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Fluff Pieces Every Week

Category: Media

Black Friday (The Valens Legacy), by Jan Stryvant – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Black Friday, by Jan Stryvant.
Seattle, WA, CreateSpace, September 2017, trade paperback, $9.99 (226         pages, Kindle $3.95.

Perfect Strangers, by Jan Stryvant.
Seattle, WA, CreateSpace, September 2017, trade paperback, $9.99 (240 pages), Kindle $3.99.

Over Our Heads, by Jan Stryvant.
Seattle, WA, CreateSpace, October 2017, trade paperback, $10.99 (252 pages), Kindle $3.99.

Head Down, by Jan Stryvant.
Seattle, WA, CreateSpace, November 2017, trade paperback, $10.99 (250 pages), Kindle $3.99.

When It Falls, by Jan Stryvant.
Seattle, WA, CreateSpace, January 2018, trade paperback, $10.99 (284 pages), Kindle $3.99.

Stand On It, by Jan Stryvant.
Seattle, WA, CreateSpace, January 2018, trade paperback, $10.99 (256 pages), Kindle $3.99.

The first sentence of Black Friday is, “Sean looked both ways as he started across the street, not that there was much traffic during the day here at the University of Nevada, Reno campus this late in the day.” The third sentence is, “Mid-terms had just finished and he was pretty happy with his grades this semester, he’d finally gotten the hang of this whole ‘college’ thing, so what if it had taken him nearly three years!” Sean may be a college student, but I’ll bet he hasn’t been taking any writing courses.

Black Friday is the first novel in the six-volume The Valens Legacy. It is one of the five novels on the 2017 Ursa Major Awards ballot for Best Anthropomorphic Novel of the Year. It has 506(!) customer reviews currently on Amazon (most books are lucky to get 10 customer reviews), mostly five-star and 4-star reviews, although I agree more with the first cited, a two-star review: “Entirely avoidable grammatical mistakes, misuse of terms and DEAR LORD the treatment of adjectives!”

The other four Ursa Major finalists for Best Novel are Always Gray in Winter by Mark J. Engels, Otters in Space III: Octopus Ascending by Mary E. Lowd, Kismet by Watts Martin, and The Wayward Astronomer by Geoffrey Thomas. I have seen all four of these discussed on furry-fandom websites. I have not seen any indication that anyone in furry fandom has been reading Black Friday. Where did its nominations come from?

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Furry founder Fred Patten saw more partying, less fandom in 2018 with the Ursa Major Awards.

by Patch O'Furr

Fred Patten started off with a message to Patch O’Furr:

This is a rant, as much as anything.  I wrote, as Secretary of the ALAA (AKA the Ursa Major Awards) to the AnthrOhio Committee, to invite it to host next year’s award presentation ceremony.  AnthrOhio is the new name of former Morphicon in Columbus, Ohio. They presented the Ursa Majors in 2008, 2011, and 2015.

I got a very nice reply from Danny Travis, this year’s Director of Programming for AnthrOhio.  He thinks it’s a great idea and has agreed.  But his reply implies that he’s never heard of the Ursa Major Awards, and that he was unaware that they have been presented at Morphicon/AnthrOhio in the past.

This makes me wonder how many of today’s furry conventions are being organized by people who are mainly interested in putting on a big party with fursuits, and little interest or knowledge in furry fandom beyond their own convention, including their own con’s history.  Some like Anthrocon with Dr. Sam Conway and CaliFur with Rod O’Riley (and any con with staffers who have been around for a while) know what’s going on. But how many are being organized by young people who only use the trappings of furry fandom to have a good time?

You have been following not only the conventions but a lot of the smaller furry parties and raves.  Do you get the impression that most attendees are more interested in partying then other active fandom?

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“ISN’T IT EXCITING!”- COMICS AND DEFACED VINYL FROM ERYSHÉ FALAFE

by Bessie

Welcome to Bessie, of Marfedblog, a comics review and criticism site. There’s furry stuff there, and much more, with devoted curation by a fan doing exactly what they love. If you like this, give it a follow. And expect more syndicated content reposted here. (- Patch)

Even in a room full of people wearing cartoon animal costumes, a guy lugging a box of old vinyl to his table is going to stand out, especially when he starts drawing and painting on them. This is what caught my eye the first time I saw Eryshé Falafe, also known as Joe Meyer, at Pittsburgh’s Anthrocon around 2011. I ended up getting one myself that still takes up pride of place in my office, and eventually ended up carting a not insubstantial pile of vinyl across the pond for him to deface on my latest pilgrimage to Pittsburgh. One of them was the bawdily British  “Sinful Rugby Songs” which was quickly snapped up by a commissioner who also saw it’s parody potential.

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Furry is Punk | Culturally F’d

by Arrkay

Guest post by Arrkay from Culturally F’d, the furry youtube channel. See their tag on Dogpatch Press for more.

Furry and Punk have a lot in common, way more than you think! Arrkay discusses the parallels of the two movements, their philosophies, their work ethic and more! We’re really excited for this episode as it’s been on the list of suggestions for over a year!

This episode came together with the help of a lot of different furs! This article is going to look at some of the research we used, and a shoutout for everyone who helped.

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Zoion, a magazine to promote furry art, is launching on Kickstarter.

by Patch O'Furr

Postcards handed out at Furry Weekend Atlanta

On Kickstarter: an Anthropomorphic Art Magazine is being launched by Zoion Media and its creator Pulsar. (It ends on April 29, so don’t wait to support.)

Our goal is to create a contemporary, well designed, image-driven magazine focusing on clean, evocative, highly artistic, well developed and well executed anthropomorphic art and themes. We want to make something the average furry is proud to show their non-furry friends to give them an idea of what furry art is all about.

Pulsar talked about inspiration for a print magazine to promote furry fandom creators and artists:

“I’ve always been an artist and I read a lot on contemporary fine art. I remember standing in the bookstore browsing Juxtapoz and Hi-Fructose and thinking, ‘there needs to be something just like this for furry art’.”

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Puppy play incident at Furry Weekend Atlanta – is that OK in public? (Part 1)

by Patch O'Furr

Furry twitter was growling about two puppies wrestling in the middle of a hotel lobby. It was an “OMG! Furs are having sex in public at FWA” thing. It started with one tweet of a video that sort of looks like people having sex – but then the subjects posted a close-up 360 video showing it wasn’t. Even so, online outrage kept getting the video taken down from Youtube (see it on Vimeo).

Changa Lion of the Prancing Skiltaire house, a graymuzzle furry who staffed at ConFurence and tipped me about this, said it resembled plenty of previous “bullshit said about older cons that wasn’t actually true”:

It’s like it becomes self-reinforcing. No matter what is said, it’s now firmly in place in people’s minds that furs were having sex in public at FWA. I almost want a yearly award for the biggest fan outrage of the year that is actually bullshit.

What were they doing?

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Crafter’s Passion, by Kris Schnee – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Crafter’s Passion by Kris Schnee.
Seattle, WA, CreateSpace, March 2018, trade paperback, $7.99 (247 pages).

This actually shouldn’t be reviewed here because it’s not anthropomorphic. But it’s in Kris Schnee’s Thousand Tales series, and the previous four books all had protagonists who became fantasy animals: a griffin, a squirrel-girl, a coyote-man, and a pegasus. If you’re a Thousand Tales fan, you’ll want to read it despite its protagonist remaining human.

Schnee’s Thousand Tales books aren’t meant to be furry fiction, but science-fiction. Schnee postulates that by 2038, Artificial Intelligences have become so advanced/powerful that when a new one code-named Ludo is put in charge of the Thousand Tales interactive game, and programmed to make sure its players “have fun”, Ludo does everything to ensure that they have fun – including giving them the choice of abandoning their human bodies and living in Thousand Tales permanently, as the creature of their choice.

The process involves the scanning of their brains (an expensive process that results in the death of their human bodies) and the transfer of their minds to Ludo’s control within its Thousand Tales universe. Most governments (much more regimented than today) oppose this. But it involves a person’s free choice, and some experts argue that the process involves the successful transferral of the person into a new body without being killed.

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Rukus, the indie furry movie, is coming to Furry Weekend Atlanta

by Patch O'Furr

On April 6, catch the convention debut of an Official Selection from SF IndieFest and the SXSW Film Festival. 

FWA just updated their schedule with all the details. Director Brett Hanover and collaborators will be in attendance. It will be an “After Dark Panel.” FWA is part of the story of the movie – it’s a local con for the film makers who come from Memphis.

Rukus (2018, 87 min):

In January I helped bring a large furry group to SF Indiefest. It was an awesome experience, and cinema lovers who appreciate the art form should get a thrill from it. Rukus is punk influenced storytelling between queer coming-of-age story, experimental fiction, and a love letter to fandom. This isn’t a sunny movie but it has joy and passion in it. There’s suicide, sex, and finding identity. It rewards multiple watches where you can peel up the rough edges to find a lot going on underneath. My favorite part is how it takes chances with a shoestring budget, and it’s something a community can count as a DIY product from itself. (I’d love to see that become a scene.) Plus, screening at SXSW is a big deal in the larger scheme of things.

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A furry look at an abuse story about John Kricfalusi, creator of Ren & Stimpy.

by Patch O'Furr

The animation business joins the  movement, a campaign for awareness of sexual harassment that started with powerful people in Hollywood.

John Kricfalusi, creator of the Ren & Stimpy show that gained a cult and influenced many 1990’s TV cartoons, is subject of a report about grooming and sexual abuse of young girls. They were taken under his wing as aspiring artists.

These aren’t just allegations; when he was around 40 he had an underage girlfriend, as mentioned in a book about him, and his attorney admits it was true.

Ren & Stimpy played at the Spike & Mike Animation fest in the 1990’s. I remember getting my mind blown when the fest toured to my town. It inspired me to do indie stuff (like this news site.) There’s more of a furry connection than just fandom, though.

There’s a general industry connection. Since the #metoo campaign came out in October 2017, I’ve been holding on to an animation story by request due to sensitivity about the climate (nothing more than that). Pro talk on a furry site can be a bit tricky because of general stigma.

There’s a personal story too. I didn’t expect this in 2018, because I hadn’t thought about John K. in a while – but I’m not surprised. In the early 2000’s, I saw blog commenters joke about him being a Svengali to pretty young girl artists (I had no idea about the underage part). 15 years ago, give or take, I went to a party at his house in Ontario and saw something myself there.

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Cold Clay: A Murder Mystery by Juneau Black – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Cold Clay: A Murder Mystery by Juneau Black.
Philadelphia, PA, Hammer & Birch, November 2017, trade paperback, $12.95 (198 {+ 1] pages), Kindle $4.99.

This sequel to Shady Hollow: A Murder Mystery, described as “a Murder, She Wrote with animals”, is a worthy followup to it. Again the cast is:

Vera Vixen: This cunning, foxy reporter has a nose for trouble and a desire to find out the truth, no matter where the path leads.

Deputy Orville Braun: This large brown bear is the more hardworking half of the Shady Hollow constabulary. He works by the book. But his book has half the pages ripped out.

Joe Elkin: This genial giant of a moose runs the town coffee shop – the local gathering spot. If gossip is spoken, Joe has heard it, but this time, he is the gossip.”

And too many others to list here. Cold Clay takes place several months after the events in Shady Hollow.   The animal inhabitants of the village of Shady Hollow are settling back into their peaceful routine – newspaper reporter Vera Vixen might call it boring – when the rabbit farm workers of Cold Clay Orchards who are transplanting an apple tree find the skeleton of a moose buried beneath it.

The news soon spreads, and all thoughts turn to the popular moose proprietor of Joe’s Mug, Shady Hollow’s coffee shop. Joe’s wife Julia disappeared eleven years ago. She was flighty and hadn’t wanted to stay in what she considered a nowheresville, so when she vanished, leaving Joe with their baby son, everyone assumed that she had walked out on them. But a moose’s skeleton, which is soon determined to be the missing Julia’s, and that she was murdered, sets all Shady Hollow talking again. There’s not really any evidence against Joe, but there isn’t against anyone else, either.

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