Dogpatch Press

Fluff Pieces Every Week

The State of Furry Publishing – Fred Patten gives the inside story of eight groups.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Back in February 2015, Dogpatch Press published a two-part “History of Furry Publishing” by me. (Part 1 and Part 2) Patch has asked me to contact the furry specialty publishers for a follow-up to bring it up to date.

The traditional “Big Three” furry specialty publishers are FurPlanet Productions in Dallas, Rabbit Valley Books in Las Vegas, and Sofawolf Press in St. Paul. They were profiled in the earlier article. Here is their current status.

FurPlanet Productions

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FurPlanet has been doing very well, as evidenced by having 24 new titles at Anthrocon 2016. FurPlanet has had dealer tables during 2016 at Further Confusion in January, Furry Fiesta, Anthrocon, and Rocky Mountain Fur Con, and plans to appear at Mephit FurMeet, Furry Migration, and Midwest FurFest in December. Besides selling books, FurPlanet has established a strong presence and met a lot of great fans, some of whom have been encouraged to become writers in FurPlanet’s anthologies.

FurPlanet prefers to release new titles at the conventions it attends. Further Confusion in San Jose in January and Anthrocon in Pittsburgh in late June or early July are the big release weekends each year, and publications are aimed for those dates. FurPlanet used to have several releases at RainFurrest in Seattle in late September, but with the disappearance of RainFurrest FurPlanet may shift to Midwest FurFest in Chicago in early December. If something becomes ready at a different time, it is released at the first convention it’s ready for.

Some of FurPlanet’s art folios are annuals. Those usually appear at the same convention each year. FurPlanet and its readers can count on two short fiction anthologies edited by Fred Patten at FC and AC, and an annual volume of FANG and ROAR at AC. Other anthologies, single-author collections, comic books, and one-shot art folios appear as they’re ready.

Erotica clearly sells very well. About 70% of FurPlanet’s sales are adult titles versus 30% of “all ages”. Of the 24 new titles at Anthrocon 2016, only 5 were all ages. FurPlanet’s best selling titles are the comics and books with well-written stories featuring adult themes. Rukis’ novels and comics, and the “Cupcake” novella books have been especially popular.

FurPlanet has three tables together at Anthrocon, so it has a much wider display of titles there. At conventions where it has only two or one table, there are about 100 titles, focusing on what is new or still selling well. Titles that are part of ongoing series will stay on the tables much longer.

Convention sales and online catalogue sales are about equal. Sales of FurPlanet’s print books are much greater than of Bad Dog Books’ e-editions. The Bad Dog e-books are not Amazon’s Kindle books. The only difference is that the Kindle books do not have adult illustrations, due to Amazon’s rules on eBooks. The Bad Dog titles are not censored. That is why many of the Bad Dog eBooks do not appear on Amazon.

For conventions relatively near Dallas, FurPlanet drives its stock there and back in its hatchback. For Further Confusion in California and when it was attending RainFurrest in Seattle, FurPlanet shipped its stock there and flew.

FurPlanet regularly displays Rabbit Valley’s and Sofawolf Press’s titles at conventions where those publishers do not have their own tables. There are no arrangements yet with other publishers, but with several new ones appearing, there could be in the future. FurPlanet has stocked a few mainstream books like the American editions of the French Blacksad and Grandville titles, but those are rare exceptions. FurPlanet’s recent carrying of several of Disney’s Zootopia titles has been due to the extreme interest in Zootopia by many furry fans. There are no plans to carry other books related to anthro-animal movies.

FurPlanet Productions is basically a part-time hobbyist mail-order business in Dallas. Everything there is in a large room called the Production Room. FurPlanet’s stock is kept there, orders are packed and shipped from there, and their bookbinding equipment is there. This room is not open to the public, and there are no plans to open a store front.

FurPlanet consists of four people: FuzzWolf and Teiran, the two owners, and their two long-term employees Buck Turner and Zia McCorgi. All four have regular jobs and run FurPlanet in their spare time. All four appear at almost every convention that FurPlanet displays at. They are sometimes joined by their friends Ajax B. Coriander and Andres Cyanni Halden, who have edited anthologies for FurPlanet in the past.

FurPlanet has this to say:

We’d like to thank everyone, our authors, artists, editors, customers, and helpers, especially Buck and Zia, who have made this all possible for the last eight years.

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Demonic Anthology Seven Deadly Sins – OPEN FOR SUBMISSION

by Pup Matthias

_the_seven_deadly_sins_

Art by Open-Face

Halloween is upon us. The air is getting chillier, the leaves are changing, and our darkest thoughts start to bubble to the surface. While this isn’t a Halloween or even fully a horror anthology, this one offers a look at our own twisted minds to fulfill our most primal needs. And isn’t that what Halloween is all about? Thurston Howl Publications is proud to present its new demonic anthology, Seven Deadly Sins and they are open to your submissions.

The theme should already be clear to anyone with a passing knowledge of religion, but for those wondering what to base their story on…

Seven Deadly Sins has been a literary trope for centuries, popularized by Italian poet Dante. They are as follows: pride, greed, lust, wrath, gluttony, envy, and sloth. This collection will be divided respectively into the seven parts. We want to see anthro-animal characters at their darkest and weakest moments: at the whorehouse, at the chopping block, in the morgue, in the dining room with the candlestick.

Edited by Thurston Howl, the inspiration for the anthology comes from his own experience.

The inspiration for this anthology came from a personal struggle. Recently, I felt a smoldering rage toward a close acquaintance of mine who had a particular habit for causing local trouble. Instead of acting on that anger, I tried to pick apart whether what I was feeling: wrath…or envy…or even just an insult to my pride. Gradually, I thought of a couple of short story ideas for a few of the seven deadly sins, and then it hit me to edit a furry anthology with the theme.

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NEWSDUMP: Four cons for Pacific Northwest, history and scandal in the fandom – (9/15/16)

by Patch O'Furr

Tips: patch.ofurr@gmail.comHere’s headlines, links and little stories to make your tail wag.  

FOUR cons for the US Pacific Northwest? (Tip – Fuzzwolf.)

apkjwqsxFurvana (2018). Anthro Northwest (November 9-12, 2017). Pacific Northwest Fur Con (Spring 2017). And a rebirth for Rainfurrest (under parent organization RAIN, who actively runs other events year-round.)  All of these are intended for one region.  Amazingly they seem cooperative, with none replacing another.

On Reddit’s r/furry, a con staffer explains more about all the activity.

In late 2015 Dogpatch Press looked at five regions for “One Town, Two Cons: Let’s compare and ask organizers about Furry community growth.” It was about fan support, competition and cooperation, with questions about how to sustain more than one central event. But four is unprecedented ambition.

It could only come with 2016’s amazing Year of Furry.  From Zootopia’s billion-dollar success, to Fursonas (the first movie about furries with mainstream distribution), to the continued explosion of cons, there’s much more to come.

Furry party posters from the 1980’s. 

In the 1980’s, sci-fi cons gathered fans of funny-animal cartoons for room parties. Mark Merlino and Rod O’Riley have the Prancing Skiltaire furry house in So Cal that has posted some of their party flyer collection.  There was drama about the “furries” being weird, because that stuff isn’t for grown-ups is it?  So in 1989 they got their own con, ConFurence.  Look at how they multiplied like bunnies. Now it’s too late to stop them. Just don’t let anyone with a time machine go back and change the flyers to send them to Floor 13.

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NEWSDUMP: San Francisco Furry Worries – San Diego Chicken Retires (9/14/16)

by Patch O'Furr

Here’s headlines, links and little stories to make your tail wag.  Tips: patch.ofurr@gmail.com.

In San Francisco, Frolic Furry Dance may lose historic venue… is The Stud saved yet?

Update for “Frolic ‘the original furry nightclub’ to lose historic venue – community responds.”  

lobo-stud3The SF Bay Area is getting so only the wealthiest can afford to live there. It’s one of the worst places for gentrification and rising costs forcing out culture. The pressure has hit The Stud, a historic gay bar and subcultural landmark that welcomes freaks and artists like no other place.

Frolic furry dance was established by their support. It has had wide influence, inspiring other furry dances to start all over the place.  (See the Frolic tag.)

Frolic took years to gain traction.  Now it regularly maxes out capacity and spills out to the street each month. It will be sad if it loses it’s home and has to find a new one.

There may be hope, but it’s complicated. The building is approved for management by a co-op of artists and community members (the first cooperatively managed LGBT club in the country.)

But do they have a business plan that can meet the steeply rising costs of running the place? They have applied for “historic business” status under new local legislation, but will it be enough?  Reports are unclear.

If things don’t come together within a short time, the plans may die.  The building could be knocked down and replaced by soulless condos. NBC News has a video about 3 local LGBT landmarks struggling with this problem, including The Stud.

Frolic founder Neonbunny posted to the Save Our Stud group:

“Furries have always been the outcasts among outcasts. There’s not alot of venues that accept different cultures, new traditions, and just general going against the norms to express yourself in new ways. Drag may have been like this decades ago, but now you have so many options on every night to dress up as a different gender.

But what if you like to dress up as a different species? Not a lot of options… But yet, The Stud has welcomed Frolic with open arms, shown that there can be a home for the outcasts, for those who don’t fit any traditional norms anywhere.

And for this, The Stud will always have a special place in our hearts. You accepted us, and in return we have embraced The Stud in return, you have become our family.”

frolic

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NEWSDUMP: Stolen Fursuit – Secret Furry Patrons – many media mentions (9/13/16)

by Patch O'Furr

Here’s headlines, links and little stories to make your tail wag.  Tips: patch.ofurr@gmail.com.

Oreo Wolf’s stolen fursuit makes news in Nevada.

KTNV must have been happy to get 200 retweets. How often does that happen for a video clip about a mere $2600 theft, less than a garden variety car accident? Some things are more important than money. And that’s how the station got to share a little of what the furry community is about. Next time a news anchor thinks about laughing at our misfortune, this could help them to understand.


Fandom is big enough to have a few “Stolen Fursuit Alerts” a year. It’s one thing to retweet, but what works best is for locals to search on the street. That’s how Zarafa’s stolen fursuit was recovered in San Francisco. Here’s hoping for good luck for Oreo wolf.

The Secret Furry Patrons Keeping Indie Artists Afloat.

NYMag gives a thoughtful look at the devotion that makes furry fandom thrive. A community that has benefited others as much as received unfair negativity.

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Helga: Out of Hedgelands, by Rick Johnson – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

41k8zrifsulHelga: Out of Hedgelands, by Rick Johnson. Map.
Seattle, WA, CreateSpace, March 2014, trade paperback $14.99 ([ii] 583 pages), Kindle $0.99 free with app.

The five volumes of the Wood Cow Chronicles are really only four volumes, published between March 2014 and September 2015; with a 37-page appendix only on Kindle, Dragons: The Untold Story, published as volume 5 for readers who want to know more about the backstory of the Dragons in the story. The pricing is designed to encourage the sales of the Kindle editions. The four volumes are vol. 1, Helga: Out of Hedgelands, March 2014; vol. 2, The Overending, March 2014; vol. 3, Silversion, February 2015; and vol. 4, Willowers, September 2015.

Helga was published in March 2014, but carries a 2012 copyright notice. It begins in a small fogbound harbor town, where a stagecoach is just leaving:

“Just outside, Livery Rats scrambled to prepare the Drownlands Weekly for departure. Travelers loaded quickly as burly Dock Squirrels tossed bags and trunks into the rooftop baggage rack. As soon as the baggage was loaded, the Weekly rolled away from the station with creaking timbers and rattling brass, its freshly serviced wheels smelling strongly of snake grease.

Bouncing along the bare track leading away from the Drownlands station, the Weekly rumbled through the sparsely settled frontier of the Rounds. Except for the Weekly and a few cargo wagons, the bone-jarring road was little used. A river of mud when it rained and a dust-choked washboard of ruts in the dry season, the many stones in the Cutoff road gave its only predictable surface.

Three of the passengers in the Weekly on this particular spring day were creatures we will hear much about in this account of former days. There was a strongly muscled young Wood Cow with soft, thick hair and a lively face. Dressed after the manner of her clan – long barkweave jacket and leggings, lizardskin boots, forest green linen shirt – Helga dozed fitfully, her head lolling against the jostling headboard. Although exhausted by her long journey, a smile played across her face. The sound of the rumbling wagon assured her that she was, indeed, at long last coming home.” (pgs. 2-3)

I’ve quoted this at length to give you a taste of Johnson’s writing. Depending on your taste, it’s either incredibly padded and takes forever for anything to happen, or it’s incredibly rich in detail, so much so that you almost object to the action that sidetracks you from the abundant descriptions of the anthropomorphic world in which it’s set – Helga’s world.

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The Digital Coyote, by Kris Schnee – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

51bo46jw5qlThe Digital Coyote, by Kris Schnee.
Seattle WA, CreateSpace, July 2016, trade paperback $8.49 (238 pages), Kindle $3.99.

This is Schnee’s third Thousand Tales book, following the novel Thousand Tales: How We Won the Game, and the novella 2040: Reconnection. There is also the short story “Wings of Faith”, in the anthology Gods with Fur, ed. by Fred Patten (FurPlanet Productions, June 2016). To quote from my review of 2040: Reconnection: “Ludo is the advanced Artificial Intelligence who can scan anyone’s brain and recreate it in ‘her’ fantasy world, in the setting and body of their choice. Handsome men and beautiful women, noble warriors, flying griffins, anthropomorphic animals; anything, living in an ancient Greek or medieval European or sci-fi futuristic paradise. Of course, their original body in 2040 A.D. Earth is dead, and the consequences of this back on Earth may be unknown, but who in Ludo’s world cares?”

Pete Timaeus is a Washington, D.C. senator’s aide; great at data analysis but otherwise with massive psychological problems about dealing with the real world. He wants Ludo to “fix” him. “She” demurs:

“‘You can fix me!’

The AI shook her head. ‘That’s not what uploading is for. People already argue that converting a human brain into software destroys the soul, that my residents are false copies made for suicidal customers. If I deliberately get your mind wrong, what’s the point?’” (p. 3)

What Ludo does is to take Pete into the computer world of Talespace as he is, with his inferiority complex and hypochondria and inability to make choices and acrophobia and insecurities about dealing with other personalities, and lead him into fixing himself. Mostly as a coyote.

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Rise of the Silver Moon, by Kuragari Inuken and K. G. Hobbes – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

rise-of-the-sliver-moon-by-kuragari-inuken-and-k-g-hobbes-206943Rise of the Silver Moon, by Kuragari Inuken and K. G. Hobbes. Illustrated by Shiki Z. Shigls.
Las Vegas, NV, Rabbit Valley Books, May 2016, trade paperback $20.00 (177 pages).

This is a Medievalish fantasy adventure with funny-animal warriors and wizards, including “dragonkin”. I’m not sure what the dragonkin are supposed to look like, despite the picture of one on the cover:

“The dragonkin straightened and unfurled his wings briefly, flexing them in the cool night air then folding them against his back. Adjusting his clothes nervously and checking that he was presentable in his reflection from a window he stepped up to the door, and knocked far more quietly than such a large fist would seem to allow.” (pgs. 2-3)

So the dragonkin have large wings plus clothes. How does that work? Are the shirts or tunics backless? If the dragonkin are humanoid, do they sleep on their backs with those wings?

Never mind. For a funny-animal adventure like this, it doesn’t matter.

Khan the dragonkin/dragon is the monk-sensei of a martial-art school. He is determined to climb a cursed mountain for the healing flowers that grow only at its top. The flowers grow at the foot of a stone statue of a humanoid wolf that comes to life when he picks them. After an exhausting fight, Khan throws the wolf off the mountaintop to its death. But when it dies, the wolf’s spirit possesses Khan:

“He felt something bubble up in his chest and rise in his throat, escaping his maw in a loud lupine howl! Khan clapped his hands over his mouth and shivered as he kneeled, feeling extremely weak and shaky. Another howl pierced the now silent night and made the dragon double over retching on his hands and knees.” (p. 19)

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The Origin Chronicles: Mineau, by Justin Reece Swatsworth – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

51tacpDt0ML._SX319_BO1,204,203,200_The Origin Chronicles: Mineau, by Justin Reece Swatsworth. Illustrated by the author.
Grampian, PA, Dolphyn Visions, December 2008, trade paperback $34.95 (391 [+ 1] pages), Kindle June 2016 $3.98.

“The universe is a living experiment in the realm of possibility. From the largest stars down to the smallest particles of matter, everything exists because at some point it became possible to exist. In this context, time simply marks the beginning and completion of these possibilities. Everything changes in the universe, yet amazingly it never stops experimenting. As one object reaches the end of its existence, a new one is born … the possibilities are endless.

The only constant in the universe is the experience of curiosity. Curiosity is not only the signature of possibility, it is the beginning of it.” (p. 6) Etc., at great length.

The Origin Chronicles: Mineau is the story of one dolphin’s experiences. To the reader, his background may be of greater interest.

“My family and I decided to swim over to the celebration on this particular occasion. After all we lived on the coastline directly opposite the city, and it was only a short swim to reach the docks. The levitation tram would be packed at this hour and honestly, something just felt more natural about the water. There was noting quite like a warm ocean on a brisk evening!” (p. 9)

“As we both glided through the water, I marveled at the sights taking place below us. Vast green tunnels and tubes could be seen stretching for miles, providing services like power, transportation of goods, and walkways for those who did not feel like traversing the waterways of the city and getting wet. These tubes were particularly busy tonight.” (p. 11)

Mineau is part of a world of anthropomorphized dolphins. He is an adolescent living in a coastal city designed by uplifted dolphins for uplifted dolphins. “Dolphins were shown being given legs and arms to be able to work on land, which allowed them to have increased mobility.” (p. 21) Who uplifted the dolphins? That would be a spoiler.

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Poem Anthology Civilized Beasts 2016 – OPEN FOR SUBMISSION

by Pup Matthias

2237d0_279de4e132234f0dbc1eb187f7931614When most of us think of Furry writing we think of your standard novels, novellas, short stories, even comics, but one form that doesn’t get the same attention is poetry. Mainly cause there hasn’t been too many opportunities in the fandom to showcase anthropomorphic poems. There are a few exceptions like Heat and the soon to be released anthology Wolf Warrior III which offer collections that mix poems with short stories, but there hasn’t been an anthology dedicated to poetry alone. Until last year when Laura “Munchkin” Govednik released Civilized Beast. Now she’s back again for round two. Civilized Beast 2016 is open for submission.

So where did the idea of doing a poem anthology come from?

The idea for Civilized Beasts started in the Furry Writer’s Guild.  I was surprised to find there were other members and future members who also had a high interest in poetry and hoped to see more of it in the community.  Through various discussions, I realized that a poetry collection about animals for animals could be a great way for people in and out of the furry community to connect.

When it comes to theme, Civilized Beasts does the same thing as Heat by having a generally open theme for everyone to play with.

The theme this year is the same as last year: Animals, be it the outside observation of animals, in the mind of an animal, or the symbolism of an animal.  By leaving the theme so open, it allowed poets a lot of freedom last year, and an incredible variety of poetry was submitted because of it.  It is my hope that poets will be just as inspired this year, so I decided not to limit the theme.

Munchkin is looking for all kinds of poems. Whether they are your traditional rhymes, sonnets, haiku, or free verse. You are free to write what speaks to you. Munchkin wants you to think outside the box. To go wild. There’s even no word count limit to your poems.

For anyone interested, there’s no maximum or minimum line count, though longer poems will be looked at more critically since we only have so many pages to work with. 

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