Steve Carter). Revised edition.
Raleigh, NC, Lulu.com, March 2015, trade paperback $16.99 (346 pages).

product_thumbnailBlue Horizon, Book 2 follows smoothly after Book 1, reviewed here in March. If you liked Book 1, what are you waiting for to get Book 2? If you haven’t read Book 1 yet, you should start there to introduce yourself to Captain Merlin Sinclair (wolf) and the anthro crew of the interstellar freighter SS Blue Horizon, and the human and Furred worlds of the galactic Planetary Alignment.

Ted Blasingame, his wife Eileen, and Steve Carter originally wrote 31 adventures of the Blue Horizon on their early website during 1996 to 2003. They were published in separate Books, then combined in one Lulu.com volume in December 2003 that was HUGE – I literally could barely lift it. Blasingame and the others continued to write new online adventures until 2009, when they closed their website and went on to new projects. Now Blasingame is revising and polishing the out-of-print stories, adding the newer ones to them for a total of 45, and dividing them into four more easily-held Books with new covers by Elizabeth Jackson. Books 1 and now 2 have been published so far.

Book 2 contains Episodes 12 through 22. Although they are presented as separate stories, they flow smoothly into one another like the chapters of a novel. It is assumed that the reader is familiar with the characters and events covered in the first eleven episodes. These second eleven episodes are no longer all presented in the format of an opening excerpt from Captain Sinclair’s journal, with a flashback to the full adventure.

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Cat Out of Hell, by Lynne Truss – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Cat Out of Hell, by Lynne Truss.
London, Hammer Books, March 2014, hardcover £9.99 (233 pages), Kindle £4.31.

British cover

British cover

As usual, this review lists the first, British, edition. American readers will find it easier to get one of the American editions (Melville House, March 2015).

An unnamed narrator is writing from an isolated English seaside vacation cottage. His wife of many years has died; despondent, he quits his dead-end Cambridge librarian’s job and rents this cottage in an off-season winter month to wallow in grief. But it is too lonely, and he becomes bored.   He has his laptop computer, and when a Cambridge ex-colleague e-mails him some lengthy mysterious text and audio files named “Roger”, he opens them.

The files, from Roger and a man identified only as “Wiggy”, make it clear that Roger is supposedly a talking cat. Although incredulous at first, the narrator gradually comes to believe that the files are genuine. Roger really is a talking cat. What most convinces the narrator is Wiggy’s unmistakable denseness. The witty, sarcastic Roger constantly makes references and comments that go over Wiggy’s head, which the narrator gets. (Wiggy also tells enough about himself in bits and pieces to identify himself as a youngish amateur actor in Coventry named Will Caton-Pines.)

The first files relate to a screenplay about a talking cat that Wiggy is writing and is enthusiastic about selling. Roger is bored out of his mind. He doesn’t want to reveal himself to the public, and he is sure that Wiggy’s screenplay will be unsaleably bad. Different parts of the files explain how Wiggy acquired Roger (he was the pet of Wiggy’s sister, who has disappeared), and give Roger’s life story at length.

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Light: A Tale of the Magical Creatures of Zudukii, by T. S. McNally – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Light: A Tale of the Magical Creatures of Zudukii, by T. S. McNally.81g1ybUzOuL
Syracuse, NY, Bounding Boomer Books, February 2015; trade paperback $9.99 (151 pages), Kindle $4.99.

“Magical creatures” are the operative words here. I usually divide anthropomorphic fiction into either furry or funny-animal fiction, depending upon whether the anthro animals show some semblance of reality as to species, or whether they are “animal-headed humans”. In Light, though, the inhabitants of Zudukii are totally, blatantly fantastic. It is rare when two characters, say a brother and sister, are the same species, and all are basically humans. A bear has an otter sister, who has a kangaroo boyfriend.

Actually, he’s not exactly a kangaroo. While Garoo is usually called a kangaroo, he is more accurately described (disparagingly) as a kangabuck, a kangaroo with antlers; the son of a stag father and a kangaroo mother. See the cover by Selkie. But most characters do not display a mixed heritage. They are either one animal or the other.

Does Garoo hop or walk? The reader can’t tell. Does he have other non-kangaroo attributes? Page 29 says, “The crowd had grown to such a size that the kangaroo wrapped his tail around one of the posts as to keep himself from accidently falling into the water.” Kangaroo tails are not that prehensile.

Do the animals, including anthro birds, wear clothes or not? This is vague until page 31, when “Enveloped in a long green dress, a grey bushy form of a squirrel female […]” — although it’s still unclear as to whether all of the animals wear clothes or only some of them.

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Who Wacked Roger Rabbit? – book review by Fred Patten.

by kiwiztiger

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Who Wacked Roger Rabbit?, by Gary K. Wolf.
Colorado Springs, CO, Musa Publishing, December 2014, trade paperback $14.00 (306 pages).

who-wacked-roger-rabbitThis is the third “Roger Rabbit” novel by Gary K. Wolf in 30+ years. The first, Who Censored Roger Rabbit? (St. Martin’s Press, October 1981), was bought by Walt Disney Productions and turned into the considerably different animated feature Who Framed Roger Rabbit (June 1988). (For example, there is no Toontown; Roger talks through speech balloons; does not spray his P’s; and he is killed in the novel.) The movie was a mega-hit, and Wolf wrote a second novel, Who P-P-P-Plugged Roger Rabbit (Villiard Books, August 1991) that was not as much a sequel as a movie media tie-in. The title emphasized Roger’s distinctive stutter from the movie, and the dust jacket showed Roger and his wife Jessica as they appear in the Disney cartoon design in the movie. But the second novel’s new background was not that of either the first novel nor of the movie.

Now Wolf has written a third novel. Who Wacked Roger Rabbit? seems betwixt & between the first two. The date is 1947 or ’48, when “Walter Windchill” and “Luella Parslips” are still active gossip columnists.

Eddie Valiant, the private eye, is the hard-boiled narrator. “Me and my smog machine rattled our way down Sunset Boulevard to Columbia Studios, the toniest movie lot in Hollywood, where the bungalows are painted with the pixie dust that coats silver screens and the streets are paved with pure movie gold. A schmoe like me rarely gets an invite to a top shop like this. My gumshoes stick to the seamier sidewalks of Tinsel Town.” (p. 3)

Columbia is about to make a new movie starring Gary Cooper, but a deliberate change from his usual Westerns and sophisticated roles. Producer Barney Sands (a human) explains to Eddie that it’s to be set in Toontown, with Coop playing a low-class human living there.

“‘Coop will immerse himself in his role, actually living the life of the character he plays. I want him to hang out in Toontown. Get inside the heads of his Toon co-stars, find out what makes them tick. Use those emotions to structure his own performance.’ Sands flipped his Zip and lit another cigarette. I never saw a guy smoke so fast. Like he had a pair of suction fans inside him instead of lungs. ‘The end result will be sensational. The new Cooper. Crude, basic, and untamed. Giving a performance that delivers a punch straight to the gut.’
[…] Read the rest of this entry »

Hero’s Best Friend; An Anthology of Animal Companions – book review by Fred Patten.

by kiwiztiger

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Hero’s Best Friend; An Anthology of Animal Companions, edited by Scott M. Sandridge
Lexington, KY, Seventh Star Press, February 2014, trade paperback $20.95 ([iv] + 447 pages), Kindle $3.99.

Hero's best FriendHero’s Best Friend; An Anthology of Animal Companions is a fantasy anthology of “twenty stories of heroic action that focuses on the furries and scalies who have long been the unsung heroes pulling their foolish human buddies out of the fire”. Superficially, this is not necessarily a furry book. The blurb cites comparisons with Gandalf’s horse Shadowfax, the Vault Dweller’s dog Dogmeat, and the Beastmaster’s “fuzzy allies”; all famously loyal animal companions, but under their human partners’ control. Those animals are no more anthropomorphic than the Lone Ranger’s horse Silver.

But these are stories by fantasy authors, and they emphasize the animals’ conscious partnership or dominance over their human companions. “[T]he unsung heroes pulling their foolish human buddies out of the fire” is the operative m.o.

In “Toby and Steve Save the World” by Joy Ward, Steve is the human and Toby, a Pembroke corgi, appears to be his dumb pet. But the story is told from Toby’s view, and it’s clear that the dog recognizes the menaces and deliberately maneuvers his clueless human into taking care of them. The story is definitely anthro. It also wallows in self-conscious cuteness.

“Dusk” by Frank Creed is narrated by Dusk, a housecat in the future. Dusk is the partner of a man codenamed Whisp, but here the human is aware of the cat’s strengths, and they trust each other. Whisp and Dusk are undercover police agents seeking a criminal gang in 2038 Chicago’s Chinatown slums, and Dusk (among others) is bionically enhanced.

“I sniffed the alien scents on the shelves in my aisle – and also the faint charcoal bouquet of expensive whiskey – while Whisp did what the wanted. From the back of the shop I eyeballed inside the stairwell where sat a thin middle-aged yellow-skinned man on a stool. He wore suspenders over a plain white stained tee and held a cup. He looked at me, but it felt wrong.
Other eyes saw through his eyes, and the fur on my spine spiked.” (p. 18)

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Scale’s paintings push the limits of furry art, with surprising mainstream crossover.

by Patch O'Furr

(NSFW – nude paintings below!)

In “Furry Good Ideas“, Scale commented on my suggestion about starting a Furry art gallery: 

scaleNot sure if the times are ripe for a dedicated furry art gallery, but for what it’s worth I’m having some success entering furry paintings in local art shows… I’m also making a bet that a market niche for paintings actually exists within the the fandom and that a decent number of fans would like to own furry art which can be displayed alongside other kinds of art. The results are very encouraging so far.

The article was meant to encourage feedback like this, revealing a cool new story. Nice to meet you, Scale!

Scale does classical style anthropomorphic figure painting.  Public display of his work puts him in a favorite focus of this blog: crossover.  He isn’t just showing regular fantasy art to the public, either.  It’s both painterly, and super hot!  It’s the best of both worlds.  Look at the dragoness below… the attitude, the pose, the voluptuous sculpted butt… excuse me while I fan my face for a minute.

I’m happy to share this as a nice surprise to the chairman of Eurofurence.  He commented on my article about Biohazard’s crossover art stunt:Screen Shot 2015-05-11 at 5.43.25 PM

We’re seeing a little subcultural eruption, from as far across the line of “low art” as you can get.  Scale’s art is pushing limits.  His cool, thoughtful style speaks of Old Master sensibility, but the hot-blooded subjects are a weird combination that makes sparks.  Isn’t that what art is for?  The way people respond to it brings interesting thoughts about art meaning:

The bunny painting was accepted in the show without any problem. I keep finding evidence that most non-furries don’t read a picture like that one as a sexy pinup… I suspect most people just see it as a parody of human nudes.

OK, it’s sexy to furry fans (5,000 on his popular FurAffinity account), but he thinks it doesn’t communicate like that to the “normal” public.  Is that a failure?  Would they show it if it doesn’t speak to them?  It has to work as simply good painting.  It’s an example for furry artists: don’t make good furry art – make good art. Read the rest of this entry »

Escape from St. Arned, by Rose LaCroix – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Escape from St. Arned, by Rose LaCroixthreetails03
Dallas, TX, FurPlanet Productions, September 2014, trade paperback $9.95 (143 pages).

This title is a work of anthropomorphic fiction for adult readers only.

As LaCroix’s Basecraft Cirrostratus (June 2010) ended, Elor (Prof. Elor Kaya, cougar), Vinz (Vinz Nivariya, wolf), and Laz (Y’Lazde Malek, fox) appeared to have escaped from the despotism of Occidentania, and hiding in its lawless Basecraft Cirrostratus giant flying airbase, to the freedom of a new life in Riverlea in neighboring Lyocia. But as Escape from St. Arnaud opens a year later, everything is suddenly falling apart for them.

Elor loses his new college job when Occidentania’s old false charges of immorality against him reach Lyocia, and the rumors of immorality make it impossible to get a new job. Also, crimelord Hannock Burrad’s gang from the Cirrostratus is trying to kill him. But the rival criminal gang of Kerro (stoat), which has relocated in Lyocia and is supplying weapons to all the factions in Occidentania, offers to protect Elor and give him a job if he will deliver a shipment for them. Meanwhile, Hannock’s goons rough up Laz while looking for Elor, and the hot-tempered Vinz blames the cougar for his lover’s being hurt. When Laz sides with Elor, Vinz storms out. Then Laz leaves Elor for a different long-term job.

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“Unbelievably cute:” True-Tail animation series, from Skynamic Studios.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Wallpaper_004

Back in August 2013, Rod O’Riley’s In-Fur-Nation brought us the first news of Skynamic Studios’ “True-Tail” Adobe Flash animation series in preproduction.  “A place where six unruly mercenaries must learn to work together … Or succumb to an ancient dark magic.”  The six are Caleb, a kitten squire; Brutus, a bear warrior-knight; Viktor, a fox thief; Melody, a rabbit bard; Doh-Li, a half-dragon, half-deer priestess; and Kanikus, an ancient phoenix wizard.  The art design is – unbelievably cute.

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Amazing BLFC report, Hug Permits, furries in national art shows. Newsdump (5/21/15)

by Patch O'Furr

Headlines, links and little stories to make your tail wag.  Tips are always welcome. 

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Mainstream sightings and fandom news

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VICE parties hard at Fur-eh!

The article gets super friendly, and stays refreshingly non-judgemental.  It can be hard to broadly cover an event with immersion in a tight circle of friends, so it’s only a small slice of the experience.  Not all furries are way into parties.  Some feel like it ruins think-heavy sci-fi focus.  However, sci-fi cons with no parties are a world I don’t want to live in. You can make a furry con anything you want it to be.  When they do party, nobody does it better!

Impressions from Biggest Little Fur Con.

I confess to partying too hard to cover this with it’s own article. (Thanks Vox for a great vid!)

  • It’s really amusing to see someone get covered head to toe in shaving cream.  (It takes about 4 cans.)
  • Favorite shirt I saw: “I’M FAT – LET’S PARTY”
  • Thank-you’s for blogging? You might as well thank me for eating! Someone joked that it must take drugs to pound these out.  Nope.  Fursuiting is my drug.
  • Attendance of 2400+ makes BLFC the 6th largest con. (AKA “Biggest Medium Fur Con.”)  That’s impressive to build in 3 years. The subculture is rising!
  • With the future Dystopia theme, a lot of fan interaction means they succeeded. Many said it was the best use of a theme they had ever seen.  High praise.
  • More interaction I loved were the unofficial “Hug Permit” officers.  They were funny, engaging… and helpful with secret wing-man encouragement. (See “code 90944?”)  Come on… with 2400 adults together for a once a year celebration, how could that NOT happen? No judging. Further proof that “Hugs are the handshake of furries.”

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