More Animal Impersonators From Theater History
by Patch O'Furr
Don’t miss the series of stories about animal impersonators.
George Ali as Nana in Peter Pan (1924)
Yesterday’s article revisited the history of animal impersonation for theater. It’s the study of how animals move and behave, for acting with emotion and character. Beautifully crafted costumes were used on live stages before cinema matured, from artists forgotten by time. It’s deep rooted “Paleofurry” inspiration.
Previous stories here looked at British Panto-animal actors, but overlooked other actors in American Vaudeville (which fed talent to Hollywood). An expert covered some of them to round out this history. (Thanks to Trav S.D. who is linked here; a theater director, producer, and author.)
George Ali: Critter for Hire, and Arthur Lupino
Trav’s short article adds a little about George Ali, who played the dog in the first filmed version of Peter Pan. But in 1904 the role was played by an actor who I haven’t found much about. There’s just a very short blurb from Encyclopedia Brittanica saying Arthur Lupino was an “incomparable animal impersonator” and chosen personally by Peter Pan playwright JM Barrie.
Mules and creatures from Oz. It’s another short mention of how “Animal impersonation was a whole sub-specialty in vaudeville… This was an era when fairy tales were frequently presented on stage for audiences of children and their families, so it’s not as odd as it may seem at first blush.”
Mascots and costuming have been around forever. But furries are doing something new. They don’t just play with generic icons from myths and media. They add original fursonas and custom craft for everyone. It makes a subculture with personal expression beyond anything else.
