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The Fuzzy Princess, Vol. 2, by Charles Brubaker – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Fuzzy Princess, vol. 2, by Charles Brubaker. Illustrated.
Martin, TN, Smallbug Press, February 2018, trade paperback, $10.99 (175 pages).

The Fuzzy Princess, volume 1, was reviewed here last September. These are the adventures of interstellar Princess Katrina of St. Paws and her bat (Chiro) and bear (Kuma) escorts, and the humans on Earth that she moves in with (Jackson, a boy wizard, & his older sister Jordan) and their friends (highschooler Gladdie, her little sister Tara, and Rick). Kat and her companions come to Earth in a flying box (cats love boxes) that has her large interdimensional room inside it. Kat has a detachable tail that can be magically turned into anything. Kat, Chiro, and Kuma use magic/alien technology to make other people see them as normal humans. Kat’s ongoing adversary is Krisa, a rat spy from Mousechester who is usually locked inside a birdcage.

The Fuzzy Princess is Charles Brubaker’s Internet humorous comic strip, in color (this reprint volume is only in black-&-white), updated three times a week. It’s not gag-a-day; there is an ongoing story line.

But! Brubaker also publishes The Fuzzy Princess as a series of independent comic books from 24 to 36 pages, printed on demand by IndyPlanet in Orlando, Florida. This volume 2 reprints the comics from #8 to #11, with some new material. These also appear on the Monday-Wednesday-Friday online strip.

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Reborn, by J. F. R. Coates – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Reborn, by J. F. R. Coates
Capalaba, Qld., Australia,, Jaffa Books, October 2016, paperback, $15.00 (271 pages), Kindle $4.26.

“‘Jesus fucking Christ, I have a tail.’” (p. 49)

You can tell from that sentence that the speaker is not a furry fan. It’s Captain Rhys Griffiths, a rising naval officer of the Terran Interplanetary Empire; soon to be promoted to one of the youngest Admirals of the TIE. Or he was, until a transporter accident puts his mind into the body of a lowly, giggly starat.

The starats are described earlier in Reborn:

“Rhys glanced back to find the reason for his [Cardinal Erik’s] reaction; one of the starats was approaching. Starats were a breed of artificial creatures, created in a laboratory over two hundred and fifty years ago. They were still the pinnacle of genetic engineering. Pressure from the Vatican had led to all genetic research laboratories closed down shortly after the creation of the starats. They had been created from a concoction of many different animals’ DNA, so many that even their creators had lost track. The result had been a short, furry humanoid of reasonable intelligence and capable of speech, mostly resembling a stoat or weasel. They had been bred to be subservient and weak-willed. As a consequence they were perfect at what they had been designed for: namely to serve humans in whatever way they could.” (p. 16)

Rhys spends a couple of weeks wallowing in drunken self-pity at his transformation before coming out of his funk:

“Neglecting to take a glass, Rhys chose to drink straight from the bottle instead, but he failed to take into account the design of his new mouth. Crimson liquid poured from the side of his muzzle, spilling on to his cheeks and shoulders, staining his overalls red. Suppressing an irate growl, Rhys tried again with greater care, taking just a small swig from the neck of the bottle. Still the wine wetted the fur on his cheeks, but more of it reached the back of his throat.” (pgs. 56-57)

He finds, needless to say, that the starats are much more intelligent than anyone in the TIE has realized. Once he accepts that he is now a starat –

“His humanity was fading away to nothing. Was there anything left of Captain Rhys Griffiths, the human? Did he even care anymore? For sure, there were times he wished he didn’t have to put up with the revolting discrimination starats faced, but were he offered the opportunity to become human once more, he was no longer convinced he would take it.” (p. 207)

– he leads them in their fight for equality in the Empire.

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What the Fox?!: Fred Patten’s Latest Anthology

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

What the Fox?!, edited by Fred Patten, will be published by Thurston Howl Publications on March 3, 2018. The book can be pre-ordered from Thurston Howl Publications. It will be for sale on the THP online catalogue afterwards.

What the Fox?! is an anthology of 21 original short stories and two reprints, of anthropomorphic animals in humorous situations. This is designed to appeal to both s-f & fantasy fans, and fans of fantasy humor. Each story has an illustration by Tabsley (the cover artist) or Jeqon.

The anthology is available in two editions. The regular edition is in trade paperback, and the illustrations are in black-&-white and grayscale. The deluxe edition is in hardcover and the illustrations are in full color. Each edition has a different cover.

From a llama barbershop quartet to a lupine generation gap, a rabbit king battling a dinosaur (or is it a dragon?), a human with a spider fiancée, a dog-hating postal deliveryperson turned into a werechihuahua, inept wolf Vikings, a dog movie screenwriter, and more; these are stories for your imagination and enjoyment. Plus: each author’s favorite animal joke, and a recommended reading bibliography.

Contents:

FAPD, by Sofox
Perfect Harmony, by Jaleta Clegg
Counter-Curlture, by Televassi
The Carrot is Mightier Than the Sword, by Nidhi Singh
A Web of Truths, by James Hudson
Suddenly, Chihuahua, by Madison Keller
Kenyak’s Saga, by MikasiWolf
Rapscallions, by Mary E. Lowd
Dazzle Joins the Screenwriters’ Guild, by Scott Bradfield
A Late Lunch, by Nightshade
Riddles in the Road, by Searska GreyRaven
The Lost Unicorn, by Shawn Frazier
Boomsday, by Jennie Brass
Oh! What a Night!, by Tyson West
Moral for Dogs, by Maggie Veness
Broadstripe, Virginia Smells Like Skunk, by Skunkbomb
A Legend In His Own Time, by Fred Patten
The Cat’s Meow, by Lisa Pais
Woolwertz Department Store Integrated Branch Employee Manual: Human-Furred Relations, by Frances Pauli
A List of Erotica Clichés You Should Avoid in Your Heat Submission, by Dark End
The Best and Greatest Story Ever, by Mog Moogle
Self-Insertion, by Jaden Drackus
The Best and Greatest Sequel: Pron Harder Damnit!, by Some Guy Who Is Definitely Not The Main Character

Regular edition: $18.00. Deluxe edition: $25.00. 291 pages. Cover by Tabsley; 28 interior illustrations by Tabsley and Jeqon.   Regular ISBN 978-1-945247-30-9. Deluxe ISBN 978-1-945247-31-6.

Fred Patten

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VOTE NOW for the 2017 Ursa Major Awards – voting closes on March 31.

by Patch O'Furr

Hey furries! The Ursa Major Awards for the best anthropomorphic media of 2017 are now open for voting. Go vote between March 1st – March 31st on the UMA website:  http://www.ursamajorawards.org

Can you imagine running these fandom awards for 15 years and not having enough help? I recently covered the story of financial difficulty and understaffing. Rod O’Riley, a key member of the award committee, is a fandom founder who organized the first furry parties and conventions in the 1980’s. He’s been covering costs out of his pocket for 15 years. There’s now an Ursa Major Awards GoFundMe taking donations to cover the costs of running it. Because I don’t just bark about critical stuff, I’m going to contribute $100. Can you give some too?

Before we get to the nominees, here’s some special notices. For Best Dramatic Series or Short Work of 2017, check out OK K.O.! Let’s Be Heroes. This Cartoon Network show got a lot of fandom notice for their episode “We’ve Got Fleas”. It makes a suspiciously cute callout to things we love. Wait for this: an interview with a writer/storyboard artist for OK K.O. is publishing soon on this site and it’s a fandom connection you’ll love.

The banner up top is special art we had made by Mexican furry artist Meteor-05 to give you a suggestion for Best Magazine. And Dogpatch Press isn’t even the only nominee from the culprits who make it happen. Best Other Literary Work has two from Fred Patten. Best Non-Fiction Work has an essay by me in Furries Among Us 2. There’s also Fred’s Furry Fandom Conventions, 1989-2015 … but nobody should worry if your first pick is Furry Nation by Joe Strike, the first formally published fandom history, many years in the making. How did this category get so tough for picking just one?

Here’s the Final Ballot. Winners will be announced at a presentation ceremony at FurDU 2018 at Gold Coast City, Queensland, Australia on May 4-6, 2018.

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The Flower’s Fang Series, by Madison Keller – Book Reviews by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Flower’s Fang series.
This is a colorful mixture of furry and high fantasy.

Snow Flower: Arara’s Tale, by Madison Keller.
Portland, OR, Hundeliebe Publishing, May 2016, trade paperback, $5.99 (72 pages), Kindle $0.99.

Flower’s Fang, by Madison Keller.
Portland, OR, Hundeliebe Publishing, August 2014, trade paperback, $14.99 (354 pages), Kindle $0.99.

Flower’s Curse, by Madison Keller.
Portland, OR, Hundeliebe Publishing, June 2016, trade paperback, $13.99 (238 pages), Kindle $4.99.

These three books are bibliographically complex. Flower’s Fang and Flower’s Curse are advertised as a two-volume set. The first edition of Snow Flower was published on December 21, 2014. The second edition, with proofreading errors corrected and still with Keith Draws’ cover, was published on May 16, 2016. It was reprinted with Teagan Gavet’s cover, retypeset more compactly from 126 pages to 72 pages, with the new subtitle “Prequel Novella to Flower’s Fang” added, and the city of publication changed from Seattle, WA (CreateSpace’s office) to Portland, OR (Keller’s home), on April 20, 2017. If you order it today, you’ll probably get it with Teagan’s wraparound cover.

Flower’s Fang has three listed editions, all dated August 2014. The typography of the title lettering changes, but all have the same illustration by Johnny Atomic. The third edition has two maps added.

Flower’s Curse has two editions listed, both dated June 2016. The second edition has a new cover by Idess Sherwood (the cover of the first edition is by Keith Draws), and includes the maps.

The main protagonist of all three books is Arara, a young Jegera (anthropomorphic wolf) in a fantasy world dominated by a “Kin-Jegera Empire”. The Kin are humanoid and human-sized flower fairies or elves, who wear ornate silken robes (see the cover of Flower’s Fang) and uniforms:

“‘How are you feeling?’ A melodious Kin voice asked her. The Kin hovered over Arara, her yellow petal hair framing her green face like a sun halo. The scent of the Kin’s petals reminded Arara of a sweet flower, but it was strong to the point of being overpowering.” (SF, p. 23)

The Empire is satisfactory to both, but the Kin are definitely the aristocracy and the Jegera are the peasants. The Jegera wear some clothes and can walk two-legged, but they usually run on all fours. The Kin ride the Jegera like horses.

“‘You can’t go treating her differently, Athura.’ Eraka grinned and looked at Arara. ‘That settles it. Go put on your shorts and vest. There is still snow up in the foothills, and we don’t want you getting cold.’

Arara barked in delight and scampered off to get dressed.” (SF, pgs. 3-4)

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Article archived

by Patch O'Furr

9/26/19: In 2018 an article was published because of a request for help by tippers. A year and a half later, the issue is in the past and no further requests about it have been received, except patient requests for removal to leave negativity behind. Parts (1) (2) (3) are now archived with a note that it isn’t current info and should only be judged by current responses, for progress and goodwill.

The Ursa Major Awards are a fandom institution, but can we fund them?

by Patch O'Furr

Co-written by Thurston Howl and Patch O’Furr. Full disclosure – Howl and Patch have received Ursa Major awards by community vote.

Even in non-writing communities in the furry fandom, many furries are aware of the Ursa Major Awards. They’ve been around for about 17 years, have presence at cons, and each year they receive many voters. However, for all their legacy, Thurston Howl – (a furry publisher who assisted with social media and marketing for the UMAs in 2017) – has come forward with concerns involving the UMAs’ recent soliciting for donations and GoFundMe campaign.

A transparency concern.

Until now, there has been no formal budget or accounting for funding. Fred Patten, Secretary of the ALAA (Anthropomorphic Literature and Arts Association, which runs the UMAs), told Howl on 5/30/17: “I cannot remember that the Treasurer for the ALAA has ever submitted a formal treasury report.” Fred confirmed there were no records for 17 years, and later added:

I don’t know how much it costs to print UMA award certificates, buy frames for them, ship them to the recipients, make and ship powerpoint presentations, etc., and I don’t know how much total in donations we’ve gotten over the years…

There have been complaints in email discussion by associates.  ALAA member Bernard Doove said: “I would like a report on the finances that is more than ‘we’re broke.'” And on 5/4/17, a donor reported that they considered their donation “an unwise decision that could have been put to much better use elsewhere.” There were even fears of misappropriation, but Bernard Doove found no evidence when he looked in the bank accounts. The explanation seems to be fees of $156/year to maintain a Checking and Savings account if they have under a $300 minimum balance each.

It honestly seems like an issue of mixing small fan efforts with more formal organization, like how fandom started. ALAA Treasurer Rod O’Riley was a fandom founder who helped start Confurence in 1989. He responded to a request for comment:

The problem is not transparency — the problem is a lack of funds to be transparent about.

All donations have made their way into our bank account, and have been spent on either what they were supposed to be spent on — making and mailing out our trophies and plaques — or else were swallowed by the bank fees. ALL donations. Sometimes they took a while to get where they were going — as recently, when PayPal and our bank’s on-line system had difficulties talking to each other, for reasons I still do not understand. But eventually, they got where there were going.

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Furry Ambassadors: protecting and promoting the fandom.

by Patch O'Furr

Furry Ambassadors – a recognition program

 

“Furries ruin everything.” “F#$king Furries.” “Yiff in H$!!.” The furry community can face stigmatization from the mainstream – and for some, fursecution is real.  That being said, there are good people who put a lot of effort into the furry community. Between helping people financially, educationally, or by going out of their way to help keep the peace, there are good furs out there who deserve to be recognized for their efforts.

On June 1st, 2017, the Furry Ambassadors Program was initiated on Fur Affinity: http://www.furaffinity.net/user/furryambassadors. An ambassador is someone who protects people, promotes prosperity, or works for peace. Meeting one of those three duties has become a requirement for someone to be recognized a Furry Ambassador as well, as this is not a popularity contest. Being a Furry, however, is optional.

The list of Furry Ambassadors to date are as follows.

  • June 2017: The chairman of Anthrocon, Dr. Samuel Conway aka Uncle Kage aka kagemushi
  • July 2017: Doctor Courtney “Nuka” Plante aka Nuka-kitty
  • August 2017: Aberguine from the YouTube channel Furries in the Media
  • September 2017: Arrkay and UnderbiteDragon of the YouTube Channel CulturallyFD
  • October 2017: Founder of the International Anthropomorphic Research Project, Dr. Kathy Gerbasi
  • November 2017: Civil litigation lawyer Boozy Barrister Badger
  • December 2017: DogPatch.Press, founded by Patch O’Furr/Patch_Packrat, with Furry Historian Fred Patten, and contributing editor Pup Matthias.
  • January 2018: (skipped due to holidays). More is coming soon… please get in touch with them to nominate furries who deserve recognition!

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TFF 2018 Review!

by Rune AngelDragon

Rune’s Furry Blog showcases “people within the Furry Community… their characters, life, thoughts, and beliefs”. It also covers furry issues and media. Welcome Rune! – Patch

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“We’re all mad here…”

This year at Texas Furry Fiesta, 3866 fuzzbutts fell asleep and found themselves in Wonderland! This number bumped up the convention to being on the top 5 conventions list, falling just under Furry Weekend Atlanta (FWA).

This was my 2nd time going to TFF and it has always held a special place in my heart for being my first-ever con. This year was an adventure as the convention had grown so much that it was in a new venue for a brand-new experience! Because it was so fresh and so new, I decided that a type of review was in order. So, taking from my personal experiences and the comments from others, I compiled a list of things that set the convention apart, and maybe the not-so favorable things about the convention that can hopefully be fixed in the future.

So buckle up and take this trip down the rabbit-hole with me as we explore the brand-new Texas Furry Fiesta (Lonestar Wonderland)!

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The Diversity of the Latin American Furry Fandom – by Rama and Patch.

by Patch O'Furr

This started with a guest submission by Rama the Golden Liger, a fur in Honduras. I collaborated with a lot of editing to smooth out the language and add extra info and another point of view. Fred Patten helped connect with even more furries who sent info at his request. Thanks Rama and Fred! – Patch

The Diversity of the Latin American Furry Fandom

We know how furry fandom started in the U.S.  As it grew there, the mainstream media, the internet, its memes and popular YouTubers, and other influences put the fandom within a stone’s throw for many young people. Now across borders, different cultures are experiencing a growth of furry fandom among many international influences they already have.

Latin American furries are a result of all this exposure.  The internet helped many young people get interested in the art, behavior, and culture of the furry creatures they see on the screen.  Many Hispanic furry fans are males mostly from around age 15 to their 20’s.  They came across fandom through friends, memes, anime, manga, and fan art.  There are popular YouTubers like Khazoo, who spread the term “furry” through his videos.  Of course, there was also Zootopia spreading popularity of anthropomorphic animals around the world.

(Patch): International reach reminds me of studying animation under an “old master” who in 1989, helped lead a nonprofit mission to Latin American countries to reduce AIDs among street children. They traveled around to test screen educational cartoons on the side of a van. The audience was poor kids who were vulnerable to exploitation and had low access to schools. The films they were shown were life saving, and most importantly to this story, the language of cartoons was universal across borders to all levels of literacy. Of course internet users in 2018 are the main topic here.

Khazoo is an example of how furryness spreads now. This teenage Spanish-language Youtuber from Mexico may not be known to English speakers. He was born in 1999 and only uploaded his first video in 2016, but soared to 31.5K followers on Twitter and nearly 600,000 youtube subscribers so far – much more than any specifically furry internet celebrity! How did he start? According to a wiki about him (use Chrome/Google Translate), Khazoo started with general teen audience content like gaming and cartoons. While he joked about being in love with Judy Hopps, fans called him “furry” but he denied it, until finally admitting it to everyone – a story I’m sure we can all laugh about in any language! 

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