Furries Among Us 2: More Essays on Furries by Furries – book review by Fred Patten.
by Patch O'Furr
Submitted by Fred Patten, Furry’s favorite historian and reviewer.
Furries Among Us 2: More Essays on Furries by Furries, edited by Thurston Howl. Introduction by Thurston Howl. Illustrated by Sabretoothed Ermine.
Lansing, MI, Thurston Howl Publications, August 2017, trade paperback, $7.99 (179 pages), Kindle $2.99.
This non-fiction follow-up anthology to the Ursa Major Award-winning Furries Among Us (2015) presents a dozen more essays on furry fans and furry fandom, by “the Most Prominent Members of the Fandom” as the subtitle of the first volume put it. In his Introduction, Howl says:
“As in the first volume, his one has a three-part organization. The first part of the book focuses on social aspects of the fandom. […] The second section covers new aspects of furries and writing. […] The final section is again reserved for the dedicated and hard-working members of the International Anthropomorphic Research Project.” (p. 8)
In “The Importance of Being Seen: Foucault, Furries, and the Dual-Exchange of (In)visibility” by Televassi, he argues that furry fans need to stop being so insular over the Internet and socialize more openly in furmeets and conventions, even if they do so under their fursona identities. This will help furry fans themselves, who are often shy and introverted to become more social, and improve the general image of furry fandom in general society from that of a closed clique of social misfits to just another social fandom. “The Furclub Movement” by Patch O’Furr concentrates more closely on furry clubs: the mostly-monthly evening dance parties and raves, more than the more organized annual conventions. “Interview with the Foxes of Yiff” is a fictional interview by Kit and Khestra Karamak with Jesus and Satan Fox, two furry brothers with highly (even violently) different outlooks on furrydom and its activities. “Gender: Furry” by Makyo presents a “well-researched article on the correlation between gender identity and expression and furry.” (Howl, p. 8)