“He’s a Steve” – The Onion gets hip to the furry jive
by Patch O'Furr
I’m crying at this breaking news from The Onion.
There’s something funny about how they wrote it.
Check this out:
I’m crying at this breaking news from The Onion.
There’s something funny about how they wrote it.
Check this out:
If you like making friends laugh and/or wasting company time, and have been on the net for 10-15 years, then you probably know The Onion, CollegeHumor, Funny or Die – and Cracked. At one point it was the world’s most visited comedy site.
Papa Bear is a movie in development from heads of the Cracked video department at its peak. It’s about a furry in the family, and its climax will be filmed at a furry convention. Papa Bear promises to be dramatic, funny, daring, boldly LGBT-positive, and full of heart.
Meet “Toon Furs” in Part 1: Duino Duck, RomeTwin, and James the Duck. This story features the side of fandom where you can watch NEW cartoons with classic animal characters, and even turn into one! HBO Max has 80 eleven-minute episodes of fresh-but-faithful animation from WarnerMedia. Furries discuss their influence in this 3-part story by Rocky Coyote. (Rocky previously covered fandom in America’s biggest city on his tag here.)
Looney Tunes gets a reboot: How an iconic cartoon forged a wacky and lovable side of the furry fandom.
Bugs Bunny and the rest of the Looney Tunes gang found a new home on May 27 as WarnerMedia launches its newest streaming service HBO Max.
Looney Tunes Cartoons is the latest show to marquee the iconic characters that have entertained viewers around the globe for over 80 years. Unlike recent reboots such as The Looney Tunes Show (2011) and Wabbit (2016), HBO’s series will closely resemble the format and art style of the original shorts crafted by the likes of Tex Avery, Bob Clampett, Chuck Jones, Friz Freleng and Robert McKimson.
Naturally, the show’s wacky yet lovable characters have had an influence on the furry fandom, but this goes beyond the cartoon’s anthropomorphic nature. Shows like Looney Tunes paved the way for a subculture within the subculture, where furries create their own characters in the ‘toon mold.’ This includes big eyes and exaggerated body proportions, personalities that range from goofy to outright insane, and a penchant for slapstick comedy aided by an endless supply of mallets, dynamite and anvils.
To get a better idea of Looney Tunes’ impact on the furry fandom, Dogpatch Press reached out to a number of self-identified toon furs and let them describe how the series influenced their love of cartoons and helped them find a place within the fandom.
Announcement: Until March 31, vote for the Ursa Major Awards to support the best works of furry fandom!
RING RING. Did you ever get a scam caller who needs money immediately? One time I answered one of those and played along with a “dumb voice” (it was method acting) while I pretended to walk to Wal-Mart to send them a wire transfer. My friend played store noises in the background, and announced “Sir, you can’t be here without pants!” The caller persisted until I pretended to get lost and fall in a duck pond and couldn’t stop laughing at the quacking noises. Of course the dumb prank only tied up time (and maybe reduced scams), but now let me tell you about movies that are very worth the time. They’re wake-up calls that deliver truths about society while being artful and entertaining too.
I just saw the movie "Sorry To Bother You".
— Deo (@DeoTasDevil) July 29, 2018
I can't remember the last time a film had me this gutted. I'm wrecked.
"Sorry To Bother You" is powerful and you should see it. Don't look it up, no spoilers, just go experience it.
Hey @BootsRiley! Just wanted to give you a thank you for making probably one of the most overlooked films that needed to be seen. It does 'bother' me that it wasn't nominated for any Oscars, but you did a very good job impressing me nonetheless.
Hope your next film is great. 🙂
— Scarfy🧣 (@ScarfyConly) January 22, 2019
VIDEO Q&A with director Boots Riley below. SPOILER WARNING – watch the movie before reading!
Sorry To Bother You (2018) is the debut movie by Boots Riley, a satire set in a worker strike among telemarketers. The story device that gets it going is code switching with different voices. The main character is a black guy (Cassius Green) who uses an absurdly ethereal “white voice” – when the actor Lakeith Stanfield opens his mouth, the voice of David Cross comes out. The trick makes him super successful at telemarketing. It gets him out of poverty that sucks down everyone around him, but sets him up to pay a horrible cost.
At first you think it’s a story about underpaid workers fighting for respect. Then it aims higher at capitalist dehumanization. Then it goes over the top with a hallucinatory sci-fi reveal that transforms the characters. The screenwriting is eccentrically formula-defying. Hollywood likes to play safe with big budgets and crank out polished turds, but this movie takes chances with a modest budget for a gloriously gutsy indie production with a message.
It looks like an odd choice to cover on a furry site, so why’s it here? The answer is in the reveal we’ll get to.
I saw Sorry To Bother You with Fruitvale Station (2013) at a small library screening for this program– RESISTANCE, RESILIENCE, & ANTICIPATION: a fresh look at the Black Arts Movement in Oakland. It was more than an ordinary show, it was a special community happening, so let’s look at how the movies connect. (It’s also the second Dogpatch Press story from the same neighborhood after the Ghost Ship warehouse fire in Oakland.)
Here’s news from Joe Strike – you may have seen his recent piece for Flayrah about “stealth fur.” Joe’s Furry Nation book got a lot of love here. He seems to have a sequel in the works (not sure how much I’m supposed to say, but there may be a chapter from a certain dog’s paw!) Joe saw an article making fun of furs in MAD magazine, and sent this piece. With so much going on in the news, I think it’s a bit refreshing to get gentle joking. Honestly, I want outsiders to just laugh a little while we can be like this… (- Patch)
MAD Magazine and the “Lighter” (?) Side of Furries
By Joe Strike
Greetings, Dogpatch Press readers. We hope you’ve been enjoying the run of What’s Yiffin’? on this website; it’s time for April’s edition! One thing you’ll realize over the course of watching our show is sometimes events happen so close to production time that we can’t include them in the show and they are delegated to next month’s release. The firestorm surrounding RMFC is an example of one such event. Literally a day or two after we wrapped up this episode that whole mess happened, sort of like how the story about 2 Gryphon was pushed back to this month for the same reason. Speaking of 2, here’s the news that’s fit to print!
More details and some additional insight from the show’s writers:
Remember when Seinfeld was one of the biggest TV shows, and co-star Michael Richards derailed his career with a racist meltdown on stage? It happened at a comedy show, but it wasn’t part of the act. He apologized, and news said “It is actually one of the most honest apologies that a celebrity has ever given for bad behavior.”
It’s rare to see a career implode like that. Now let’s look at a furry happening that’s not so drastic, but more of a slow burn. A prominent performer in the fandom is being examined for poorly representing it, and found unworthy of support by its premiere convention. Bad behavior has been in plain view for years with no apologies. It took this long to accumulate wider attention. Many members say it’s long overdue, and some find it discouraging that it took so long.
“2 The Ranting Gryphon” has a problem.
His George Carlin-styled comedy has earned 24,000 follows on Youtube and audiences of 1000+ at Anthrocon. I’ve seen and laughed at his show there. But they declined to host him this year. His fans are very upset (almost as if he’s a tenured “house comedian of fandom”?) 2 himself appears to be the info source, claiming to be a victim of invalid attacks by over-offended “SJW’s”. There’s only a vague official statement citing declining attendance, so pointing blame is untrustworthy. A con can pick whoever they want, and they just chose not to pick him; friends and fame aren’t supposed to overrule quality or board decisions for approval. (Free speech doesn’t apply because it’s not between citizen and government – the host is a private organization. He isn’t “banned” and can attend the con. )
Thanks to Pup Nacho for his news tip below. First, let me ask: Are knots funny?
The Top 10 Knots You Saw In Boy Scouts
— Dogpatch Press (@DogpatchPress) September 4, 2015
Sea Captain Unsure Why Furries Keep Giggling While They Ask How Fast The Ship Goes
— Dogpatch Press (@DogpatchPress) November 5, 2015
If you’re giggling like I did when I posted those, you might be Furry Trash. And you might appreciate how they only make sense for those in the know.
Having unique language is a mark of a fully-fledged subculture. They call it slang, vernacular, cant, or cryptolect. Fans of fantasy fiction and role-playing might know about Thieves’ Cant (for criminals, beggars and hustlers, traveling performers, and carnival workers); those who study Queer theory may know Polari. (See Atlas Obscura: The Forgotten Secret Language of Gay Men.)
Submitted by Fred Patten
Fred writes: a few reviews of furry books that I wrote in 2003 or 2004 have vanished from the Internet. I wrote them for the first version of Watts Martin’s Claw & Quill site, which he has apparently taken down. Here they are back online.
Rats, Bats & Vats, by Dave Freer & Eric Flint. Maps by Randy Asplund.
Riverdale, NY, Baen Books, September 2000, hardcover $23.00 (388 pages), Kindle $6.99; September 2001, paperback $7.99 (448 pages).
The Rats, the Bats, & the Ugly, by Eric Flint & Dave Freer. Maps by Randy Asplund.
Riverdale, NY, Baen Books, September 2004, hardcover $24.00 (391 pages), Kindle $6.99.
I had intended to review just the latter “sequel”. But it is such a close continuation of the former that to read RBU alone is like starting an 800-page novel in the middle. The introductory synopsis is adequate, but it is much more enjoyable to read the whole story.
Harmony and Reason is a colony planet founded on utopian ideals, which has evolved into a split between an elite upper class of founding Shareholders and an oppressed labor class of cloned “Vats”. Unknown aliens, the sea-urchinlike Korozhet, come to HAR to warn that it is about to be conquered by still other aliens, the brutal insectlike Magh’ empire. But the friendly Korozhet will share their superior technology with the humans to help them defend themselves. Among this technology are soft-cyber implants (brain chips) to increase the intelligence of animals. The two species of animal soldiers that HAR bioengineers are bats, for flying explosive devices into Magh’ camps, and “rats” (actually a bioengineered cross between rats and elephant shrews) which make fanatically vicious commandos.
It does not take long for the front-line troops to realize that the Korozhet are not the benevolent saviors they claim to be. They have engineered the Magh’ invasion to whittle down HAR’s defenses so they can safely conquer it for themselves. The creation of the bats and rats is to develop new cyber-controlled slave species. But by then, the Korozhet have gained psychological control over the incompetent Military High Command. To complicate matters, neither the Korozhet nor most humans realize that the bats and rats are more than just computer-guided cannon fodder. They are truly intelligent and are each planning their own revolt.
This may sound dramatic, but the two-volume novel is mostly a military-political s-f comedy. Much action revolves around the evasions that the front-line troops use to get around the stupidly suicidal orders from the pompous High Command so they can effectively battle the Magh’.