Dogpatch Press

Fluff Pieces Every Week

Tag: confurence

February 22, 2024

Remembering Mark Merlino (1952-2024), a founder and soul of furry fandom

by Patch O'Furr

Mark (left) and Rod holding their Lifetime Achievement Award — from the 2022 Good Furry Awards

They had a shared vision

Mark Merlino was a founder of both the furry fandom and the North American anime fandom. In 1971, meeting fellow hobbyists at science fiction conventions led to the 1977 formation of the Cartoon/Fantasy Organization (C/FO), using the clubhouse of the Los Angeles Science Fiction Society (LASFS). They would screen rare videos of imported Japanese animation for lucky members to see before anyone else, and movies like Animalympics that were first called funny-animal and later furry. In 1989 Mark and his partner Rod O’Riley co-founded the first furry convention, Confurence.

Their vision stood apart from major influences like Star Trek or Star Wars. They would gather fans without elitism or ambitions of an exclusive club, with no central property, brand or owner. It was a vision of collaboration, expressed with sketchbook sharing, convention room parties, and direct fan-to-fan creativity. That’s how love for animal characters turned into being original role-play fursonas. It was shaded by counterculture of 1960’s underground comix, and lit by the sparks of pre-internet fandom circulated by VHS tapes and mail ‘zines.

The flame was tended from Mark’s Southern California house, The Prancing Skiltaire, established in 1980. It was named after a mink-like alien species he created and also a reference to the Prancing Pony Inn in Lord of the Rings. Mark shared the house with Rod and a rotating cast of fellow creative oddballs and luminaries. In the mid-1980’s he created his fursona Sylys Sable and Rod created Vinson Mink with a similar back-story. They supported regular monthly furmeets, con staff meets, furry BBS and MUCK activity and an ISP, animation screenings and mingling with California industry talent, and development of independent zine/APA publishing, animation, games, and costuming. They were at the forefront of an explosion of nearly 200 conventions and worldwide subculture that serves millions today.

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February 7, 2023

Confuror makes a crossroads for Latin American furries and international fandom.

by Patch O'Furr

2018 story The Diversity of the Latin American Furry Fandom is background for visiting Mexico’s largest furry con in October 2022.

Young Mexicans told me that Confuror has taken off to be their first full-fledged con and a beacon for fandom there. It succeeded after they only had meet-sized events that came and went, and wished for ones like North Americans have. The 2022 attendance surged after a first hotel con and then virtual cons for two years. There were 1,861 attendees, with 486 fursuiters at the fursuit festival. The charity auction raised 153,526 MXN (about $7,675 USD) to benefit a shark conservation NGO.

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January 26, 2021

You made it to 2021! — A look back at the Top 20 Furry News stories of last year. (Part 2)

by Patch O'Furr

The Ursa Major Awards are open for nominations! Check the Recommended Anthropomorphics list for stuff to consider.

(Part 1): You made it to 2021! — A look back at the Top 20 Furry News stories of last year.

Here’s more review of last year’s news from Dogpatch Press. These are highlights for this site, and they’re not listed by biggest or most-viewed, it’s a mixed bag of big stories plus inside stuff only a fandom knows.

(11) International animals — What’s life like for a teenage LGBT furry fan in Iran? and Meet Unid, the only known furry from Sri Lanka.

There’s so much going on outside North America. Furry scenes are coming up in Latin America and Southeast Asia. Art is common language for far-flung fans who’d never meet any other way. One in Iran thinks war should be about the best pizza. One in Sri Lanka dreams of coming to a furry con one day.

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December 15, 2020

Fans get new shows, but who profits? #DisneyMustPay demands fairness for Alan Dean Foster — and a ConFurence founder remembers him as guest of honor.

by Patch O'Furr

Via an author I follow.

I almost forgot my own report about Alan Dean Foster, the accomplished science fiction author who is being cheated by Disney.

It was buried by news about shows and movies with extra furry appeal. Irish animated feature WolfWalkers is just out for streaming. There are deaths to remember: Thomas “Tiny” Lister (voice actor in Zootopia) and Richard Corben (comics artist whose ROWLF was pitched for a furry feature by Hayao Miyazaki.) There’s announcements from Disney and Pixar — an animated TV series, and a feature of incredible furrybait.

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July 27, 2020

A 1990’s fax to troll Confurence shows how long there’s been culture war with furry fandom

by Patch O'Furr

Hairy Horny Freedom

Media was different in the 1980’s. There was a TV channel just for music videos. Furry fans got their fix from Saturday morning cartoons or cult films on VHS. Smartphones, Twitter and Facebook didn’t exist. Sharing a meme could need paper mail or a fax.

On MTV, there were lots of metal videos with men who acted macho but looked like hot women. Think: bikers in mascara who switched meth for hairspray. They sang about love over widdly-diddly guitar wizard pyrotechnics. (They were rockin’ like Dokken.) There was an arms race to be the most Glam until Grunge bands stole their place. But first, they were challenged by disco DJ music, minus the hair farming and augmented by rapping and controversy.

In Miami, a club scene rose up that thrilled crowds with rappers doing porn lyrics. Horny young people loved it. The rappers were a few young guys in the Air Force with a music hobby named 2 Live Crew. A recent rap history podcast (Mogul) tells the story of how their song “Me So Horny” went huge even without MTV. It helped rap cross from black to white people, and also pissed off a lot of them.

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April 28, 2020

A brief history of the Cartoon/Fantasy Organization, America’s first anime fan club — by Sy Sable

by Dogpatch Press Staff

Courtesy of Changa Lion and the Confurence Archive, cover art by Ken Sample. 5 years after it was founded, the club newsletter covered news from 9 American club chapters and the 1982 release of Don Bluth’s Secret of NIMH.

Sy Sable co-founded the first furry con and helped grow a new worldwide furry fandom, with 1970’s roots in a small clubhouse in Los Angeles.

On 4/4/2020, Sy Sable (Mark Merlino) sent this brief history of the Cartoon/Fantasy Organization, founded in 1977. His story comes from recent message trading with someone interested in the C/FO and those involved. He couldn’t connect her to people out of contact for over 20 years, but he could tell how the club started. 

Today, there’s a worldwide network we could call capital-F Furry fandom, but some key founders were “proto-furries” who met at the C/FO. The club introduced new and unusual imported Japanese anime that was starting to reach America through rare home video tech. Club members loved anime for featuring adult, science fiction and action themes unlike 1970’s American animation aimed at kids (then dominated by studios like Hanna-Barbera.) There was a lot of “giant robot” anime, but certain fans preferred to combine adult themes plus traditional “funny animal” comics and animation that eventually spun off their own, new hybrid fandom.

Sy was a founder who went on with partner Rod O’Riley to host 1980’s science fiction convention room parties, then ConFurence in 1989, and longstanding monthly parties at The Prancing Skiltaire in Southern California (when not under quarantine in 2020). The C/FO had other chapters and there were other fan groups, but this is a major root. Another founder, Fred Patten, wrote about the C/FO in How Home Video Created Anime Fandom — or check Fred’s review of Joe Strike’s Furry Nation history book that covers this. (Fred was also a writer with Jerry Beck, East Coast C/FO chapter founder and animation historian, tying in much more history.) Sy says: “This is from my perspective and drops names something fierce… but it IS my personal take on things.” ( – Patch)

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February 13, 2020

40th anniversary of Animalympics: The “Rocky Horror Show” of furry fandom – by Sy Sable

by Dogpatch Press Staff

Here’s a guest article from Sy Sable, AKA Mark Merlino, a founder of furry fandom and its first convention ConFurence. Sy, Rod O’Riley and Changa Lion host monthly parties at their house (The Prancing Skiltaire) in Southern California. The parties screen animation like Animalympics. It became popular at 1980’s fan parties, where furries adopted it as their own cult favorite like Rocky Horror and kept it alive when it might be forgotten. Last week I hosted a furry movie party where the furry-made version (C/FO Cut with rare lost scenes) got a fresh look as an original fandom root. The Youtube video is at end of article. – Patch

To go with the story, Changa Lion provided his scans of a vintage TV Guide from when Animalympics first aired (Jan 26 – Feb 1, 1980). “NBC was at the time in the dumps in ratings and very desperate. It had been this way for some time. They would not dig themselves out until the Cosby Show.” (full issue on Archive.org.)

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November 6, 2019

Underrated furry news sources

by Patch O'Furr

So, you want to know what’s up in furry news. There’s that site from the dog with holographic pants, but it’s blabbing about obscure art movies and being too sexy to handle. There’s that site that smells like carrots, but their comment section is toxic waste. Maybe there’s a more respectable site ready to grow. Hmm… nothing but a merchandising front here, and a spam blog there… why hasn’t this need been solved yet?

Writers have lives, and fandom won’t pay for 1/10th of the cost for ones willing to slave over a hot keyboard all day. Social media can make reach, but has negatives like users who bite the hand that feeds. If you find anything decent, it’s like a gift given despite the costs. You won’t find it for sale in the mainstream.

When it’s a labor of love, think of this oxymoron: “unbiased fandom.” That’s self contradicting, and it’s possible there will never be a news source for furries that isn’t run by some agenda (personal passion is a fine agenda). Don’t hunt for a unicorn, just go find the ones that do it well. There’s stakes too. When “sensational media” is blamed for image problems, the solution is “Be The Media”. That’s how fandom works, so be a fan for the little ones with potential.

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May 22, 2019

How furries resist a commercialized fandom (Part 3)

by Patch O'Furr

Furry fandom often has DIY ethics (intentional or not). That can mean nonprofit volunteer-led events, and directly supporting each other’s art instead of just consuming corporate products. A Daily Beast reporter asked about it and I shared lots of info that didn’t all make the news — so here’s a followup in 3 parts.

Part 1 looked at the roots of fandom, with fans being “fans of each other”. Stigma and undermining showed how the fandom didn’t just follow the path of least resistance, it broke out under pressure. A sense of outsiderness and self determination has stayed ever since.

Part 2 looked at conventions making a platform for industry and expression that keeps the group untamed. Relations with the media got better while making a certain fandom identity (instead of letting others make it). It can even connect to deeper identity of members, because it lets them be who they want to be.

Furries care about fandom identity with a kind of tribalism. When members say they’re prone to “furry drama,” it can come from conflict about who defines it or benefits from it. That’s how The Daily Beast noticed conflict about a luxury “designer fursuit” brand, which usually wouldn’t matter to anyone except furries.

I told the reporter: “I think it really struck a nerve. It really got to the root of this possessiveness that the subculture has about itself and what it built for itself.”

It’s a case for looking at resistance to commercialism. Backlash at the brand was provoked by tone-deaf marketing, where bringing a mainstream approach wasn’t workable with art based on unique personal identity. Also, luxury brands don’t get made from scratch when others go back 100 years. (Fans in-the-know could compare this with furry brand Hyena Agenda, whose stuff speaks for itself without rubbing the wrong way against a certain fandom identity.)

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May 21, 2019

How furries resist a commercialized fandom (Part 2)

by Patch O'Furr

Furry fandom often has DIY ethics (intentional or not). That can mean nonprofit volunteer-led events, and directly supporting each other’s art instead of just consuming corporate products. A Daily Beast reporter asked about it and I shared lots of info that didn’t all make the news — so here’s a followup in 3 parts.

Fandom is big business in the mainstream – but furries have their own place apart. Why does this fandom grow independently? Let’s look at unique expression at the heart of it. Of course furries do a lot more things than this story can look at, but one aspect brings insight about decentralized structure.

Some subcultures rise and fall with media they consume. But the influences seen in Part 1 didn’t make one property in common for every furry. They didn’t rise with a movie like Zootopia. Instead, this fandom is fans of each other.

Part 1 looked at the roots and growth of their conventions. Furry cons make a platform for the specialized craft of fursuiting, with bespoke, full-body mascot costumes that cost thousands. They’re uniquely original expressions of identity. They’re tangible, huggable products of imagination. They put the fur in furry.

A lot of the fandom’s rock stars are fursuiters, who give it a photogenic face. Unlike stars of other fandoms, their original characters usually aren’t promoting something else — and fursuits can’t be downloaded or easily pirated — they’re for live experiences. It matters because online community can be temporary, but live events glue it together. They can show why this fandom is independent, here to stay, and not tied to certain media.

Rather than naming great works tied to their activity, you could say that the group is its own greatest creation. And if writing, art, or other creativity in the fandom didn’t rise out of a certain type of event, fursuiting did.

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