Dogpatch Press

Fluff Pieces Every Week

Tag: furry

Meet Robert Hill: Artist, performer, and history’s first sexy fursuiter.

by Patch O'Furr

(Don’t miss the interview with Robert!)

Come my pelted pals, gather around… and look back to the distant, dusty past Before Furry Cons.  A time when seeing a sexy “fursuit crush” in public was as unimaginable as looking at them on a phone in your pocket. (A phone with the brightness dialed all the way down, of course.)

It was the 1980’s, when apparently everything was written by eye-blasting lasers with no dial-down button, so wear your raddest shades:

Let’s meet a pioneer. It’s not a label anyone chooses, but what else do you call the first fursuiter at the first furry convention? (ConFurence 0… actually a test before the first one). And they weren’t just a generic cute thing you could see at Disneyland, but a *look away kids!* pleather-clad dominatrix deer. Schwing!

Astonishing vintage VHS footage of this Bigfoot-like creature was unearthed by Changa Lion, archivist for the Prancing Skiltaire (the furry house run by the founders of ConFurence in Southern California.) When Changa posted Hilda’s 1989 con video to Youtube, it went viral outside of fandom (with over 75,000 views to date). Then he found an even earlier one that few have seen until now.

In a way, these are like the Declaration of Sex-Positive Furry Independence. (Obligatory disclaimer for subscribers to the squeaky-clean side of fandom: that’s just one kind of furry, not all of them.)

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Art for Tiny Paws con, and tail wags for graphic journalism.

by Patch O'Furr

What got me into furries was classic and TV cartoons and underground animation, and adventure and fantasy novels (Redwall, Spellsinger). I’d buy them by the armload at the used book store. It was all cool to me whether it came with critical approval or not. I just craved more. A good way to get more is DIY-style and from fandom. I found that in small doses with zines in the 1990’s.

Superhero comics were never my thing (I think the 90’s was a bad time for those). Then I found some indies where muscle-people were as seldom seen as they were for a real bookworm. Indies were a step closer to animation and fantasy stuff I loved. It still didn’t exactly register that there was a divide between supposed lowbrow and highbrow comics. I didn’t care that Art Spiegelman’s Maus got a Pulitzer prize and helped turn “graphic novels” into a regular section in book stores. I did get interested by their connection to that energy of zines.

Now I’d say “graphic journalism” (Maus, Joe Sacco’s Palestine) is a bit of an inspiration. It turned many heads this year when the New York Times got a Pulitzer for a nontraditional graphic story, instead of editorial cartooning.

Would you be into seeing illustrated stories like that here? I’d love to gradually give it a try. Not yet, but if a story really demands it. Up to now this site has been almost exclusively text writing. The visuals are really important and those usually aren’t custom made. But I have the power to give it to you!

Tiny Paws con is getting a little of it. They asked me to make some art, so here it is. If you’re near the con, you should come say hi in August!

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Once a Dog, by Shaune Lafferty Webb – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Once a Dog, by Shaune Lafferty Webb.
Capalaba, Qld, Australia, Jaffa Books, May 2018, trade paperback, $17.00 (319 pages), Kindle $4.15.

Once a Dog is told from the viewpoint of Jesse B. Collie, a young dog on the farm of Mister Overlord. He is no longer a puppy, but he is still too young to be trained to work like Mother, an experienced sheepdog, so he romps happily around the farmyard with his littermates Lil, Zac, Pixie, and Toby. Mister and Missus Overlord are too busy to play with him, but Oldmister Overlord – Mister Overlord’s father, now retired – plays fetch and other games with him.

The first chapter establishes the dogs’ vocabulary. The sun and moon are hot-ball and cold-ball; day and night are bright-light and slight-light; humans are uprights; dogs are packers; sheep are dumbfluffs; barnyard fowls are jumpfly-gabblegabbles, and so on.

One night there is a commotion in the farmhouse, and the next day Oldmister Overlord does not come out to play with Jesse. The reader can tell that he has died the night before, but Jesse only knows that he does not come out any more. Maybe he went away in the strange rolling-house (an ambulance or hearse) that came that night. When Mister and Missus Overlord soon leave in Truck, and Missus Overlord doesn’t close the farm gate tightly, Jesse sets out to follow them and find Oldmister Overlord. They lead him farther than he expects, into the nearby small town which has a bewildering confusion of uprights.

“He had made a big mistake and strayed into hostile territory. And for that, there was only one solution. He’d just have to try harder to smell his way out. So he lowered his nose to the ground, but that prompted an immediate sneeze. Just as he’d feared, the jumble of smells was awfully confusing. And he couldn’t trust his hearing all that well, either. His desperate attempts to single out the unique frequency of any one upright among the discordant sounds around him failed repeatedly, leaving him no choice but to continue down the road almost completely exposed and defenseless. Those packers who had signed at the bush [dogs that had urinated on a bush] had passed this way, too; he could still smell them sure enough.” (p. 29)

Jesse tracks Mister and Missus Overlord into the church where Oldmister Overlord’s funeral is being held. Mister Overlord leads Jesse into Truck (it’s the first time he’s ever been in Truck; he likes the wind blowing through his fur even more than playing ball with Oldmister) and drives him home. Jesse tells his siblings the exciting things that he saw and did, and when Zac doesn’t believe him, he jumps over the fence to prove it to Zac.

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Infurno: The Nine Circles of Furry Hell, Edited by Thurston Howl – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Infurno: The Nine Circles of Furry Hell, edited by Thurston Howl. Illustrated by Drkchaos.
Lansing, MI, Thurston Howl Publications, April 2018, trade paperback, $14.99 (278 [+ 1] pages).

Infurno certainly looks like a descent into Furry Hell. It’s printed in white type on black paper – all 278 pages of it. The full-page illustrations by Drkchaos (identified in the blurb as Joseph Chou) add to the book’s grim aspect.

Actually, Infurno makes a good companion volume to the publisher’s Arcana: A Tarot Anthology, edited by Madison Scott-Clary and also illustrated by Joseph Chou. But where that anthology was weird-horror, this one is more horror-disgusting.

Infurno presents 14 stories themed around the Nine Circles of Dante’s Inferno, divided by a Prologue, eight Interludes, and an Epilogue; unsigned but presumably by the anthology’s editor, Thurston Howl. There are one each for Limbo, Lust, Heresy, and Fraud, and two for Gluttony, Greed, Wrath, Violence, and Treachery.

Kyle (sub, jackal) and Terry (dom, squirrel), two gay lovers working alone at Feral Electronics at night, are summoned to the building’s ninth basement floor. (The building doesn’t have nine basements.) There Atha, a mysterious gazelle, leads them further down a staircase.

Atha, their guide into the Inferno, tells them they must witness the final memories of 14 damned souls. Some of the Interludes are more horrific than the stories:

“A three-headed dog as large as a skyscraper loomed over the ocean. The waves themselves, though high and mobile, were thick and viscous, oily yet solid. Breaking the surface all around the dog were drowning souls. When one would breach the surface right below one of the massive heads, the head would swoop down and grab the unfortunate spirit by its head, fling it around it, chew it, and swallow it.” (p. 48) {The sea is shit, not water.]

In “Blur” by Weasel (Limbo), they meet Ely, a white lab mouse who has gotten sick of always giving blow jobs for money and tries to leave that life. “But you can’t stay a whore forever. I started getting tired of sucking dick. The taste of cum started to burn my stomach each time I swallowed.” (p. 18)

In “A New Toy” by Tarl “Voice” Hoch (Lust), Anderson, a fox pornography store owner, is offered ten new Lovecraftian sex toys. “The first impression the toy gave me was of something vagina-pink that I couldn’t make heads of tails of. There were multiple holes that looked like insertion points for a penis, but their locations didn’t make any logical sense.” (p. 38) Moral: don’t stick your prick into any hole if you don’t know where it leads.

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Longtails: The Storms of Spring, by Jaysen Headley – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Longtails: The Storms of Spring, by Jaysen Headley. Map.
Orlando, FL, the author, April 2018, trade paperback, $14.95 (338 [+ 1] pages), Kindle $9.99.

“In a not too distant future, humanity is extinct. The world is now ruled by animals who wield swords, magic and technology to create and protect vast empires. As darkness grows on the horizon, an unlikely hero will be chosen to defend this new world.” (blurb)

I am immediately turned off by this. It’s the difference between the book and the movie of Mrs. Frisby and the Rats of NIMH/The Secret of NIMH. In the book, things are accomplished through Science. The mice and rats have their intelligence raised through scientific experimentation, but are otherwise unchanged. The new society that the rats build is based on what they need. It doesn’t have lots of electric lights because the rats are used to living without lights. The rats don’t wear clothes because they have fur. They scurry on all fours. Nicodemus, their leader, is a wise rat who studies much. In the movie, the rats walk upright and have built a hidden imitation human town with lots of lighting. They dress in medieval clothes, and Nicodemus is a wizard who can work Magic.

Both the book and the movie have their fans. If you liked the movie, you will probably love Longtails, Book One: The Storms of Spring.

“Biological warfare and radiation during World War 4 have had surprising effects on the creatures of the world. Some for the better. Some for the worse. Raccoons scour the countryside for motorbike parts. Squirrels have taken to the sky aboard flying ships. Danger lurks around every corner.” (p. 1)

Del Hatherhorne is an average brown mouse. “He came to live in an abandoned apartment room in the northern part of the great mouse city of Verden.   His new home was on the third floor of a complex, located at the corner of 14th Street and Larimer – according to their corresponding rusted green street signs at least.” (p. 7) The World War has apparently killed all the humans but left their city intact for the mice to move into. “He’d fallen in love with the vacant studio apartment the moment he’d laid eyes on it. Shelves adorning pale blue walls were filled floor to ceiling with everything from manga (Japanese comics which read right to left), to comics (mostly published by DC but with a spattering of Marvel, Image and Darkhorse), to video games (a wide assortment with role-playing games and puzzlers making up the bulk of it) and even old movies (names like Spielberg, Lucas and Ridley Scott were embossed along the spines of the shimmering boxes).” (p. 8)

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The Complexities of Problematic Kinks

by Patch O'Furr

Due to mob harassment, The Complexities of Problematic Kinks – guest post by Maybelle Redmond is now moved to the archive with this editor’s update.

“Say THING BAD, there are no complexities” … “If you talk about the bad thing then you must support it” … “Screw you for supporting the bad thing”

The original article was attacked for one niche issue: Of course cub porn is bad. But describing the problem isn’t. The original guest author was an abuse survivor who called it a dangerous thing that needs control. This site doesn’t support it but does welcome discussion.

It’s real to call it deeply rooted in the community. It was here long ago. Warner Bros threatened to sue furries for Tiny Toons porn in the 1990’s. It isn’t coming from outside and incongruent like racist stuff. It is furry. Anyone with a pencil can make it and anyone with a smartphone can share it. Some furries draw their art before they know there’s a fandom. Self-generating adult art is one reason why furry thrives without corporations that don’t make such things.

That’s a potentially infinite problem. When there are furry art sites like Inkbunny that thrive with it, condemning users at the bottom doesn’t stop distribution at the top. They will just keep coming to the furry platforms. It’s easy to get mainstream platforms to separate from it. But inside fandom, rejection creates opportunity. Perhaps the same opportunity that let the furry fandom grow as an autonomous, self-feeding creature apart from others.

It’s a good subculture that simply has human problems, like every part of the larger culture. If we take it for granted that cub porn is bad but intrinsic here, it’s like how drugs are illegal but people keep using them. Consider how the 1980’s “war on drugs” failed and made problems worse. If you imprison small users, they still need humane care or rehab, with a plan for bigger priorities like the distributors. Saying THING BAD and “screw you” isn’t a plan.

If cub art is condemned there can still be consideration for it being self-generated, or users may be led into it and trying to get out, or they may even include abuse victims who need help. Attacking someone who posts porn they made of themselves isn’t unlike making kids face jail for sexting pictures of themselves. (Read that news story. How is that fair? There are better options. And here’s a story of a minor, “babyfur”, and rape survivor who came to this site for help and understanding. Similar to the guest article author.)

That’s why there are complexities. This is one of those murky, dark topics people don’t want discussed. They just want to shun it. But that doesn’t get rid of it.

People who do age-play as consenting adults are already condemned with a bad reputation, and bringing this up will bring you harassment. Even in an appropriate place with a history of speaking about community things. The guest article was originally meant for [Adjective][Species] but their site went inactive so the author submitted it here instead. That was using the community access function this site often offered to anyone. It can’t be denied that it’s an ongoing topic that didn’t start here. Unlike here, places where it started have uncomplicated promotion for it. But that isn’t why the article was hosted here.

[Adjective][Species] and Inkbunny, a real source for the art, got no real challenge from harassers who targeted this site. But this site was open to discussing how to challenge it, and had a history of doing that.

Welcoming discussion is risky with an audience who don’t give the attention to read a long article about Heavy Stuff. That brought knee-jerk reactions and a communication breakdown. But apologize-and-delete-it doesn’t fix the problem. It keeps communication broken and enables everything from “did you stop beating your wife yet” type of baiting, to appeasing death threats. Harassers who use such tactics aren’t interested in the truth.

The harassment of this site put loyalty above getting to the root of the problem, with zero in return for catching flak for years of work on behalf of others. Ironically, the harassment served trolls who spent a long time pushing false accusations in retaliation for that work. People who pretended to be friends a day earlier then tried to score points with the same false accusations sourced from trolls, such as:

  • They attacked this site for not being a performing monkey with overwhelming amounts of “callouts” that weren’t useable to write news (and senders had no intention of helping with the labor.) These callouts were bait by a small circle of clout-chasers.
  • They falsely claimed the site defended “friends” who weren’t friends, spreading lies about a photo taken with a stranger before knowing about their past. (Notice the post being liked by altfurries who originally started the lie).
  • Facts were ignored and words were put in mouths to harass, especially by playing “telephone game” with outrageously- out-of-context screenshots, then boosting each other’s misinterpretations, adding rounding-errors and malicious distortions until they could rope others into a mob.

It was very ironic that this site was bashed way harder than the original smaller target (Timburrs) who actually posted offending art. That was hypocritically carrying out different priorities that were suggested in a few comments that set off the harassment:

  • A post that literally said “pick your battles” about Timburrs was twisted into “pedo” attacks against this site. Suggesting that it was ineffective to blast random individuals as if they were crime bosses was twisted into “you support cub porn”.
  • Casual comments that small individuals were “low-value targets” (in other words, change would come from focus on distributors, instead of bullying single individuals) were twisted into false attacks that this site was chasing clout… ironically projecting what the harassers did.

The original target was passed over, and harassment of this site was encouraged from inside a Discord group by a troll who then deleted their account. The bad-faith callouts piled on manipulation when they pointed at blocking to justify what they did, as if abuse and death threats should be rewarded with apologies.

It’s sad to see no consideration for the difference between describing bad stuff and causing it. When reporters report about murder, they don’t have to say they don’t support murder — saying “Helter Skelter is a good book” isn’t supporting Charles Manson. Looking for understanding to reduce abuse isn’t encouraging it. A great deal of work done by this site shows that this site isn’t for that. It has never had anything to do with cub art.

But many people didn’t even read the article before lashing out. Nobody bothered to dispute for seven months (posted in May) until suddenly attacking in January. The harassment was so thoughtless and toxic, that the article had to be archived and replaced with this look at their abusive nature.

After forgetting their first small target and mobbing this site, the harassers then wildly threw more false accusations at others with thoughtless targeting, excused themselves while attacking critics, excused cub porn users they likedturned on each other with breakups and verbal abuse, denied involvement, deleted their accounts because of causing so much harm, and demanded to be left alone while realizing they have no plan to make real changes.

___________________

Now here’s some feedback about the article that was stopped prematurely. We should have been able to discuss this.

It’s real to describe people using BDSM for coping, where it helps them take control over bad experiences in the past. BDSM isn’t abuse, just like furry art isn’t bestiality (or half the fandom would be targets for attack.) If cub porn is created by people who seek coping too, describing them isn’t excusing it. Of course it’s different because the art has a danger of being an abuse tool. The article said so, but it was a mistake to host the article without emphasizing the unacceptability more strongly. (Nobody bothered to bring it up for fair response when it published.)

That’s how the article is liable to be criticized for too much weaving between condemning abuse, but giving victims a grey area with the idea of a “walled garden” with “policing” inside. Ideally that has good intentions, but less ideally, policing can happen with blind spots or in corrupt ways.

The article talks about policing as a step forward for an imperfect world, with a need for more education. You can say a step forward isn’t enough but the article does recognize a problem. Perhaps it’s the wrong solution when expecting education from general society leaves things too far out of our hands, but at least it describes it. Perhaps it’s better to have an ideal of eliminating the porn with a plan for distributors.

There is no plan. Those who attacked this site for discussing will see history repeat when the problem keeps coming up, and they attack people instead of causes. That’s like putting a pin in a voodoo doll and thinking it solved the problem. It was a mistake to let these bad-faith harassers get too close to this site by helping some of them. This helper was crucified for suggesting that one-size-fits-all attacks could use better strategy.

A plan is now even less likely.

Ironically, Califur was attacked like this by altfurries who killed the con. Pointless reaction like this helps their plan for a Burned Furs/gamergate/”Pizzagate” attack movement. (See altfurs discuss it: Burned Furs 2.0 Telegram channel.)

In private message to this site, a Califur staffer said:

I can really relate to the guest article thing. The Baby fur panel was used to kill Califur. A fur asked if they could run a panel and it was that panel. I do think “What if” on occasion.

As an important contrast, altfurries aren’t content producers, they’re parasitical on fandom. That’s how rejecting hate groups can work, but if the cub porn is intrinsic and self-generating, then the two problems are apples and oranges and call for different solutions.

What could be a better strategy that doesn’t just hurt people and drag things backwards? There is a way: organizing artists to change their marketplace, and make the art less accessible from the source.

Imagine an artist trade compact with mutual standards for members. This site has often suggested forming an artists guild for that. There are active examples like the Furry Convention Leadership Roundtable and the Furry Writers Guild. But nobody has cared or bothered to try organizing artists, even with growing businesses and websites distributing their stuff.

Instead, things have fallen backwards by using bad-faith harassment, and misleading a mob who didn’t bother verifying what they lashed out at. They didn’t even read the article, or treated it like a Rorschach test, picking out pieces to make false pre-judgement that this site “supports” cub porn and justify vicious harassment. Thoughtless callouts like that will only hurt people. Doing it one-by-one will be an infinite cycle while ironically, platforms will grow from it.  Indie furry platforms will gain users for the targeted content, and outrage-traffic will feed giant social media companies.

For many who sent private support for accommodating discussion, but were too afraid to speak openly, good luck with it.

This site was often asked to help report a heavy load of stories nobody else would handle, until that work was killed by supposed allies. It’s so abusive to do that thing where “I sent you callouts and you didn’t throw huge amounts of unpaid labor into them, be our slave or it means you support ___”. Obviously, with huge amounts of work done on the Zoosadist story that came out in September 2018, this site has to sort by priority but doesn’t support such things. You wouldn’t know it from harassers who dragged it down pointlessly. The fandom has a terminal problem if that’s how things are supposed to work. Until the most extreme content trading is illegal, or there’s a plan for getting real policy changes with art sites, or Twitter goes away or takes harassment seriously, these will be lasting problems.

Another “eating their own” story about the game of clout-chasing:






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Discover the best of furry fandom with the 2017 Ursa Major awards, and 2017 Cóyotl Awards.

by Patch O'Furr

Thank you for helping Dogpatch Press to win the Ursa Major Award for Best Magazine of 2017!

 

Ever have a hard time knowing where to start with furry media? Does the horizon get lost in the digital sands?

Look no further than the Ursa Major Awards.  That’s the Furry equivalent of science fiction fandom’s Hugo Awards, mystery fandom’s Anthony Awards, or horror fandom’s Bram Stoker Awards. The Hugos also have the Nebulas to  complement them – and Furry has the Coyotl Awards for literature, as voted by the Furry Writers’ Guild. That’s not all – furry literature will also soon have the first Leo Awards, to be announced at AC 2018. (What’s the difference? The Leos are fandom-specific and voted on by a panel of judges.) The Ursa and Coyotl winners were both announced this month, so they’re all listed below to encourage you to check out some cool stuff you might not have seen.

URSA MAJOR NEWS

The winners for 2017 were announced at a presentation ceremony at the Furry Down-Under 2018 convention in Surfer’s Paradise, Queensland, Australia, on Saturday May 5.  FurDu posted a video of the ceremony including a slide show created by Ed Otter:

There was a lot of talk about it here before they were announced. Fred Patten saw growth in activities like fursuiting competing for attention with fan media, while maybe the awards could use a boost for reach after lower voting this year than in the past. A lack of staffing and funding led to appeals for help, while Anthrocon began offering matching donation to support writers. For 2019, the Awards will be presented at AnthrOhio.

Here’s a few things that stood out about the winners:

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Small World, by Gre7g Luterman. Illustrated by Rick Griffin – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Small World, by Gre7g Luterman. Illustrated by Rick Griffin.
Lansing, MI, Thurston Howl Publications, April 2018, trade paperback, $11.99 (301 [+ 1] pages).

Small World is Luterman’s The Kanti Cycle, Book 2. Book 1 is Skeleton Crew. Luterman says here that The Kanti Cycle is a trilogy, to be completed in Book 3, Fair Trade.

Skeleton Crew seemed to end with a definite conclusion, but Small World continues the plot in a new direction.

Skeleton Crew is set on the generation exploratory starship White Flower II, populated entirely by 10,000 furry geroo and one giant dragonlike krakun, Commissioner Sarsuk. The protagonist is Kanti, one of the geroo.

400 years ago, the krakun came to the overpopulated primitive world Gerootec and offered to hire thousands of geroo as their starship crews. The geroo who went into space and their descendants would never see Gerootec again, but they would live in luxury compared to the backward geroo on their homeworld. After 400 years, the geroo are asking if the krakun are their employers or their slavemasters. The White Flower II would be a paradise for the geroo, if it weren’t for the krakun’s cruelly arbitrary representative, Commissioner Sarsuk. It doesn’t help that Commissioner Sarsuk openly refers to them as slaves. In Skeleton Crew, matters build to a flash point, but Kanti, a lowly deckhand, maneuvers Sarsuk into seriously injuring himself before he can slaughter any geroo. The Kanti Cycle, Book 1 ends with Sarsuk returning to the krakun homeworld to recuperate, leaving the geroo on the White Flower II in peace — for awhile.

Small World begins with Sarsuk returning to the starship. He’s not happy, and he’s going to make as many people suffer as he can.

“‘On my shuttle you will find a cage. Fill it.’ Commissioner Sarsuk clipped his strand back onto his necklace. ‘I know that you love to agonize over choices, trying to make the perfect decision. So in the infinite compassion that I have for you –’ He rolled his eyes. ‘—I am giving you some extra time.’

‘Fill … a cage …’ the captain said quietly. ‘With?’

Sarsuk crossed his arms and leaned on his elbows so he could comfortably lower his face down to Ateri’s level. ‘You’re smart. At least you always act that way. What do you think? What’s the one thing on board this ship that has any utility at all?’

[…]

‘My crew?’

‘Fifty slaves should do, Ateri,’ Sarsuk said. ‘I had a ringel cleaning crew previously, but I can’t see any reason to buy more of them. Fifty geroo would be a nice perk considering how much I’ve had to endure for the company recently,’ he added, his eyes filling with self-pity.” (pgs. 4-5)

The blurb summarizes the setup: “The commissioner accidentally let his last cleaning crew starve to death, so now Kanti and forty-nine of his teammates will have to spend the rest of their lives living in a one room barracks with only a single airlock protecting them all from the planet’s poisonous atmosphere.”

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Furry Dance Parties in Europe – A look by Soffy

by Patch O'Furr

Independent dance parties by furries, for furries: the concept has been growing around the world since the late 2000’s. It can spin off from cons, but doesn’t depend on them. It’s more ambitious than informal meets and events that happen once. Those can stay inner-focused, but dances bring new partnership and support from overlapping communities and new kinds of venues. It crosses a line to public space, so a stranger can walk in and discover their new favorite thing. It encourages new blood and crossover. It makes subculture thrive. It’s a movement!

Parties that give a Q&A get a featured article. See The Furclub survey for questions and party list.

The big list recently got enough entries that it needed to be split between continents. It brought a tip about a bunch of Euro and German parties that hadn’t caught notice, too many for an article for each. There are already well established ones on the main list, so this is just the extras. Most seem to be once-a-year, which makes it great to find so many.  Soffy, a journalist and furry in the UK, stepped up to collect them. (Thanks Soffy!)

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A&H Club, Volume 1, by Rick Griffin – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

A&H Club, volume 1, by Rick Griffin. Illustrated.
Seattle, WA, CreateSpace, April 2018, trade paperback, $18.29 (unpaged [82 pages]).

Popular furry writer/artist Rick Griffin has two Internet comic strips. Housepets! is the one that everyone is familiar with. Once a year he collects them and publishes a Create/Space album.

A&H Club is his other Internet strip. In one way it’s just more familiar high-class Griffin anthropomorphic art, and jokes about not wearing any pants. In another it’s the opposite of what Griffin does in Housepets! It’s serious, not comedic, even if it does view today’s society as semi-comedic. It’s realistic, not fantastic; aside from featuring anthropomorphic animals who walk about nude below the waist. Its two main characters are a pair of lesbian lovers (Adrian is really bi), one of whom is a single mother. It consists of full pages rather than strips.

Griffin first collected his A&H Club into three comic books of between 22 and 28 pages each. Now he has gathered those into a CreateSpace album of 82 pages including the three front & rear covers.

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