Dogpatch Press

Fluff Pieces Every Week

Is this news editorial cartoon about furries making fun of a tragedy?

by Patch O'Furr

Please help children of the tragedy in this post: Support the Yost family and In Loving Memory Of Billy Boucher.

News tip thanks to Spottacus.  Below is his post about an editorial cartoon in the OC Weekly about a triple homicide in Southern California.

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Spottacus Cheetah: “Making fun of murdered family is so offensive.”

“…I imagine the family, somewhat devastated by the murder, seeing two people in costume speculating with happy smiles about what the killers were wearing. That just seems to belittle the tragedy.

In contrast, consider the post-massacre Hebdo cartoon, of a saddened Muhammed grieving over the deaths there.

(Paris, 2015: “4 Cartoonists Killed In Attack On Charlie Hebdo Newspaper“.)

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A brief history of who ruined furry.

by Patch O'Furr

fritz-the-cat-movie-poster-1972-1010196225Many people are to blame for ruining furry. This list isn’t comprehensive, and some of the jerks on it caused multiple problems at the same time.

1960’s – 1970’s:  Artists ruined furry.

Underground comic artists made a plan to stigmatize fans of funny-animal comics by putting adult stuff in ones like Robert Crumb’s Fritz The Cat and Reed Waller’s Omaha The Cat Dancer.  It worked well enough to keep fans from openly using the “furry” name until the 1980’s.

1985-1988: “Skunkfuckers” ruined furry.

It was just starting to be OK to be furry in public. Then some bad apples got us kicked out of respectable science fiction fandom.  Look at these 1980’s convention room party flyers from Lance Rund and Sy – this is the kind of thing that made furries get isolated apart from other fans, with our own private shame-cons.

furpy3

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Spirit Hunters Book 3: Tails High, by Paul Kidd – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

51jdimr-pplSpirit Hunters. Book 3: Tails High, by Paul Kidd. Illustrated.
Raleigh, NC, Lulu.com/Perth, Western Australia, Kitsune Press, September 2016, trade paperback $26.59 (423 pages), Kindle $7.90.

Here are four more of Paul Kidd’s witty tales of the Sacred Isles, the land of Japanese mythology; about a hundred pages apiece. The Spirit Hunters are a quartet who venture throughout mythical Japan hunting inimical yōkai (supernatural spirits) to exorcise or kill them. They are Lady Kitsune nō Sura, a fox woman, and her companion Tsunetomo Tonbo, a huge human samurai, who hope to be paid for their services; Asodo Kuno, a young low-ranking human samurai who has joined them to gain a reputation and higher status; and Nezumi nō Chiri, a shy rat-spirit who Sura has invited to join them. Sura and Chiri, and any other animal-people who the quartet meet, can shift among three forms: human except for animal ears and tail; anthropomorphic, looking human but with an animal head, full fur or feathers, and tail; and fully animal but still able to talk.

Book 3: Tails High is a bit darker than the first two. The first tale is light, but it turns ominous in its final paragraphs. These four are set a little later than 900 or 1000 A.D. The Emperor is faced by rising powerful regional lords (daimyō). He must decide whether to fight to retain his authority and have the Sacred Isles rent by civil war, or to appoint a warlord as his supreme general – his shogun – and submit to becoming a mere figurehead. We know how this turned out in our Japan. But in the Sacred Isles, with the Spirit Hunters’ aid …?

Book 3 contains the Eighth through Eleventh Encounters. In “Eighth Encounter: The Art of Being Koi …”, the Spirit Hunters come to an entire community of friendly animal-spirits:

“The main house had a great, broad porch shaded by a maple tree. A fine maiden dressed in white priestess’ robes sat in the shade, comforting a desolate young wife.

The weeping young woman was startlingly beautiful. Skin covered in magnificent golden scales, her face was that of a golden carp, with a delicately fanned fish-tail peeking out beneath her robes. Utterly exhausted from weeping, the carp spirit’s long sleeves were wet with tears.” (p. 26)

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Return of the Wild Things – San Francisco’s unique adult furry fetish party, November 2016.

by Patch O'Furr

citadelIt’s another event from the WILD THINGS crew – producers of sexy, gutsy, creative happenings for boundary-breaking expression.  There may be no other formal events in the world like this!

With their previous events, Dogpatch Press asked: is furry a “sex” thing?  NO, but there’s overlap… nothing wrong with that.  There are all kinds of other hobbies like that.  If you read the naughty history of their events, don’t overlook the tags:  BDSM, cat box cake, controversy, fetish, furries, kink, murrsuits, petplay, porn, sex… Wild Things!  

Now here’s the new one everyone’s been waiting for. (NSFW poster below.)

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October 2016 is Furry Book Month!

by Patch O'Furr

Huskyteer of the Furry Writers’ Guild sends a super cool announcement for fandom book lovers.  Furry Book Month is an initiative to promote anthropomorphic literature. Please give some love to the authors and publishers of the fandom – not just established ones you know, but also newer ones like Thurston Howl and Weasel Press.  Learn more in Fred Patten’s recent article, The State of Furry Publishing.

fbm

Furry Book Month logo by Ultrafox

October 2016 is Furry Book Month!

This October, we’re raising the profile of anthropomorphic literature and bringing it to a wider audience.

The Furry Writers’ Guild has joined forces with some of our fandom’s great authors and publishers.  They will offer special deals during the month, from free shipping and discount codes to free books.

Even if you don’t read furry fiction yet, try the special offers for a furry book in October.

Already a reader? Give a book to a friend, try a new author, or write a book review!  Reviews on Amazon and Goodreads can be short, and really help authors. Got lots to say? Submit a review to Flayrah, Dogpatch Press, or Claw & Quill.

What will you do this Furry Book Month? Please spread the word on social media using #FurryBookMonth!

Visit furrywritersguild.com/furry-book-month/ for the list of offers.

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Five Furry Animation Shorts You Should Check Out

by Pup Matthias

Howdy Fluffer Nutters. Hope life is treating you well. Did you like Zootopia? Of course not. You loved it! I bet you have the blu-ray and have watched it ten times over one weekend. I feel Animation is the true place anthro animals thrive. Whenever my mind reads a Furry story it paints it like a cartoon. It’s possible to do it in live action, but unless you have an amazing make up team, it rarely works as well. Although since animation is so time consuming it’s not something you find too often.  But when you find ones that do it well, it can be so much fun.

So that’s why we have this. A combination of five Furry (whether they want to be call that or not) Animation Shorts that I wish to share with you guys.  You may already be familiar with them, or seeing them for the first time. The only thing they have in common is they are all awesome. So lets begin.

A Fox In Space

I’m sure most of you have already seen this, but I cannot stress how amazing this animated series is even though it only has one episode. Created by Matthew Gafford, he has taken the basics of Star Fox and mixed it with a combination of late 70’s/ early 80’s animation of Fantastic Planet, Heavy Metal, and Filmation cartoons. I can’t wait to see what they have planned for the series down the line, but I’m positive it will be amazing.

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Statement about the tragedy in Fullerton, CA.

by Patch O'Furr

Please visit this GoFundMe campaign for expenses for surviving kids.

There has been a lot of talk about a tragedy this weekend in Southern California.

I wanted to say something about these ties:

This is very sad for everyone. There might be unusual headlines about it, but the social connection could happen with a group of workers, students or anyone else. Killing is against everything our little fan group is for. Thanks are due to the OC Register for telling the purpose in the bottom line, with a quote from a local member: “People come to us to get away from the negative stuff in life.” 

This is a niche interest, so when something like this happens, it’s personal tragedy to us beyond just a news story to others. Many members have lost friends or have very close ties to those who did.  Please send thoughts to them, and the surviving kids most of all.

I felt a little responsible for saying something, because of the way things started to happen when news started coming out.  At first, it was just a call to locate a Missing Person (a fur) who was soon located.  I tweeted that and got a high amount of views.

When more came out, I looked into it deeply to write a big story.  I talked to people close to it, with personal knowledge that nobody else had.  Some info came out that was directed to the police.  Then I saw people local to the story asking for space.  They asked for it to be kept as their story, given time to process, and handled by professionals and cops.  That was when I decided this is beyond fan level.  I removed all my tweets and passed on their message.

I think it really is the worst thing that ever happened with ties to this community. It’s not that unusual compared to other crimes that happen in cities, but I think it’s disproportionately big to a niche group.  It might have to do with 2016’s explosion of interest and positive activity as well – things are just growing.

That wasn’t quite the end of it. The OC Register reporter had a lot of conversation with me due to my initial notice.  They were puzzled about what furries are and what they do. Of course they already knew this was part of the story – that wouldn’t be overlooked.  It made a dilemma – I thought that if tabloids were going to exploit this, maybe a real member should say something to real news.

So I sent the best info I could about the definition of “Furry” and referred the reporter to the same local person who I saw asking for space and respect.  I thought he was already doing a good job of handling it.  So when you see Bandit speaking in the piece, it’s not for attention, it’s because he was asked. Remember that he lost friends, like everyone else close to this story, and that’s the real deal.

There were a few missteps from the OC Register piece (nobody said anything about “sensitive” topics,) but Bandit seems to be getting many thank-you’s for doing a good job from local members.  He mentioned turning down other interviews, and I think that’s a good idea. Say it once and let it go.

I have been checking around to see what comes out. I expect tabloids to try riding this, but most of the few I have seen so far seem pretty negligible, and I hope they get little mileage.  They can say there’s weird stuff with misfit people, but nobody did a crime while participating in one of our activities. In the end it’s just between regular humans.

TL;DR: Was going to write a big report. Stopped to let locals and pros process. I think it’s beyond fan level. It’s awful and sad. There hasn’t been anything this bad in fandom before. Let it process and share good words to anyone who lost friends and family.

UPDATE 9/29/16:

Thank you to the OC Register and reporter Scott Schwebke for linking here.  And thank you to Scott for being professional and sensitive, and doing good detective work.  I believe that Scott’s reporting has helped to stop rumors and confusion.  There was a screenshot of a supposed murder confession that was degraded enough that you could see it was shared hundreds or thousands of times, before it was posted out-of-context on some trashy tabloid blogs.  Scott dug up the source and provided context that I think shows it could NOT have been a reasonable clue of real danger before the incident.  Thank you to everyone in the community who stepped up to provide such info to aid police investigation.  Everyone’s concern will help heal this incident to heal in time.

Wanted: your most embarrassing Furry Trash for a “Mortified” style article.

by Patch O'Furr

grandpa

 

Do you know John Waters? He’s “the Pope of Trash” – a movie maker, author, performer and beloved icon of freaks everywhere. In the 1970’s, his no-budget, LSD-infused comedy took John and his cast into Midnight Movie superstardom and beyond.  In 2013, at a stage show, I got him to talk about furries to the audience. My article about it mentioned giving him an invitation to San Francisco’s legendary Frolic fur dance.

This week, that got attention from another creative force, the organizers of Mortified. They were looking for help to invite John to a project.  They reached out to Dogpatch Press and I was happy to hook them up with info.  I wanted to help (with furry hugs on top) when I saw what they do:

Mortified celebrates stories revealed through the strange and extraordinary things we created as kids.

Witness adults sharing their most embarrassing childhood artifacts (journals, letters, poems, lyrics, plays, home movies, art) with others, in order to reveal stories about their lives. Hear grown men and women confront their past with tales of their first kiss, first puff, worst prom, fights with mom, life at bible camp, worst hand job, best mall job, and reasons they deserved to marry Jon Bon Jovi.”

I’ll bet that might strike a chord with some furry fans. Do you have an old Livejournal you cringe about?  RP chat logs?  A horrible Durrsuit? A story about wanting to marry Robin Hood? Would you share some of it, if we promise to be nice about it or keep it anonymous if you ask?

Please send your submission for an article! Email: patch.ofurr@gmail.com.

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ROAR Volume 7: Legendary – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

51vtrw4caklROAR volume 7, Legendary, edited by Mary E. Lowd.
Dallas, TX, Bad Dog Books, June 2016, trade paperback $19.95 (377 pages), Kindle $9.95.

ROAR volume 7, Bad Dog Books’ annual anthology of non-erotic furry adventure short fiction, is the second edited by Mary E. Lowd following last year’s vol. 6 devoted to Scoundrels. It is slightly smaller – 17 stories rather than 28, and 377 pages rather than 394 – but is still larger than the volumes edited by Buck C. Turner. This year’s theme is Legends/Legendary; the legends that anthro animals listen to and live by – or not.

In “Crouching Tiger, Standing Crane” by Kyla Chapek, three Oriental students – a fox, a crane, and a snake – listen to a tigress fortuneteller as she relates the history of their tiger-crane school of martial arts. “The Manchurian government of the Qing dynasty had become corrupt beyond measure. At the same time the Shaolin style [of Kung Fu] had become popular, gaining great respect and power within the martial arts world.” (p. 14) This is the story of how the betrayed Shaolin monks went underground and continued to teach their style, told with anthro animals: The Bengal tiger, snow leopard, and clouded leopard clans, disguised as traveling performers; their meeting the fragile-appearing cranes; marriage resulting despite official disapproval (“‘The Manchu do not look kindly on cross breed relationships, let along cross clan.’” –p. 20); betrayal and death; and the children, foster brothers Hoong Man Ting (crane) and Wu Ah Phieu (tiger), despite their own families’ anthropomorphic disapproval (“‘A crane couldn’t use tiger style because they lack paws with strong digits and claws; conversely a tiger cannot use crane style because he lacks a beak and the stance would be completely unnatural.’” –pgs. 29-30), leading to the climax showing how the two styles were merged.

“The Frog Who Swallowed the Moon” by Renee Carter Hall, tells how Frog used to have the most beautiful voice in the swamp; until one night when he swallowed a bucketful of water that had the full moon shining in it, and everything went dark. He learns what he must do to replace the moon, but that is why his voice has never been the same.

Hall paints an unforgettable word-picture of the pond in the dark night, except when Frog opens his mouth to talk and blinding moonbeams shoot out. This legend is an ethereal example of poetic writing:

“It didn’t seem to be the pond he’d known as a tadpole. In the stark light of his moonbeam, the pale stones led him across an expanse of water larger than he’d ever seen before. Soon there were no more marsh-reeds or cattails at the edges of his sight. There was only darkness and the moonpath, and when Frog dared to look up, even the stars had disappeared. He didn’t look up again after that, keeping his light and his eyes focused on the stones just ahead.” (p. 53)

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Fragments of Life’s Heart: Vol. 1 – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

41o2zwqenjl-_sy346_Fragments of Life’s Heart, volume 1, editors: Laura “Munchkin” Lewis [&] Stefano “Mando” Zocchi.
Manvel, TX, Weasel Press, June 2016, trade paperback $19.95 (400 pages), Kindle $4.99.

Fragments of Life’s Heart is a new anthology of anthropomorphic stories of Love. “Join us as we explore the many different forms of love—family love, forbidden love, love that embraces what society always taught was wrong.”

This volume 1 contains “seventeen anthropomorphic stories with all different forms of sexuality and relationships, in a journey across genres, worlds, and time.”

“Tending the Fires” by Jess E. Owen features nomadic desert fennecs. Nara, a successful young bard from the Wadi Ocar, returns home for her sister Sarayya’s wedding after six successful years of traveling and learning in foreign lands. Nara looks forward to rejoining her loving family, but although her father, brothers, and sisters embrace her warmly, she is shocked when Arwa, her mother, greets her formally but coldly as an honored guest, not family. Arwa hasn’t even read the six years’ worth of letters that Nara sent home regularly. Nara must discover what she has done wrong in her mother’s eyes, and how to correct it in the midst of a colorful tribal wedding celebration.

Owen creates a rich North African (though it is another planet) setting:

“Nara sat with her family while Sarayya and her new husband made their vows in the blended light of the dying sun, the rising moon and emerging stars, and distant, blue Ocarus.

Time stilled as Nara watched her little sister’s face, glowing, and linked her heart and her life to a new tent, a new family – Nara’s new brother, a whole new addition. Their family had grown. Nara’s heart seemed to swell and expand and encompass the new foxes her sister had come to love, and now, they were all one. As darkness bloomed over them, Nara mingled with the in-laws, rapidly learning names and gossip.

It was not long before the men produced their tablah drums and a stringed rebab, and they broke into long recitations of songs by desert poets, all memorized and passed down for hundreds of years. […]” (p. 33)

In “Transitions” by Mog Moogle, Geoffrey has a secret. Or Freya does. He/she is transgender. The male otter has felt that he was really female ever since puberty. Geoff’s mother has accepted his decision, but his father has stubbornly insisted that he is 100% his son. So Geoff has gone through middle and high school as Geoffrey. Only his best friend, Douglass, a mole, has known his/her secret and has recognized her as Freya – and become her lover. Now that they have both graduated from high school and Doug is going into the U.S. Army, Geoff is set to leave for the university – and he/she’s decided to openly start her new life as Freya. Her mother is supportive, but confronting her father as a girl –

Will his/her father’s love for his offspring transcend his/her sexual identity?

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