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Tag: furry

A tribute to Fred Patten, 1940-2018

by Patch O'Furr

Fred in 1993 at a furry party at San Diego Comic Con. Lizard unknown. Photo by William Earl Haskell.

Fred Patten passed away on November 12, 2018 at age 78, leaving a legacy as historian and founder for the anime and furry fandoms. He was the star guest poster here. It’s hard to think of having no more Fred posts, but easy to say how much he influenced everyone. I’m really going to miss him sending in news tidbits or emails from curious fans, and asking if I can use them, then working out collaboration posts from his prompts. This was one of many, showing how he was sought out as an authority on anime and furry by people as far away as Malaysia.

Fred is remembered by many outside of furry. A memorial post on File770 highlights author David Gerrold calling Fred a “classic old-school fan”.  The Los Angeles Science Fantasy Society’s memorial page has Melissa Conway saying: “He was, without a doubt, the dean of Furry Fandom.”

From fellow furry fans, Dronon posted a rememberence of Fred at Flayrah news.  So did Mark Merlino, cofounder of the first furry convention (ConFurence) and organizer of science fiction con parties that paved the way. Shortly before Fred’s passing, I ran into Mark and Rod of The Prancing Skiltaire (the long-running fan house in southern California) at PAWcon in San Jose. They had a table set up to remember gone but not forgotten fans. I think Fred deserves a place of honor in the middle of them all.

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“You fucking resplendent flower!”- Chuck draws anxiety and depression, but mostly pigeons.

by Bessie

Welcome to Bessie, of Marfedblog, a comics review and criticism site. There’s furry stuff there, and much more, with devoted curation by a fan doing exactly what they love. If you like this, give it a follow. And expect more syndicated content from Marfedblog reposted here. (-Patch)

What’s the first thing to pop into your mind if I were to mention pigeons? The noble racing bird? Hmm, maybe. Dirty diseased rats with wings? Most likely. A way to embody, personify and express mental illness? Probably not… maybe the last one was a little too specific to Chuck Mullins.

Chuck uses the unjustly maligned bird to process and explore her own experiences of dealing with long term depression. For anyone who follows her Twitter or Tumblr feeds however, I’d wager good money it’s the first thing they think of now, whenever they spot one of our fearless feathered friends pecking at bread crumbs or chips on the street. A regular dose of cathartic pigeon positivity, a wing on their shoulder, and a comforting coo in their ear to keep on keeping on.

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Hevisaurus: The Finnish Fursuiting Metal Band for Kids – by Tempe O’Kun

by Patch O'Furr

Welcome to Tempe O’Kun: author of Paranormal Furry Romanceanthropomorphic-animal Westerns, and a frequent guest of the site. I’m very happy he’s covering these literal dinosaur rockers. I loved seeing them, but never got to it because I don’t pay enough attention to the people and reptiles of Finland. Tempe had the head of the Hevisaurus fan club look over the article and he said it rocks. It reminds me, I just interviewed Jello Biafra, the punk legend, and he was curious if dinosaurs will come to his first time meeting furries as a DJ at their dance party. He also made funny reference to the cartoonish alien metal band GWAR – this is like an evolutionary cousin between them and furries. – Patch

Why isn’t heavy metal a genre for children?

Certainly plenty of metal songs aren’t kid-friendly —don’t go replacing Daniel Tiger’s Neighborhood with Metalocalypse— but adult themes in music are a matter of lyrics and visuals. Nothing about the genre on a technical level limits it to adults. Extended guitar solos and amped-up distortion, no matter how hard core, will not cause your child to explode.

The main reason we don’t see much metal for kids is the same reason we’re only now seeing young kids at furry conventions: the genre is just too new. Heavy metal only emerged in the 1970s, which means 1) society hasn’t had time to get comfortable with it and 2) many fans are only now having kids.

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Dogbomb Leads Furry Fandom To Highest Fundraising For ALS Cure Event

by Tuck Tucker

Inspirational furry, Vet Tech, and champion of ALS awareness Dogbomb (Tony Barrett) has led the fandom with a notable achievement for charity.  In the second weekend of November, a small army of furry supporters came out for his Walk To Defeat ALS event in Southern California. Their goal was to raise awareness and research funds for this fatal disease with no cure (also known as Lou Gehrig’s disease).

Patch O’Furr spoke to San Francisco Bay Area furry Zarafa Giraffe, after his return from the weekend in SoCal. It drew furries who drove from Northern California and even flew in from other states. Zarafa gave a rough estimate of 75-100 furries at the walk that he estimated as mid to high hundreds – making them a significant chunk of the whole event, as well as a third of the entire donations.

The walk synched with a FurBQ where Zarafa estimated 300 in attendance (perhaps the high end of size for local furmeets less formal than cons). Meeting many new members encouraged him to make more trips to participate. That’s the kind of snowball effect that builds up to bigger things, and gives them power to reach out and make the world better.

That fandom power propelled both Dogbomb and the furry team all the way to the top of the fundraising leaderboard on the alsa.org webpage.

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Jello Biafra’s Incredibly Strange Interview and dance party with furries: San Francisco, 12/1/18

by Patch O'Furr

Info: Frolicparty.com or Facebook – Frolic with Jello Biafra

Are you a man or are you a mouse?
If you love your fun, die for it!
The Power of Lard by Lard

Man or mouse: why pick just one? Furries can have their cake and eat it too. (It’s cheese cake, of course!)

That line jumped out of my car music on a drive to San Jose’s PAWcon, on the day after Halloween. Besides rocking my giant ears, I was geeking out about just doing a 45 minute phone call with Jello Biafra.

Jello is a punk legend, the singer for Lard and the Dead Kennedys, the founder of Alternative Tentacles (one of the longest running indie record labels)… and he’s friendly to this fluffy fandom. Is that punk? Well, will it annoy purists and/or make you laugh? Then it just might be. And will the average furry care? I’d say it’s cooler than the times when furries infested the White House and assimilated Insane Clown Posse. If you could put all those things together, and let the mayhem commence with cute animals and crazy clowns doing a coup on the Capitol lawn, it would only be half as outrageous as this amazing event.

Speaking of Halloween, that wasn’t just a date on the calendar. Halloween is a classic Dead Kennedys song, and Jello referenced it when I asked for his thoughts on furries. The song rages against social regulations and asks why people don’t express themselves like that day, every day? So, furries, you got compared to a classic punk rager by the legend who wrote it. (He also wrote Nazi Punks Fuck Off. By the way, Nazi Furs Fuck Off!)

See why I was so stoked? Getting in that spirit also reminds me of Ministry’s Every Day is Halloween; Jello’s band Lard is a metal/industrial collab with the guys from Ministry. And when I asked what his fursona could be, he gave the punkest answer:

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Panique au Zoo; Une Enquête de Poulpe et Castor Burma, by Frédéric Bagères (story), Marie Voyelle (art), Jerôme Alvarez (colors) – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Panique au Zoo; Une Enquête de Poulpe et Castor Burma, by Frédéric Bagères (story), Marie Voyelle (art), Jerôme Alvarez (colors).
Paris, Éditions Delcourt, June 2018, trade paperback, €23,95 (187 [+ 5] pages), Kindle €16,99.

Fred Patten and Lex Nakashima strike again!

“Built in 1740, at the far northern end of the isle, the Canon Zoo is the oldest and greatest zoo in the world. Founded in the XVI century by the monk Sylvestre Marie, it is today managed exclusively by its occupants.

“Aimed at an instructive goal, it offers its visitors, through its presentation of natural habitats, the chance to see how they have lived, over the centuries to the present, “animals in a state of nature”.” The sign is defaced with a graffiti-scrawl saying, “Obey!”

The first pages, a general meeting in the director’s office (a tapir), establish that things are different today. (Also that the dialogue is full of French puns and double-entendres.) Something is causing some of the animals to mutate into forms that are embarrassing at best, potentially fatal at worst. The director has hired two private detectives, Octopus and Beaver Burma, to find the reason and stop it.

“Eight months ago, some employees began showing the first symptoms. I think the otters were the first.”

“What do you mean?”

“They became covered with spines.”

“Like porcupines?”

“Exactly.”

“Like ‘otter-pines?’”

“If you like. They’re incapable today of running their stand in the zoo.”

“What are they selling?”

“Balloons.”

[…]

“Next it was the turn of those that your colleague would call the ‘polar urchins’, who are living today in the canteen’s freezer.”

“Then the ‘cat-pony’ that we put into the Asian animal enclosure.”

“And the ‘oyster-constrictor’ who spends his days trying to swallow the ‘rat-engale’ trying to find its voice.”

“The affair took a nasty turn when we found the “serpent-pie-thon’ dead, of self-asphyxiation. The animals began to get scared.”

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A Peculiar School, by J. Schlenker – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

A Peculiar School, by J. Schlenker.
Olive Hill. KY, Binka Publishing, September 2018, trade paperback, $11.95 (326 [+ 2] pages). Kindle $4.99.

“Miss Ethel Peacock strutted and proudly displayed her plumage as she paced around the waiting room of Mr. Densworth Lion. She had come unannounced, but she was so excited about the idea she had received in a dream, that she dared not lose any momentum. She could have called ahead, but what if he refused to see her? No, she decided not to risk it.” (p. 3)

This is an animal fantasy, but not a furry one. The peacock plumage is on the male, but hey, this is a fantasy. Besides, Jerri Schlenker knows that.

“‘A peacock? A peacock, you say? What is a peacock doing here?’ Mr. Densworth Lion asked his secretary, in disbelief.

‘Technically, she’s a peahen. Her husband is a peacock. That is, if she has a husband. I don’t think she does as she introduced herself as ‘Miss’. But together: they would be peafowl,’ his secretary [a lioness] corrected.

Mr. Densworth Lion uttered a slight roar of impatience.

‘She’s a teacher at the aviary,’ his secretary added.” (pgs. 3-4)

This is at Cub Academy, run by principal Mr. Densworth Lion, in a nature preserve. The animals are civilized; Mr. Lion wears eyeglasses and sits at a desk with papers and a candy jar upon it.

But not too civilized. Or, not into the 21st century:

“‘What I propose. Mr. Densworth Lion, is that we use your school as a model – a model for a bigger school, a university of sorts, one that houses all animals.’

‘All animals?” he roared. ‘We teach cubs here – lion cubs. Such a proposal is ludicrous.’” (p. 11)

Mr. Lion will not even listen to Miss Peacock’s proposal for a school in which all animals are treated equally. Well, maybe not the animals domesticated by humans, like dogs and cats. They’re different:

“The dog barked for a good solid hour almost every night. What was he trying to say? Since dogs had taken up with humans, their language had become garbled and unrecognizable. It was obvious the humans didn’t understand them either as every night the human came out on the porch and yelled something to the dog in the scrambled tongue of humans.” (p. 13)

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Civilized Beasts Volume III, Editor-in-Chief Laura Govednik, Editor Vincent Corbeau – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Civilized Beasts volume III, editor-in-chief Laura Govednik, editor Vincent Corbeau.
Manvil, TX, Weasel Press, September 2018, trade paperback, $8.00 ([vii +] 109 pages).

Here is the third annual volume of animal poetry from Weasel Press. It contains 98 pages of poetry, of mostly one page or less. Several authors have two or more poems. There are far fewer familiar furry fan names this year than there was last year; other than the editors, I recognized only Michael H. Payne. There are five poems by Larry D. Thomas, the 2008 Texas Poet Laureate.

Civilized Beasts is popularly advertised as an anthology of furry poetry, but it is almost all about realistic animals or the wonders of nature. Many authors have written poetic portraits of their own dogs, cats, horses, or goldfish. To be fair, it’s hard to write a work of furry fiction of one page.

There are some rhymes and a lot of blank verse. The cleverest poem graphically is the one chosen to end the volume: “Telltale” by Ruth Sabath Rosenthal. It’s in the shape of a wagging tail.

Civilized Beasts volume III (cover again by Darkomi) is another charity for the Wildlife Conservation Society. “All proceeds from this anthology go towards the Wildlife Conservation Society.”

Full disclosure: I have five poems in this.

Fred Patten

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A financial fuss about FurFlight – can it fend off a fandom fiasco?

by Patch O'Furr

Distressing news has come out about a furry-organized travel service, which appears to be in trouble with some big financial obligations at the moment. The fur is flying, and not in a good way.

FurFlight bundles furries together for group air travel from highly-active fandom regions to highly-attended conventions, most notably from Seattle and San Francisco to Midwest FurFest. The idea is to improve the boring parts and the endpoint arrangements. It happened successfully in 2017. (As far as I know, no fellow travelers complained about fur allergy flareups or the plane smelling like a zoo – score for fandom image!)

FurFlight isn’t affiliated with Midwest FurFest. One of the con staffers told me about previously advising people not to buy in because of no accountability for an independent operation. Trusting other fans comes with risks known to anyone who’s been burned by bad art commissions.

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Mechanical Animals: Tales at the Crux of Creatures and Tech, Edited by Selena Chambers and Jason Heller – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Mechanical Animals: Tales at the Crux of Creatures and Tech, edited by Selena Chambers and Jason Heller.
Erie, CO, Hex Publishers, November 2018, trade paperback, $19.99 (417 pages), Kindle $5.99.

This is not a furry book, but an anthology of 22 stories and articles about mechanical animals, including a cyborg. Most of them are about mindless clockwork robots. There are a few that feature self-aware AIs in the form of animals. These are close enough to furries to warrant Mechanical Animals to be reviewed here.

Mike Libby, in his Introduction, talks about being fascinated by mechanical animals from his childhood. “When I was ten I wanted one of those battery-powered motorized dogs you would see outside Radio Shack, that was leashed to its battery-powered remote control, and after a couple of high-pitched barks, would flip backwards, landing perfectly, ready to repeat his mechanical trick.” (p. 9) Jess Nevins, in his 13-page “Mechanical Animals”, summarizes them in literature from Homer in The Iliad to real examples in history (“The German mathematician and astronomer Johannes Müller von Königsberg, aka Regiomontanus (1436-1476), was reliably reported to have constructed a flying mechanical eagle for the Emperor Maximilian in 1470.” – p. 29), to the present.

“Two Bees Dancing” by Tessa Kum is the first story:

“Focus. This pain is old and familiar. It is not important. Focus on what is important.

‘We aren’t going to hurt you.’

It is on the table before you. Small. Antennae relaxed, wings spread, legs locked and unmoving.

‘We need your help.’ (p. 33)

A nameless government drone pilot on permanent disability is kidnapped and forced to fly a reprogrammed bee for criminal purposes. Instead, the reprogramming puts him into mental contact with the HiveAI and into a whole new world.

“Brass Monkey” by Delia Sherman is set in a clockwork late Victorian London. The characters in Jenny Wren’s Doll and Mechanical Emporium are elderly, crippled Mrs. Wren, the shop assistant Miss Edwige, and Mrs. Wren’s adopted daughter Lizzie. “If Mrs. Wren was the heart of the emporium and Miss Edwige its back and legs, then Lizzie was its inventive mind.” (p. 53). When the emporium becomes especially busy at Christmastime, “The door opened and out came Lizzie in her leather apron, her magnifying spectacles pushed into her cloudy hair, and on her shoulder a small capuchin monkey, such as commonly accompany organ-grinders, wearing a little scarlet vest.” (p. 54). The monkey is Annabella, Lizzie’s clockwork invention, made to help sort out the beads and ribbons and coins of the business day. When Annabella proves skilled enough to tell real coins from counterfeits, the three women set out to find the counterfeiter – but it’s Annabella who solves the case.

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